The Matchmaker (1958 film)
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| The Matchmaker | |
|---|---|
 One of theatrical release posters | |
| Directed by | Joseph Anthony |
| Written by | Thornton Wilder (play) John Oxenford (play A Day Well Spent) Johann Nestroy (play Einen Jux will er sich machen) John Michael Hayes (screenplay) |
| Produced by | Don Hartman |
| Starring | Shirley Booth Anthony Perkins Shirley MacLaine Paul Ford Robert Morse |
| Cinematography | Charles Lang |
| Edited by | Howard A. Smith |
| Music by | Adolph Deutsch |
| Distributed by | Paramount Pictures |
Release date | July 23, 1958 |
Running time | 101 minutes |
| Country | United States |
| Language | English |
| Box office | $1 million[1] |
The Matchmaker is a 1958 American comedy film directed by Joseph Anthony. The film stars Shirley Booth in her final film, Anthony Perkins, and Shirley MacLaine. The screenplay by John Michael Hayes is based on the 1955 play of the same name by Thornton Wilder. The costumes were by Edith Head.
Plot[edit]
Set in 1884, the story focuses on Dolly Gallagher Levi, a widow who supports herself by a variety of means, with matchmaking as her primary source of income. Horace Vandergelder, a wealthy but miserly merchant from Yonkers, New York, has hired her to find him a wife, but unbeknownst to him Dolly is determined to fill the position herself. When he expresses his intent to travel to New York City to woo milliner Irene Molloy, Dolly shows him the photograph of a woman she calls Miss Ernestina Simple and tells him the buxom beauty would be a far better choice for him. Horace agrees to have dinner with Ernestina at the Harmonia Gardens after visiting Irene.
Meanwhile, Horace's head clerk Cornelius Hackl convinces his sidekick Barnaby Tucker that they, too, deserve an outing to New York. The two cause cans of tomatoes to explode, spewing their contents about the store, which justifies their closing it for the day and heading to the city.[2] While there, they come across Irene's hat shop and Cornelius is instantly taken with her. The pair are forced to hide however, when Mr. Vandergelder and Dolly arrive. Though Dolly and Irene cover up for them, Mr. Vandergelder still realizes that Irene is hiding people in her shop (though he doesn't know who) and leaves in disgust. Irene furiously demands that Cornelius and Barnaby repay her by taking her and the shop assistant Minnie out to a fancy restaurant for dinner (Dolly had led her to believe that the men were secretly members of high society).
By total coincidence, Cornelius, Barnaby, Irene, Minnie, Horace, and Dolly all dine at the same restaurant. Horace realizes that Dolly tricked him and that there is no such person as Ernestina Simple. Cornelius worries over how to pay for the meal until a well-meaning diner gives him Mr. Vandergelder's wallet (which the diner believes Cornelius dropped). Over the course of the evening, Irene and Cornelius fall in love as Barnaby falls for Minnie. The two men escape being caught by Mr. Vandergelder by disguising themselves as women and dancing towards the door. Before going, they leave the two women a note confessing who they really are and that they love them.
The next day, Dolly and Cornelius pretend to be setting up a store of their own across the street from Mr. Vandergelders. Frightened by the competition, Horace gives the shopkeepers better working hours and wages. Realizing how foolishly he's been acting, he agrees to marry Dolly as well.
Production[edit]
Don Hartman acquired the story for Paramount Pictures and took it over when he left Paramount to become an independent producer. He died shortly before its release.[3]
Reception[edit]
Stanley Kauffmann of The New Republic wrote- 'he film-script by John Michael Hayes condenses and alters the original but not in any outrageous fashion; it is the director and actors who fail it'.[4]
Hello, Dolly![edit]
The 1964 Broadway musical Hello Dolly! starring Carol Channing and the 1969 film of the same name with Barbra Streisand and Walter Matthau were both based upon Wilder's play.
See also[edit]
References[edit]
- ^ "Top Grossers of 1958". Variety. 7 January 1959. p. 48. Please note figures are for US and Canada only and are domestic rentals accruing to dsitributors as opposed to theatre gross
- ^ Time review
- ^ "Second Shocker: Par's Hartman Felled At 57". Variety. 26 March 1958. p. 5. Retrieved 9 October 2021 – via Archive.org.
- ^ "Wilder but Not Funnier". The New Republic. Retrieved 26 October 2023.
External links[edit]
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