The Beatles' recording sessions

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The recordings made by the Beatles, a rock group from Liverpool, England, from their inception as the Quarrymen in 1957 to their break-up in 1970 and the reunion of their surviving members in the mid-1990s, have huge cultural and historical value. The studio session tapes are kept at Abbey Road Studios, formerly known as "EMI Recording Studios," where the Beatles recorded most of their music.^[1] While most have never been officially released, their outtakes and demos are seen by fans as collectables, and some of the recordings have appeared on countless bootlegs. The only outtakes and demos to be officially released were on The Beatles Anthology series and its tie-in singles and anniversary editions of their studio albums . Bits of some previously unreleased studio recordings were used in The Beatles: Rock Band video game as ambient noise and to give songs studio-sounding beginnings and endings. In 2013, Apple Records released the album The Beatles Bootleg Recordings 1963, which includes previously unreleased outtakes and demos from 1963, to stop the recordings from falling into the public domain.^[2]

Except where noted, all of the following songs are written by Lennon–McCartney and all single and album releases are for the United Kingdom.

1958[edit]

Phillips' Sound Recording Services[edit]

In the spring or summer of 1958, The Quarrymen recorded two songs at Phillips' Sound Recording Services in their hometown of Liverpool. It was the group's first recording session, for which they paid 17s 6d (87.5p or £21.75 in 2021).^[3] The recordings were pressed onto a mono 10-inch 78 rpm shellac disc*, then the sessions tapes were erased to be reused with new customers. Because of the low quality and age of the recordings, the songs are filled with a hiss but are still listenable. The record was not intended for release but for the Quarrymen's personal use.

• To clear up a long-standing misconception, this disc is not a "shellac" disc as has been previously reported, but a recording lacquer (also known as an "acetate".) A "lacquer" is an aluminum based disc with a thin coating of lacquer applied, that allows for sound grooves to be etched (or cut) into it. See the Wikipedia article at https://en.wikipedia.org/wiki/Acetate_disc. There's also an excellent website devoted to the Phillips' Recording Service at https://www.percyphillips.co.uk/

^[4][5]

When we got the record, the agreement was that we would have it for a week each. John had it a week and passed it on to me. I had it for a week and passed it on to George, who had it for a week. Then Colin had it for a week and passed it to Duff Lowe, who kept it for 23 years.

— Paul McCartney, The Beatles Anthology^[4][5]

In 1981, Lowe sold the record to McCartney for an undisclosed amount. McCartney then had audio engineers attempt to improve the sound quality.^[4][5]

Recordings^[6][7]

• "That'll Be the Day" (Allison–Holly–Petty) – released on Anthology 1 (2:07)
• "In Spite of All the Danger" (McCartney–Harrison) (3:25)
  • Edited (1990s) – released on Anthology 1 (2:44)

Personnel^[4][5]

Musicians:

• Colin Hanton – drums
• George Harrison – backing vocals, guitar
• John Lennon – vocals, guitar
• John "Duff" Lowe – piano
• Paul McCartney – backing vocals, guitar

Production staff:

• Percy Francis Phillips – engineer

1960[edit]

The Quarrymen Demos[edit]

The Quarrymen recorded several low-quality, homemade, mono demo tapes.^[8] Those known to still exist are:

• "I'll Always Be in Love with You"
• "One After 909" with Mike McCartney (1:42)
  • Another demo of "One After 909" is known to exist.
• "Some Days"
• "Well, Darling" (5:11)
• "Wildcat"
• John Lennon's spoken nonsense with radio

Although it is known that Lennon wrote "Winston's Walk" and that McCartney wrote "Ask Me Why" and "When I'm Sixty-Four" during this time, no demo tape of those compositions has ever turned up, but one is believed to exist.

Early Beatles Homemade Recordings[edit]

As they did when they were the Quarrymen, the Beatles recorded several low-quality, homemade, mono demo tapes. The tapes are the only known recordings featuring their former bass guitarist Stuart Sutcliffe. From the 16 known demos made in early 1960 at McCartney's house, only three have been released.^[9][10][11]

Recordings^{[9][10][11][7]}

• "Hallelujah, I Love Her So" (Charles) (2:22)
  • Edited and speeded up (A to B-flat) (1990s) – released on Anthology 1 (1:13)
• "You'll Be Mine" – released on Anthology 1 (1:38)
• "Cayenne" (McCartney) (2:30)
  • Edited (1990s) – released on Anthology 1 (1:14)

Personnel^[9][10][11]

• George Harrison – guitar
• John Lennon – guitar, vocals
• Paul McCartney – guitar, vocals
• Stuart Sutcliffe – bass guitar

Akustik Studio Recordings[edit]

15 October 1960[edit]

In Hamburg, Germany, during the Beatles' first stint there, Lennon, McCartney and Harrison recorded a song as the backing group for Lu Walters, the bassist from Rory Storm and the Hurricanes. The Beatles' drummer, Pete Best, was not present, and Hurricanes drummer Ringo Starr played instead. It was the first time John, Paul, George and Ringo recorded music together. Sutcliffe was present at the session but did not play. The song was recorded in the small Akustik studio, in a similar arrangement to the Beatles' recordings at Phillips' Sound Recording Services. The song, with a spoken advertisement as the B-side, was pressed onto nine mono 78 rpm acetate discs. After the song was recorded, Walters, Starr, Ty Brian and Johnny Byrne, all in the Hurricanes, recorded "Fever" and "September Song". None of the recordings were ever released. The session tapes were most likely erased, and none of the discs are known to have survived.^[12]

Recordings^[12]

• "Summertime" (Gershwin) – lost or destroyed

Personnel^[12]

Musicians:

• George Harrison – guitar
• John Lennon – guitar
• Paul McCartney – guitar
• Ringo Starr – drums
• Lu Walters – vocals, bass guitar

1961[edit]

1st Tony Sheridan Recordings[edit]

22–24 June 1961[edit]

In what is now the Friedrich-Ebert-Halle, in the Friedrich-Ebert-Gymnasium (then known as Gymnasium für Jungen Harburg [English: Gymnasium for Boys in Harburg]), during the Beatles' second stint in Hamburg, the group, under the name "the Beat Brothers", recorded several songs with English rock and roller Tony Sheridan for an album called My Bonnie, produced by Bert Kaempfert. After recording the songs with Sheridan, the Beatles recorded two songs by themselves. Sutcliffe attended the session but did not play. The session tapes have since been destroyed, but some of the songs have been issued on numerous singles, EPs and albums, both official and unofficial. Information on the recording dates is sketchy,^[13] and much of the official documentation was lost in a fire. Sheridan later made more recordings with different backing musicians, resulting in some debate over which songs the Beatles are on. They are generally believed to appear on seven surviving tracks.^[14] The various mixes of the recordings have appeared on many compilation albums and other releases. Atlantic Records added extra instruments to two songs for a release in 1964. To complete their contract, The Beatles made more recordings in Hamburg on 24 May 1962.^[15]

Recordings^[13][14][7]

• "My Bonnie" (trad. arr. Sheridan) (English intro) with Tony Sheridan
  • Stereo mixed
    • Mono mixdown – released on as a single on 5 January 1962
    • Edited (intro removed) and stereo mixed (1964)
      • Mono mixdown (1964)
        • Fake stereo mixed (1964)
    • Edited (spoken word by McCartney superimposed over the intro) and stereo mixed (1990s) – released on Anthology 1 (2:42)
• "My Bonnie" (German intro) with Tony Sheridan
  • Stereo mixed
    • Mono mixdown – released on as a single on 23 October 1961 (Germany)
• "The Saints" (trad. arr. Sheridan) with Tony Sheridan
  • Stereo mixed
    • Mono mixdown – released as the B-side to "My Bonnie"
      • Fake stereo mixed (1964)
• "Why (Can't You Love Me Again)" (Sheridan) with Tony Sheridan
  • Stereo mixed
    • Mono mixdown
      • Fake stereo mixed (1964)
• "Nobody's Child" (Coben–Foree) with Tony Sheridan
  • Stereo mixed
    • Mono mixdown
      • Edited (1964)
        • Fake stereo mixed (1964)
• "Take Out Some Insurance on Me, Baby" (Hall–Singleton) with Tony Sheridan
  • Stereo mixed
    • Mono mixdown
      • Edited, extra instruments added and mono mixed (1964)
        • Fake stereo mixed (1964)
• "Ain't She Sweet" (Ager–Yellen)
  • Stereo mixed
    • Mono mixdown
      • Extra drums added and mono mixed (1964) – released on Anthology 1 (2:13)
        • Fake stereo mixed (1964)
• "Cry for a Shadow" (Lennon–Harrison)
  • Stereo mixed – released on Anthology 1 (2:22)
    • Mono mixdown
      • Fake stereo mixed (1964)

Personnel^[16][17][18]

Musicians:

• Pete Best – drums
• George Harrison – backing vocals, lead guitar
• John Lennon – vocals, rhythm guitar
• Paul McCartney – backing vocals, bass guitar
• Tony Sheridan – vocals, lead guitar

Production staff:

• Bert Kaempfert – producer
• Karl Hinze – engineer

1962[edit]

Decca Audition[edit]

1 January 1962[edit]

On New Year's Day, the Beatles recorded an audition for Decca Records in London at around 11 am. They likely performed only one take of each song with no overdubbing. The Beatles did not pass the audition, but their manager, Brian Epstein, kept the reel-to-reel tapes to present to other record producers. Epstein arranged for the recordings to be pressed onto monoacetate discs, one of which was later heard by Parlophone producer George Martin, who offered them an audition which would turn out to be successful. The likely order of the songs was:^[19][20]

Recordings^[21][7][22]

• "Like Dreamers Do" – released on Anthology 1 (2:35)
• "Money (That's What I Want)" (Bradford–Gordy) (2:22)
• "Till There Was You" (Willson) (2:58)
• "The Sheik of Araby" (Smith–Wheeler–Snyder) – released on Anthology 1 (1:43)
• "To Know Her Is to Love Her" (Spector) (2:35)
• "Take Good Care of My Baby" (Goffin–King) (2:26)
• "Memphis, Tennessee" (Berry) (2:20)
• "Sure to Fall (In Love with You)" (Cantrell–Claunch–Perkins) (2:01)
• "Hello Little Girl" – released on Anthology 1 (1:40)
• "Three Cool Cats" (Leiber–Stoller) – released on Anthology 1 (2:25)
• "Crying, Waiting, Hoping" (Holly) (2:01)
• "Love of the Loved" (1:50)
• "September in the Rain" (Dubin–Warren) (1:54)
• "Bésame Mucho" (Velázquez/Skylar) (2:38)
• "Searchin'" (Leiber–Stoller) – released on Anthology 1 (3:00)

Personnel^[23][24]

Musicians:

• Pete Best – drums
• George Harrison – vocals, lead guitar
• John Lennon – vocals, rhythm guitar
• Paul McCartney – vocals, bass guitar

Production staff:

• Mike Smith – producer

2nd Tony Sheridan Recordings[edit]

24 May 1962[edit]

After their previous sessions recording in Hamburg with Tony Sheridan for Bert Kaempfert, the Beatles returned for one final session to complete their contract. Only one song from this day has survived. The Beatles were accompanied by Roy Young, a pianist who had been playing with them at the Star-Club. Sheridan was not at the session, and he overdubbed his vocals on 7 June 1962 without the Beatles present. He re-recorded his vocals for "Sweet Georgia Brown" on 3 January 1964 to contain a reference to the Beatles' fame.^[15] Atlantic Records added extra instruments for a release in 1964.

Recordings^[21][15]

• "Sweet Georgia Brown" (Bernie–Pinkard–Casey, arr. McCartney)
  • Vocal overdub by Sheridan (7 June 1962)
    • Stereo mixed
      • Mono mixdown
  • Vocal overdub by Sheridan (3 January 1964)
    • Stereo mixed (1964)
      • Mono mixdown (1964)
        • Extra instruments added and mono mixed (1964)
          • Fake stereo mixed (1964)
• "Swanee River" (Foster) – lost

Personnel

Musicians:^[15]

• Pete Best – drums
• George Harrison – backing vocals, guitar
• John Lennon – backing vocals, rhythm guitar
• Paul McCartney – backing vocals, bass guitar
• Roy Young – piano

Production staff:

• Bert Kaempfert – producer

EMI Artist Test[edit]

6 June 1962[edit]

After the Decca audition recordings came to the attention of EMI managers through the efforts of the Beatles' manager Brian Epstein, a recording contract was executed between Epstein and EMI's Parlophone record label. EMI would record a minimum of six single "sides" and the agreement would start on 6 June 1962, expiring a year later, but renewable.^{[citation needed]} After the contract was signed, Parlophone record producer George Martin gave the Beatles an audition at EMI Studios in London, to assess their musical quality and respective vocal talents. The audition, held on 6 June, also acted as their first EMI recording session. They likely performed in Studio 2, the studio in which they would record most of their music. Because none of the recordings was considered worthy of release, the session tapes were destroyed per standard protocol; however, at least two mono recordings have since been discovered. Most documentation from the session has also been destroyed; however, it is known that four songs were recorded in an unknown number of takes. Ken Townsend, who would become a regular at the Beatles' recording sessions, was on duty in the technical department that day. Martin was not satisfied with Best's drumming, so Epstein and the other Beatles soon dismissed him from the group. This session was Best's only recording session at EMI before he was replaced by Ringo Starr.^[25] A complete tape of this session surfaced after the death of sound engineer Geoff Emerick on 2 October 2018. Apparently Emerick took the tape home even though it was meant to have been destroyed. As of 2020 Emerick's family are involved in legal proceedings with Universal Music, current owners of the Beatles' back catalogue, as to who legally owns the tape.

Recordings^[25][7]

6–8 pm

• "Bésame Mucho" (Velázquez/Skylar) (take 1) - destroyed
  • Mono mixed (take 2)
    • Edited (1980s) – released on Anthology 1 (2:37)
• "Love Me Do" (takes 1-3) – destroyed
  • Mono mixed (take 4) – released on Anthology 1 (2:32)
• "P.S. I Love You" (take 1-5) – destroyed
• "Ask Me Why" (take 1) – destroyed

Personnel

Musicians:

• Pete Best – drums
• George Harrison – backing vocals, guitar
• John Lennon – vocals, harmonica, rhythm guitar
• Paul McCartney – vocals, bass guitar

Production staff:^[25]

• George Martin – producer
• Ron Richards – producer
• Norman Smith – balance engineer
• Chris Neal – second engineer (tape operator)

"Love Me Do" single sessions[edit]

4 September 1962[edit]

90 days after their EMI audition, the Beatles returned to EMI Studios, with their new drummer, Ringo Starr, to record their debut single in Studio 2. Before the session, they rehearsed five songs, including "Please Please Me", in Studio 3 with Ron Richards, between 2.30 and 5.30 pm. They began work on Mitch Murray's "How Do You Do It", which Martin had chosen for them, but they disliked the song and wanted to release an original composition. They recorded at least two takes of "How Do You Do It" and at least 15 takes of "Love Me Do", then the best take of each song was mono mixed and pressed onto an acetate disc for Martin and Epstein to listen to.^[26] The session tapes were later destroyed, as was common practice until 1963.^[27] This session's version of "Love Me Do" was released as the Beatles' first single; however, it was later replaced with a version recorded seven days later, and the original was destroyed.^[28] When the original was later released on compilations, it had to be sourced from an original mono 45 rpm single.

Recordings^[26][7][29]

7–10 pm

• "How Do You Do It" (Murray) – destroyed
  • Mono mixed (from take 2)
    • Edited (1980s) – released on Anthology 1 (1:57)
• "Love Me Do" – destroyed
  • Mono mixed (from an unknown take) – released as a single on 5 October 1962; included on Past Masters (2:25) and Mono Masters (2:25)

Personnel

Musicians:

• George Harrison – acoustic and lead guitar, backing vocals
• John Lennon – harmonica, rhythm guitar, vocals
• Paul McCartney – bass guitar, vocals
• Ringo Starr – drums

Production staff:^[26]

• George Martin – producer
• Norman Smith – engineer

11 September 1962[edit]

Concerned with Ringo's drumming, the producers hired session drummer Andy White for another attempt at recording the Beatles' first single. In Studio 2, they recorded three songs with White drumming, while Ringo was relegated to maracas and tambourine. The best takes of "Love Me Do" and "P.S. I Love You" were mono mixed. An unknown amount of takes of "Please Please Me" were also recorded but none was used. The session tapes were later destroyed, thus there are no true stereo versions of the songs, although at least one mono recording has been discovered.^[27] Although the previous session's version of "Love Me Do" was originally released as the single, following the release of the EP The Beatles' Hits, it was replaced with the version from this session, and the original was destroyed.^[30] "Love Me Do" and "P.S. I Love You" were mixed in "fake stereo" on 25 February 1963 in the control room of Studio 1.^[31] Although they were originally released in fake stereo on the stereo version of Please Please Me, modern remastered stereo releases contain the two songs in mono, as fake stereo has fallen out of style.

