List of compositions by Franz Schubert

From Wikipedia the free encyclopedia

Schubert's Opus 1: "Erlkönig", D 328, fourth version, was published by Diabelli as Schubert's "1tes Werk" (first work) in 1821. The Lied, composed by Schubert in 1815, was later adopted along with its prior versions as No. 178 in Series XX, Vol. 3 of the AGA (1895), and in Series IV, Vol. 1 of the NSE (1970).

Franz Schubert (31 January 1797 – 19 November 1828), a Viennese composer of the late Classical to early Romantic eras, left a very extensive body of work notwithstanding his short life. He wrote over 1,500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes thirteen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.[1][2][3][4][5][6]

Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order.[7] A revised edition appeared in German in 1978.[8] Later editions of the catalogue contained minor updates.[9]

Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). Meanwhile, publications without opus number had also started. For instance, from shortly after the composer's death, the many songs in Diabelli's fifty Nachlaß-Lieferung (installment from the heritage) editions.[7]

There are two attempts to publish everything Schubert has composed in a single edition:

Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work.[14] Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.[15]

Works listed in the Deutsch catalogue[edit]

The 1951 first edition of the Deutsch catalogue attempted to list all dated works by Schubert in chronological order, assigning them a number from 1 to 965. Undated works were ordered in the range 966–992. Nos. 993–998 referred to manuscripts that had resurfaced shortly before the catalogue was printed.[7]

Later versions of the catalogue adhered to the general principles that Deutsch numbers below 966 referred, in a chronological order, to compositions by Schubert with an established time of composition, and that the range 966–992 was reserved for his compositions with an uncertain date of composition. Thus "Die Taubenpost", the last Lied Schubert composed, was reassigned from D 957 No. 14 to D 965A, and D 993, an early piano composition, to D 2E.[8]

Spurious and doubtful works (Anh. I)
Annex I of the first edition of the catalogue contains only a single composition under the header Spurious and doubtful works, but however also points to some compositions with authentication issues elsewhere in the catalogue.[7] The 1978 edition of the catalogue lists 32 spurious and doubtful works in its first Anhang (annex), including some that were for that reason removed from the main catalogue.[8]
Arrangements by Schubert (Anh. II)
The 1978 version of the catalogue lists 4 arrangements by Schubert in its second Anhang[8]
Works of others composers copied by Schubert (Anh. III)
Annex II in the first edition of the catalogue contains compositions by other composers copied by Schubert.[7] In the 1978 edition the list was expanded and became Anhang III.[8]
"Setting" vs. "version" distinction
the New Schubert Edition distinguishes between Bearbeitung (setting) and Fassung (version), the first meaning an independent composition, the second stages of the same composition (modifications of essentially the same composition). Usually different settings have different D numbers, while versions are grouped under the same D number, unless when set for a different (group of) performer(s). The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: D 174 is described as two settings of the same text in the original catalogue, the second having become "D deest" by the time it was published in Series IV, Volume 8 of the New Schubert Edition (while the music has no resemblance to the earlier setting). On the other hand, despite a difference in key and number of movements, the original D 567 and D 568 were ultimately published under the same D number as two versions of the same sonata.[7][8][11][9]

Legend[edit]

Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[7]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[9] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[10]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[11]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[16] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[15] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[16][15] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")

Table[edit]

