Culture of South Asia

Evidence of Neolithic culture has been found throughout the modern states Afghanistan, Bangladesh, Bhutan, Maldives, Nepal, India, Pakistan and Sri Lanka that represent South Asia (also known as the Indian subcontinent). Since 3,300 B.C. in modern-day northeastern Afghanistan, in Pakistan and northwestern India a sophisticated Bronze Age cultural tradition emerged, that after only a few centuries fully flourished in urban centers. Due to the high quality of its arts, crafts, metallurgy and buildings, the accomplishments in urban planning, governance, trade and technology etc. it has been classified as one of the principal Cradles of civilization. Referred to as the Indus Valley civilisation or Harappan Civilisation it thrived for almost 2.000 years until the onset of the Vedic period (c. 1500 – c. 600 B.C.).^[5][6] The great significance of the Vedic texts (that don't mention cities or urban life) for South Asian culture, their impact on family, societal organisation, religion, morale, literature etc. has never been contested. The Indus Valley Civilisation on the other hand has only come to light by means of 20th century archaeology. Scholars, who employ several periodization models argue over whether South Asian tradition is consciously committed to the Harappan culture.^[7][8]

Declining climatic conditions, (aridification) and population displacement (Indo-Aryan migration) are regarded as to have caused the fatal disruption of the Harappa culture, that was superseded by the rural Vedic culture.^[9][10]

Following the Indo-Aryan settlement in the Indo-Gangetic Plain and the establishment of the characteristic social groups (Brahmanas, Kshatriyas, Vaishyas and Shudras) in the caste system based on the Jāti model in the Varna order, the tribal entities variously consolidated into oligarchic chiefdoms or kingdoms (the 16 Mahajanapadas), beginning in the sixth century B.C. The late Vedic political progress results in urbanization, strict social hierarchy, commercial and military rivalries among the settlers, that have spread all over the entire sub-continent.^[11] The large body of Vedic texts and literature, supported by the archaeological sequence allows researchers to reconstruct a rather accurate and detailed image of the Vedic culture and political organisation. The Vedas constitute the oldest work of Sanskrit literature and form the basis of religious, ethic and philosophic ideas in South Asia. They are widely, but not exclusively regarded the basics and scriptural authority on worship, rituals, ceremonies, sacrifices, meditation, philosophy and spiritual knowledge for the future Hindu and Buddhist cosmology. Commentaries and discussions also focus on the development of valid political ideas and concepts of societal progress and ethic conformity.^[12]

Hinduism, Buddhism, Jainism and Sikhism are major religions of South Asia. After a long and complex history of cosmological and religious development, adoption and decline, the Hindu-synthesis^[13] and the late but thorough introduction of Islam about 80% of modern-day Indians and Nepalis identify as Hindus.^[14] In Sri Lanka and Bhutan most people adhere to various forms of Buddhism.^[15] Islam is the predominant religion in Afghanistan, the Maldives (99%), Pakistan (96%) and Bangladesh (90%).^[16][17][18]

Afghanistan and Pakistan are situated at the western periphery of South Asia, where the cultural character has been made by both the Indosphere and Persia.^[19] Pakistan is split with its two western regions of Baluchistan and Khyber Pakhtunkhwa sharing a greater Iranic heritage due to the native Pashtuns and Baloch people of the regions. Its two eastern regions of Punjab and Sindh share cultural links to Northwest India. Bangladesh and the Indian state of West Bengal share a common heritage and culture based on the Bengali language. The culture of India is diverse and a complex mixture of many influences. Nepal is culturally linked to both India and Tibet and the varied ethnic groups of the country share many of the festivals and cultural traditions used and celebrated in North and East India and Tibet. Nepali, the dominant language of Nepal uses the Devanagari alphabet which is also used to write many North Indian languages.^[20][21] Bhutan is a culturally linked to Tibet and India. Tibetan Buddhism is the dominant religion in Bhutan and the Tibetan alphabet is used to write Dzongkha, the dominant language of Bhutan. There is a cultural and linguistic divide between North and South India. Sri Lanka is culturally tied to both India and Southeast Asia.^[22] Sinhala, the dominant language in the country is written in Sinhala script which is derived from the Kadamba-Pallava alphabet, certain cultural traditions, and aspects of its cuisine, for example, show South Indian influences. Cultural festivals, aspects of its cuisine and Theravada Buddhism, the dominant religion in Sri Lanka, show a Southeast Asian affinity.^[23]