Recordings^[27][31][7]

10 am – 1 pm

• "P.S. I Love You" (takes 1–9) – destroyed
• "P.S. I Love You" (take 10) – destroyed
  • Mono mixed – released as the B-side to "Love Me Do"; included on Please Please Me (mono) (2:04)
    • Fake stereo mixed (25 February 1963) – released on Please Please Me (stereo)
• "Love Me Do" (takes 1–17) – destroyed
• "Love Me Do" (take 18) – destroyed
  • Mono mixed – released on Please Please Me (mono) (2:21)
    • Fake stereo mixed (25 February 1963) – released on Please Please Me (stereo)
• "Please Please Me" (unknown number of takes) – destroyed
  • Mono mixed (from an unknown take) – released on Anthology 1 (1:59)

Personnel

Musicians:

• George Harrison – acoustic and lead guitar, backing vocals
• John Lennon – rhythm guitar, vocals, harmonica
• Paul McCartney – bass guitar, vocals
• Ringo Starr – maracas, tambourine
• Andy White – percussion, drums

Production staff:^[27]

• Ron Richards – producer
• Norman Smith – engineer

"Please Please Me" single sessions[edit]

On 26 November, over a month after the release of the first single, the Beatles returned to Studio 2 to record their second. After the successful recording of "Please Please Me", Martin spoke the now-famous line, "You've just made your first number one." In addition to the two sides of the single, they also performed an unknown number of takes of another original composition, "Tip of My Tongue", but Martin was unhappy with the arrangement. They never recorded it again and, instead, gave it to Tommy Quickly, another artist managed by Epstein. "Please Please Me" and "Ask Me Why" were mono mixed at an unknown time on 30 November in Studio 2. An edit and stereo mix of "Please Please Me" and a new mono and a stereo mix of "Ask Me Why" were made on 25 February 1963 in Studio 1, for inclusion on the mono and stereo versions of the Please Please Me album.^[28][31]

26 November 1962[edit]

Recordings^[28][31][32]

7–10 pm

• "Please Please Me" (takes 1–18) – destroyed
  • Mono mixed (from an unknown take) (30 November 1962) – released as a single on 11 January 1963; included on Please Please Me (mono) (2:03)
  • Edit of takes 16, 17 & 18 (25 February 1963)
    • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (2:01)
• "Ask Me Why" (takes 1–5) – destroyed
• "Ask Me Why" (take 6) – destroyed
  • Mono mixed (30 November 1962) – released as the B-side to "Please Please Me"
  • Mono mixed (25 February 1963) – released on Please Please Me (mono) (2:28)
  • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (2:27)
• "Tip of My Tongue" (unknown number of takes) – destroyed

Personnel

Musicians:

• George Harrison – backing vocals, lead guitar
• John Lennon – rhythm guitar, vocals, harmonica
• Paul McCartney – bass guitar, vocals
• Ringo Starr – drums

Production staff:^[28]

• George Martin – producer
• Norman Smith – engineer

30 November 1962[edit]

Personnel^[28]

Production staff:

• George Martin – producer
• Norman Smith – engineer

1963[edit]

Please Please Me album sessions[edit]

On 11 February in Studio 2, the Beatles recorded almost the entirety of their debut album, Please Please Me, between 10 am and 10.45 pm. They also recorded several takes of "Hold Me Tight". Although in 1963, the convention of destroying session tapes after the final mixes were made had mostly ceased, the session's takes of "Hold Me Tight" were destroyed, as the song was left unused until seven months later when they re-recorded it for their next album.^[33][34] On 20 February in Studio 1, Martin recorded overdubs for "Misery" and "Baby It's You". The album was edited and mixed on 25 February in Studio 1. The song "Seventeen" was later retitled "I Saw Her Standing There".^[31]

11 February 1963[edit]

Recordings^{[33][31][32][35]}

10 am – 1 pm

• "There's a Place" (take 1) – complete (1:58)
• "There's a Place" (take 2) – complete (1:54)
• "There's a Place" (take 3) – false start
• "There's a Place" (take 4) – complete (1:50)
• "There's a Place" (take 5) – false start – released on The Beatles Bootleg Recordings 1963 (with take 6) (2:19)
• "There's a Place" (take 6) – complete (1:57) – released on The Beatles Bootleg Recordings 1963 (with take 5) (2:19)
• "There's a Place" (take 7) – false start
• "There's a Place" (take 8) – complete (1:57) – released on The Beatles Bootleg Recordings 1963 (1:58)
• "There's a Place" (take 9) – complete (1:53) – released on The Beatles Bootleg Recordings 1963 (2:03)
• "There's a Place" (take 10) – complete (1:50)
  • Harmonica overdub (take 11) – complete (2.30–6 pm)
  • Harmonica overdub (take 12) – false start (2.30–6 pm)
  • Harmonica overdub (take 13) – complete (2.30–6 pm)
    • Mono mixed (25 February 1963) – released on Please Please Me (mono) (1:54)
    • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (1:50)
• "Seventeen" (take 1) – complete (2:50)
  • Handclaps overdub (take 11) – false start (2.30–6 pm)
  • Handclaps overdub (take 12) – complete (2.30–6 pm)
    • Edit of takes 9 and 12 (25 February 1963)
      • Mono mixed (25 February 1963) – released on Please Please Me (mono) (2:58)
      • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (2:52)
• "Seventeen" (take 2) – complete (2:49) – released on The Beatles Bootleg Recordings 1963 (3:07)
• "Seventeen" (take 3) – edit piece (0:23)
• "Seventeen" (takes 4–5) – edit pieces (0:37)
• "Seventeen" (takes 6–8) – false starts
• "Seventeen" (take 9) – complete (2:45) – released as a B-side to "Free as a Bird" (2:51)^[36]
  • Handclaps overdub (take 10) – complete (2.30–6 pm)
  • Edit of takes 9 and 12 (see take 12 above)

2.30–6 pm

• "A Taste of Honey" (Marlow–Scott) (take 1) – complete (2:00)
• "A Taste of Honey" (takes 2–3) – break-downs (1:00)
• "A Taste of Honey" (take 4) – complete (2:02)
• "A Taste of Honey" (take 5) – complete (2:00)
  • Lead vocal double tracking overdub (take 6) – complete – released on The Beatles Bootleg Recordings 1963 (2:12)
  • Lead vocal double tracking overdub (take 7) – complete
    • Mono mixed (25 February 1963) – released on Please Please Me (mono) (2:06)
    • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (2:03)
• "Do You Want to Know a Secret" (take 1) – false start
• "Do You Want to Know a Secret" (takes 2–4) – complete (1:55)
• "Do You Want to Know a Secret" (takes 5) – false start
• "Do You Want to Know a Secret" (takes 6) – complete (2:00)
  • Harmony vocal and drumsticks overdub (take 7) – complete – released on The Beatles Bootleg Recordings 1963 (2:16)
  • Harmony vocal and drumsticks overdub (take 8) – complete
    • Mono mixed (25 February 1963) – released on Please Please Me (mono) (2:01)
    • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (1:57)
• "Misery" (take 1) – complete – released on The Beatles Bootleg Recordings 1963 (1:54)
• "Misery" (takes 2–5) – false starts
• "Misery" (take 6) – complete (1:42)
• "Misery" (take 7) – complete (1:44) – released on The Beatles Bootleg Recordings 1963 (1:56)
• "Misery" (takes 8–10) – false starts
• "Misery" (take 11) – complete (1:44)
  • Piano overdub (takes 12–15) (20 February 1963)
  • Piano overdub (take 16) (20 February 1963)
    • Mono mixed (25 February 1963)
    • Stereo mixed (25 February 1963)
    • Mono mixed (25 February 1963) – released on Please Please Me (mono) (1:53)
    • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (1:48)

7.30–10.45 pm

• "Hold Me Tight" (take 1) – false start – destroyed
• "Hold Me Tight" (take 2) – complete (1:48) – destroyed
• "Hold Me Tight" (takes 3–4) – false start – destroyed
• "Hold Me Tight" (take 5) – break-down – destroyed
• "Hold Me Tight" (take 6) – complete (2:28) – destroyed
• "Hold Me Tight" (takes 7–8) – false starts – destroyed
• "Hold Me Tight" (take 9) – complete (1:26) – destroyed
• "Hold Me Tight" (take 10) – edit piece – destroyed
• "Hold Me Tight" (take 11) – edit piece, false start – destroyed
• "Hold Me Tight" (takes 12–13) – edit pieces – destroyed
• "Anna (Go to Him)" (Alexander) (takes 1–2) – false starts
• "Anna (Go to Him)" (take 3) – complete
  • Mono mixed (25 February 1963) – released on Please Please Me (mono) (3:00)
  • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (2:57)
• "Boys" (Dixon–Farrell) (take 1) – complete
  • Mono mixed (25 February 1963) – released on Please Please Me (mono) (2:29)
  • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (2:26)
• "Chains" (Goffin–King) (take 1)
  • Mono mixed (25 February 1963) – released on Please Please Me (mono) (2:29)
  • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (2:25)
• "Chains" (takes 2–3) – false starts
• "Chains" (takes 4) – complete
• "Baby It's You" (Bacharach–Williams–David) (take 1) – complete
• "Baby It's You" (take 2) – false start
• "Baby It's You" (take 3) – complete
  • Celesta overdub (take 4) (20 February 1963)
  • Celesta overdub (take 5) (20 February 1963)
    • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (2:40)
    • Mono mixed (25 February 1963) – released on Please Please Me (mono) (2:42)
  • Piano overdub (take 6) (20 February 1963)
• "Twist and Shout" (Medley–Russell) (take 1) – complete
  • Mono mixed (25 February 1963) – released on Please Please Me (mono) (2:36)
  • Stereo mixed (25 February 1963) – released on Please Please Me (stereo) (2:33)
• "Twist and Shout" (take 2) – complete

Personnel

Musicians:

• George Harrison – guitar, vocals, handclaps
• John Lennon – guitar, vocals, harmonica, handclaps
• Paul McCartney – bass guitar, vocals, handclaps
• Ringo Starr – drums, handclaps, vocals

Production staff:^[33]

• George Martin – producer
• Norman Smith – engineer
• Richard Langham – second engineer

20 February 1963[edit]

10.30 am – 1 pm^[31]

Personnel^[31]

Musicians:

• George Martin – piano, celesta

Production staff:

• George Martin – producer
• Stuart Eltham – engineer
• Geoff Emerick – second engineer

25 February 1963[edit]

10 am – 1 pm, 2.30–5.45 pm^[31]

Personnel^[31]

Production staff:

• George Martin – producer
• Norman Smith – engineer
• A. B. Lincoln – second engineer

"From Me to You" single sessions[edit]

The Beatles recorded their third single on 5 March in Studio 2. They also wanted to record "What Goes On" and "The One After 909" (later retitled "One After 909"). In the end, only the latter was recorded, but the song remained unused until it was re-recorded during the Get Back / Let It Be sessions.^[31][37] "What Goes On" was later recorded for Rubber Soul.^[38] On 13 March in Studio 2, Lennon recorded a harmonica overdub for "Thank You Little Girl" (later retitled "Thank You Girl"), the single's B-side, and the song was edited and mixed. The A-side, "From Me to You", was edited and mixed on 14 March in Studio 2.^[39]

5 March 1963[edit]

Recordings^{[31][39][7][29][35]}

2.30–5 pm

• "From Me to You" (takes 1–2) – released on The Beatles Bootleg Recordings 1963 (3:24)
• "From Me to You" (takes 3–4)
• "From Me to You" (take 5) – released on The Beatles Bootleg Recordings 1963 (2:16)
• "From Me to You" (takes 6–7)
• "From Me to You" (takes 8–13) – edit pieces (harmonica, the guitar solo and the harmonised introduction)
  • Edit (of unknown takes) (14 March 1963)
    • Mono mixed (14 March 1963) – released as a single on 11 April 1963; included on Mono Masters (1:57)
    • Stereo mixed (14 March 1963) – released on Past Masters (1:57)
• "Thank You Little Girl" (take 1) – released on The Beatles Bootleg Recordings 1963 (2:09)
• "Thank You Little Girl" (takes 2–4)
• "Thank You Little Girl" (take 5) – released on The Beatles Bootleg Recordings 1963 (2:04)
• "Thank You Little Girl" (take 6)
• "Thank You Little Girl" (takes 7–13) – edit pieces (guitar flourish at the end)
  • Edit of takes 6, 13, 17, 20, 21 and 23 (see 13 March 1963 below)

7–10 pm

• "The One After 909" (takes 1–2) – released on The Beatles Bootleg Recordings 1963 (4:28)
• "The One After 909" (takes 3–4)
• "The One After 909" (take 5) – edit piece
  • Edit of takes 3, 4 and 5, mono mixed (1990s) – released on Anthology 1 as "One After 909 (False Starts)" (2:23)
  • Edit of takes 4 and 5, mono mixed (1990s) – released on Anthology 1 as "One After 909 (Complete)" (2:55)

Personnel

Musicians:

• George Harrison – harmony vocals, lead guitar
• John Lennon – rhythm guitar, vocals, harmonica
• Paul McCartney – bass guitar, vocals
• Ringo Starr – drums

Production staff:^[31]

• George Martin – producer
• Norman Smith – engineer
• Richard Langham – second engineer

13 March 1963[edit]

Recordings^[39][29]

10 am – 1 pm

• "Thank You Little Girl" (takes 14–28) – harmonica overdubs
  • Edit of takes 6, 13, 17, 20, 21 and 23
    • Mono mixed – released as the B-side to "From Me to You"; included on Mono Masters (2:04)
    • Stereo mixed – released on Past Masters (2:03)

Personnel^[39]

Musicians:

• John Lennon – harmonica

Production staff:

• George Martin – producer
• Norman Smith – engineer
• Geoff Emerick – second engineer

14 March 1963[edit]

10 am – 1 pm^[39]

Personnel^[39]

Production staff:

• George Martin – producer

"She Loves You" single sessions[edit]

The Beatles recorded their fourth single, "She Loves You", on 1 July in Studio 2. The B-side, "Get You in the End", was later retitled "I'll Get You". The number of takes recorded is unknown, as the documentation and session tapes were later destroyed or lost. The songs were edited and mono mixed on 4 July in Studio 2.^[40] No stereo mixes were ever made from the master recordings, and later stereo releases of the songs are in fake stereo or are combined with the recordings made on 13 March 1964 for the German-language version.

1 July 1963[edit]

Recordings^[40][29]

2.30–5.30, 7–10 pm

• "She Loves You" – destroyed
  • Edited and mono mixed (from unknown takes) (4 July 1963) – released as a single on 23 August 1963; included on Past Masters (2:21) and Mono Masters (2:21)
• "Get You in the End" – destroyed
  • Mono mixed (from an unknown take) (4 July 1963) – released as the B-side to "She Loves You"; included on Past Masters (2:06) and Mono Masters (2:06)

Personnel

Musicians:

• George Harrison – backing vocals, lead guitar, handclaps
• John Lennon – vocals, rhythm guitar, harmonica
• Paul McCartney – vocals, bass guitar, handclaps
• Ringo Starr – drums, handclaps

Production staff:^[40]

• George Martin – producer
• Norman Smith – engineer
• Geoff Emerick – second engineer

4 July 1963[edit]

10 am – 1 pm^[40]

Personnel^[40]

Production staff:

• George Martin – producer

With the Beatles and "I Want to Hold Your Hand" single sessions[edit]

18 July 1963[edit]

Studio 2^[41]

Recordings^[41][35][42]

7.00–10.45 pm

• "You Really Got a Hold on Me" (Robinson) (takes 1–7)
• "You Really Got a Hold on Me" (takes 8–11) – edit pieces
  • Edit of takes 7, 10 & 11 (21 August 1963)
    • Mono mixed (21 August 1963) – released on With the Beatles (mono) (3:04)
    • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (3:01)
• "Money (That's What I Want)" (takes 1–6)
• "Money (That's What I Want)" (take 7) – released on The Beatles Bootleg Recordings 1963 (2:47) (the exact take and mix released on the album is unknown)
  • Edit of takes 6 & 7 (21 August 1963)
    • Mono mixed (21 August 1963) – released on With the Beatles (mono) (2:49)
    • Stereo mixed (29 October 1963)
  • Stereo mixed (30 October 1963) – released on With the Beatles (stereo) (2:47)
  • "Money (That's What I Want)" (three unnumbered takes) (30 September 1963) – piano overdubs
• "Devil in Her Heart" (Drapkin) (takes 1–5)
• "Devil in Her Heart" (take 6)
  • Mono mixed (21 August 1963) – released on With the Beatles (mono) (2:30)
  • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:26)
• "Till There Was You" (Willson) (takes 1–3)

Personnel

Musicians:

• George Harrison – lead guitar
• John Lennon – rhythm guitar, vocals
• George Martin – piano
• Paul McCartney – bass guitar, vocals
• Ringo Starr – maraca, drums

Production staff:^[41]

• George Martin – producer
• Norman Smith – engineer
• Richard Langham – second engineer

30 July 1963[edit]

Studio 2^[41]

Recordings^[41][42]

10.00 am – 1.30 pm

• "Please Mister Postman" (Dobbins–Garrett–Holland–Bateman–Gorman) (takes 1–8)
• "Please Mister Postman" (take 9)
  • Mono mixed (21 August 1963) – released on With the Beatles (mono) (2:39)
  • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:34)
• "It Won't Be Long" (takes 1–8)
  • "It Won't Be Long" (takes 9–10) – overdubs (ending)

