Four Loves

From Wikipedia the free encyclopedia

For the C. S. Lewis book, see The Four Loves.
Four Loves
DVD cover
Chinese婉君表妹
Literal meaningCousin Wan-chun
Hanyu PinyinWǎnjūn Biǎomèi
Directed byLi Hsing
Screenplay byChou Hsu-chiang
Based onWan-chun's Three Loves
by Chiung Yao
Produced byHu Chien-chung
Starring
CinematographyLai Cheng-ying
Edited byShen Yeh-kang
Production
company
Central Motion Pictures
Release date
  • August 24, 1965 (1965-08-24)
Running time
102 minutes
CountryTaiwan
LanguageMandarin

Four Loves is a 1965 Taiwanese film directed by Li Hsing, based on Chiung Yao's 1964 novelette Wan-chun's Three Loves. This was the first ever film based on Chiung Yao's fiction.

Plot

[edit]

Wan-chun, a nine-year-old orphan, is taken in by the rich landlord Chou family, with the parents intending that Wan-chun marry their eldest son Po-chien when she turns 18. In their youth, the three boys and Wan-chun all refer to each other as "cousins".[1] However, after they have grown up, and before Wan-chun marries, the younger brothers begin to court her as well. Wan-chun is unable to choose from among the brothers, leading to conflict as they all criticise her for her indecision. In the end, they all leave home and pursue careers in Shanghai.[2]

Four Loves and The Silent Wife made alterations to Chiung's original stories, in particular with the addition of political elements such as emphasizing education for the disabled and military service, and in changing the character of Wan-chun from a tongyangxi (child bride) into a cousin.[3][4]

Production

[edit]

In 1963, the Kuomintang government in Taipei greatly increased its investment in the state-owned Central Motion Pictures Corporation (CMPC), seeking to use the medium of film as a propaganda vehicle for showing their progress in developing Taiwan's society. Newly-appointed CMPC general manager Kong Hong was an admirer of Italian neorealism, but in his position had to avoid the dark themes of poverty and corruption that often featured in Italian neorealist films, and so sought to adapt the technical style of Italian neorealism while "show[ing] in realism humanity that warmed the human heart". Kong had been impressed by director Li Hsing's realist film Our Neighbors [zh] that year, and so hired Li into CMPC to create films in a style that Kong dubbed healthy realism [zh]; after the commercial success of Lee's first two films, The Oyster Girl and Beautiful Duckling, Kong accepted Li's proposal to create film adaptations of the romance novels of popular local writer Chiung Yao.[5]

Themes

[edit]

Four Loves takes place mostly in the Chou family's affluent residence, with a few exterior shots, mainly at a school on a mountainside which the middle brother attends. Though no scene directly depicts Shanghai, the city plays a large role in the plot, with all three brothers eventually leaving their hometown to work there. James Hicks analysed these three locations as dovetailing with the political themes of the film: the home and the school evoke nostalgia for old Confucian China, while Shanghai (in the time period in which the film was set, still under Kuomintang rule) is portrayed as a site where the followers of Sun Yat-sen's revolutionary ideals could develop China's future.[6]

Reception

[edit]

Four Loves firmed up CMPC's leading position in Taiwan's film industry, and helped to cement Tang Pao-yun's reputation after her rise to fame in Li's previous film Beautiful Duckling.[7] It was first screened in Singapore in September 1965, and continued to be shown in cinemas as late as the following February.[8] A review by Xiang Xin in the Nanyang Siang Pau praised the childhood scenes in the first half of the film, but criticised it as having far less of a "human touch" than Beautiful Duckling and not featuring the same "outstanding" acting that Tang had previously demonstrated.[9] Another review by Jiang Cun in the same paper praised the visuals, particular the house and the garden scenes, while noting that the tragedy that unfolded in the second half of the film, after the happy childhood scenes, weighed on the audience's emotions in every scene and "didn't even give an opportunity to catch one's breath".[10]

The success of Four Loves and The Silent Wife (Li's next film) set off a "Chiung Yao wave" in the Chinese-language film world. Li Han-hsiang's Grand Motion Picture Corporation [zh] made eight films based on Chiung's novels in the following three years, while Shaw Brothers made four, and Chiung herself partnered with Ping Hsin-tao to set up her own film production company.[11] However, during this "first wave" Li himself did not adapt any more of Chiung's stories to film, and the wave died down by 1970 with the increasing interest in wuxia films.[12] During the "second Chiung Yao wave" beginning in 1973, Li directed several more adaptations, including The Young Ones and The Heart With a Million Knots [zh].[12] Li's break from making adaptations of Chiung's stories led to persistent rumours in the industry that there had been a falling-out between the two over the changes made to Wan-chun's character for Four Loves. In an interview after Li's death, Chiung stated that this was untrue: although she had initially opposed making Wan-chun into a cousin of the Chou brothers, in the end she felt that Li's changes had been done very well. She attributed the lack of cooperation between the two during that period to the fact that she had set up her own competing production company, and emphasised that she continued to meet with Li socially.[4]

Cast

[edit]

Awards

[edit]

1966 Golden Horse Awards

References

[edit]
  1. ^ Wicks 2014, p. 28
  2. ^ Wicks 2014, p. 29
  3. ^ "Meet the Director: LI Hsing". Taiwan Film Festival Edinburgh. 3 September 2020. Retrieved 16 April 2023.
  4. ^ a b 楊起鳳 (20 August 2021). "獨／「婉君表妹」被改、與李行鬧不合？瓊瑤親解恩怨真相" [Exclusive: alterations to Four Loves caused quarrel with Li Hsing? Chiung Yao clears up the truth]. United Daily News. Retrieved 16 April 2023.
  5. ^ Lee, Daw-Ming (2013). Historical Dictionary of Taiwan Cinema. Scarecrow Press. pp. 72, 221. ISBN 9780810879225.
  6. ^ Wicks, James (2014). Transnational Representations: The State of Taiwan Film in the 1960s and 1970s. Hong Kong University Press. p. 31. ISBN 9789888208500.
  7. ^ Lee 2013, pp. 221, 235
  8. ^ "婉君表妹：金華金都好萊塢今天起三院聯映" [Four Loves: Screenings in three cinemas Jing Hwa, Golden Metropolis, and Hollywood]. Sin Chew Jit Poh. 3 February 1966. Retrieved 16 April 2023.
  9. ^ 向新 (16 February 1966). "影評：婉君表妹" [Film Review: Four Loves]. Nanyang Siang Pau. p. 15. Retrieved 16 April 2023.
  10. ^ 江村 (11 March 1966). "影評：婉君表妹" [Film Review: Four Loves]. Nanyang Siang Pau. Retrieved 16 April 2023.
  11. ^ Lee 2013, pp. 126–127
  12. ^ a b Lee 2013, p. 126
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Four_Loves&oldid=1195115133"