From Wikipedia the free encyclopedia
|Song by Taylor Swift|
|from the album Folklore|
|Studio||Long Pond (Hudson Valley)|
"Mad Woman" (stylized in all lowercase) is a song recorded by American singer-songwriter Taylor Swift, from her eighth studio album Folklore (2020), which was released on July 24, 2020, through Republic Records. The song was written by Swift and its producer, Aaron Dessner. "Mad Woman" is a ballad that confronts gaslighting and the sexist taboo regarding female anger.
Inspired by Swift's masters controversy with American businessman Scooter Braun in 2019, "Mad Woman" incorporates satire and a witch hunt trope, depicting an old widow scorned by her town. Critics appreciated the song's restrained feminist message, which they contrasted to that of the humor in Swift's 2019 song "The Man". "Mad Woman" reached the top 40 on the songs charts in Australia, Canada, Singapore, and number 10 on the U.S. Billboard Hot Rock & Alternative Songs chart.
Background and release
Taylor Swift surprise-released her eighth studio album, Folklore, on July 24, 2020, through Republic Records. The album eschews the upbeat pop production of Swift's previous releases and adapts indie folk and alternative styles, brought about by collaborations with Aaron Dessner and Jack Antonoff. Dessner has sole production credits on ten tracks, including "Mad Woman". Like most tracks that Dessner produced for Folklore, "Mad Woman" was developed on "melodic and emotional" piano tunes. Swift described Dessner's piano and string sounds as "ominous", which prompted her to write and sing about "female rage"—a theme she thought would complement with the production. In the primer that preceded the album's release, Swift teased imageries of various tracks, with "Mad Woman" being about "a misfit widow getting gleeful revenge on the town that cast her out."
In an interview with Entertainment Weekly in December 2020, Swift implied that the song was inspired by the events that followed the masters controversy, in which she became embroiled in a publicized dispute with American businessman Scooter Braun, who purchased the masters of her back catalog after she signed a new recording contract. Though Swift never explicitly name-checked Braun, in the documentary Folklore: The Long Pond Studio Sessions, she spoke to Dessner about "Mad Woman": "... I was thinking the most rage-provoking element of being a female is the gaslighting. There have been instances of this recently with someone who is very guilty of this in my life, and it's a person who tries to make me feel like I'm the offender by having any kind of defense. I feel like I have no right to respond, or I'm crazy, or I'm angry. How do I say why this feels so bad?"
Composition and lyrics
"Mad Woman" incorporates a prominent piano, which NME's Hannah Mylrea found reminiscent of the National's 2019 album I Am Easy to Find. Lyrically, critics interpreted the song as Swift's critique of sexism, dealing with the social taboo regarding female anger. She addresses gender double standards through lines such as, "You poke that bear til the claws come out / And you find something to wrap your noose around." The lyric "And women like hunting witches too" evokes imagery of a witch hunt. Publications interpreted this part as Swift's response to the reactions from other women against her following the masters controversy.
Entertainment Weekly commented that the song reflected the social perception of female anger: "if a woman is emotional or angry, she gets labeled as 'crazy' ", especially through the lyrics "And there's nothing like a mad woman / What a shame she went mad / No one likes a mad woman / You made her like that." The magazine also compared the message of "Mad Woman" to that of "The Man", Swift's previous single from her 2019 album Lover: "Both songs tackle the ways in which women are defined, but where 'The Man' is broad in its complaints, 'Mad Woman' is more specific. Where 'The Man' is cheeky, 'Mad Woman' is dark, cynical, and angry."
The song received positive reviews from music critics. In the Dallas Observer, Alexandra Lang complimented Swift for singing about social issues in "Mad Woman", writing: "The contrast of the softer melody with the biting lyrics illustrates the fine line that women are expected to tread with their emotions. Swift may have grown up, but she’s showing her ability to use her music to criticize systemic social issues — not just an ex-boyfriend." Slant Magazine's Eric Mason felt that "Mad Woman", while a good song message-wise, lacks the sophistication that other Folklore songs display. Cosmopolitan drew parallels between the song's narrative to that of Daenerys Targaryen's character arc in Game of Thrones, in which Targaryen is a powerful female character who goes "crazy" for the throne and has another female character as her greatest enemy. Elite Daily, Delish, and Metro made the same comparison as well.