5.00–11.00 pm

• "Money (That's What I Want)" (piano test)
• "Money (That's What I Want)" (takes 8–14) – edit pieces (piano for start)
• "Till There Was You" (takes 4–5) – false starts
• "Till There Was You" (take 6) – complete (2:14)
• "Till There Was You" (take 7) – complete (2:13)
• "Till There Was You" (take 8) – complete (2:15)
  • Mono mixed (21 August 1963) – released on With the Beatles (mono) (2:19)
  • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:13)
• "Roll Over Beethoven" (Berry) (take 1) – false start
• "Roll Over Beethoven" (take 2) – complete (2:41)
• "Roll Over Beethoven" (take 3) – false start
• "Roll Over Beethoven" (take 4) – complete (2:44)
• "Roll Over Beethoven" (take 5) – complete (2:37)
  • "Roll Over Beethoven" (take 6) – overdub, false start
  • "Roll Over Beethoven" (take 7) – overdub, complete (2:37)
• "Roll Over Beethoven" (take 8) – edit piece (end guitar riff)
  • Edit of takes 7 & 8 (21 August 1963)
    • Mono mixed (21 August 1963) – released on With the Beatles (mono) (2:49)
    • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:45)
• "It Won't Be Long" (takes 11–13) – false starts
• "It Won't Be Long" (take 14) – complete
• "It Won't Be Long" (takes 15–16) – false starts
• "It Won't Be Long" (take 17) – complete
• "It Won't Be Long" (take 18) – edit piece
• "It Won't Be Long" (take 19) – edit piece, false start
• "It Won't Be Long" (takes 20–23) – edit pieces
  • Edit of takes 17 & 21 (21 August 1963)
    • Mono mixed (21 August 1963) – released on With the Beatles (mono) (2:16)
    • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:12)
• "All My Loving" (take 1) – complete (2:05)
• "All My Loving" (takes 2–3) – false starts
• "All My Loving" (take 4) – complete (2:05)
• "All My Loving" (take 6) – complete (2:08)
• "All My Loving" (take 7) – complete (2:07)
• "All My Loving" (takes 8–9) – false starts
• "All My Loving" (take 10) – complete (2:07)
• "All My Loving" (take 11) – complete
  • "All My Loving" (take 12) – overdub, complete (2:05)
  • "All My Loving" (take 13) – overdub, break-down
  • "All My Loving" (take 14) – overdub, complete (2:05)
    • Mono mixed (21 August 1963) – released on With the Beatles (mono) (2:13)
    • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:07)

Personnel

Musicians:

• George Harrison – lead guitar, vocals
• John Lennon – rhythm guitar, vocals
• Paul McCartney – bass guitar, vocals
• Ringo Starr – bongos, drums

Production staff:^[41]

• George Martin – producer
• Norman Smith – engineer
• Richard Langham – second engineer

21 August 1963[edit]

Studio 3 (control room)^[41]

10.00 am–1.00 pm, 2.00–5.30 pm^[41]

Personnel^[41]

Production staff:

• George Martin – producer
• Norman Smith – engineer
• Geoff Emerick – second engineer

11 September 1963[edit]

Studio 2^[41]

Recordings^[41][42]

2.30–6.00 pm

• "I Wanna Be Your Man" (take 1)
• "Little Child" (takes 1–2)
• "All I've Got to Do" (takes 1–14)
  • "All I've Got to Do" (take 15) – overdub
    • Mono mixed (30 September 1963) – released on With the Beatles (mono) (2:06)
    • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:02)

7.00–10.15 pm

• "Not a Second Time" (takes 1–4)
• "Not a Second Time" (take 5)
  • "Not a Second Time" (takes 6–8) – overdubs (lead vocal double-tracking and piano)
  • "Not a Second Time" (take 9) – overdub (lead vocal double-tracking and piano)
    • Mono mixed (30 September 1963) – released on With the Beatles (mono) (2:12)
    • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:06)
• "Don't Bother Me" (Harrison) (takes 1–7)

Personnel

Musicians:

• George Harrison – lead guitar, vocals
• John Lennon – rhythm guitar, vocals
• George Martin – piano
• Paul McCartney – bass guitar, vocals
• Ringo Starr – drums, vocals

Production staff:^[41]

• George Martin – producer
• Norman Smith – engineer
• Richard Langham – second engineer

12 September 1963[edit]

Studio 2^[41]

Recordings^[41][35][42]

2.30–6.30 pm

• "Messages to Australia" (takes 1–4)
• "Hold Me Tight" (take 20)
• "Hold Me Tight" (take 21) – released on The Beatles Bootleg Recordings 1963 (2:24)
• "Hold Me Tight" (takes 22–29)
  • Edit of takes 26 & 29 (30 September 1963)
    • Mono mixed (30 September 1963)
    • Mono mixed (23 October 1963) – released on With the Beatles (mono) (2:35)
    • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:31)

7.00–11.30 pm

• "Don't Bother Me" (takes 10–14)
• "Don't Bother Me" (take 15)
  • Mono mixed (30 September 1963) – released on With the Beatles (mono) (2:31)
  • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (2:28)
• "Don't Bother Me" (takes 16–19)
• "Little Child" (takes 3–18)
• "Little Child" (take 7)
  • "Little Child" (takes 13–14) – harmonic overdubs
  • "Little Child" (takes 15–17) – piano overdubs
  • "Little Child" (take 18) – harmonic solo overdub
    • Edit of takes 15 & 18 (30 September 1963)
      • Mono mixed (30 September 1963)
      • Mono mixed (23 October 1963) – released on With the Beatles (mono) (1:50)
• "Little Child" (takes 8–12)
• "I Wanna Be Your Man" (takes 2–6)
• "I Wanna Be Your Man" (take 7)
  • "I Wanna Be Your Man" (takes 8–13) (30 September 1963) – Hammond organ overdubs

Personnel

Musicians:

• George Harrison – lead guitar, vocals
• John Lennon – harmonica, rhythm guitar, tambourine, vocals
• Paul McCartney – bass guitar, claves, piano, vocals
• Ringo Starr – Arabian bongos, drums, vocals

Production staff:^[41]

• George Martin – producer
• Norman Smith – engineer
• Richard Langham – second engineer

30 September 1963[edit]

Studio 2^[41]

10.00 am – 1.15 pm^[41]

Personnel^[41]

Musicians:

• George Martin – piano, Hammond organ

Production staff:

• George Martin – producer
• Norman Smith – engineer
• Geoff Emerick – second engineer

3 October 1963[edit]

Studio 2^[41]

Recordings^[41][42]

7.00–10.00 pm

• "I Wanna Be Your Man" (takes 14–15)
• "Little Child" (takes 19–20)
• "Little Child" (take 21)
  • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (1:46)

Personnel

Musicians:

• Ringo Starr – maraca

Production staff:^[41]

• George Martin – producer
• Norman Smith – engineer

17 October 1963[edit]

Studio 2^[41]

Recordings^[41][29]

2.30–5.30, 7.00–10.00 pm

• "The Beatles' Christmas Record" (unnumbered takes) – released on 6 December 1963
• "You Really Got a Hold on Me" (take 12)
• "I Want to Hold Your Hand" (takes 1–15)
  • "I Want to Hold Your Hand" (take 16) – overdub
  • "I Want to Hold Your Hand" (take 17) – overdub
    • Mono mixed (21 October 1963) – released as a single on 29 November 1963; included on Mono Masters (2:26)
    • Stereo remix 1 (21 October 1963) – included on Past Masters (2:26)
• "This Boy" (takes 1–11)
• "This Boy" (takes 12–13) – released as a B-side to "Free as a Bird" (3:17)
• "This Boy" (take 14)
• "This Boy" (take 15)
  • Mono remixes 1 & 2 (21 October 1963)
    • Edited (21 October 1963) – released as the B-side to "I Want to Hold Your Hand"; included on Mono Masters (2:16)
• "This Boy" (takes 16–17)

Personnel

Musicians:

• George Harrison – lead guitar, vocals
• John Lennon – rhythm guitar, vocals
• Paul McCartney – bass guitar, vocals
• Ringo Starr – drums

Production staff:^[41]

• George Martin – producer
• Norman Smith – engineer
• Geoff Emerick – second engineer

21 October 1963[edit]

Studio 1^[41]

10.00 am – 1.00 pm^[41]

Personnel^[41]

Production staff:

• George Martin – producer
• Norman Smith – engineer

23 October 1963[edit]

Studio 2^[41]

Recordings^[41][42]

10.00 am – 1.00 pm

• "I Wanna Be Your Man" (take 16)
  • Mono mixed – released on With the Beatles (mono) (2:01)
  • Stereo mixed (29 October 1963) – released on With the Beatles (stereo) (1:59)

Personnel

Musicians:

• George Harrison – lead guitar, vocals
• John Lennon – rhythm guitar, vocals
• Paul McCartney – bass guitar, vocals
• Ringo Starr – drums

Production staff:^[41]

• George Martin – producer
• Norman Smith – engineer

29 October 1963[edit]

Studio 3^[41]

10.00 am – 1.00 pm^[41]

Personnel^[41]

Production staff:

• George Martin – producer
• Norman Smith – engineer
• Geoff Emerick – second engineer
• B.T. – second engineer

30 October 1963[edit]

Studio 3^[41]

2.30–5.30 pm^[41]

Personnel^[41]

Production staff:

• George Martin – producer
• Norman Smith – engineer
• A. B. Lincoln – second engineer

1964[edit]

A Hard Day's Night album and Long Tall Sally EP sessions[edit]

24 January 1964[edit]

Studio One (control room only), EMI Studios, London (10.00am-10.45am)^[43]

• Tape copying
  • "I Want to Hold Your Hand" (from take 17)
• Personnel
  • Production staff: Norman Smith (engineer), A.B. Lincoln and Geoff Emerick (2nd engineer)

29 January 1964[edit]

Pathé Marconi Studios, Paris (late-morning/afternoon)^[43]

• Recording
  • "Komm, Gib Mir Deine Hand" (takes 1–11)
  • "Sie Liebt Dich" (takes 1–14)
  • "Can't Buy Me Love" (takes 1–4)
    • take 2 – released on Anthology 1
• Editing
  • "Komm, Gib Mir Deine Hand" (of takes 5 and 7)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Jacques Esmenjaud (2nd engineer)

25 February 1964[edit]

Studio Two, EMI Studios, London (10.00am-1.00pm)^[44]

• Recording
  • "You Can't Do That" (takes 1–9)
    • take 6 – released on Anthology 1

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[44]

• Recording
  • "And I Love Her" (takes 1–2)
    • take 2 – released on Anthology 1
  • "I Should Have Known Better" (takes 1–3)
• Personnel
  • Musicians: John Lennon (harmonica, rhythm guitar, vocals), Paul McCartney (bass guitar, cowbell, vocals), George Harrison (12-string guitar, lead guitar, vocals), Ringo Starr (bongos, drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Richard Langham (2nd engineer)

26 February 1964[edit]

Studio Two (control room only), EMI Studios, London (10.00am-1.00pm)^[45]

• Mono mixing
  • "You Can't Do That" (remixes 1–4, from take 9)
    • Remix 3 – released as the B-side to "Can't Buy Me Love"; included on A Hard Day's Night (mono)
    • Remixes 2 and 4, for the USA
  • "Can't Buy Me Love" (from take 4) – released as a single; included on A Hard Day's Night (mono)

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[45]

• Recording
  • "I Should Have Known Better" [re-make] (takes 4–22)

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[45]

• Recording
  • "And I Love Her" [re-make] (takes 3–19)
• Personnel
  • Musicians: John Lennon (harmonica, rhythm guitar, vocals), Paul McCartney (bass guitar, cowbell, vocals), George Harrison (lead guitar), Ringo Starr (claves, bongos, drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Richard Langham (2nd engineer)

27 February 1964[edit]

Studio Two, EMI Studios, London (10.00am-1.00pm)^[45]

• Recording
  • "And I Love Her" [re-re-make] (takes 20–21)
  • "Tell Me Why" (takes 1–8)

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[45]

• Recording
  • "If I Fell" (takes 1–15)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Richard Langham (2nd engineer)

1 March 1964[edit]

Studio Two, EMI Studios, London (10.00am-1.30pm)^[46]

• Recording
  • "I'm Happy Just to Dance with You" (takes 1–4)
  • "Long Tall Sally" (Enotris Johnson/Richard Penniman/Robert Blackwell) (take 1)
  • "I Call Your Name" (takes 1–7)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (cowbell, drums), George Martin (piano)
  • Production staff: George Martin (producer), Norman Smith (engineer), Richard Langham (2nd engineer)

3 March 1964[edit]

Studio One (control room only), EMI Studios, London (10.00am-1.45pm)^[46]

• Mono mixing
  • "I Should Have Known Better" (from take 22) – released on A Hard Day's Night (mono)
  • "If I Fell" (from take 15) – released on A Hard Day's Night (mono)
  • "Tell Me Why" (from take 8) – released on A Hard Day's Night (mono)
  • "And I Love Her" (remix 1, from take 21)
  • "I'm Happy Just to Dance with You" (from take 4) – released on A Hard Day's Night (mono)
  • "I Call Your Name" (from take 7)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), A.B. Lincoln (2nd engineer)

4 March 1964[edit]

Studio Three (control room only), EMI Studios, London (10.00am-11.00am)^[47]

• Mono mixing
  • "I Call Your Name" (from take 7)
• Personnel
  • Production staff: George Martin (producer), unknown (engineer)

10 March 1964[edit]

Studio Two, EMI Studios, London (10.00am-1.00pm)^[47]

• Stereo mixing
  • "Can't Buy Me Love" (from take 4)
  • "Long Tall Sally" (from take 1)
  • "I Call Your Name" (from take 7)
  • "You Can't Do That" (from take 9)
• Mono mixing
  • "Long Tall Sally" (from take 1)
  • "Komm, Gib Mir Deine Hand" (from edit of takes 5 and 7) – released as a German single; included on Mono Masters
  • "Sie Liebt Dich" (from take 14) – released as the B-side to "Komm, Gib Mire Deine Hand"; included on Mono Masters
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), unknown (2nd engineer)

12 March 1964[edit]

Studio Three (control room only), EMI Studios, London (10.00am-12.00pm)^[47]

• Stereo mixing
  • "Komm, Gib Mir Deine Hand" (from edit of takes 5 and 7) – released on Something New (stereo); included on Past Masters
  • "Sie Liebt Dich" (from take 14) – released on Past Masters
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer)

16 April 1964[edit]

Studio Two, EMI Studios, London (10.00am-1.00pm)^[48]

• Recording
  • "A Hard Day's Night" (takes 1–9)
    • take 1 – released on Anthology 1
• Personnel
  • Musicians: John Lennon (acoustic guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (bongos, drums), George Martin (piano)
  • Production staff: George Martin (producer), Norman Smith (engineer), Geoff Emerick (2nd engineer)

20 April 1964[edit]

Studio Two (control room only), EMI Studios, London (2.00pm-3.15pm)^[49]

• Mono mixing
  • "A Hard Day's Night" (remix test, from take 9)
• Stereo mixing
  • "A Hard Day's Night" (remix test, from take 9)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), A.B. Lincoln (2nd engineer)

23 April 1964[edit]

Studio Two (control room only), EMI Studios, London (4.30pm-5.45pm)^[49]

• Mono mixing
  • "A Hard Day's Night" (remix "10", from take 9) – released as a single; included on A Hard Day's Night (mono)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), David Lloyd (2nd engineer)

22 May 1964[edit]

Studio Two, EMI Studios, London (10.00am-11.00am)^[49]

• Recording
  • "You Can't Do That" (overdub onto take 10)
• Personnel
  • Musicians: George Martin (piano)
  • Production staff: George Martin (producer), Norman Smith (engineer), A.B. Lincoln and B.T. (2nd engineer)

1 June 1964[edit]

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[49]

• Recording
  • "Matchbox" (Carl Perkins)(takes 1–5)
  • "I'll Cry Instead" (Section A) (takes 1–6)
  • "I'll Cry Instead" (Section B) (takes 7–8)
  • "Slow Down" (Larry Williams) (takes 1–6)

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[49]

• Recording
  • "I'll Be Back" (takes 1–16)
    • takes 2 and 3 – released on Anthology 1
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums, vocals)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

2 June 1964[edit]

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[49]

• Recording
  • "Any Time at All" (takes 1–7)
  • "Things We Said Today" (takes 1–3)

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[49]

• Recording
  • "When I Get Home" (takes 1–11)
  • "Any Time at All" (takes 8–11)
• Personnel
  • Musicians: John Lennon (piano, rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (tambourine, drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

3 June 1964[edit]

Studio Two, EMI Studios, London

• Recording
  • "You Know What to Do" (Harrison) (Studio Demo) – released on Anthology 1
  • "You're My World" (Bindi, Paoli, Sigman) (Studio Jam)
  • "No Reply" (Demo Take 1) – released on Anthology 1
• Personnel
  • Musicians: John Lennon (rhythm guitar, tambourine, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Unknown (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer)

4 June 1964[edit]

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[50]

• Mono mixing
  • "Long Tall Sally" (from take 1) – released on Long Tall Sally; included on Mono Masters
  • "Matchbox" (from take 5) – released on Long Tall Sally; included on Mono Masters
  • "I Call Your Name" (remixes 1 and 2, from takes 5 and 7)
• Editing
  • "I Call Your Name" (of mono remixes 1 and 2) – released on Long Tall Sally; included on Mono Masters
• Recording
  • "Slow Down" (overdub onto take 6)
• Mono mixing
  • "Slow Down" (from take 6) – released on Long Tall Sally; included on Mono Masters
  • "When I Get Home" (remix 1, from take 11)
  • "Any Time at All" (remix 1, from take 11)
  • "I'll Cry Instead" (Section A) (from take 6)
  • "I'll Cry Instead" (Section B) (from take 8)
• Editing
  • "I'll Cry Instead" (of mono remixes of takes 6 and 8) – released on A Hard Day's Night (mono)
• Personnel
  • Musicians: George Martin (piano)
  • Production staff: George Martin (producer), Norman Smith (engineer), Richard Langham (2nd engineer)

