Consign to Oblivion
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| Consign to Oblivion | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 21 April 2005 | |||
| Recorded | July–October 2004 | |||
| Studio | Gate Studio, Wolfsburg, Germany | |||
| Genre | Symphonic metal | |||
| Length | 52:35 | |||
| Label | Transmission | |||
| Producer | Sascha Paeth, Olaf Reitmeier | |||
| Epica chronology | ||||
| ||||
| Singles from Consign to Oblivion | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [1] |
| Lords of Metal |   [2] |
| Blabbermouth.net |  [3] |
Consign to Oblivion is the second studio album by Dutch symphonic metal band Epica, and was released in 2005. The song "Trois Vierges" features a guest appearance by then-Kamelot vocalist Roy Khan. The album's lyrics are inspired by the Maya civilization. The phrase "In lak' ech, hala ken” expresses the concept of unity of Mayan thought, after which the song "Another Me (In Lack' Ech)"[4] was named. The CD was released with copy control on it. This CD started a new collection of songs, called "A New Age Dawns". This saga is continued on the album Design Your Universe.
Stylistically, the album is more focused towards orchestration than other Epica releases and features heavy use of a chorus. Additionally, Mark Jansen's death growls appear less frequently, occurring on only three songs, "Force of the Shore", "Mother of Light" and "Consign to Oblivion". But a bonus track, the Death cover "Crystal Mountain" includes grunts, and a grunt version of "Quietus" was released on the "Quietus (Silent Reverie)" single, making it five songs with grunts. A single with an acoustic version of the song "Solitary Ground" was extracted from the album The Score – An Epic Journey, released the same year.
The bonus cover of "Crystal Mountain" is one of the very few Epica songs to not feature Simone Simons in any capacity (although an "Orchestral version" featuring her vocals can be found on The Road to Paradiso, and the Quietus (Silent Reverie) single).
The album is the band's only release to date where Simone Simons' lyrical contributions outnumber those of Jansen.
Track listing
[edit]| No. | Title | Lyrics | Music | Length |
|---|---|---|---|---|
| 1. | "Hunab K'u (A New Age Dawns, Prologue)" | Mark Jansen | Yves Huts | 1:44 |
| 2. | "Dance of Fate" | Simone Simons | Jansen, Huts, Coen Janssen, S. Simons | 5:13 |
| 3. | "The Last Crusade (A New Age Dawns, Part I)" | Jansen | Jansen, Huts, Ad Sluijter | 4:21 |
| 4. | "Solitary Ground" | S. Simons | Janssen, Jansen, Sluijter, S. Simons | 4:22 |
| 5. | "Blank Infinity" | S. Simons | Jansen, Janssen, S. Simons | 4:00 |
| 6. | "Force of the Shore" | S. Simons | Jansen, Janssen, Sluijter, Huts | 4:01 |
| 7. | "Quietus" | S. Simons | Jansen, Huts, Janssen, Sluijter, S. Simons, Jeroen Simons | 3:45 |
| 8. | "Mother of Light (A New Age Dawns, Part II)" | Jansen | Jansen, Sluijter | 5:55 |
| 9. | "Trois Vierges" (featuring Roy Khan) | S. Simons | Jansen, Janssen, S. Simons | 4:40 |
| 10. | "Another Me "In Lack'ech"[note 1]" | Jansen | Jansen | 4:39 |
| 11. | "Consign to Oblivion (A New Age Dawns, Part III)" | Jansen | Jansen, Sluijter | 9:45 |
| Total length: | 52:35 | |||
| No. | Title | Length |
|---|---|---|
| 1. | "Documentary" | 23:30 |
| No. | Title | Lyrics | Music | Length |
|---|---|---|---|---|
| 12. | "Linger" | S. Simons | Huts, Jansen, Janssen, S. Simons | 4:17 |
| 13. | "Palladium" (instrumental) | Huts | 2:54 | |
| 14. | "Crystal Mountain" (cover of Death) | Chuck Schuldiner | Schuldiner | 5:03 |
Personnel
[edit]Credits for Consign to Oblivion adapted from liner notes.[7]
Epica
- Simone Simons – lead vocals
- Mark Jansen – rhythm guitar, grunts, screams
- Ad Sluijter – lead guitar
- Yves Huts – bass
- Coen Janssen – synths
- Jeroen Simons – drums
Additional musician
- Roy Khan – vocals on "Trois Vierges"
| Orchestra
| Choir
|
Production
- Sascha Paeth – production, engineering, mixing, acoustic guitar on "Dance of Fate"
- Olaf Reitmeier – production, engineering
- Miro – orchestral arrangements, engineering
- Mark Jansen – orchestral arrangements
- Coen Janssen – orchestral and choir arrangements
- Yves Huts – orchestral arrangements
- Philip Colodetti – engineering, mixing
- Hans van Vuuren – executive production, coordination, research
- Peter van 't Riet – mastering
Notes
[edit]References
[edit]- ^ Rivadavia, Eduardo. "Consign to Oblivion – Epica". AllMusic. Rovi Corporation. Retrieved 18 August 2011.
- ^ Smit, Bas (2005). "Epica – Consign To Oblivion". Lords of Metal.nl. Retrieved 18 August 2011.
- ^ Bergman, Keith (11 December 2005). "Epica – Consign To Oblivion". Blabbermouth.net. Roadrunner Records. Archived from the original on 31 December 2005. Retrieved 22 August 2011.
- ^ Conesa, Alonso Monroy (21 January 2020). "The myth behind the Mayan "In lak'ech"". Medium. Retrieved 23 June 2020.
- ^ Trevino, Y. (15 March 2012). "Reconciling the Blessings and Challenges of Diversity through Ancestral Spiritual Values". The Interfaith Observer. Archived from the original on 24 June 2018.
{{cite web}}: CS1 maint: numeric names: authors list (link) - ^ Blume, Arthur W., ed. (2017). "Chapter 5. Applying Latina/o Psychology to Address Social Issues". Social Issues in Living Color: Challenges and Solutions from the Perspective of Ethnic Minority Psychology. Vol. I. Praeger. p. 93. ISBN 978-1-4408-4671-7.
…the law of In Lak'ech Ala K'in, which means "I am another you" (a modern interpretation), or "I am you, and you are me" (a traditional Mayan interpretation).
- ^ Consign to Oblivion (CD sleeve). Epica. The Netherlands: Transmission Records. 2005.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