Indo-Aryan languages are spoken in Pakistan, Bangladesh, Sinhala of Sri Lanka and most of North, West and East India and Nepal. Dravidian languages namely Telugu, Tamil, Kannada and Malayalam languages are spoken across South India and in Sri Lanka by the Tamil community. Tibeto-Burman languages are spoken in Nepal, Bhutan, and North & North East India. Iranic Languages are spoken in Baluchistan and Khyber Pakhtunkhwa in PakistanThe main languages of Afghanistan are Pashto and Dari.

In 2010, South Asia had the world's largest population of Hindus,^[24] about 510 million Muslims,^[24] over 27 million Sikhs, 35 million Christians and over 25 million Buddhists.^[25] Hindus make up about 68 percent or about 900 million and Muslims at 31 percent or 510 million of the overall South Asia population,^[26] while Buddhists, Jains, Zoroastrians, Sikhs, and Christians constitute most of the rest. The Hindus, Buddhists, Jains, Sikhs, Zoroastrians, and Christians are concentrated in India, Nepal, Sri Lanka and Bhutan, while the Muslims are concentrated in Afghanistan (99%), Bangladesh (91%), Pakistan (96%) and Maldives (100%).^[24]

Indian religions (also known as Dharmic religions) are the religions that originated in the Indian subcontinent; namely Hinduism, Jainism, Buddhism and Sikhism.^[27] The Indian religions are distinct yet share terminology, concepts, goals and ideas, and from South Asia spread into East Asia and Southeast Asia.^[27] Early Christianity and Islam were introduced into coastal regions of South Asia by merchants who settled among the local populations. Later Sindh, Balochistan, and parts of the Punjab region saw conquest by the Arab caliphates along with an influx of Muslims from Persia and Central Asia, which resulted in spread of both Shia and Sunni Islam in parts of northwestern region of South Asia. Subsequently, under the influence of Muslim rulers of the Islamic sultanates and the Mughal Empire, Islam spread in South Asia.^[28][29] About one-third of the world's Muslims are from South Asia.^[30][31][32]

South Asia is home to several hundred languages, spanning the countries of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka. It is home to the fourth most spoken language in the world, Hindi–Urdu; and the sixth most spoken language, Bengali. Languages like Bengali, Tamil and Nepali have official/national status in more than one country of this region. The languages in the region mostly comprise Indo-Iranic and Dravidian languages, and further members of other language families like Austroasiatic, and Tibeto-Burman languages.

Indian Art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.

South Asian cinema refers to the cinema of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan and Sri Lanka. The broader terms Asian cinema, Eastern cinema and Oriental cinema in common usage often encompass South Asia as well as East Asia and Southeast Asia.

Chapati, a type of flat bread, is a common part of meals to be had in many parts of the subcontinent. Other staples from many of the cuisines include rice, roti made from atta flour, and beans.

Foods in this area of the world are flavoured with various types of chilli, black pepper, cloves, and other strong herbs and spices along with the flavoured butter ghee. Ginger is an ingredient that can be used in both savory and sweet recipes in cuisines from the subcontinent. Chopped ginger is fried with meat and pickled ginger is often an accompaniment to boiled rice. Ginger juice and ginger boiled in syrup are used to make desserts. Turmeric and cumin are often used to make curries.