9 June 1964[edit]

Studio Three (control room only), EMI Studios, London (2.00pm-5.45pm)^[50]

• Mono tape copying
  • "I Should Have Know Better"
  • "If I Fell"
  • "Tell Me Why"
  • "And I Love Her"
  • "I'm Happy Just to Dance with You"
  • "I'll Cry Instead"
  • "Can't Buy Me Love"
  • "A Hard Day's Night"
• Mono mixing
  • "A Hard Day's Night" ("remix 3", from take 9) – extended ending remix for use in the film A Hard Day's Night
  • "Things We Said Today" (from take 3) – released as the B-side to "A Hard Day's Night"; included on A Hard Day's Night (mono)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

10 June 1964[edit]

Studio Two (control room only), EMI Studios, London (10.00am-11.00am)^[51]

• Mono mixing
  • "I'll Be Back" (remix 1, from take 16)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Richard Langham (2nd engineer)

22 June 1964[edit]

Studio One (control room only), EMI Studios, London (10.00am-11.30am)^[51]

• Mono mixing
  • "Any Time at All" (remix 2, for the UK, from take 11) – released on A Hard Day's Night (mono)
  • "Any Time at All" (remix 3, for the US, from take 11) – released on Something New (mono)
  • "When I Get Home" (remix 2, for the UK, from take 11) – released on A Hard Day's Night (mono)
  • "When I Get Home" (remix 3, for the US, from take 11) – released on Something New (mono)
  • "I'll Be Back" (remix 2, for the UK, from take 16) – released on A Hard Day's Night (mono)
  • "I'll Be Back" (remix 3, for the US, from take 16) – released on Beatles '65 (mono)
  • "And I Love Her" (remix 2, from take 21) – released on A Hard Day's Night (mono)

Studio One (control room only), EMI Studios, London (11.30am-1.00pm)^[51]

• Stereo mixing
  • "And I Love Her" (from take 21) – released on A Hard Day's Night (stereo)
  • "When I Get Home" (from take 11) – released on A Hard Day's Night (stereo)
  • "Any Time at All" (from take 11) – released on A Hard Day's Night (stereo)
  • "I'll Be Back" (from take 16) – released on A Hard Day's Night (stereo)
  • "If I Fell" (from take 15) – released on A Hard Day's Night (stereo)
  • "A Hard Day's Night" (from take 9) – released on A Hard Day's Night (stereo)
  • "I Should Have Known Better" (from take 22) – released on A Hard Day's Night (stereo)
  • "I'm Happy Just to Dance with You" (from take 4) – released on A Hard Day's Night (stereo)
  • "I Call Your Name" (remixes 1 and 2, from takes 5 and 7)
• Editing
  • "I Call Your Name" (of stereo remixes 1 and 2) – released on Past Masters

Studio One (control room only), EMI Studios, London (2.30pm-5.30pm)^[51]

• Stereo mixing
  • "Can't Buy Me Love" (from take 4) – released on A Hard Day's Night (stereo)
  • "You Can't Do That" (from take 9) – released on A Hard Day's Night (stereo)
  • "Tell Me Why" (from take 8) – released on A Hard Day's Night (stereo)
  • "Things We Said Today" (from take 3) – released on A Hard Day's Night (stereo)
  • "Matchbox" (from take 5) – released on Past Masters
  • "Slow Down" (from take 6) – released on Past Masters
  • "Long Tall Sally" (from take 1) – released on Past Masters
  • "I'll Cry Instead" (Section A) (from take 6)
  • "I'll Cry Instead" (Section B) (from take 8)
• Editing
  • "I'll Cry Instead" (of stereo remixes of takes 6 and 8) – released on A Hard Day's Night (stereo)

Studio Two (control room only), EMI Studios, London (5.45pm-9.00pm)^[51]

• Tape copying
  • "Slow Down" (copy of 4 June mono remix)
  • "Matchbox" (copy of 4 June mono remix)
  • "Things We Said Today" (copy of 22 June stereo remix)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Geoff Emerick (2nd engineer)

Beatles for Sale and "I Feel Fine" single sessions[edit]

11 August 1964[edit]

Studio Two, EMI Studios, London (7.00pm-11.00pm)^[52]

• Recording
  • "Baby's in Black" (takes 1–14, and 13 [unnumbered] edit pieces)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

14 August 1964[edit]

Studio Two, EMI Studios, London (7.00pm-9.00pm)^[53]

• Recording
  • "I'm a Loser" (takes 1–8)
  • "Mr. Moonlight" (Roy Lee Johnson) (takes 1–4)
    • Edit of takes 1 and 4 – released on Anthology 1

Studio Two (control room only), EMI Studios, London (9.00pm-10.00pm)^[53]

• Mono mixing
  • "I'm a Loser" (remix 1, from take 8)
  • "Baby's in Black" (remix 1, from take 14)

Studio Two, EMI Studios, London (10.00pm-11.15pm)^[53]

• Recording
  • "Leave My Kitten Alone" (Little Willie John/Titus Turner/James McDougal) (takes 1–5)
    • Stereo remix of take 5 – released on Anthology 1
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar), Ringo Starr (drums, tambourine)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

29 September 1964[edit]

Studio Two, EMI Studios, London (2.30pm-6.30pm)^[54]

• Recording
  • "Every Little Thing" (takes 1–4)
  • "I Don't Want to Spoil the Party" (takes 1–7)

Studio Two, EMI Studios, London (7.00pm-10.45pm)^[54]

• Recording
  • "I Don't Want to Spoil the Party" (takes 8–19)
  • "What You're Doing" (takes 1–7)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Mike Stone (2nd engineer)

30 September 1964[edit]

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[54]

• Recording
  • "Every Little Thing" (takes 5–9)

Studio Two, EMI Studios, London (6.30pm-10.30pm)^[54]

• • "What You're Doing" (takes 8–12)
  • "No Reply" (takes 2–8)
    • Stereo remix of take 2 – released on Anthology 1
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Mike Stone (2nd engineer)

6 October 1964[edit]

Studio Two, EMI Studios, London (3.00pm-6.45pm)^[54]

• Recording
  • "Eight Days a Week" (takes 1–6)
    • Edit of takes 1, 2 and 4 – released on Anthology 1 as "Eight Days a Week (Sequence)"
    • Stereo remix of take 5 – released on Anthology 1 as "Eight Days a Week (Complete)"

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[54]

• Recording
  • "Eight Days a Week" (takes 7–13)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Mike Stone (2nd engineer)

8 October 1964[edit]

Studio Two, EMI Studios, London (2.30pm-6.00pm)^[54]

• Recording
  • "She's a Woman" (takes 1–7)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Mike Stone (2nd engineer)

12 October 1964[edit]

Studio Two (control room only), EMI Studios, London (10.00am-10.30am)^[55]

• Mono mixing
  • "She's a Woman" (remix 1, from take 6) – released as the B-side to "I Feel Fine"; included on Mono Masters
• Stereo mixing
  • "She's a Woman" (from take 6) – released on Past Masters

Studio Two (control room only), EMI Studios, London (2.30pm-3.00pm)^[55]

• Mono mixing
  • "Eight Days a Week" (remix 1, from take 13)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

16 October 1964[edit]

Studio Two (control room only), EMI Studios, London (2.30pm-5.30pm)^[55]

• Mono mixing
  • "No Reply" (remix 1 and 2, from take 8) – remix 1 or 2 released on Beatles for Sale (mono)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), A.B. Lincoln (2nd engineer)

18 October 1964[edit]

Studio Two, EMI Studios, London (2.30pm-11.30pm)^[55]

• Recording
  • "Eight Days a Week" (takes 14–15)
  • "Kansas City/Hey-Hey-Hey-Hey!" (Jerry Leiber/Mike Stoller/Richard Penniman) (takes 1–2)
    • Stereo remix of take 2 – released on Anthology 1
  • "Mr. Moonlight" [re-make] (takes 5–8)
  • "I Feel Fine" (takes 1–9)
  • "I'll Follow the Sun" (takes 1–8)
  • "Everybody's Trying to Be My Baby" (Carl Perkins) (take 1)
  • "Rock and Roll Music" (Berry) (take 1)
  • "Words of Love" (Buddy Holly) (takes 1–3)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Geoff Emerick (2nd engineer)

21 October 1964[edit]

Room 65, Abbey Road, London (2.30pm-5.30am)^[56]

• Mono mixing
  • "I Feel Fine" (remixes 1–4, from take 9) – remix 3 released as a single; included on Mono Masters
    • Remix 4 – released as a USA single
  • "I'll Follow the Sun" (from take 8) – released on Beatles for Sale (mono)
  • "She's a Woman" (remix 2, from take 6) – released as the B-side to the USA single "I Feel Fine"
  • "Everybody's Trying to Be My Baby" (from take 1) – released on Beatles for Sale (mono)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

22 October 1964[edit]

Studio One (control room only), EMI Studios, London (11.00am-12.00pm)^[56]

• Mono mixing
  • "I Feel Fine" (remix 5, from take 9)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

26 October 1964[edit]

Studio Two (control room only), EMI Studios, London (10.00am-12.45pm)^[56]

• Mono mixing
  • "I Don't Want to Spoil the Party" (from take 19) – released on Beatles for Sale (mono)
  • "Rock and Roll Music" (from take 1) – released on Beatles for Sale (mono)
  • "Words of Love" (from take 3) – released on Beatles for Sale (mono)
  • "Baby's in Black" (remix 2, from take 14) – released on Beatles for Sale (mono)
  • "I'm a Loser" (remix 2, from take 8) – released on Beatles for Sale (mono)
  • "Kansas City/Hey-Hey-Hey-Hey!" (from take 1) – released on Beatles for Sale (mono)

Studio Two (control room only), EMI Studios, London (12.45pm-1.05pm)^[56]

• Stereo mixing
  • "Kansas City/Hey-Hey-Hey-Hey!" (from take 1) – released on Beatles for Sale (stereo)

Studio Two, EMI Studios, London (4.30pm-6.30pm)^[56]

• Recording
  • "Honey Don't" (Perkins) (takes 1–5)

Studio Two, EMI Studios, London (7.30pm-10.00pm)^[56]

• Recording
  • "What You're Doing" [re-make] (takes 13–19)
  • "Another Beatles Christmas Record" (takes 1–5)
• Editing
  • "Another Beatles Christmas Record" (from takes 1–5)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums, vocals)
  • Production staff: George Martin (producer), Norman Smith (engineer), Tony Clark and A.B. Lincoln (2nd engineer)

27 October 1964[edit]

Studio Two (control room only), EMI Studios, London (10.00am-12.00pm)^[57]

• Mono mixing
  • "What You're Doing" (from take 19) – released on Beatles for Sale (mono)
  • "Honey Don't" (from take 5) – released on Beatles for Sale (mono)
  • "Mr. Moonlight" (remixes 1 and 2, from takes 4 and 8)
  • "Every Little Thing" (from take 9) – released on Beatles for Sale (mono)
  • "Eight Days a Week" (remixes 2 and 3, from takes 13 and 15)
• Editing
  • "Mr. Moonlight" (of mono remixes 1 and 2) – released on Beatles for Sale (mono)
  • "Eight Days a Week" (of mono remixes 2 and 3) – released on Beatles for Sale (mono)

Studio Two (control room only), EMI Studios, London (12.30pm-1.00pm)^[57]

• Stereo mixing
  • "Eight Days a Week" (remixes 1 and 2, from takes 13 and 15)
  • "Every Little Thing" (from take 9) – released on Beatles for Sale (stereo)
  • "What You're Doing" (from take 19) – released on Beatles for Sale (stereo)
  • "Honey Don't" (from take 5) – released on Beatles for Sale (stereo)
• Editing
  • "Eight Days a Week" (of stereo remixes 1 and 2) – released on Beatles for Sale (stereo)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

4 November 1964[edit]

Studio Two (control room only), EMI Studios, London (10.00am-1.00pm)^[57]

• Stereo mixing
  • "I'll Follow the Sun" (from take 8) – released on Beatles for Sale (stereo)
  • "Everybody's Trying to Be My Baby" (from take 1) – released on Beatles for Sale (stereo)
  • "Rock and Roll Music" (from take 1) – released on Beatles for Sale (stereo)
  • "Words of Love" (from take 3) – released on Beatles for Sale (stereo)
  • "Mr. Moonlight" (remixes 1 and 2, from takes 4 and 8)
  • "I Don't Want to Spoil the Party" (from take 19) – released on Beatles for Sale (stereo)
  • "I'm a Loser" (from take 8) – released on Beatles for Sale (stereo)
  • "Baby's in Black" (from take 14) – released on Beatles for Sale (stereo)
  • "No Reply" (from take 8) – released on Beatles for Sale (stereo)
  • "I Feel Fine" (from take 9) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
• Editing
  • "Mr. Moonlight" (of stereo remixes 1 and 2) – released on Beatles for Sale (stereo)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Mike Stone (2nd engineer)

1965[edit]

Help! album sessions[edit]

15 February 1965[edit]

Studio Two, EMI Studios, London (2.30pm-5.45pm)^[58]

• Recording
  • "Ticket to Ride" (takes 1–2)

Studio Two, EMI Studios, London (7.00pm-10.30pm)^[58]

• Recording
  • "Another Girl" (take 1, and 10 [unnumbered] edit pieces)
  • "I Need You" (Harrison) (takes 1–5)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, lead guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums, tambourine)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Jerry Boys (2nd engineer)

16 February 1965[edit]

Studio Two, EMI Studios, London (2.30pm-5.00pm)^[58]

• Recording
  • "I Need You" (overdub onto take 5)
  • "Another Girl" (overdub onto take 1)

Studio Two, EMI Studios, London (5.00pm-7.00pm)^[58]

• Recording
  • "Yes It Is" (takes 1–14)

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[58]

• Recording
  • "Yes It Is" (overdub onto take 14)
    • Edit of takes 2 and 14 – released on Anthology 2
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, tone pedal guitar), Ringo Starr (cowbell, drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Jerry Boys (2nd engineer)

17 February 1965[edit]

Studio Two, EMI Studios, London (2.00pm-7.00pm)^[58]

• Recording
  • "The Night Before" (takes 1–2)

Studio Two, EMI Studios, London (7.00pm-11.00pm)^[58]

• Recording
  • "You Like Me Too Much" (George Harrison) (takes 1–8)
• Personnel
  • Musicians: John Lennon (electric piano, rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, tone pedal guitar), Ringo Starr (cowbell, drums), George Martin (piano)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

18 February 1965[edit]

Studio Two (control room only), EMI Studios, London (10.00am-1.00pm)^[59]

• Mono mixing
  • "Ticket to Ride" (remix 1, from take 2) – released as a single; included on Help! (mono)
  • "Another Girl" (from take 1) – released on Help! (mono)
  • "I Need You" (from take 5) – released on Help! (mono)
  • "Yes It Is" (from take 14) – released as the B-side to "Help!"; included on Mono Masters

Studio Two, EMI Studios, London (3.30pm-5.15pm)^[59]

• Recording
  • "You've Got to Hide Your Love Away" (takes 1–9)
    • Edit of takes 1, 2 and 5 – released on Anthology 2

Studio Two (control room only), EMI Studios, London (5.15pm-6.00pm)^[59]

• Mono mixing
  • "The Night Before" (from take 2) – released on Help! (mono)
  • "You Like Me Too Much" (from take 8) – released on Help! (mono)

Studio Two, EMI Studios, London (6.00pm-10.30pm)^[59]

• Recording
  • "If You've Got Trouble" (take 1)
    • Stereo mix of take 1 – released on Anthology 2
  • "Tell Me What You See" (takes 1–4)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, electric piano, vocals), George Harrison (lead guitar), Ringo Starr (drums, güiro, vocals), Johnnie Scott (flute)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

19 February 1965[edit]

Studio Two, EMI Studios, London (3.30pm-6.20pm)^[60]

• Recording
  • "You're Going to Lose That Girl" (Lennon/McCartney) (takes 1–3)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

20 February 1965[edit]

Studio Two (control room only), EMI Studios, London (11.00am-12.00pm)^[60]

• Mono mixing
  • "If You've Got Trouble" (from take 1)
  • "Tell Me What You See" (from take 4) – released on Help! (mono)
  • "You're Going to Lose That Girl" (from take 3) – released on Help! (mono)

Studio Two, EMI Studios, London (12.00pm-5.15pm)^[60]

• Recording
  • "That Means a Lot" (Lennon/McCartney) (take 1, tape reduction take 1 into take 2, overdub onto take 2)
    • Stereo mix of take 1 – released on Anthology 2

Studio Two (control room only), EMI Studios, London (5.15pm-6.00pm)^[60]

• Mono mixing
  • "That Means a Lot" (from take 1)
  • "You've Got to Hide Your Love Away" (from take 9) – released on Help! (mono)
• Personnel
  • Musicians: John Lennon (rhythm guitar, maracas, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, maracas, vocals), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

23 February 1965[edit]

Studio Two (control room only), EMI Studios, London (10.00am-1.00pm)^[60]

