Memories (1995 film)

Memories
Japanese theatrical release poster
Directed by	Kōji Morimoto (Magnetic Rose) Tensai Okamura (Stink Bomb) Katsuhiro Otomo (Chief, Cannon Fodder)
Screenplay by	Satoshi Kon (Magnetic Rose) Katsuhiro Otomo (Stink Bomb, Cannon Fodder)
Story by	Katsuhiro Otomo
Based on	Magnetic Rose, Stink Bomb and Cannon Fodder by Katsuhiro Otomo
Produced by	Atsushi Sugita Fumio Sameshima Yoshimasa Mizuo Hiroaki Inoue Eiko Tanaka (Magnetic Rose, Cannon Fodder) Masao Maruyama (Stink Bomb)
Edited by	Takeshi Seyama
Music by	Takkyū Ishino (opening and closing credits) Yoko Kanno (Magnetic Rose) Jun Miyake (Stink Bomb) Hiroyuki Nagashima (Cannon Fodder)
Production companies	Studio 4°C (Magnetic Rose, Cannon Fodder) Madhouse (Stink Bomb)
Distributed by	Shochiku
Release date	December 23, 1995 (1995-12-23)
Running time	113 min
Country	Japan
Language	Japanese

Memories is a 1995 Japanese animated science fiction anthology film with Katsuhiro Otomo as executive producer, and based on three of his manga short stories. The film is composed of three shorts: Magnetic Rose (彼女の想いで, Kanojo no Omoide), directed by Studio 4°C co-founder Kōji Morimoto and written by Satoshi Kon; Stink Bomb (最臭兵器, Saishū-heiki), directed by Tensai Okamura and written by Otomo, and Cannon Fodder (大砲の街, Taihō no Machi), written and directed by Otomo himself.

Originally released on home video in North America by Sony Pictures Home Entertainment, Discotek Media acquired the rights in 2020 along with Mill Creek Entertainment. Their 2021 Blu-ray release includes English subtitles and a new English dub produced by NYAV Post (for Magnetic Rose) and Sound Cadence Studios (for Stink Bomb and Cannon Fodder).^[1][2]

Plot[edit]

Magnetic Rose[edit]

The Corona, a deep space salvage freighter, is out on a mission when it encounters a distress signal and responds to it. They come upon a spaceship graveyard orbiting a giant space station. The crew's two engineers, Heintz and Miguel, enter it to get a closer look. Once inside, they discover an opulent European interior and several furnished rooms (in varying states of decay) but find no signs of life. They discover that the station belongs to a once-famous opera diva named Eva Friedel who disappeared after the murder of her fiancé, Carlo Rambaldi, a fellow singer. Continuing the search for the source of the signal, the engineers split up, with each experiencing paranormal encounters, including strange noises and visions of Eva. Miguel enters the dilapidated underbelly of the station, and in a cavernous chamber, he finds a broken piano playing the distress signal. He begins to hallucinate and Eva suddenly runs up to kiss him. Heintz finds a theater stage and sees Eva, who stabs him when he approaches. Suddenly paralyzed, Heintz relives a memory of his family, with his wife and daughter Emily. The illusion disappears when Eva takes his wife's form and tells him that he "will never leave". Heintz rushes to save Miguel, only to find that he had been seduced by Eva into thinking he is Carlo. Eva reveals to Heintz that she murdered the real Carlo for refusing to marry her and has forced others to look like him. She makes Heintz relive his daughter's death and nearly convinces him to join her. He resists and shoots the massive computer embedded in the ceiling causing the AI hologram of Eva to malfunction.

The Corona has been struggling against a powerful magnetic field coming from the station, pulling the ship towards it. In desperation, they fire a powerful energy cannon, gouging the structure deep enough to reach the cavern. Heintz is ejected into space (along with Eva's past victims), as Eva hauntingly sings to a conjured audience. The Corona is crushed and becomes part of the rose-like shape around the station. The episode ends with the whereabouts of the real (and deceased) Eva being shown, and a representation of Eva talking romantically with Miguel as the two now exist only in Eva's lingering memories. Heintz is last seen drifting in space, still alive.

Stink Bomb[edit]

Lab technician Nobuo Tanaka, battling the flu, mistakes some experimental pills for cold pills and swallows one. The pills are part of a biological weapon program, reacting to the flu shot already in his body. Tanaka soon develops a deadly body odor and becomes a walking weapon of mass destruction. While taking a nap, the odor he emits kills everyone in the laboratory. Horrified, he reports the incident to headquarters, as they instruct him to deliver the experimental drug to Tokyo. Meanwhile, the odor he emits grows stronger to where it affects several miles of the surrounding area, killing every living thing that smells his odor, except flowers and plants (which are seemingly strengthened by the odor). The odor is so potent that neither gas masks nor NBC suits offer any protection against its effects. His odor kills everything in the Yamanashi Prefecture, including all 200,000 inhabitants of Kōfu city. Nobuo continues on to Tokyo unaware of the death his smell is causing, but the rest of the country is in a complete panic. The head of the research company and the Japanese military deduce that Tanaka is causing the poisonous gas and order him to be killed. The Japan Self Defense Forces try in vain to stop Nobuo, causing immense collateral damage to the Japanese countryside, but to no avail, as the chemicals on Nobuo smell interfere with the targeting systems of their weapons.