Rob Sheffield of Rolling Stone said that "Mad Woman" sharpens the feminist rage of "The Man" (2019). The Sydney Morning Herald critic Giselle Au-Nhien Nguyen opined that "Mad Woman" depicts the "feeling of expectations falling away" with Swift dropping the first-ever F-bomb "in her decade-plus career", which she interpretated as, despite the soft texture of Folklore, Swift is "developing her own steel". Maura Johnston of Entertainment Weekly termed the song is an "extra hell-borne dread" with Swift's swirling vocals and an anchoring piano. According to The Independent critic Roisin O'Connor, "Mad Woman" continues Swift's "vengeful streak", but unlike "Look What You Made Me Do" (2017), her anger "now doesn't sound so brittle", comparing the character to a witch from William Shakespeare's Macbeth. New Statesman critic Anna Leszkiewicz defined "Mad Woman" as an "a melancholic ballad juxtaposed with lyrics that brim with ire", acknowledging the "sublimated rage of women who swallow their anger to avoid appearing 'mad' in both senses."
Credits and personnel
Credits are adapted from the album's liner notes.
- Taylor Swift – vocals, songwriting
- Aaron Dessner – songwriting, production, recording, drum programming, percussion, bass, acoustic guitar, electric guitar, piano, synthesizer
- Bryce Dessner – orchestration
- Serban Ghenea – mixing
- John Hanes – engineering
- Clarice Jensen – cello, cello recording
- Jonatham Low – recording
- James McAlister – beat programming, synthesizers, hand percussion, drums, recording
- Randy Merrill – mastering
- Yuki Numata Resnick – viola, violin
- Kyle Resnick – viola recording, violin recording
- Fekadu, Mesfin (August 3, 2020). "Lucky No.7: Taylor Swift nabs 7th No.1 album with 'folklore'". The Washington Post. Retrieved March 13, 2021.
- Gerber, Brady (July 27, 2020). "The Story Behind Every Song on Taylor Swift's folklore". Vulture. Archived from the original on July 28, 2020. Retrieved February 21, 2021.
- Grein, Paul (August 4, 2020). "Will the Grammys Classify Taylor Swift's 'Folklore' as Pop or Alternative?". Billboard. Retrieved May 15, 2021.
- Folklore (booklet). Taylor Swift. Republic Records. 2020. B003271102.CS1 maint: others in cite AV media (notes) (link)
- Blistein, Jon (July 24, 2020). "The National musician discusses charting new musical ground with the pop star as she embraces the stories and mythos of the American folk tradition". Rolling Stone. Archived from the original on July 29, 2020. Retrieved March 30, 2021.
- Hess, Liam (November 26, 2020). "5 Things We Learned Watching Taylor Swift's Surprise New Folklore Documentary". Vogue. Archived from the original on January 23, 2021. Retrieved March 30, 2021.
- "'It Started With Imagery': Read Taylor Swift's Primer For 'Folklore'". Billboard. July 24, 2020. Archived from the original on July 24, 2020. Retrieved July 25, 2020.
- Suskind, Alex. "Taylor Swift broke all her rules with Folklore — and gave herself a much-needed escape". Entertainment Weekly. Archived from the original on March 12, 2021. Retrieved March 30, 2021.
- Mylrea, Hannah (July 24, 2020). "Taylor Swift – 'Folklore' review: pop superstar undergoes an extraordinary indie-folk makeover". NME. Archived from the original on March 27, 2021. Retrieved March 30, 2021.
- Carson, Sarah (November 26, 2020). "On folklore: the long pond sessions, Taylor Swift wants us to stop reading between the lines". i. Archived from the original on March 18, 2021. Retrieved March 30, 2021.