• Stereo mixing
  • "Yes It Is" (from take 14) – released on Past Masters
  • "You've Got to Hide Your Love Away" (from take 9) – released on Help! (stereo)
  • "If You've Got Trouble" (from take 1)
  • "Tell Me What You See" (from take 4) – released on Help! (stereo)
  • "I Need You" (from take 5) – released on Help! (stereo)
  • "Another Girl" (from take 1) – released on Help! (stereo)
  • "Ticket to Ride" (from take 2) – released on Help! (stereo)
  • "You Like Me Too Much" (from take 8) – released on Help! (stereo)
  • "The Night Before" (remix 1, from take 2) – released on Help! (stereo)
  • "You're Going to Lose That Girl" (remix 1, from take 3)
  • "That Means a Lot" (from take 1)
  • "You're Going to Lose That Girl" (remix 2, from take 3) – released on Help! (stereo)
• Personnel
  • Production staff: Norman Smith (engineer), Malcolm Davies (2nd engineer)

15 March 1965[edit]

Studio Two (control room only), EMI Studios, London (10.00am-11.00am)^[61]

• Mono mixing
  • "Ticket to Ride" (remix 2, from take 2)
• Personnel
  • Production staff: Norman Smith (engineer), unknown (2nd engineer)

30 March 1965[edit]

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[61]

• Recording
  • "That Means a Lot" [re-make] (takes 20–24)
• Personnel
  • Musicians: John Lennon (rhythm guitar), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender and Vic Gann (2nd engineer)

2 April 1965[edit]

Studio Two (control room only), EMI Studios, London (10.00am-11.00am)^[61]

• Stereo mixing
  • "You're Going to Lose That Girl" (remix 3, from take 3)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), unknown (2nd engineer)

13 April 1965[edit]

Studio Two, EMI Studios, London (7.00pm-11.00pm)^[62]

• Recording
  • "Help!" (Lennon/McCartney) (takes 1–12)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

18 April 1965[edit]

Room 65, Abbey Road, London (10.00am-12.30pm)^[62]

• Mono mixing
  • "Help!" (remixes 1–3, from take 12) – remix 3 for use in the film Help!
• Stereo mixing
  • "Help!" (remix 1, from take 12) – unused remix
  • "The Night Before" (remix 2, from take 2) – unused remix
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

10 May 1965[edit]

Studio Two, EMI Studios, London (8.00pm-11.30pm)^[62]

• Recording
  • "Dizzy Miss Lizzy" (Larry Williams) (takes 1–2)
  • "Bad Boy" (Williams) (takes 1–4)
  • "Dizzy Miss Lizzy" (takes 3–7)

Studio Two (control room only), EMI Studios, London (11.30pm-1.15am)^[62]

• Mono mixing
  • "Dizzy Miss Lizzy" (from take 7) – released on Help! (mono)
  • "Bad Boy" (from take 4) – released on A Collection of Beatles Oldies (mono); included on Mono Masters
• Stereo mixing
  • "Dizzy Miss Lizzy" (from take 7) – released on Help! (stereo)
  • "Bad Boy" (from take 4) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
• Personnel
  • Musicians: John Lennon (rhythm guitar, organ, vocals), Paul McCartney (bass guitar, electric piano, vocals), George Harrison (lead guitar), Ringo Starr (drums, tambourine)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

8 June 1965[edit]

Studio One (control room only), EMI Studios, London (10.00am-10.30am)^[62]

• Stereo mixing
  • "I Want to Hold Your Hand" (Lennon/McCartney) (remix 2, from take 17) – unused remix
• Personnel
  • Production staff: Norman Smith (engineer), Ron Pender (2nd engineer)

14 June 1965[edit]

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[63]

• Recording
  • "I've Just Seen a Face" (Lennon/McCartney) (takes 1–6)
  • "I'm Down" (Lennon/McCartney) (takes 1–7)
    • take 1 – released on Anthology 2

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[63]

• Recording
  • "Yesterday" (Lennon/McCartney) (takes 1–2)
    • take 1 – released on Anthology 2
• Personnel
  • Musicians: John Lennon (rhythm guitar, organ, vocals), Paul McCartney (acoustic guitar, bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (bongos, drums, maracas)
  • Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

15 June 1965[edit]

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[64]

• Recording
  • "It's Only Love" (Lennon/McCartney) (takes 1–6)
    • Edit of takes 2 and 3 – released on Anthology 2
• Personnel
  • Musicians: John Lennon (acoustic guitar, vocals), Paul McCartney (bass guitar), George Harrison (tone pedal guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

17 June 1965[edit]

Studio Two, EMI Studios, London (2.30pm-5.30pm)^[64]

• Recording
  • "Act Naturally" (Johnny Russell / Vani Morrison) (takes 1–13)

Studio Two, EMI Studios, London (7.00pm-10.00pm)^[64]

• Recording
  • "Wait" (Lennon/McCartney) (takes 1–3)
  • "Yesterday" (overdub onto take 2)
• Mono mixing
  • "Yesterday" (remixes 1 and 2, from take 2) – remix 2 released on Help! (mono)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (acoustic guitar, lead guitar), Ringo Starr (drums, vocals), Tony Gilbert and Sidney Sax (violin), Francisco Gabarró (cello), Kenneth Essex (viola)
  • Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

18 June 1965[edit]

Studio Two (control room only), EMI Studios, London (10.00am-12.30pm)^[64]

• Mono mixing
  • "I've Just Seen a Face" (from take 6) – released on Help! (mono)
  • "I'm Down" (from take 7) – released as the B-side to "Help!"; included on Mono Masters
  • "It's Only Love" (from take 6) – released on Help! (mono)
  • "Act Naturally" (from take 13) – released on Help! (mono)
  • "Wait" (remix 1, from take 4)
  • "Help!" (remix 4, from take 12) – released as a single; included on Help! (mono)

Studio Two (control room only), EMI Studios, London (12.30pm-1.30pm)^[64]

• Stereo mixing
  • "I've Just Seen a Face" (from take 6) – released on Help! (stereo)
  • "I'm Down" (from take 7) – released on Past Masters
  • "Yesterday" (from take 2) – released on Help! (stereo)
  • "It's Only Love" (from take 6) – released on Help! (stereo)
  • "Act Naturally" (from take 13) – released on Help! (stereo)
  • "Help!" (remix 2, from take 12) – released on Help! (stereo)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer)

Rubber Soul and "Day Tripper"/"We Can Work It Out" sessions[edit]

12 October 1965[edit]

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[65]

• Recording
  • "Run for Your Life" (takes 1–5)

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[65]

• Recording
  • "This Bird Has Flown" (working title of "Norwegian Wood (This Bird Has Flown)") (Lennon/McCartney) (take 1) – released on Anthology 2
• Personnel
  • Musicians: John Lennon (acoustic guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, sitar), Ringo Starr (drums, finger cymbals, maracas, tambourine)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Phil McDonald (2nd engineer)

13 October 1965[edit]

Studio Two, EMI Studios, London (7.00pm-12.15am)^[65]

• Recording
  • "Drive My Car" (Lennon/McCartney) (takes 1–4)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, piano?, vocals), George Harrison (lead guitar, vocals), Ringo Starr (cowbell, drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

16 October 1965[edit]

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[66]

• Recording
  • "Day Tripper" (Lennon/McCartney) (takes 1–3)

Studio Two, EMI Studios, London (7.00pm-12.00pm)^[66]

• Recording
  • "Day Tripper" (overdub onto take 3)
  • "If I Needed Someone" (Harrison) (take 1)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

18 October 1965[edit]

Studio Two, EMI Studios, London (2.30pm-5.45pm)^[66]

• Recording
  • "If I Needed Someone" (overdub onto take 1)
  • "In My Life" (Lennon/McCartney) (takes 1–3)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, tambourine)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

20 October 1965[edit]

Studio Two, EMI Studios, London (2.30pm-6.30pm)^[66]

• Recording
  • "We Can Work It Out" (Lennon/McCartney) (takes 1–2)

Studio Two, EMI Studios, London (7.00pm-11.46pm)^[66]

• Recording
  • "We Can Work It Out" (overdub onto take 2)
• Personnel
  • Musicians: John Lennon (harmonium, rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums, tambourine)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

21 October 1965[edit]

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[67]

• Recording
  • "Norwegian Wood (This Bird Has Flown)" [re-make] (takes 2–4)

Studio Two, EMI Studios, London (7.00pm-12.00pm)^[67]

• Recording
  • "Nowhere Man" (Lennon/McCartney) (takes 1–2)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (sitar), Ringo Starr (tambourine)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

22 October 1965[edit]

Studio Two, EMI Studios, London (10.30am-11.30am)^[67]

• Recording
  • "In My Life" (overdub onto take 3)

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[67]

• Recording
  • "Nowhere Man" [re-make] (takes 3–5)

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[67]

• Recording
  • "Nowhere Man" (overdub onto take 4)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (piano)
  • Production staff: George Martin (producer), Stuart Eltham and Norman Smith (engineer), Mike Stone and Ken Scott (2nd engineer)

24 October 1965[edit]

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[67]

• Recording
  • "I'm Looking Through You" (Lennon/McCartney) (take 1)

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[67]

• Recording
  • "I'm Looking Through You" (overdub onto take 1) – released on Anthology 2
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, organ?, vocals), George Harrison (lead guitar, vocals), Ringo Starr (maracas)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

25 October 1965[edit]

Studio Two (control room only), EMI Studios, London (10.00am-1.00pm)^[68]

• Mono mixing
  • "Drive My Car" (from take 4) – released on Rubber Soul (mono)
  • "In My Life" (from take 3) – released on Rubber Soul (mono)
  • "If I Needed Someone" (from take 1) – released on Rubber Soul (mono)
  • "Day Tripper" (remix 1, from take 3)
  • "Norwegian Wood (This Bird Has Flown)" (from take 4) – released on Rubber Soul (mono)
  • "Nowhere Man" (from take 4) – released on Rubber Soul (mono)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

26 October 1965[edit]

Studio Two (control room only), EMI Studios, London (10.00am-12.30pm)^[68]

• Stereo mixing
  • "Drive My Car" (from take 4) – released on Rubber Soul (stereo)
  • "Day Tripper" (remix 1, from take 3)
  • "In My Life" (from take 3) – released on Rubber Soul (stereo)
  • "If I Needed Someone" (from take 1) – released on Rubber Soul (stereo)
  • "Norwegian Wood (This Bird Has Flown)" (from take 4) – released on Rubber Soul (stereo)
  • "Nowhere Man" (from take 4) – released on Rubber Soul (stereo)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Ron Pender (2nd engineer)

28 October 1965[edit]

Studio Two (control room only), EMI Studios, London (5.00pm-5.30pm)^[68]

• Mono mixing
  • "We Can Work It Out" (remix 1, from take 2)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Jerry Boys (2nd engineer)

29 October 1965[edit]

Studio Two, EMI Studios, London (2.00pm-4.00pm)^[68]

• Recording
  • "We Can Work It Out" (overdub onto take 2)

Studio Two (control room only), EMI Studios, London (4.00pm-5.00pm)^[68]

• Mono mixing
  • "We Can Work It Out" (remixes 2 and 3, from take 2) – remix 2 released as a double A-sided single with "Day Tripper"; included on Mono Masters
  • "Day Tripper" (remixes 2 and 3, from take 3) – remix 2 released as a double A-sided single with "We Can Work It Out"; included on Mono Masters
• Personnel
  • Musicians: John Lennon (vocals), Paul McCartney (vocals)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

3 November 1965[edit]

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[38]

• Recording
  • "Michelle" (Lennon/McCartney) (take 1)

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[38]

• Recording
  • "Michelle" (tape reduction take 1 into take 2, overdub onto take 2)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

4 November 1965[edit]

Studio Two, EMI Studios, London (11.00pm-3.30am)^[38]

• Recording
  • "What Goes On" (Lennon/McCartney/Richard Starkey) (take 1)
  • "12-Bar Original" (Lennon/McCartney/Harrison/Starkey) (takes 1–2)
    • edit of take 2 – released on Anthology 2
• Personnel
  • Musicians: John Lennon (lead guitar, rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, tone pedal guitar), Ringo Starr (drums), George Martin (harmonium)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Graham Platt (2nd engineer)

6 November 1965[edit]

Studio Two, EMI Studios, London (7.00pm-1.00am)^[38]

• Recording
  • "I'm Looking Through You" [re-make] (takes 2–3)
• Personnel
  • Musicians: John Lennon (rhythm guitar), Paul McCartney (bass guitar), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

8 November 1965[edit]

Studio Two, EMI Studios, London (9.00pm-3.00am)^[38]

• Recording
  • "Beatle Speech" (take 1)
  • "Won't Be There with You" (working title of "Think for Yourself") (take 1)
  • "The Beatles' Third Christmas Record" (takes 1–3)
• Personnel
  • Musicians: John Lennon (rhythm guitar), Paul McCartney (bass guitar, fuzz bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums)
  • Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott (2nd engineer)

9 November 1965[edit]

Room 65, Abbey Road, London (2.30pm-5.30pm)^[69]

• Editing
  • "The Beatles' Third Christmas Record" (of takes 1–3)
• Mono mixing
  • "Michelle" (remix 1, from take 2)
  • "What Goes On" (from take 1) – released on Rubber Soul (mono)
  • "Run for Your Life" (from take 5) – released on Rubber Soul (mono)
  • "Think for Yourself" (from take 1) – released on Rubber Soul (mono)
  • "The Beatles' Third Christmas Record" (from edit of takes 1–3)
• Stereo mixing
  • "Think for Yourself" (from take 1) – released on Rubber Soul (stereo)
  • "Michelle" (remix 1, from take 2) – released on Rubber Soul (stereo)
  • "What Goes On" (from take 1) – released on Rubber Soul (stereo)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Jerry Boys (2nd engineer)

10 November 1965[edit]

Room 65, Abbey Road, London (2.30pm-5.30pm)^[69]

• Stereo mixing
  • "Run for Your Life" (from take 5) – released on Rubber Soul (stereo)
  • "We Can Work It Out" (from take 2)

Studio Two, EMI Studios, London (9.00pm-4.00am)^[69]

• Recording
  • "The Word" (Lennon/McCartney) (takes 1–3)
  • "I'm Looking Through You" [re-re-make] (take 4)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (harmonium)
  • Production staff: George Martin (producer), Norman Smith (engineer), Jerry Boys and Ken Scott (2nd engineer)

11 November 1965[edit]

Room 65, Abbey Road, London (4.00pm-5.30pm)^[69]

• Mono mixing
  • "The Word" (from take 3) – released on Rubber Soul (mono)
• Stereo mixing
  • "The Word" (remix 1, from take 3)

Studio Two, EMI Studios, London (6.00pm-7.00am)^[69]

• Recording
  • "You Won't See Me" (Lennon/McCartney) (takes 1–2)
  • "Girl" (Lennon/McCartney) (takes 1–2)
  • "Wait" (Lennon/McCartney) (overdub onto take 4)
  • "I'm Looking Through You" (overdub onto take 4)
• Personnel
  • Musicians: John Lennon (acoustic and rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, tone pedal guitar, vocals), Ringo Starr (drums), George Martin (harmonium)
  • Production staff: George Martin (producer), Norman Smith (engineer), Mike Stone and Ken Scott (2nd engineer)

15 November 1965[edit]

Studio One (control room only), EMI Studios, London (2.30pm-5.30pm)^[69]

• Mono mixing
  • "I'm Looking Through You" (from take 4) – released on Rubber Soul (mono)
  • "You Won't See Me" (from take 2) – released on Rubber Soul (mono)
  • "Girl" (from take 2) – released on Rubber Soul (mono)
  • "Wait" (remix 2, from take 4) – released on Rubber Soul (mono)
• Stereo mixing
  • "Wait" (from take 4) – released on Rubber Soul (stereo)
  • "I'm Looking Through You" (from take 4) – released on Rubber Soul (stereo)
  • "You Won't See Me" (from take 2) – released on Rubber Soul (stereo)
  • "Girl" (from take 2) – released on Rubber Soul (stereo)
  • "The Word" (remix 2, from take 3) – released on Rubber Soul (stereo)
• Mono mixing
  • "Michelle" (remix 2, from take 2) – released on Rubber Soul (mono)
• Personnel
  • Production staff: George Martin (producer), Norman Smith (engineer), Richard Lush (2nd engineer)

30 November 1965[edit]

Room 65, Abbey Road, London (4.45pm-5.30pm)^[70]

• Mono mixing
  • "12-Bar Original" (from take 2)
• Personnel
  • Production staff: Norman Smith (engineer), Ron Pender (2nd engineer)

1966[edit]

Revolver and "Paperback Writer" sessions[edit]

6 April 1966[edit]

Studio Three, EMI Studios, London (8.00pm-1.15am)^[71]

• Recording
  • "Mark I" (working title of "Tomorrow Never Knows") (takes 1–3)
    • "Mark I", take 1 – released on Anthology 2
• Personnel
  • Musicians: John Lennon (vocals), Paul McCartney (bass guitar), George Harrison (lead guitar), Ringo Starr (drums)
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

7 April 1966[edit]

Studio Three, EMI Studios, London (2.30pm-7.15pm)^[72]

• Recording
  • "Mark I" (working title of "Tomorrow Never Knows") (overdub onto take 3)

Studio Three, EMI Studios, London (8.15pm-1.30am)^[72]

• Recording
  • "Got to Get You into My Life" (Lennon/McCartney) (takes 1–5)
    • take 5 – released on Anthology 2
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (organ)
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

8 April 1966[edit]

Studio Two, EMI Studios, London (2.30pm-9.00pm)^[72]

