Bronco Billy
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Bronco Billy | |
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Directed by | Clint Eastwood |
Written by | Dennis Hackin |
Produced by |
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Starring |
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Cinematography | David Worth |
Edited by | |
Music by | Snuff Garrett |
Distributed by | Warner Bros. |
Release date |
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Running time | 116 minutes |
Country | United States |
Language | English |
Budget | $6.5 million[1][2] |
Box office | $24,265,583 (domestic)[3] |
Bronco Billy is a 1980 American Western comedy-drama film starring Clint Eastwood and Sondra Locke. It was directed by Eastwood and written by Dennis Hackin.
The film focuses on the financially-struggling owner of a traditional Wild West show and his new assistant.
Plot
[edit]"Bronco" Billy McCoy is an aging trick-shooter performing in front of a meager crowd in "Bronco Billy's Wild West Show", a rundown traveling circus reminiscent of Buffalo Bill's Wild West, of which he is the owner and operator. For the show's finale, a blindfolded Bronco Billy shoots balloons around a female assistant on a revolving wooden disc, and for the last balloon, he throws a knife. However, his assistant moves her own leg and is cut, which spurs her to quit. Due to low ticket sales, Billy has been unable to pay his employees for six months.
The show moves on to a new town and Bronco Billy goes to city hall to get a permit. He bumps into Antoinette Lily and John Arlington, who are there to be married. Antoinette despises her future husband but has to marry before she is thirty in order to inherit a large fortune.[N 1] Their car breaks down at the motel opposite the Wild West Show. The next morning, Arlington steals all her money and their repaired car. She is left to fend for herself and asks McCoy for help.
Bronco Billy talks Antoinette into becoming his new assistant under the alias "Miss Lily," though she only agrees to do one show. Her first performance is unusually successful, although Miss Lily irritates Billy by not sticking to the script and ad-libbing extra lines.
Antoinette discovers that Arlington has been arrested for her murder (framed by Antoinette's stepmother and her scheming lawyer friend, who stand to gain her inheritance). Seizing the chance to get even with Arlington, Antoinette rejoins the Wild West Show. She gradually learns that none of Billy's performers are actually cowboys. Billy's crew are largely ex-convicts, alcoholics, or both. Billy himself turns out to be a failed shoe salesman from New Jersey who shot his wife in the leg for sleeping with his best friend as he couldn't bring himself to harm his friend. Nevertheless, Miss Lily begins to warm to the troupe.
Two of the show's performers announce that they are going to have a baby. The crew goes to a bar to celebrate. One gets arrested by sheriff's deputies who discover that he is a deserter from the Army. Bronco Billy uses the show's meager savings to bribe the sheriff into letting the man go, swallowing his pride and enduring the sheriff's verbal humiliations for his friend's sake. Then, the circus tent burns down. Everyone blames Miss Lily for their bad luck, but Bronco Billy defends her and proposes that they rob a train to raise money for a replacement. They try to do this in the standard Western way (riding alongside and jumping on), but a modern train proves to be resistant to such an approach and they give up.
Out of options, the troupe travels to a mental institution at which they have previously performed pro bono. The head of the institution, who is obsessed with the Wild West, agrees to provide them with accommodation and to supply a new tent, with the inmates helping to sew one out of American flags. Miss Lily and Bronco Billy spend the night together. By chance, one inmate turns out to be Arlington (who had been paid by a crooked lawyer to confess to being mentally disturbed when he "murdered" Antoinette). When he sees her, he raises a fuss and gets released. Bronco Billy and the show depart without Miss Lily.
Antoinette returns to her luxurious lifestyle, but she is bored and misses Billy, who drowns his loneliness with alcohol. When Bronco Billy is about to introduce a woman named Lefty as his new assistant, Miss Lily appears. The show, now a raving success, runs smoothly and Bronco Billy ends it with a positive message for the children in the audience.