Compositions by Franz Schubert listed in the Deutsch catalogue
D
'51
D
utd
Op.
pbl
AGA NSA Name Key / incipit Date Additional info
1–1C
1810 Up ↑
1 1 (1888) IX, 3
No. 30
VII/1, 1 No. 1 & Anh. No. 1 Fantasy, D 1 G major 8/4/1810–
1/5/1810
For piano duet; Two versions of Finale
1A (1969) IV, 6
Anh. No. 1
Song, D 1A C minor before
1810?
For b and piano; Sketch; Music partly reused in D 39
1B VII/1, 1 Anh. No. 2 Fantasy, D 1B G major 1810–1811 For piano duet; Fragment; Music related to D 1 and 7
1C VII/1, 1 Anh. No. 3 Sonata, D 1C F major 1810–1811 For piano duet; Largo (fragment)
2–12
1811 Up ↑
996 2A V, 6 No. 1 Overture, D 2A D major 1811? For orchestra
997 2B V, 6 No. 2 Symphony, D 2B D major 1811? Adagio, Allegro con moto (fragment)
998 2C (1978) VI, 3
Anh. No. 1
String Quartet, D 2C D minor or F major 1811? Fragment
995 2D (1956)
(1970)
VI, 9 Six Minuets, D 2D Various keys 1811 For winds; Nos. 1–2: piano version publ. in 1956; Nos. 4-6: sketches
993 2E VII/2, 4 Fantasy, D 2E C minor 1811 For piano
2F VI, 9 Trio, D 2F 1811 For winds?; Sketch; Belongs to a lost Minuet
2G V, 6 No. 3 Overture, D 2G D major 1810–1811? For orchestra; Fragment
3 3 (1978) VI, 3
Anh. No. 2
String Quartet, D 3 C major 1812? Andante (fragment); Partly reused in D 29 and in an early sketch of D 36
4 4 (1886) II
No. 1
V, 5 Overture to the play Der Teufel als Hydraulicus (Overture to a comedy with singing)
D major
1812? For orchestra; Play by Albrecht [de] (plot similar to Weidmann [de]'s Der Bettelstudent)
5 5 (1894) XX, 1
No. 1
IV, 6
No. 1
Hagars Klage Hier am Hügel heißen Sandes 30/03/1811 Text by Schücking [scores]; Music partly reused in D 8 and 9
6 6 (1894) XX, 1
No. 2
IV, 3 Des Mädchens Klage, D 6 Der Eichwald brauset 1811–1812 Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 191 and 389)
7 7 (1894) XX, 1
No. 3
IV, 6
No. 2
Leichenfantasie Mit erstorbnem Scheinen 1811? Text by Schiller; reuses music of D 1B
8 8 (1970) VI, 2 No. 1 Overture, D 8 C minor 29/6/1811 For string quintet (two violins, two violas and cello); Music reappears in D 8A
8A (1970) VI, 3 No. 3 Overture, D 8A C minor After
12/7/1811
For string quartet; Based on D 8
9 9 (1888) IX, 3
No. 31
VII/1, 1
No. 2
Fantasy, D 9 G minor 20/9/1811 For piano duet
10 10 (1894) XX, 1
No. 4
IV, 6
No. 3
Der Vatermörder Ein Vater starb von des Sohnes Hand 26/12/1811 Text by Pfeffel
11
966
11 (1893)
(1897)
XV, 7
No. 12
XXI, 1
No.1
II, 11 Der Spiegelritter (Singspiel in three acts) December
1811?
Text by Kotzebue; For ssssstttbbbbSATB and orchestra; Overture (publ. in 1897) – Nos. 1–8 (Act I, Nos. 2–3 and 8 are fragments, No. 3 not in AGA, part of No. 3 was D 966)
12 12 (1897) XXI, 1
No. 2
V, 5 Overture, D 12 D major 1811–1812 For orchestra; Music partly reused in D 94
13–37
1812 Up ↑
13 13 VII/2, 4 Fugue, D 13 D minor c. 1812 For piano?; By Schubert?
14 14 Overture, D 14 c. 1812 Piano sketch; Lost
15 15 (1895) XX, 10
No. 590/1
IV, 7
Anh. No. 5
Der Geistertanz, D 15 Die bretterne Kammer der Toten erbebt c. 1812 Text by Matthisson (other settings: D 15A, 116 and 494); Fragment
15 15A (1895) XX, 10
No. 590/2
IV, 7
Anh. No. 6
Der Geistertanz, D 15A Die bretterne Kammer der Toten erbebt c. 1812 Text by Matthisson (other settings: D 15, 116 and 494); Fragment