• Recording
  • "Got to Get You into My Life" (takes 6–8)
• Personnel
  • Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (drums), George Martin (organ)
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

11 April 1966[edit]

Studio Two, EMI Studios, London (2.30pm-7.00pm)^[72]

• Recording
  • "Got to Get You into My Life" (overdub onto take 8)
  • "Granny Smith" (working title of "Love You To") (Harrison) (takes 1–3)
    • Take 1 - released on Revolver Super Deluxe

Studio Two, EMI Studios, London (8.00pm-12.45am)^[72]

• Recording
  • "Granny Smith" (takes 4–6)
    • Unnumbered Rehearsal - released on Revolver Super Deluxe

Studio Two (control room only), EMI Studios, London (12.45am-1.00am)^[72]

• Mono mixing
  • "Granny Smith" (remix 1, from take 6)
• Personnel
  • Musicians: Paul McCartney (bass guitar, vocals), George Harrison (acoustic guitar, lead guitar, sitar, vocals), Anil Bhagwat (tabla)
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

13 April 1966[edit]

Studio Three, EMI Studios, London (2.30pm-6.30pm)^[73]

• Recording
  • "Granny Smith" (tape reduction take 6 into take 7, overdub onto take 7)
    • Take 7 - released on Revolver Super Deluxe

• Mono mixing
  • "Granny Smith" (remixes 1–3, from take 7)
• Editing
  • "Granny Smith" (of mono remixes 1–3)

Studio Three, EMI Studios, London (8.00pm-2.30am)^[73]

• Recording
  • "Paperback Writer" (Lennon/McCartney) (takes 1–2)
    • Takes 1 & 2 - released on Revolver Super Deluxe

• Personnel
  • Musicians:
    • George Harrison: Vocals, Rhythm Guitar
    • Paul McCartney: Vocals, Lead Guitar
    • Ringo Starr: Tambourine, Drums
    • John Lennon: Tambourine
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Richard Lush (2nd engineer)

14 April 1966[edit]

Studio Three, EMI Studios, London (2.30pm-7.30pm)^[74]

• Recording
  • "Paperback Writer" (overdub onto take 2)

Studio Three (control room only), EMI Studios, London (7.30pm-8.00pm)^[74]

• Mono mixing
  • "Paperback Writer" (remixes 1 and 2, from take 2) – remix 1 or 2 released as a single; included on Mono Masters

Studio Three, EMI Studios, London (8.30pm-1.30am)^[74]

• Recording
  • "Rain" (Lennon/McCartney) (takes 1–5)
    • Take 5 - released on Revolver Super Deluxe

• Personnel
  • Musicians:
    • Paul McCartney: Backing Vocals, Bass
    • John Lennon: Lead Vocals, Guitar
    • George Harrison: Backing Vocals, Lead Guitar
    • George Martin: Piano, Vox Continental
    • Ringo Starr: Drums
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

16 April 1966[edit]

Studio Two, EMI Studios, London (2.30pm-1.30am)^[75]

• Recording
  • "Rain" (overdub onto take 5, tape reduction take 5 into take 6, takes 7–8)
• Mono mixing
  • "Rain" (remixes 1–4, from take 7) – remix 3 released as the B-side to "Paperback Writer"; included on Mono Masters
• Personnel
  • Musicians:
    • Paul McCartney: Bass
    • Ringo Starr: Tambourine
    • John Lennon: Backing Vocals
    • George Harrison: Backing Vocals
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

17 April 1966[edit]

Studio Two, EMI Studios, London (2.30pm-10.30pm)^[75]

• Recording
  • "Doctor Robert" (Lennon/McCartney) (takes 1–7)
    • Take 7 - released on Revolver Super Deluxe

• Personnel
  • Musicians:
    • John Lennon: Rhythm Guitar, Harmonium
    • Paul McCartney: Bass
    • George Harrison: Maracas, Lead Guitar
    • Ringo Starr: Drums
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

19 April 1966[edit]

Studio Two, EMI Studios, London (2.30pm-12.00am)^[75]

• Recording
  • "Doctor Robert" (overdub onto take 7)
• Mono mixing
  • "Doctor Robert" (remixes 1–3, from take 7)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

20 April 1966[edit]

Studio Two, EMI Studios, London (2.30pm-2.30am)^[75]

• Recording
  • "And Your Bird Can Sing" (Lennon/McCartney) (takes 1–2)
    • take 2 – released on Anthology 2
  • "Taxman" (Harrison) (takes 1–4)
• Mono mixing
  • "And Your Bird Can Sing" (remixes 1–5, from take 2)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

21 April 1966[edit]

Studio Two, EMI Studios, London (2.30pm-12.50am)^[76]

• Recording
  • "Taxman" (takes 1–11)
    • take 11 – released on Anthology 2
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

22 April 1966[edit]

Studio Two, EMI Studios, London (2.30pm-11.30pm)^[76]

• Recording
  • "Taxman" (tape reduction take 11 into take 12, overdub onto take 12)
  • "Mark I" (overdub onto take 3)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

25 April 1966[edit]

Room 65, Abbey Road, London (10.00am-11.00am)^[76]

• Mono mixing
  • "Got to Get You into My Life" (remixes 1 and 2, from take 8)
• Personnel
  • Production staff: Peter Vince (engineer)

26 April 1966[edit]

Studio Two, EMI Studios, London (2.30pm-2.45am)^[77]

• Recording
  • "And Your Bird Can Sing" [re-make] (takes 3–13, overdub onto take 10)
    • Take 5 - released on Revolver Super Deluxe

• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

27 April 1966[edit]

Studio Three (control room only), EMI Studios, London (6.00pm-11.30pm)^[77]

• Mono mixing
  • "Taxman" (remix 1, from take 12)
  • "And Your Bird Can Sing" (remix 6, from take 10)
  • "Mark I" (remixes 1–9, from take 3)

Studio Three, EMI Studios, London (11.30pm-3.00am)^[77]

• Recording
  • "I'm Only Sleeping" (takes 1–11)
    • Take 5 - released on Revolver Super Deluxe

• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

28 April 1966[edit]

Studio Two, EMI Studios, London (5.00pm-7.50pm)^[77]

• Recording
  • "Eleanor Rigby" (takes 1–14, tape reduction take 14 into take 15)
    • Take 2 - released on Revolver Super Deluxe
    • Take 14 – released on Anthology 2

• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

29 April 1966[edit]

Studio Three, EMI Studios, London (5.00pm-1.00am)^[77]

• Recording
  • "Eleanor Rigby" (overdub onto take 15)
• Mono mixing
  • "Eleanor Rigby" (remixes 1–3, from take 15)
• Recording
  • "I'm Only Sleeping" (overdub onto take 11), Rehearsal, Takes 1-5
    • Rehearsal and Take 1 – released on Anthology 2
    • Take 2 - released on Revolver Super Deluxe
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

5 May 1966[edit]

Studio Three, EMI Studios, London (9.30pm-3.00am)^[78]

• Recording
  • "I'm Only Sleeping" (overdub onto take 11)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

6 May 1966[edit]

Studio Two, EMI Studios, London (2.30pm-1.00am)^[78]

• Recording
  • "I'm Only Sleeping" (overdub onto take 11, tape reduction take 11 into takes 12 and 13)

Studio Two (control room only), EMI Studios, London (1.00am-2.15am)^[78]

• Mono mixing
  • "I'm Only Sleeping" (remixes 1–4, from take 13)
    • RM 1 - released on Revolver Super Deluxe

• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

9 May 1966[edit]

Studio Two, EMI Studios, London (7.00pm-11.00pm)^[78]

• Recording
  • "For No One" (Lennon/McCartney) (takes 1–10)
    • Take 10 - released on Revolver Super Deluxe

• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

12 May 1966[edit]

Studio Three (control room only), EMI Studios, London (1.45pm-3.30pm)^[78]

• Mono mixing
  • "Doctor Robert" (remix 4, from take 7)
  • "I'm Only Sleeping" (remix 5, from take 13)
  • "And Your Bird Can Sing" (remixes 7 and 8, from takes 10 and 6)
• Editing
  • "And Your Bird Can Sing" (of mono remixes 7 and 8)
  • "Doctor Robert" (of remix mono 4)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Jerry Boys (2nd engineer)

16 May 1966[edit]

Studio Two, EMI Studios, London (2.30pm-1.30am)^[78]

• Recording
  • "Taxman" (overdub onto take 12)
• Tape copying
  • "Granny Smith" (copies of remix mono 3, numbered mono remixes 4 and 5)
• Mono mixing
  • "Taxman" (remixes 2–5, from take 12)
• Recording
  • "For No One" (overdub onto take 10, tape reduction take 10 into takes 13 and 14 [no takes numbered 11 or 12])
• Tape copying
  • "Taxman" (of remix mono 4)
  • "Granny Smith" (of remix mono 5)
  • "Mark I" (of remix mono 8)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

18 May 1966[edit]

Studio Two, EMI Studios, London (2.30pm-2.30am)^[79]

• Recording
  • "Got to Get You into My Life" (overdub onto take 8, tape reduction take 8 into takes 9-11)
• Mono mixing
  • "Got to Get You into My Life" (remixes 1 and 2, from take 9)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

19 May 1966[edit]

Studio Three, EMI Studios, London (7.00pm-11.00pm)^[79]

• Recording
  • "For No One" (overdub onto take 14)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

20 May 1966[edit]

Studio One (control room only), EMI Studios, London (11.00am-12.30pm)^[80]

• Stereo mixing
  • "And Your Bird Can Sing" (remixes 1 and 2, from takes 10 and 6)
  • "Doctor Robert" (remixes 1 and 2, from take 7)
  • "I'm Only Sleeping" (remixes 1 and 2, from take 13)
• Editing
  • "And Your Bird Can Sing" (of stereo remixes 1 and 2)
  • "Doctor Robert" (of stereo remixes 1 and 2)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

26 May 1966[edit]

Studio Three, EMI Studios, London (7.00pm-1.00am)^[80]

• Recording
  • "Yellow Submarine" (Lennon/McCartney) (takes 1–4, tape reduction take 4 into take 5)
• Personnel
  • Production staff: Geoff Emerick (engineer), Phil McDonald (2nd engineer)

1 June 1966[edit]

Studio Two, EMI Studios, London (2.30pm-2.30am)^[81]

• Recording
  • "Yellow Submarine" (overdub onto take 5)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

2 June 1966[edit]

Studio Two, EMI Studios, London (7.00pm-3.30am)^[81]

• Recording
  • "Laxton's Superb" (also "I Don't Know", both working titles of "I Want to Tell You") (Harrison) (takes 1–5, overdub onto take 3, tape reduction take 3 into take 4)
    • Take 4 - released on Revolver Super Deluxe

• Mono mixing
  • "Yellow Submarine" (remix 1, from take 5)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

3 June 1966[edit]

Studio Two, EMI Studios, London (7.00pm-2.30am)^[82]

• Recording
  • "Laxton's Superb" (also "I Don't Know") (overdub onto take 4)
• Mono mixing
  • "Laxton's Superb" (also "I Don't Know") (remixes 1–4, from take 4)
  • "Yellow Submarine" (remixes 1–5, from take 5)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

6 June 1966[edit]

Studio Three (control room only), EMI Studios, London (7.00pm-12.00pm)^[82]

• Tape copying
  • "I Want to Tell You" (two copies of remix mono 1, numbered mono remixes 5 and 6)
• Mono mixing
  • "And Your Bird Can Sing" (remixes 9 and 10, from takes 10 and 4)
  • "For No One" (remixes 1–6, from take 14)
  • "I'm Only Sleeping" (remixes 5 and 6, from take 13)
  • "Tomorrow Never Knows" (remixes 10–12, from take 3)
    • RM 11 - released on Revolver Super Deluxe

Studio Three, EMI Studios, London (12.00pm-1.30am)^[82]

• Recording
  • "Eleanor Rigby" (overdub onto take 15)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

8 June 1966[edit]

Studio Two (control room only), EMI Studios, London (1.00pm-2.00pm)^[82]

• Editing
  • "And Your Bird Can Sing" (of mono remixes 9 and 10)

Studio Two, EMI Studios, London (2.30pm-2.30am)^[82]

• Recording
  • "A Good Day's Sunshine" (working title of "Good Day Sunshine") (Lennon/McCartney) (takes 1–3)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Richard Lush (2nd engineer)

9 June 1966[edit]

Studio Two, EMI Studios, London (2.30pm-8.00pm)^[83]

• Recording
  • "A Good Day's Sunshine" (overdub onto take 1)
• Mono mixing
  • "A Good Day's Sunshine" (remixes 1–6, from take 1)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

14 June 1966[edit]

Studio Two, EMI Studios, London (7.00pm-2.00am)^[83]

• Recording
  • "Here, There and Everywhere" (Lennon/McCartney) (takes 1–4)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

16 June 1966[edit]

Studio Two, EMI Studios, London (7.00pm-3.30am)^[83]

• Recording
  • "Here, There and Everywhere" (takes 5–13, tape reduction take 13 into take 14, overdub onto take 14)
    • Take 6 - released on Revolver Super Deluxe
    • Take 7 + 13 - released on Real Love EP

• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

17 June 1966[edit]

Studio Two, EMI Studios, London (7.00pm-1.30am)^[83]

• Recording
  • "Here, There and Everywhere" (overdub onto take 14)
  • "Got to Get You into My Life" (overdub onto take 9)
• Mono mixing
  • "Got to Get You into My Life" (remixes 3–7, from take 9)
  • "Here, There and Everywhere" (remix 1, from take 14)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

20 June 1966[edit]

Studio One (control room only), EMI Studios, London (6.00pm-8.30pm)^[84]

• Mono mixing and recording
  • "Got to Get You into My Life" (tape copying of remix 7 into remix 8 with overdub added from take 8)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

21 June 1966[edit]

Studio Three (control room only), EMI Studios, London (10.00am-1.00pm)^[84]

• Stereo mixing
  • "Granny Smith" (remixes 1–3, from take 7)
• Editing
  • "Granny Smith" (of stereo remixes 1–3)
• Stereo mixing
  • "I Want to Tell You" (remixes 1 and 2, from take 4)
  • "Here, There and Everywhere" (remixes 1 and 2, from take 14)
• Mono mixing
  • "Here, There and Everywhere" (remixes 2 and 3, from take 14)

Studio Three (control room only), EMI Studios, London (2.30pm-6.30pm)^[84]

• Mono mixing
  • "For No One" (remixes 7 and 8, from take 14)
  • "Doctor Robert" (remixes 4–6, from take 7)
  • "Taxman" (remixes 5 and 6, from take 12)
• Editing
  • "Dr. Robert" (of remix mono 6)
  • "Taxman" (of mono remixes 5 and 6)
• Stereo mixing
  • "For No One" (remix 1, from take 14)
  • "Taxman" (remixes 1 and 2, from take 12)
• Editing
  • "Taxman" (of stereo remixes 1 and 2)

Studio Two, EMI Studios, London (7.00pm-3.45am)^[84]

• Recording
  • "Untitled" (working title of "She Said She Said") (takes 1–3, tape reduction take 3 into take 4)
    • Take 2 - released on Revolver Super Deluxe

• Mono mixing
  • "She Said She Said" (remixes 1–3, from take 4)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

22 June 1966[edit]

Studio Three (control room only), EMI Studios, London (7.00pm-1.30am)

• Mono mixing
  • "Eleanor Rigby" (remixes 4 and 5, from take 15)
  • "She Said She Said" (remix 4, from take 4)
  • "Good Day Sunshine" (remix 7, from take 1)
• Stereo mixing
  • "Eleanor Rigby" (remix 1, from take 15)
  • "She Said She Said" (remix 1, from take 4)
  • "Good Day Sunshine" (remix 1, from take 1)
  • "Yellow Submarine" (remixes 1 and 2, from take 5)
  • "Tomorrow Never Knows" (remixes 1–6, from take 3)
  • "Got to Get You into My Life" (remix 1, from take 9)
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Jerry Boys (2nd engineer)

A Collection of Beatles Oldies sessions[edit]

31 October 1966[edit]

Studio Two (control room only), EMI Studios, London (2.30pm-4.30pm)^[85]

• Stereo mixing
  • "Paperback Writer" (remixes 1–3, from take 2) – remix 1, 2 or 3 released on A Collection of Beatles Oldies (stereo); included on Past Masters
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Phil McDonald (2nd engineer)

7 November 1966[edit]

Studio Two (control room only), EMI Studios, London (2.30pm-5.30pm)^[85]

• Stereo mixing
  • "I Want to Hold Your Hand" (remix 1, from take 17) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
• Personnel
  • Production staff: George Martin (producer), Geoff Emerick (engineer), Mike Stone (2nd engineer)

8 November 1966[edit]

Room 53, Abbey Road, London (4.00pm-5.30pm)^[85]

• Stereo mixing
  • "She Loves You" (remixes 1 and 2, from single's master tape) – "fake stereo remix" released on A Collection of Beatles Oldies (stereo)
• Personnel
  • Production staff: Geoff Emerick (engineer)

10 November 1966[edit]

Room 65, Abbey Road, London (2.00pm-4.30pm)^[85]

• Stereo mixing
  • "This Boy" (remixes 1 and 2, from takes 15 and 17)
  • "Day Tripper" (remix 2, from take 3) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
  • "We Can Work It Out" (remix 2, from take 2) – released on A Collection of Beatles Oldies (stereo); included on Past Masters
• Editing
  • "This Boy" (of stereo remixes 1 and 2) – released on Past Masters
• Personnel
  • Production staff: Peter Brown (engineer), Graham Kirkby (2nd engineer)

