Károly Vass (cinematographer)

Károly Vass (1896–1953) was a Hungarian cinematographer. He worked in Germany during the silent era where he was often credited as Karl Vass.^[1]

• Casanova (1918)
• Lili (1918)
• The Hustler (1920)
• Lucrezia Borgia (1922)
• The Island of Tears (1923)
• Paganini (1923)
• The Wonderful Adventure (1924)
• Should We Get Married? (1924)
• The Hanseatics (1925)
• Ballettratten (1925)
• Two and a Lady (1926)
• The Island of Forbidden Kisses (1927)
• The Hunt for the Bride (1927)
• Vacation from Marriage (1927)
• Intoxicated Love (1927)
• Nameless Woman (1927)
• Only a Viennese Woman Kisses Like That (1928)
• Sweet Pepper (1929)
• The Night Without Pause (1931)
• Grandstand for General Staff (1932)
• The Call of the Jungle (1936)
• Rosemary (1938)
• No Coincidence (1939)
• Wildflowers of Gyimes (1939)
• Sarajevo (1940)
• Gábor Göre Returns (1940)
• On the Way Home (1940)
• Taken by the Flood (1941)
• Left-Handed Angel (1941)
• Sister Beáta (1941)
• Yellow Rose (1941)
• Costume Ball (1942)
• The Perfect Family (1942)
• The Last Song (1942)

• Krautz, Alfred. International directory of cinematographers set- and costume designers in film: Volume VIII. Saur, 1989.

• Károly Vass at IMDb

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