Common meats include lamb, goat, fish, chicken and beef. Beef is less common in India, Nepal and Sri Lanka than in other South Asian cuisines because cattle have a special place in Dharmic religions. Prohibitions against beef extend to the meat of (water) buffalo and yaks to some extent. Pork is considered as a taboo food item by all Muslims and is not taboo but avoided by many Hindus, though it is commonly eaten in some regions like Northeast India and Goa where Christianity is wide-spread. A variety of very sweet desserts which use dairy products is also found in cuisines of the subcontinent. The main ingredients in desserts of the subcontinent are reduced milk, ground almonds, lentil flour, ghee and sugar. Kheer is a dairy-based rice pudding, a common dessert.

Many sports are played in South Asia, with cricket being the most popular of them; 90% of the sport's worldwide fans live in South Asia.^[33] Football is followed passionately in some parts of South Asia,^[34][35] such as Kerala and Bengal.^[36][37][38] Field hockey was popular for several decades, with some of South Asia's greatest sporting accomplishments having taken place in this sport.^[39] Some native South Asian games are played professionally in the region, such as kabaddi and kho-kho, and also feature in regional competitions such as the South Asian Games and Asian Games.^[40][41]

Some traditional South Asian games, such as kabaddi, kho-kho, and atya-patya, are believed to be thousands of years old, finding mention in historical scriptures^[42] and dating back to ancient India.^[43][44][45] Kho-kho, for example, dates back to at least the fourth century BC.^[46] Many South Asian games likely reflect characteristics of traditional life in the subcontinent; for example, the Bengali hopscotch game of ekka-dokka (related to Stapoo and Chindro) may reflect the concepts of land division and ownership of property in ancient times.^[47]

After the British colonisation of the subcontinent which peaked from the 19th century to 1947, Western sports such as cricket, football, and hockey began to be followed to a greater extent, to the detriment of the traditional games.^[48][49] The modern advent of urbanisation,^[50] globalisation (which attracted people towards more globally popular games),^[51] and technology (which gave people digital forms of entertainment such as the Internet, television, and video games)^[52] have further diminished the traditional South Asian sports.^[53] Additional reasons include religious extremism in some areas, which has restricted people from playing certain games, and lack of governmental support.^[54]

However, some professional leagues are now being started for certain traditional sports, such as the Pro Kabaddi League, Ultimate Kho Kho, and Pro Panja League, which are beginning to revive interest in these sports and even globalise them;^[55][56] these leagues are now some of the most-watched competitions in the subcontinent.^[57]

Indian martial arts refers to the fighting systems of the Indian subcontinent. A variety of terms are used for the English phrases "Indian martial arts", deriving from ancient sources. While they may seem to imply specific disciplines (e.g. archery, armed combat), by Classical times they were used generically for all fighting systems.

Among the most common terms today, śastra-vidyā, is a compound of the words śastra (weapon) and vidyā (knowledge).^[58] Dhanurveda derives from the words for bow (dhanushya) and knowledge (veda), the "science of archery" in Puranic literature, later applied to martial arts in general.^[59] The Vishnu Purana text describes dhanuveda as one of the traditional eighteen branches of "applied knowledge" or upaveda, along with shastrashāstra or military science.^[60] A later term, yuddha kalā, comes from the words yuddha meaning fight or combat and kalā meaning art or skill. The related term śastra kalā (lit. weapon art) usually refers specifically to armed disciplines. Another term, yuddha-vidyā or "combat knowledge", refers to the skills used on the battlefield, encompassing not only actual fighting but also battle formations and strategy. Martial arts are usually learnt and practiced in the traditional akharas.^[61][62]

South Asian music comprises a range of prominent musical genres and styles that are unique to the countries in and around the Indian subcontinent. This subregion of Asia includes countries such as Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka, with each region one possessing its own distinct musical traditions. South Asian styles of music reflect a diverse range of local customs, regional languages and historical traditions, that have shaped the musical practices which are still seen today.^[63] Throughout history, South Asian musicians have emulated religious and spiritual beliefs into their compositions, resulting in the creation of musical styles such as Qawwali, Ghazal and Hindustani classical music. The development of forms of mass media in the 1980s and 1990s contributed to a new type of South Asian musical culture, as the rise of cinema and television resulted in the popularity of genres such as Bollywood and Lollywood. As a result of social media and modern streaming networks, folk and ritual music styles are still widely appreciated today, with many modern artists taking inspiration from the classical traditions that defined the history of South Asian music.^[64]