Sgt. Pepper's Lonely Hearts Club Band sessions[edit]

24 November 1966[edit]

Studio Two, EMI Studios, London (7.00pm-2.30am)^[86]

• Recording
  • "Strawberry Fields Forever" (take 1) – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

25 November 1966[edit]

Studio, Dick James House, 71/75 New Oxford Street, London WCI (time unknown)^[87]

• Recording
  • "Pantomime: Everywhere It's Christmas" (takes unknown)
• Personnel
  • Production Staff: George Martin (Producer), N/A (Engineer), Unknown (2nd Engineer)

28 November 1966[edit]

Studio Two, EMI Studios, London (7.00pm-1.30am)^[87]

• Recording
  • "Strawberry Fields Forever" (takes 2 – 4)
    • take 4 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Mono mixing
  • "Strawberry Fields Forever" (remixes 1–3 from take 4)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

29 November 1966[edit]

Studio Two, EMI Studios, London (2.30pm-8.00pm)^[87]

• Recording
  • "Strawberry Fields Forever" (takes 5–6, tape reduction take 6 into take 7, SI onto take 7)
    • take 7 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Mono mixing
  • "Strawberry Fields Forever" (remixes 1–3 from take 7)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

2 December 1966[edit]

Room 53, EMI Studios, London (9.00am-12.00am)^[87]

• Mono mixing and editing
  • "Pantomime: Everywhere It's Christmas" (from unknown take numbers)
  • Production Staff: Tony Barrow (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

6 December 1966[edit]

Studio Two, EMI Studios, London (6.45pm-1.50am)^[88]

• Recording
  • "When I'm Sixty-Four" (takes 1 and 2)
    • take 2 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

8 December 1966[edit]

Studio One, EMI Studios, London (2.30pm-5.30pm)^[88]

• Recording
  • "When I'm Sixty-Four" (SI onto take 2)
• Personnel
  • Production Staff: Dave Harris/George Martin (Producer), Dave Harris/Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

Studio Two, EMI Studios, London (7.00pm-3.40am)^[88]

• Recording
  • "Strawberry Fields Forever" (re-make takes 9 – 24)
• Editing
  • "Strawberry Fields Forever" (of takes 15 and 24)
• Personnel
  • Production Staff: Dave Harris/George Martin (Producer), Dave Harris/Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

9 December 1966[edit]

Studio Two, EMI Studios, London (2.30pm-10.00pm)^[89]

• Recording
  • "Strawberry Fields Forever" (tape reduction from edit of takes 15 and 24 into take 25, SI onto take 25)
• Mono mixing
  • "Strawberry Fields Forever" (remix 4 from take 25)
• Recording
  • "Strawberry Fields Forever" (SI onto take 25)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

15 December 1966[edit]

Studio Two, EMI Studios, London (2.30pm-12.00pm)^[89]

• Recording
  • "Strawberry Fields Forever" (SI onto take 25, tape reduction take 25 into take 26, SI onto take 26)
• Mono mixing
  • "Strawberry Fields Forever" (remixes 5–9 from take 26)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

20 December 1966[edit]

Studio Two, EMI Studios, London (7.00pm-1.00am)^[89]

• Recording
  • "When I'm Sixty-Four" (SI onto take 2, tape reduction take 2 into takes 3 and 4)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

21 December 1966[edit]

Studio Two, EMI Studios, London (7.00pm-11.45pm)^[89]

• Recording
  • "When I'm Sixty-Four" (SI onto take 4)
• Mono mixing
  • "When I'm Sixty-Four" (remixes 1–3 from take 4)
• Recording
  • "Strawberry Fields Forever" (SI onto take 26)
    • take 26 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

22 December 1966[edit]

Studio Two, EMI Studios, London (7.00pm-11.30pm)^[89]

• Mono mixing
  • "Strawberry Fields Forever" (remix 10 from take 7 and remix 11 from take 26)
• Editing
  • "Strawberry Fields Forever" (of mono remixes 10 and 11, edit unnumbered remix 12)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

29 December 1966[edit]

Studio Three (control room only), EMI Studios, London (2.30pm-5.40pm)^[90]

• Mono mixing
  • "When I'm Sixty-Four" (remixes 4 – 7 from take 4)
• Tape copying
  • "Strawberry Fields Forever" (of mono remix 12, numbered remix mono 13)
• Stereo mixing
  • "Strawberry Fields Forever" (remix 1 from take 7, remixes 2 and 4 from take 26)
• Editing
  • "Strawberry Fields Forever" (stereo remixes 1 and 2 edited together as remix 3, stereo remixes 1 and 4 edited together as remix 5)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

Studio Two, EMI Studios, London (7.00pm-2.15am)^[90]

• Recording
  • "Penny Lane" (takes 1 – 6)
    • take 6 / instrumental – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Mono mixing
  • "Penny Lane" (remixes 1 and 2 from take 6)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

30 December 1966[edit]

Studio Two, EMI Studios, London (7.00pm-3.00am)^[90]

• Mono mixing
  • "When I'm Sixty-Four" (remix 8 from take 4)
• Tape copying
  • "Strawberry Fields Forever" (of remix mono 12)
• Recording
  • "Penny Lane" (tape reduction take 6 into take 7, SI onto take 7)
• Mono mixing
  • "Penny Lane" (remixes 1 and 2 from take 7)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

1967[edit]

Sgt. Pepper's Lonely Hearts Club Band sessions (cont.)[edit]

2 January 1967[edit]

Studio Two (Control Room Only), EMI Studios, London (2.30–4.00pm)^[91]

• Tape Copying
  • "When I'm Sixty-Four" (of Remix Mono 8)
  • ""Strawberry Fields Forever" (of Remix Mono 12)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

4 January 1967[edit]

Studio Two, EMI Studios, London (7.00pm–2.45am)^[91]

• Recording
  • "Penny Lane" (SI onto take 7)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

5 January 1967[edit]

Studio Two, EMI Studios, London (7.00pm–12.15am)^[91]

• Recording
  • "Penny Lane" (SI onto take 7)
  • "Untitled" (AKA "Carnival of Light") (Take 1)
• Mono Mixing
  • "Untitled" (AKA "Carnival of Light") (from take 1)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil Mcdonald (2nd Engineer)

6 January 1967[edit]

Studio Two, EMI Studios, London (7.00pm–1.00am)^[91]

• Recording
  • "Penny Lane" (SI onto take 7, tape reduction take 7 into take 8, SI onto take 8, tape reduction take 8 into take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

9 January 1967[edit]

Studio Two, EMI Studios, London (7.00pm–1.45am)^[92]

• Recording
  • "Penny Lane" (SI onto take 9)
• Mono Mixing
  • "Penny Lane" (Remixes 5 and 6, from take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

10 January 1967[edit]

Studio Three, EMI Studios, London (7.00pm–1.45am)^[92]

• Recording
  • "Penny Lane" (SI onto take 9)
    • Vocal Overdubs and Speech – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

12 January 1967[edit]

Studio Three, EMI Studios, London (2.30–11.00pm)^[92]

• Recording
  • "Penny Lane" (SI onto take 9)
• Mono Mixing
  • "Penny Lane" (Remixes 7 and 8, from take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

17 January 1967[edit]

Studio Two, EMI Studios, London (7.00pm–12.30am)^[92]

• Recording
  • "Penny Lane" (SI onto take 9)
• Mono Mixing
  • "Penny Lane" (remixes 9-11, from take 9)
• Tape Copying
  • "Penny Lane" (of remix mono 11)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

19 January 1967[edit]

Studio Two, EMI Studios, London (7.30pm–2.30am)^[93]

• Recording
  • "In the Life Of..." (working title of "A Day in the Life") (Takes 1–4)
    • take 1 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
    • take 2 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

20 January 1967[edit]

Studio Two, EMI Studios, London (7.00pm–1.10am)^[93]

• Recording
  • "A Day in the Life" (tape reduction take 4 into takes 5–7, SI onto take 6)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

25 January 1967[edit]

Studio One (Control Room Only), EMI Studios, London (6.30–8.30pm)^[93]

• Mono Mixing
  • "Penny Lane" (Remixes 12–14, from take 9)

Studio One (Control Room Only)

9.00–10.00pm

• Tape Copying
  • "Penny Lane" (of Remix Mono 14)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Phil McDonald (2nd Engineer)

30 January 1967[edit]

Studio Three (Control Room Only), EMI Studios, London (7.00–8.30pm)^[93]

• Mono Mixing
  • "A Day in the Life" (Remix 1, from take 6)
    • RM 1 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition

• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

1 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–2.30am)^[94]

• Recording
  • "Sgt. Pepper's Lonely Hearts Club Band" (Takes 1–9)
    • take 1 / instrumental – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
    • take 9 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

2 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–1.45am)^[94]

• Recording
  • "Sgt. Pepper's Lonely Hearts Club Band" (SI onto take 9 into take 10)
• Mono Mixing
  • "Sgt. Pepper's Lonely Hearts Club Band" (Remix 1, from take 10)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

3 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–1.15am)^[94]

• Recording
  • "A Day in the Life" (SI onto take 6)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

8 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–2.15am)^[94]

• Recording
  • "Good Morning Good Morning" (Takes 1–8)
    • take 1 / instrumental breakdown – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
    • take 8 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

9 February 1967[edit]

Regent Sound Studio, 164–166 Tottenham Court Road, London WI (Time unknown)^[94]

• Recording
  • "Fixing a Hole" (Takes 1–3)
    • take 1 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
    • Speech and take 3 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  • Production Staff: George Martin (Producer), Adrian Ibbetson (Engineer), 2nd Engineer Unknown

10 February 1967[edit]

Studio One, EMI Studios, London (8.00pm–1.00am)^[95]

• Recording
  • "A Day in the Life" (tape reduction take 6 into take 7, SI onto take 7, reduction of take 7 with SI onto take 6, edit piece takes 8–11)
    • Hummed last chord / takes 8, 9, 10 and 11 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
    • Orchestra overdub - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

13 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.30am)^[96]

• Mono Mixing
  • "A Day in the Life" (Remixes 2–5, from take 7)
• Recording
  • "Not Known" (working title of "Only a Northern Song") (Takes 1–9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

14 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–12.30am)^[96]

• Recording
  • "Only a Northern Song" (Tape Reduction take 3 into takes 10–12, SI onto take 12)
    • Edit of takes 3 & 12 – released on Anthology 2
• Mono Mixing
  • "Only a Northern Song" (Remixes 1–3, from take 12)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

16 February 1967[edit]

Studio Three, EMI Studios, London (7.00pm–1.45am)^[96]

• Recording
  • "Good Morning Good Morning" (SI onto take 8, Tape Reduction take 8 into takes 9 and 10)
    • take 8 with Overdubs - released on Anthology 2
• Mono Mixing
  • "Good Morning Good Morning" (Remix 1, from take 8)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

17 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.00am)^[97]

• Recording
  • "Being for the Benefit of Mr. Kite!" (Takes 1–7, Tape Reduction take 7 into takes 8 and 9, SI onto take 9)
    • takes 1 & 2 - released on Anthology 2
    • Speech from before take 1 / take 4 and speech at end - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
    • take 7 - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Mono Mixing
  • "Being for the Benefit of Mr. Kite!" (Remix 1 from take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

20 February 1967[edit]

Studio Three, EMI Studios, London (7.00pm–2.15am)^[98]

• Recording
  • "Being for the Benefit of Mr. Kite!" (Unnumbered take)
• Mono Mixing
  • "Good Morning Good Morning" (Remix 1, from take 10)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

21 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–12.45am)^[98]

• Recording
  • "Fixing a Hole" (Take 1, Tape Reduction take 2 into take 3, SI onto take 3)
• Mono Mixing
  • "Fixing a Hole" (Remixes 2–6, from take 3)
• Editing
  • "Fixing a Hole" (of Mono Remixes 3 and 6)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

22 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.45am)^[98]

• Recording
  • "A Day in the Life" (edit pieces 1 – 9)
    • The Last Chord – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Mono Mixing
  • "A Day in the Life" (remixes 6 – 9, from takes 6 and 7)
• Editing
  • "A Day in the Life" (of mono remix 9 and edit piece 9)
• Stereo Mixing
  • "A Day in the Life" (remixes 1–9, from takes 6 and 7)
• Recording
  • "Anything (AKA Drum Track(1)" (take 1)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

23 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.45am)^[99]

• Stereo Mixing
  • "A Day in the Life" (remixes 10–12, from takes 6 and 7)
• Editing
  • "A Day in the Life" (of stereo remix 12 and edit piece 9)
• Recording
  • "Lovely Rita" (takes 1–8, tape reduction take 8 into take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

24 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–1.15am)^[99]

• Recording
  • "Lovely Rita" (SI onto take 9, tape reduction take 9 into take 10 and 11)
    • Speech and take 9 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

28 February 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.00am)^[99]

• Recording
  • "Lucy in the Sky with Diamonds" (rehearsals)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

1 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–2.15am)^[99]

• Recording
  • "A Day in the Life" (SI onto take 6)
  • "Lucy in the Sky with Diamonds" (takes 1 – 7, tape reduction take 7 into take 8)
    • take 1 and Speech At the End - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
    • Speech, False Start and take 5 - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
    • Edit of takes 6, 7 & 8 - released on Anthology 2
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

2 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.30am)^[100]

• Recording
  • "Lucy in the Sky with Diamonds" (SI onto take 8)
• Mono Mixing
  • "Lucy in the Sky with Diamonds" (remixes 1–11 from take 8)
    • RM 11 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition

• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

3 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–2.15am)^[100]

• Recording
  • "Sgt. Pepper's Lonely Hearts Club Band" (SI onto take 10)
• Mono Mixing
  • "Lucy in the Sky with Diamonds" (remixes 1–4 from take 8)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

6 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–12.30am)^[100]

• Recording
  • "Sgt. Pepper's Lonely Hearts Club Band" (SI onto take 10)
• Mono Mixing
  • "Sgt. Pepper's Lonely Hearts Club Band" (remixes 2 and 3 from take 10)
• Stereo Mixing
  • "Sgt. Pepper's Lonely Hearts Club Band" (remixes 1 – 8 from take 10)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

7 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–2.30am)^[100]

• Recording
  • "Lovely Rita" (SI onto take 11)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

9 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.30am)^[101]

• Recording
  • "Getting Better" (takes 1 – 7, tape reduction take 7 into takes 8 – 12)
    • take 1 / instrumental and speech at the end - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Malcolm Addey/Ken Townsend (Engineer), Graham Kirkby (2nd Engineer)

10 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–4.00am)^[101]

• Recording
  • "Getting Better" (SI onto take 12)
    • take 12 - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

13 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–2.30am)^[101]

• Recording
  • "Good Morning Good Morning" (SI onto take 10)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

15 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–1.30am)^[102]

• Recording
  • George Coaching the Musicians - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
  • "Within You Without You" (take 1)
    • take 1 / Indian instruments - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

17 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–12.45am)^[102]

• Recording
  • "She's Leaving Home" (takes 1 – 6)
    • take 1 / instrumental - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
    • take 6 / instrumental - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

20 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.30am)^[102]

• Recording
  • "Beatle Talk" (take 1)
  • "She's Leaving Home" (tape reduction take 1 into takes 7 – 9, tape reduction take 6 into take 10, SI onto take 9)
• Mono Mixing
  • "She's Leaving Home" (remixes 1 – 6 from take 9)
    • RM 1 – released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition

• Editing
  • "She's Leaving Home" (of mono remix 6)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott (2nd Engineer)

21 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–2.45am)^[103]

• Recording
  • "Getting Better" (tape reduction take 12 into takes 13 and 14, SI onto take 14)
  • "Lovely Rita" (SI onto take 11)
• Mono Mixing
  • "Lovely Rita" (remixes 1 – 15 from take 11)
• Editing
  • "Lovely Rita" (of mono remixes 11 and 14)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

22 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–2.15am)^[103]

• Recording
  • "Within You Without You" (SI onto take 1, tape reduction take 1 into take 2)
• Mono Mixing
  • "Within You Without You" (remix 1 from take 2)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

23 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.45am)^[103]

• Recording
  • "Getting Better" (SI onto take 14, tape reduction take 14 into take 15, SI onto take 15)
• Mono Mixing
  • "Getting Better" (remixes 1 – 3 from take 15)
• Personnel
  • Production Staff: Peter Vince (Producer and Engineer), Ken Scott (2nd Engineer)

28 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–4.45am)^[104]

• Recording
  • "Good Morning Good Morning" (SI onto take 10, tape reduction take 10 into take 11, SI onto take 11, unnumbered take)
  • "Being for the Benefit of Mr. Kite!" (SI onto take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

29 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–5.45am)^[105]

• Recording
  • "Good Morning Good Morning" (unnumbered take, SI of unnumbered take onto take 11)
  • "Being for the Benefit of Mr. Kite!" (SI onto take 9)
  • "With a Little Help from My Friend" (takes 1 – 10, tape reduction take 10 into take 11, SI onto take 11)
    • take 1 / false start and take 2 / instrumental - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

30 March 1967[edit]

Studio Two, EMI Studios, London (11.00pm–7.30am)^[105]

• Recording
  • "With a Little Help from My Friend" (SI onto take 11)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

31 March 1967[edit]

Studio Two, EMI Studios, London (7.00pm–3.00am)^[105]