- Carson, Sarah (July 24, 2020). "Taylor Swift, Folklore, review: a dazzling, timeless surprise album". i. Archived from the original on July 24, 2020. Retrieved March 30, 2021.
- Smith, John (July 24, 2020). "Has Taylor Swift just dropped the perfect album?". Glamour. Archived from the original on January 21, 2021. Retrieved March 30, 2021.
- Bruner, Raisa (July 24, 2020). "Let's Break Down Taylor Swift's Tender New Album Folklore". Time. Archived from the original on July 31, 2020. Retrieved March 30, 2021.
- Stiegman, Kelsey (July 24, 2020). "All The Hidden Meanings Behind Taylor Swift's 'Mad Woman' Lyrics". Seventeen. Archived from the original on March 21, 2021. Retrieved March 30, 2021.
- Huff, Lauren (July 24, 2020). "Taylor Swift's 'Mad Woman' picks up where 'The Man' left off". Entertainment Weekly. Archived from the original on December 9, 2020. Retrieved March 30, 2021.
- Lang, Alexandra (August 6, 2020). "The Songs from Taylor Swift's folklore, Ranked". Dallas Observer. Archived from the original on March 28, 2021. Retrieved March 30, 2021.
- Mason, Eric (September 12, 2020). "Every Song on Taylor Swift's Folklore Ranked". Slant Magazine. Archived from the original on January 29, 2021. Retrieved March 30, 2021.
- Thomas, Leah Marilla (July 24, 2020). "Taylor Swift's 'Mad Woman' Is About Daenerys Targaryen". Cosmopolitan. Archived from the original on December 27, 2020. Retrieved March 30, 2021.
- "Fans Are Convinced This New Taylor Swift Song Is About Daenerys Targaryen". Elite Daily. Retrieved June 12, 2021.
- "I'm Convinced Taylor Swift's Song 'Mad Woman' Is Actually About Daenerys Targaryen". Yahoo! News. Delish. Retrieved June 12, 2021.
- Miller, Adam (July 27, 2020). "The Folklore track Taylor Swift fans are convinced is about Daenerys in GoT". Metro. Retrieved June 12, 2021.
- Sheffield, Rob (July 24, 2020). "Taylor Swift Leaves Her Comfort Zones Behind on the Head-Spinning, Heartbreaking 'Folklore'". Rolling Stone. Retrieved June 8, 2021.
- Nguyen, Giselle Au-Nhien (July 24, 2020). "Taylor Swift's new album is a fever dream you won't want to wake up from". The Sydney Morning Herald. Retrieved June 8, 2021.
- "Taylor Swift forges her own path on the confident 'Folklore'". EW.com. Retrieved June 8, 2021.
- "Taylor Swift's eighth album Folklore is exquisite, piano-based poetry – review". The Independent. July 25, 2020. Retrieved June 8, 2021.
- Leiszkiewicz, Anna. "Folklore reveals a more introspective side to Taylor Swift". New Statesman. Retrieved June 6, 2021.
- "Australian-charts.com – Taylor Swift – Mad Woman". ARIA Top 50 Singles. Retrieved September 10, 2020.
- "Taylor Swift Chart History (Canadian Hot 100)". Billboard. Retrieved September 10, 2020.
- "Portuguesecharts.com – Taylor Swift – Mad Woman". AFP Top 100 Singles. Retrieved September 10, 2020.
- "RIAS International Top Charts Week 31". Recording Industry Association (Singapore). Archived from the original on September 10, 2020.
- "Official Audio Streaming Chart Top 100". Official Charts Company. Retrieved February 21, 2021.
- "Taylor Swift Chart History (Hot 100)". Billboard. Retrieved September 10, 2020.
- "Taylor Swift Chart History (Hot Rock & Alternative Songs)". Billboard. Retrieved September 10, 2020.
- "Hot Rock & Alternative Songs – Year-End 2020". Billboard. Archived from the original on January 11, 2021. Retrieved December 4, 2020.