The U.S. military, who have been observing the situation to that point, utilizes Japanese policy to take over the operation, and calls in a NASA unit with space suits to try and capture Nobuo alive. After Nobuo enters the tunnel, unaware of this military operation, the Japanese army collapses part of the bridge and the tunnel behind him, trapping him with only one way out. They turn on wind generators in an attempt stop the odor's direction. As the U.S. military in space suits approaches Nobuo, he becomes scared, disabling the lights and wind generators. After the cloud settles, only one soldier has gotten out of the tunnel, assuming he managed to capture Nobuo. The soldier brings the suitcase with the experimental drug to the military headquarters in Tokyo. The visor opens, and instead of an U.S. soldier, Nobuo is inside the suit, still unaware that he is the source of the biological contamination. He then opens his exosuit, killing everyone.

Cannon Fodder[edit]

In a walled city perpetually at war, everyone's livelihood depends upon maintaining and firing the enormous cannons that make up most of the city. Nearly every building in the city is equipped with cannons of varying size, able to fire huge artillery shells over the city walls. The story is centered on a young boy and his father, who works as a lowly cannon-loader.

The city is surrounded by clouds of smoke and dust provoked by the shots fired by the cannons. Despite news of successful bombardment of the "enemy moving city" by the local media, there is not any visual confirmation that it is true, or even if there is an enemy at all.

The boy's father is blamed for a safety mishap at work and made to stand next to the cannon without safety gear while it fires.

That night, the boy comes home from school and hears a television news reporter talking about the near-destruction of the enemy city. The boy then asks his father why they are fighting in the first place, only for his father to tell him that he will understand when he is older before telling him to go to bed. As the boy gets into his bed, he says that someday, he wants to be the exalted officer who fires the cannons. As he sleeps, a civil defense siren sounds and a blue light sweeps across the window.

Cast[edit]

Production[edit]

Magnetic Rose[edit]

Directed by Kōji Morimoto and animated by Studio 4°C. Script by noted anime director Satoshi Kon, based on a story by Katsuhiro Otomo. This episode featured music from Puccini's Madama Butterfly and Tosca. Specifically sampled in the episode was Un Bel Di Vedremo and Con Onor Muore... Tu, tu? Piccolo iddio from Madama Butterfly and Non la Sospiri, la Nostra Casetta from Act I of Tosca.

Music was composed by Yoko Kanno and largely influenced by Giacomo Puccini's Madama Butterfly. It is primarily operatic and highly involved, reflecting the serious, intense nature the film takes on as it progresses.

Stink Bomb[edit]

Directed by Tensai Okamura and animated by Madhouse. Script by Katsuhiro Otomo. Music is by Jun Miyake and uses jazz and funk as its main influence, adding to the film's chaotic, comedic nature.

It is mentioned in the interview featurette that the story for Stink Bomb is based on an actual event.^[5]

Otomo initially asked Yoshiaki Kawajiri to direct the film, but Kawajiri did not accept because the script was different from his own style. Kawajiri was involved in storyboard revisions as a supervisor, and also worked on the tunnel scene as a key animator.^[6]

Cannon Fodder[edit]

Written and directed by Katsuhiro Otomo and animated by Studio 4 °C. Music by Hiroyuki Nagashima. The score of Cannon Fodder is difficult to categorize; blending brass band, orchestral and avant-garde compositional techniques.

Through unusual animation techniques, the illusion is created that the film consists of one continuous shot or long take.

Reception[edit]

In 2001, Animage magazine ranked Memories 68th in their list of the 100 greatest anime productions.^[7] The film was met with positive reviews, although reception for each of the three stories varied. Magnetic Rose has generally been deemed the best episode,^[8][9][10] with critics at Anime Meta-Review and T.H.E.M Anime saying it alone made the film worth watching.^[11][12] Anime Academy thought it was "a pure symphonic treat from start to finish” and “running only forty-five minutes, it can still be compared with the greatest anime productions in every single aspect from animation to storyline."^[9] John Wallis of DVD Talk called it "a great opener, a strong, moving story of love, loss, haunting heartbreak, and horror chills."^[13] Magnetic Rose was also regarded as "a science fiction marvel" by Homemademech’s Mark McPherson, who praised its dialogue and realistic presentation of outer space physics.^[14] Chris Beveridge from Mania.com, however, felt that the story had "some feel of being done before to some degree."^[15]

Comments on Stink Bomb and Cannon Fodder were less favorable. T.H.E.M. Anime reviewer Carlos Ross stated that "the other two entries don't quite equal the sheer excellence of ‘Magnetic Rose’.^[12] McPherson referred to Stink Bomb by saying "compared to the other episodes of Memories, it's the weakest and less creative of the bunch",^[14] while Anime Jump’s Chad Clayton thought Cannon Fodder did not "match the complexity of the preceding two films."^[10] Stink Bomb was nonetheless praised for its humor and high quality visuals.^{[9][10][11][12][13][14][15]} Cannon Fodder was viewed as "the strongest work in terms of its allegorical message" by DVD Talk,^[13] and visually "inventive" by both Anime Jump and Anime Academy.^[9][10] Tasha Robinson at SciFi.com described the animation of every episode as "stellar", claiming the film as a whole went "well beyond memorable".^[8]

See also[edit]

• List of animated feature films
• List of package films
• Neo Tokyo – An Otomo anthology film from 1987.
• Robot Carnival – An Otomo anthology film from 1987.
• Short Peace – An Otomo anthology film from 2013.

References[edit]

External links[edit]

• Memories at AllMovie
• Memories at IMDb
• Memories (anime) at Anime News Network's encyclopedia
• AMPlus review at the Wayback Machine (archived February 20, 1999)
• Entry in The Encyclopedia of Science Fiction