The Big Day (1960 film)

From Wikipedia the free encyclopedia

The Big Day
Lobby card
Directed byPeter Graham Scott
Written byBill MacIlwraith
Produced byArthur Alcott
Julian Wintle
StarringDonald Pleasence
Andrée Melly
Colin Gordon
CinematographyMichael Reed
Edited byPeter Taylor
Music byClifton Parker
Production
company
Distributed byBryanston Films (UK)
Release date
  • July 1960 (1960-07) (UK)
Running time
55 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£22,300[1]

The Big Day is a 1960 black and white British "B"[2] drama film directed by Peter Graham Scott and starring Donald Pleasence, Harry H. Corbett, Andrée Melly and Colin Gordon.[3]

Plot[edit]

Company boss George Baker is seeking to appoint a new Director. Three employees are candidates: Accounts Manager Victor Partridge, Transport Manager Harry Jackson and Sales Manager Mr Selkirk.

Partridge is married and having an affair with his young secretary Nina. The affair is leaked to the boss to ruin Partridge's chances of promotion. Jackson has been filing fake driver records and this too is exposed. Selkirk seems the likely choice for the directorship but Baker considers him too ruthless.

In a surprise move, Partridge is appointed, who Baker considers reliably dull. But Partridge finds his new job a poisoned chalice. Baker has ordered him to sack Nina, and he realises he must work much harder for little more than his name on the company notepaper.

Cast[edit]

Reception[edit]

The Monthly Film Bulletin wrote: "Bitterly real and with an outstanding performance by Donald Pleasence, together with one or two sardonically characterised supporting roles, this Bryanston picture achieves something most distinctive in the realm of British second feature production. The idea is simple, but Macllwraith's tight and sinewy screenplay heightens into a serious exposé of manners and morals ay confines of a closed little society. Effectively handled in every department, directed with punch by Peter Graham Scott, the film is particularly memorable for the mockery and irony of its ending."[4]

Kine Weekly wrote: "Business drama, containing a subtle feminine interest. The hand-picked cast and resourceful directror spin the tough, yet pliable, threads into holding and compact screen fare. Very good British "support". ... Closely knit tale, popular team, skilful treatment, sharp dialogue, handy footage and quota ticket".[5]

The Irish Times described the film as "a prime example of how one can make a good film on a small budget. ... It has no heroes and no happy ending but it holds the interest throughout and is well acted from start to finish. It can be recommended to anyone who is tired of the old trite situations and triter dialogue."[6]

Chibnall & McFarlane write in The British 'B' Film that the film "opens on a moment of erotic intensity unusual at any level of British film-making at the time".[2]: 198 

References[edit]

  1. ^ Petrie, Duncan James (2017). "Bryanston Films: An Experiment in Cooperative Independent Production and Distribution" (PDF). Historical Journal of Film, Radio and Television: 7. ISSN 1465-3451.
  2. ^ a b Chibnall, Steve; McFarlane, Brian (2009). The British 'B' Film. London: BFI/Bloomsbury. p. 253. ISBN 978-1-8445-7319-6.
  3. ^ "The Big Day". British Film Institute Collections Search. Retrieved 8 November 2023.
  4. ^ "The Big Day". The Monthly Film Bulletin. 27 (312): 110. 1 January 1960 – via ProQuest.
  5. ^ "The Big Day". Kine Weekly. 518 (2574): 32. 14 July 1960.
  6. ^ Linehan, Fergus (24 July 1961). "Seeing Double". The Irish Times.

External links[edit]