Pakistani architecture is intertwined with the architecture of the broader Indian subcontinent. The major architectural styles popular in the past were Temple, Indo-Islamic, Mughal and Indo-Saracenic architecture, all of which have many regional varieties. With the beginning of the Indus civilization around the middle of the 3rd millennium BC,^[65] for the first time in the area which encompasses today's Pakistan an advanced urban culture developed with large structural facilities, some of which survive to this day. This was followed by the Gandhara style of Buddhist architecture that borrowed elements from Ancient Greece. These remnants are visible in the Gandhara capital of Taxila.^[66]

Indian architecture is rooted in the history, culture, and religion of India. Among several architectural styles and traditions, the best-known include the many varieties of Hindu temple architecture and Indo-Islamic architecture, especially Rajput architecture, Mughal architecture, South Indian architecture, and Indo-Saracenic architecture. Early Indian architecture was made from wood, which did not survive due to rotting and instability in the structures. Instead, the earliest existing architecture are made with Indian rock-cut architecture, including many Buddhist, Hindu, and Jain temples.

The Hindu temple architecture is divided into the Dravidian style of southern India and the Nagara style of northern India, with other regional styles. Housing styles also vary between regions, depending on climate.

The first major Islamic kingdom in India was the Delhi Sultanate, which led to the development of Indo-Islamic architecture, combining Indian and Islamic features. The rule of the Mughal Empire, when Mughal architecture evolved, is regarded as the zenith of Indo-Islamic architecture, with the Taj Mahal being the high point of their contribution. Indo-Islamic architecture influenced the Rajput and Sikh styles as well.

During the British colonial period, European styles including Neoclassical, Gothic Revival, and Baroque became prevalent across India. The amalgamation of Indo-Islamic and European styles led to a new style, known as the Indo-Saracenic style. After India's independence, modernist ideas spread among Indian architects as a way of progressing from the colonial culture. Le Corbusier - who designed the city of Chandigarh - influenced a generation of architects towards modernism in the 20th century. The economic reforms of 1991 further bolstered the urban architecture of India as the country became more integrated with the world's economy. Traditional Vastu Shastra remains influential in India's architecture in the contemporary era.^[67]

Dravidian architecture, or the Southern Indian temple style, is an architectural idiom in Hindu temple architecture that emerged from Southern India, reaching its final form by the sixteenth century.

In contrast with North Indian temple styles, Dravidian architecture uses shorter and more pyramidal towers, called vimana, over the garbhagriha or sanctuary, where the north has taller towers, usually curving inwards as they rise, called shikharas. Larger modern Dravidian style temples, however, include one or more high gopura or gatehouse entrances to the compound as their dominating feature; large temples have several dwarfing the vimana, although these are a much more recent development. There are numerous other distinct features, such as the dwarapalakas – twin guardians at the main entrance and the inner sanctum of the temple and goshtams – deities carved in niches on the outer side walls of the garbhagriha.

Mentioned as one of three styles of temple building in early texts on vastu shastra or Hindu temple architecture, the majority of existing structures are in the Southern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana, some parts of Maharashtra, Odisha and Sri Lanka.^[68][69] Various kingdoms and empires such as the Satavahanas, the Vakatakas of Vidarbha, the Cholas, the Cheras, the Kakatiyas, the Reddis, the Pandyas, the Pallavas, the Gangas, the Kadambas, the Rashtrakutas, the Chalukyas, the Hoysalas and Vijayanagara Empire among others have made substantial contribution to the evolution of Dravidian architecture.