16 16 (1940) VIII, 2
No. 11
Counterpoint exercises, D 16 G minor (Nos. 1–4); A minor (Nos. 5–7) 1823? Seven exercises in double counterpoint
17 17 (1940) VIII, 2
No. 37
Composition exercises, D 17 Quell' innocente figlio 1812? Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to D 30; No. 2 for ss; Nos. 3 and 5–6 for sat; Nos. 4 and 7–8 for satb (No. 7 not in 1940 publ.)
18 18 (1890) V No. 1 VI, 3 No. 1 String Quartet No. 1 G minor / B major 1810–1811 Andante, Presto vivace – Minuet – Andante – Presto
19 19 String Quartet, D 19 1810–1811 Lost
19A 19A String Quartet, D 19A 1810–1811 Lost
19B Waltzes and a March, D 19B 1812–1813? For piano; Lost
20 20 Overture, D 20 B major 1812 For string quartet; Lost
21 21 Six Variations, D 21 E major 1812 For piano; Lost
22 22 Twelve Minuets with Trios, D 22 1812 For piano; Lost
23 23 131p,3
(1830)
XX, 1
No. 6
IV, 6
No. 4
Klaglied Meine Ruh ist dahin, meine Freud ist entflohn 1812 Text by Rochlitz
24 24 Seven Variations, D 24 F major 1812? For piano; Fragment; Lost
24A VII/2, 4 Fugue, D 24A C major summer
1812?
For keyboard (organ or piano); Partly reused in D 24E
24B VII/2, 4 Fugue, D 24B G major summer
1812?
For keyboard (organ or piano); Two versions
24C VII/2, 4 Fugue, D 24C D minor summer
1812?
For keyboard (organ or piano)
24D VII/2, 4 Anh. Fugue, D 24D C major summer
1812?
For piano; Fragment; Partly reused in D 46
24E I, 5 Anh. Mass, D 24E F major?
GloriaCredo
summer
1812?
Text: Mass ordinary (other settings: D 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on D 24A
25 25 VIII, 2 Counterpoint exercises, D 25 started
18/6/1812
Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises
25A VIII, 2 Counterpoint exercises, D 25A summer
1812?
Two 4-part counterpoint exercises
25B VIII, 2 Counterpoint exercises, D 25B summer
1812?
Fifteen 3-part counterpoint exercises
25C VIII, 2 Fugue, D 25C F major summer
1812?
Counterpoint exercise for two voices; Fragment
26 26 (1886) II No. 2 V, 5 Overture, D 26 D major 26/6/1812 For orchestra
27 27 (1928) I, 8 Salve Regina, D 27 F major
Salve Regina
28/06/1812 Text: Salve Regina (other settings: D 106, 223, 386, 676 and 811); For s and orchestra
28 28 (1923) VI, 7 No. 1 Piano Trio, D 28, a.k.a. Sonata B major 27/7/1812–
28/8/1812
Allegro
29 29 (1888) XI No. 9 VII/2, 4 Andante, D 29 C major 9/9/1812 For piano; Related to D 3 and 36
30 30 (1894) XX, 1
No. 5
IV, 4 Der Jüngling am Bache, D 30 An der Quelle saß der Knabe 24/9/1812 Text by Schiller (other settings: D 192 and 638)
31 31 (1888) XIV No. 14 I, 5 Kyrie, D 31 D minor
Kyrie
25/9/1812 Text: Mass ordinary (other settings: D 24E, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass
32 32 (1890)
(1897)
(1954)
V No. 2
XXII v5
VI, 3 No. 4 String Quartet No. 2 C major Sep.–Oct.
1812
Presto (publ. in 1890) – Andante – Minuet (publ. in 1890, music partly reappears in D 128 No. 12) – Allegro con spirito (publ. partly in 1897)
33 33 (1940) VIII, 2
No. 38
Composition exercises, D 33 Entra l'uomo allor che nasce Sep.–Oct.
1812
Text by Metastasio, from Isacco II, "Aria di Abramo"; Six settings (No. 1 for s, Nos. 2 for sa, No. 3 for sat, Nos. 4–6 for satb) and an Allegretto (b?), with corrections by Salieri