• Mono Mixing
  • "With a Little Help from My Friend" (remixes 1 – 15 from take 11)
• Recording
  • "Being for the Benefit of Mr. Kite!" (SI onto take 9)
• Mono Mixing
  • "Being for the Benefit of Mr. Kite!" (remixes 1 – 7 from take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

1 April 1967[edit]

Studio One, EMI Studios, London (7.00pm–6.00am)^[106]

• Recording
  • "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" (takes 1 – 9)
    • take 5 - released on Anthology 2
    • Speech and take 8 - released with the Sgt. Pepper's Lonely Hearts Club Band 50th anniversary edition
• Mono Mixing
  • "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" (remixes 1 – 9 from take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

3 April 1967[edit]

Studio One, EMI Studios, London (7.00pm–3.00am)^[106]

• Recording
  • "Within You Without You" (SI onto take 2)

Studio Two (control room only), EMI Studios, London (3.00am–6.30am)^[106]

• Mono Mixing
  • "Within You Without You" (remixes 1 – 3 from 'part 1' of take 2, remixes 4 and 5 from 'parts 2 and 3' of take 2)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

4 April 1967[edit]

Studio Two (control room only), EMI Studios, London (7.00pm–12.45am)^[106]

• Mono Mixing
  • "Within You Without You" (remixes 6 – 11 from 'part 1' of take 2, remix 12 from 'parts 2 and 3' of take 2)
• Editing
  • "Within You Without You" (of mono remixes 10 and 12, with SI)
• Stereo Mixing
  • "Within You Without You" (remixes 1 – 3 from 'part 1' of take 2, remixes 4 and 5 from 'parts 2 and 3' of take 2)
• Editing
  • "Within You Without You" (of stereo remixes 3 and 5, with SI)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

6 April 1967[edit]

Studio Two (control room only), EMI Studios, London (7.00pm–1.00am)^[106]

• Mono Mixing
  • Crossfades for LP
  • "Good Morning Good Morning" (remixes 1 and 2 from take 11)
• Stereo Mixing
  • "Good Morning Good Morning" (remixes 1 – 5 from take 11)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

7 April 1967[edit]

Studio Two (control room only), EMI Studios, London (7.00pm–1.00am)^[107]

• Stereo Mixing
  • Crossfades for LP
  • "With a Little Help from My Friend" (remixes 1 – 3 from take 11)
  • "Being for the Benefit of Mr. Kite!" (remixes 1 – 8 from take 9)
  • "Fixing a Hole" (remix 1 from take 3)
  • "Lucy in the Sky with Diamonds" (remixes 1–5 from take 8)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

17 April 1967[edit]

Studio Two (control room only), EMI Studios, London (7.00pm–1.00am)^[107]

• Stereo Mixing
  • "Getting Better" (remix 1 from take 15)
  • "She's Leaving Home" (remixes 1 – 6 from take 9)
  • "When I'm Sixty-Four" (remix 1 from take 4)
  • "Lovely Rita" (remixes 1 and 2 from take 11)
• Editing
  • "She's Leaving Home" (of stereo remix 6)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

19 April 1967[edit]

Studio Two (control room only), EMI Studios, London (7.00pm–12.30am)^[108]

• Mono Mixing
  • "Good Morning Good Morning" (remixes 10 – 23 from take 11)
  • "Only a Northern Song" (remix 4 from take 12)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

20 April 1967[edit]

Studio Two (control room only), EMI Studios, London (5.00pm–6.15pm)^[108]

• Stereo Mixing
  • "Sgt. Pepper's Lonely Hearts Club Band (Reprise)" (remixes 1 – 10 from take 9)
• Personnel
  • Production Staff: N/A (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

Studio Two, EMI Studios, London (7.00pm–2.15am)^[108]

• Recording
  • "Only a Northern Song" (SI onto take 3, SI onto take 11)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

21 April 1967[edit]

Studio Two, EMI Studios, London (7.00pm–1.30am)^[108]

• Mono Mixing
  • "Only a Northern Song" (remixes 1 – 11 from takes 3 and 11)
• Recording
  • Edit for LP end (take 1)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

Magical Mystery Tour sessions[edit]

25 April 1967[edit]

Studio Three, EMI Studios, London (7.00pm-3.45am)^[109]

• Recording
  • "Magical Mystery Tour" (tape loop of coach noise, takes 1 – 3, tape reduction take 3 into takes 4 – 8)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

26 April 1967[edit]

Studio Three, EMI Studios, London (7.00pm-2.00am)^[109]

• Recording
  • "Magical Mystery Tour" (SI onto take 8, tape reduction take 8 into take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

27 April 1967[edit]

Studio Three, EMI Studios, London (7.00pm-12.45am)^[109]

• Recording
  • "Magical Mystery Tour" (SI onto take 9)
• Mono Mixing
  • "Magical Mystery Tour" (remixes 1 – 4 from take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

3 May 1967[edit]

Studio Three, EMI Studios, London (7.00pm-12.15am)^[110]

• Recording
  • "Magical Mystery Tour" (SI onto take 9)
  • Production Staff: George Martin (Producer), Malcolm Addey (Engineer), Richard Lush (2nd Engineer)

4 May 1967[edit]

Studio Three (control room only), EMI Studios, London (7.00pm-11.15pm)^[110]

• Mono Mixing
  • "Magical Mystery Tour" (remixes 1 – 7 from take 9)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

9 May 1967[edit]

Studio Two, EMI Studios, London (11.00pm-6.15am)^[110]

• Recording
  • "Untitled" (take 1)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

11 May 1967[edit]

Studio One, Olympic Sound Studios, London (9.00pm-3.00am)^[110]

• Recording
  • "Baby, You're a Rich Man" (takes 1 – 12, tape reduction take 12 into takes 1 and 2)
• Mono Mixing
  • "Baby, You're a Rich Man" (remix 1 from take 2)
• Personnel
  • Production Staff: George Martin (Producer), Keith Grant (Engineer), Eddie Kramer (2nd Engineer)

12 May 1967[edit]

Studio Two, EMI Studios, London (7.00pm-12.30am)^[111]

• Recording
  • "All Together Now" (takes 1 – 9)
• Mono Mixing
  • "All Together Now" (remixes 1 – 6 from take 9)
• Personnel
  • Production Staff: N/A (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

17 May 1967[edit]

Studio Two, EMI Studios, London (7.00pm-2.30am)^[111]

• Recording
  • "You Know My Name (Look Up the Number)" (Part 1, takes 1 – 14)
• Personnel
  • Production Staff: Geoff Emerick (Producer and Engineer), Richard Lush (2nd Engineer)

25 May 1967[edit]

De Lane Lea Music Recording Studio, London (time unknown)^[111]

• Recording
  • "It's All Too Much" (takes 1 – 4)
• Personnel
  • Production Staff: N/A (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

31 May 1967[edit]

De Lane Lea Music Recording Studio, London (time unknown)^[112]

• Recording
  • "It's All Too Much" (tape reduction take 4 into takes 1 and 2, SI onto take 2)
• Personnel
  • Production Staff: N/A (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

1 June 1967[edit]

De Lane Lea Music Recording Studio, London (time unknown)^[113]

• Recording
  • "Untitled (no numbered takes)
• Personnel
  • Production Staff: George Martin (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

2 June 1967[edit]

De Lane Lea Music Recording Studio, London (8.30pm-2.00am)^[114]

• Recording
  • "It's All Too Much" (SI onto take 2)
  • "Untitled (no numbered takes)
• Personnel
  • Production Staff: George Martin (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

7 June 1967[edit]

Studio Two, EMI Studios, London (7.00pm-2.00am)^[114]

• Recording
  • "You Know My Name (Look Up the Number)" (SI onto take 9, takes 20 – 24)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

8 June 1967[edit]

Studio Two, EMI Studios, London (7.00pm-1.00am)^[114]

• Recording
  • "You Know My Name (Look Up the Number)" (part 2 takes 1 – 12, part 3 takes 1 – 4, part 4 takes 1–6, part 5 take 1)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

9 June 1967[edit]

Studio Two (control room only), EMI Studios, London (7.00pm-11.00pm)^[114]

• Editing
  • "You Know My Name (Look Up the Number)" (take 30 consisting of takes of part 1 – 5)
• Mono Mixing
  • "You Know My Name (Look Up the Number)" (remix 1 from take 30)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

14 June 1967[edit]

Studio One, Olympic Sound Studios, London (time unknown)^[114]

• Recording
  • "All You Need Is Love" (takes 1 – 33, tape reduction take 10)
• Personnel
  • Production Staff: George Martin (Producer), Eddie Kramer (Engineer), George Chkiantz (2nd Engineer)

19 June 1967[edit]

Studio Three, EMI Studios, London (7.00pm-1.45am)^[115]

• Tape copying
  • "All You Need Is Love" (of take 10)
• Recording
  • "All You Need Is Love" (SI onto take 10)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

21 June 1967[edit]

Room 53, EMI Studios, London (4.30pm-5.00pm)^[115]

• Mono Mixing
  • "All You Need Is Love" (remix 1 from take 10)
• Personnel
  • Production Staff: George Martin (Producer), Malcolm Addey (Engineer), Phil McDonald (2nd Engineer)

Studio Three, EMI Studios, London (7.00pm-11.30pm)^[115]

• Mono Mixing
  • "All You Need Is Love" (demo remix unnumbered)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

23 June 1967[edit]

Studio One, EMI Studios, London (4.30pm-11.00pm)^[115]

• Recording
  • "All You Need Is Love" (tape reduction of take 10, takes 34–43 as SI onto take 10)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

24 June 1967[edit]

Studio One, EMI Studios, London (5.00pm-8.00pm)^[115]

• Recording
  • "All You Need Is Love" (takes 44–47 as SI onto take 10)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

25 June 1967[edit]

Studio One, EMI Studios, London (2.00pm-1.00am)^[116]

• Recording
  • "All You Need Is Love" (takes 48–50, BBC rehearsal takes 1–3, takes 51–53, takes 54–58 [58 being live BBC broadcast], SI onto take 58)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush/Martin Benge (2nd Engineer)

26 June 1967[edit]

Studio Two (control room only), EMI Studios, London (2.00pm-5.00pm)^[117]

• Mono mixing
  • "All You Need Is Love" (remixes 2 – 10 from take 58)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

22 August 1967[edit]

Chappell Recording Studios, London (time unknown)^[118]

• Recording
  • "Your Mother Should Know" (takes 1 – 8)
• Personnel
  • Production Staff: George Martin (Producer), John Timperley (Engineer), John Iles (2nd Engineer)

23 August 1967[edit]

Chappell Recording Studios, London (time unknown)^[118]

• Recording
  • "Your Mother Should Know" (tape reduction take 8 into take 9, SI onto take 9)
• Personnel
  • Production Staff: George Martin (Producer), John Timperley (Engineer), John Iles (2nd Engineer)

5 September 1967[edit]

Studio One, EMI Studios, London (7.00pm-1.00am)^[118]

• Recording
  • "I Am the Walrus" (takes 1 – 16)
    • Take 16 - released on Anthology 2

• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott/Richard Lush (2nd Engineer)

6 September 1967[edit]

Studio Two, EMI Studios, London (7.00pm-3.00am)^[119]

• Recording
  • "I Am the Walrus" (tape reduction take 16 into take 17, SI onto take 17)
• Mono mixing
  • "I Am the Walrus" (remixes 1 – 4 from take 17)
• Recording
  • "The Fool on the Hill" (take 1)
    • Demo released on Anthology 2

• • "Blue Jay Way" (take 1)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott (2nd Engineer)

7 September 1967[edit]

Studio Two, EMI Studios, London (7.00pm-3.15am)^[119]

• Recording
  • "Blue Jay Way" (tape reduction take 1 into take 2, SI onto take 2, tape reduction take 2 into take 3, SI onto take 3)
• Personnel
  • Production Staff: George Martin (Producer), Peter Vince (Engineer), Ken Scott (2nd Engineer)

8 September 1967[edit]

Studio Three, EMI Studios, London (7.00pm-2.45am)^[119]

• Recording
  • "Flying" (takes 1 – 6, tape reduction take 6 into take 7 and 8, SI onto take 8)
• Mono mixing
  • "Flying" (remixes 1 – 4 from take 8)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

16 September 1967[edit]

Studio Three, EMI Studios, London (7.00pm-3.45am)^[120]

• Recording
  • "Your Mother Should Know" (Remake takes 20 – 30)
    • Take 27 - released on Anthology 2

• Mono mixing
  • "Blue Jay Way" (remix 1 from take 3)
• Tape copying
  • "I Am the Walrus" (of mono remix 4)
  • "Blue Jay Way" (of mono remix 1)
• Personnel
  • Production Staff: George Martin (Producer), Ken Scott (Engineer), Jeff Jarratt (2nd Engineer)

25 September 1967[edit]

Studio Two, EMI Studios, London (7.00pm-3.00am)^[120]

• Recording
  • "The Fool on the Hill" (takes 1 – 3, tape reduction take 3 into take 4, SI onto take 4)
    • Take 4 - released on Anthology 2

• Mono mixing
  • "The Fool on the Hill" (remix 1 from take 4)
• Personnel
  • Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

26 September 1967[edit]

Studio Two, EMI Studios, London (7.00pm-4.15am)^[120]

• Recording
  • "The Fool on the Hill" (tape reduction take 4 into take 5, SI onto take 5, tape reduction take 5 into take 6, SI onto take 6)
• Personnel
  • Production Staff: N/A (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

27 September 1967[edit]

Studio One, EMI Studios, London (2.30pm-5.30pm)^[121]

• Recording
  • "I Am the Walrus" (tape reduction take 17 into takes 18–24 with SI onto takes 18–24)

Studio Two, EMI Studios, London (7.00pm-3.30am)^[121]

• Recording
  • "I Am the Walrus" (tape reduction take 20 into take 25, SI onto take 25)
  • "The Fool on the Hill" (SI onto take 6)
• Mono mixing
  • "The Fool on the Hill" (remix 2 from take 6)
• Personnel
  • Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

28 September 1967[edit]

Studio Two, EMI Studios, London (4.00pm-3.00am)^[121]

• Tape copying
  • "Magical Mystery Tour" (of mono remix 7)
  • "Flying" (of mono remix 4)
• Recording
  • "I Am the Walrus" (tape reduction of take 25 as SI onto take 17)
• Mono mixing
  • "I Am the Walrus" (remixes 2 – 5 from take 17)
• Editing
  • "I Am the Walrus" (of mono remix 2)
• Recording
  • "Flying" (SI onto take 8, takes 1- 5 of SI onto take 8)
• Mono mixing
  • "Flying" (remixes 5 and 6 from take 8)
• Editing
  • "Flying" (of mono remix 6)
• Personnel
  • Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

29 September 1967[edit]

Studio Two, EMI Studios, London (7.00pm-5.00am)^[122]

• Mono mixing
  • "I Am the Walrus" (remixes 6 – 22 from take 17)
• Editing
  • "I Am the Walrus" (of mono remixes 10 and 22 called mono remix 23)
• Recording
  • "Your Mother Should Know" (tape reduction take 9 into takes 50 – 52, SI onto take 52)
• Mono mixing
  • "Your Mother Should Know" (remix 20 from take 52)
• Personnel
  • Production Staff: George Martin (Producer), Ken Scott (Engineer), Graham Kirkby (2nd Engineer)

2 October 1967[edit]

Studio Two, EMI Studios, London (10.00pm-2.30am)^[122]

• Mono mixing
  • "Your Mother Should Know" (remixes 21 – 25 from take 52)
• Recording
  • "Hello, Goodbye" (takes 1 – 14, tape reduction take 14 into takes 15 and 16)
    • Take 16 - released on Anthology 2

• Personnel
  • Production Staff: George Martin (Producer), Ken Scott (Engineer), Graham Kirkby (2nd Engineer)

6 October 1967[edit]

Studio Two, EMI Studios, London (7.00pm-12.00am)^[122]

• Recording
  • "Blue Jay Way" (SI onto take 3)
• Personnel
  • Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer)

12 October 1967[edit]

De Lane Lea Music Recording Studio, London (2.30pm-8.00pm)^[122]

• Mono mixing
  • "It's All Too Much" (remixes 1 and 2 from take 2)
• Personnel
  • Production Staff: George Martin (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer)

Studio Three, EMI Studios, London (6.30pm-2.00am)^[122]

• Mono mixing
  • "Blue Jay Way" (remixes 2 – 9 from take 3)
• Editing
  • "Blue Jay Way" (of mono remixes 6 and 9)
• Recording
  • "Shirley's Wild Accordion" (takes 1 – 8, tape reduction take 8 into takes 9 and 10, SI onto take 10, takes 11 – 15)
• Mono mixing
  • "Shirley's Wild Accordion" (remixes 1, 2 and 3 from takes 10, 7 and 14 respectively)
• Personnel
  • Production Staff: John Lennon (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

19 October 1967[edit]

Studio One, EMI Studios, London (7.00pm-3.30am)^[123]

• Recording
  • "Hello, Goodbye" (SI onto take 16, tape reduction take 16 into take 17)
• Personnel
  • Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer)

20 October 1967[edit]

Studio Three, EMI Studios, London (7.00pm-3.45am)^[123]

• Recording
  • "The Fool on the Hill" (SI onto take 6)
  • "Hello, Goodbye" (SI onto take 17)
• Personnel
  • Production Staff: George Martin (Producer), Ken Scott (Engineer), Phil McDonald (2nd Engineer)

25 October 1967[edit]

Studio Two, EMI Studio