The Architecture of Bengal, which comprises the modern country of Bangladesh and the Indian states of West Bengal, Tripura and Assam's Barak Valley, has a long and rich history, blending indigenous elements from the Indian subcontinent, with influences from different parts of the world. Bengali architecture includes ancient urban architecture, religious architecture, rural vernacular architecture, colonial townhouses and country houses and modern urban styles. The bungalow style is a notable architectural export of Bengal. The corner towers of Bengali religious buildings were replicated in medieval Southeast Asia. Bengali curved roofs, suitable for the very heavy rains, were adopted into a distinct local style of Indo-Islamic architecture, and used decoratively elsewhere in north India in Mughal architecture.

Bengal is not rich in good stone for building, and traditional Bengali architecture mostly uses brick and wood, often reflecting the styles of the wood, bamboo and thatch styles of local vernacular architecture for houses. Decorative carved or moulded plaques of terracotta (the same material as the brick) are a special feature. The brick is extremely durable and disused ancient buildings were often used as a convenient source of materials by local people, often being stripped to their foundations over the centuries.

History of clothing in the Indian subcontinent can be traced to the Indus Valley civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.

South Asian literature refers to the literature that is composed by authors in the Indian subcontinent and its diaspora. It has an extensive history with some of the earliest known pieces of literature. South Asia has many different languages that have been spoken due to its size and how long people have been inhabiting it. This has caused the region to be the most linguistically diverse region in the planet,^[70] and as well as having four language families (Dravidian, Indo-European, Austro-Asiatic and Tibeto-Burman), hundreds of languages and thousands of dialects.^[71] Many modern pieces of South Asian literature are written in English for a global audience. Many of the ancient texts of the subcontinent have been lost due to the inability to preserve verbally transmitted literature. South Asia has many significant authors that shaped the postcolonial period and response to the British establishment in the subcontinent. Modern South Asian literature has a deep focus on independence from Britain, mainly expressed in prose, this literature commonly discusses the partition of India and how different South Asian nations, religions, and cultures interact with each other. Countries to which South Asian literature's writers are linked include India, Pakistan, Bangladesh, Sri Lanka and Nepal. Works from Bhutan, Myanmar, Tibet, and the Maldives are sometimes also included.

Indian philosophy consists of philosophical traditions of the Indian subcontinent. The philosophies are often called darśana meaning, "to see" or "looking at."^[72][73] Ānvīkṣikī means “critical inquiry” or “investigation." Unlike darśana, ānvīkṣikī was used to refer to Indian philosophies by classical Indian philosophers, such as Chanakya in the Arthaśāstra.^[73][74]

A traditional Hindu classification divides āstika and nāstika schools of philosophy, depending on one of three alternate criteria: whether it believes the Vedas as a valid source of knowledge; whether the school believes in the premises of Brahman and Atman; and whether the school believes in afterlife and Devas.^[75][76][77] (though there are exceptions to the latter two: Mimamsa and Samkhya respectively).

There are six major (āstika) schools of Vedic philosophy—Nyaya, Vaisheshika, Samkhya, Yoga, Mīmāṃsā and Vedanta—and five major non-Vedic or heterodox (nāstika or sramanic) schools—Jain, Buddhist, Ajivika, Ajñana, and Charvaka. The āstika group embraces the Vedas as an essential source of its foundations, while the nāstika group does not. However, there are other methods of classification; Vidyaranya for instance identifies sixteen schools of Indian philosophy by including those that belong to the Śaiva and Raseśvara traditions.^[78][79]

The main schools of Indian philosophy were formalised and recognised chiefly between 500 BCE and the late centuries of the Common Era.^{[citation needed]} Some schools like Jainism, Buddhism, Yoga, Śaiva and Vedanta survived, but others, like Ajñana, Charvaka and Ājīvika did not.

Ancient and medieval era texts of Indian philosophies include extensive discussions on ontology (metaphysics, Brahman-Atman, Sunyata-Anatta), reliable means of knowledge (epistemology, Pramanas), value system (axiology) and other topics.^{[80][page needed][81][82][83]}