Cast
[edit]- Clint Eastwood as Billy "Bronco Billy" McCoy
- Sondra Locke as Antoinette Lily
- Geoffrey Lewis as John Arlington
- Scatman Crothers as "Doc" Lynch
- Bill McKinney as "Lefty" LeBow
- Sam Bottoms as Leonard James
- Dan Vadis as Chief Big Eagle
- Sierra Pecheur as Lorraine Running Water
- Walter Barnes as Sheriff Dix
- Woodrow Parfrey as Dr. Canterbury
- Beverlee McKinsey as Irene Lily
- Doug McGrath as Lieutenant Wiecker
- Hank Worden as Station Mechanic
- William Prince as Edgar Lipton
- Tessa Richarde as Miss Mitzy
Production
[edit]Eastwood received Dennis Hackin and Neal Dobrofsky's script and decided to join the film with Sondra Locke.[4] The film was shot in two months in the Boise, Idaho area in the fall of 1979.[5] Additional filming took place in eastern Oregon and New York.[4] Filmed on a low budget of $5 million, it finished two to four weeks ahead of schedule.[6][7]
Soundtrack
[edit]The soundtrack, which was headlined by Merle Haggard and Ronnie Milsap, also featured singing by Eastwood himself.[8][9]
Critical reception
[edit]Eastwood has cited Bronco Billy as being one of the most affable shoots of his career, and biographer Richard Schickel has argued that the character of Bronco Billy is his most self-referential work.[10][11] The film was a modest commercial hit,[12] but was appreciated by critics. Janet Maslin of The New York Times believed the film was "the best and funniest Clint Eastwood movie in quite a while," praising Eastwood's directing and the way he intricately juxtaposes the old West and the new.[13]
Box office performance
[edit]Although the film grossed 4-5 times its cost (some $25 million) during its United States theatrical release, Eastwood considered it insufficient.[14] In a French interview, Eastwood spoke about the film's financial reception, "It was an old-fashioned theme, probably too old fashioned since the film didn't do as well as we hoped. But if, as a film director, I ever wanted to say something, you'll find it in Bronco Billy."[14]
Awards and nominations
[edit]- Nominated: Worst Actress (Sondra Locke)
Stage musical
[edit]A stage musical adaptation premiered in Los Angeles in 2019 with a book by Hackin, music and lyrics by Chip Rosenbloom and John Torres, with additional lyrics by Michele Brourman. It premiered in London in 2024.
See also
[edit]References
[edit]Informational notes
- ^ Sondra Locke (1944–2018) was actually thirty-six at the time of the film's release.
Citations
- ^ Gentry, p.63
- ^ Theater Owners Blame Box Office Blues This Summer on Lower Quality of Movies Wall Street Journal 8 July 1980: 15.
- ^ Bronco Billy Box Office Mojo. Retrieved 24 February 2020.
- ^ a b Hughes, p.122
- ^ "Eastwood and crew begin "Bronco Billy"". Spokane Daily Chronicle. Washington. Associated Press. October 3, 1979. p. 3.
- ^ Schickel, Richard (1996). Clint Eastwood: A Biography. New York: Knopf. p. 361. ISBN 978-0-679-42974-6.
- ^ McGilligan, Patrick (1999). Clint: The Life and Legend. London: HarperCollins. p. 318. ISBN 0-00-638354-8.
- ^ Bronco Billy Original Soundtrack
- ^ 'Bar Room Buddies' The Unlikely Clint Eastwood, Merle Haggard Hit From 'Bronco Billy'
- ^ Schickel, Richard (1996). Clint Eastwood: A Biography. New York: Knopf. p. 362. ISBN 978-0-679-42974-6.
- ^ Schickel, Richard (1996). Clint Eastwood: A Biography. New York: Knopf. p. 365. ISBN 978-0-679-42974-6.
- ^ Maslin, Janet (December 17, 1980). "Any Which Way You Can (1980): Screen: Clint and Clyde". The New York Times.
- ^ Maslin, Janet (June 11, 1980). "Bronco Billy (1980):Eastwood Stars and Directs 'Bronco Billy'". The New York Times.
- ^ a b Hughes, p.124
Bibliography
[edit]- Hughes, Howard (2009). Aim for the Heart. London: I.B. Tauris. ISBN 978-1-84511-902-7.
- Gentry, Ric (1999). "Director Clint Eastwood: Attention to Detail and Involvement for the Audience". In Kapsis, Robert E.; Coblentz, Kathie (eds.). Clint Eastwood: Interviews. University Press of Mississippi. pp. 62–75. ISBN 1-57806-070-2.