34 34 (1940) VIII, 2
No. 39
Composition exercises, D 34 Te solo adoro 5/11/1812 Text by Metastasio, from Betulia liberata II, "Aria di Achior"; For satb; Two versions of start; With corrections by Salieri
35 35 (1940) VIII, 2
No. 40
Composition exercises, D 35 Serbate, o Dei custodi Oct.–Dec.
1812
Text by Metastasio, from La clemenza di Tito I, 5; Three settings (No. 1 for satb, No. 2 for SATB, No. 3 for t and accompaniment); With corrections by Salieri
36 36 (1890) V No. 3 VI, 3 No. 5 String Quartet No. 3 B major 19/11/1812–
21/2/1813
Allegro – Andante – Minuet – Allegretto
37 37 74
(1827)
XIX
No. 1
III, 3 No. 1 Die Advokaten Mein Herr, ich komm' mich anzufragen 25/12/1812–
27/12/1812
Text by Rustenfeld [scores]; For ttb and piano
37A–91
1813 Up ↑
967 37A VII/2, 4 Anh.
VIII, 2 No. 13
Fugue sketches, D 37A 1813? For piano
38 38 (1892) XIX
No. 20
III, 4 No. 1 Totengräberlied, D 38 Grabe, Spaden, grabe! 1813? Text by Hölty (other setting: D 44); For ttb
39 39 (1969) IV, 6
Anh No. 2
Lebenstraum Ich saß an einer Tempelhalle early 1810? Text by Baumberg; Sketch; Music related to D 1A
39A VI, 9 Three Minuets with Trios, D 39A 1813 For orchestra; Lost
41 41 (1889) XII
No. 30
VII/2, 6 Thirty Minuets with Trios, D 41 Various keys 1813 For piano; Nos. 1–8, 11–18 and 20–23 are extant
41A VII/2, 4 Anh. Fugue, D 41A E minor 1813 For piano; Fragment
42 42 (1895)
(1969)
XX, 10
No. 570
IV, 6 No. 5 Anh. No. 3 Aria di Timante Misero pargoletto 1813? Text by Metastasio, from Demofoonte III, 5; For s and piano; Two settings: 1st, not in AGA, consisting of two variant fragments
43 43 (1897) XXI, 4
No. 43
III, 4 No. 2
VIII, 2 No. 34
Sprüche des Confucius, D 43 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 69 and 70); For ttb
44 44 (1894) XX, 1
No. 7
IV, 6
No. 6
Totengräberlied, D 44 Grabe, Spaden, grabe! 19/1/1813 Text by Hölty (other setting: D 38)
45 45 (1888) XIV No. 21 I, 5 Kyrie, D 45 B major
Kyrie
1/3/1813 Text: Mass ordinary (other settings: D 24E, 31, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB
46 46 (1890) V No. 4 VI, 3 No. 6 String Quartet No. 4 C major 3/3/1813–
7/3/1813
Adagio – Andante con moto – Minuet – Finale
47 47 (1974) III, 2b
Anh. No. 1
Dithyrambe, D 47 Nimmer, das glaubt mir, erscheinen die Götter 29/3/1813 Text by Schiller (other setting: D 801); For tbSATB and piano; Fragment
48 48 (1871)
(1888)
IX, 3
No. 32
VII/1, 1
No. 3
Fantasy, D 48, a.k.a. Grand Sonata C minor April 1813–
10/6/1813
For piano duet; AGA includes concluding fugue
49 49 (1888) XIV No. 15 I, 5 Kyrie, D 49 D minor
Kyrie
early April
1813–
15/4/1813
Text: Mass ordinary (other settings: D 24E, 31, 45, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For satbSATB and orchestra; First part of a Mass
50 50 (1894) XX, 1
No. 8
IV, 6
No. 7
Die Schatten Freunde, deren Grüfte sich schon bemoosten! 12/4/1813 Text by Matthisson
51 51 (1897) XXI, 4
No. 37
III, 4 No. 3 Unendliche Freude, D 51 Unendliche Freude durchwallet das Herz 15/4/1813 Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 53, 54, 57, 58, 60 and 584); For ttb
52 52 (1868) XX, 1
No. 9
IV, 2b No. 8 Sehnsucht, D 52 Ach, aus dieses Tales Gründen 15/4/1813–
17/4/1813
Text by Schiller (other setting: D 636); For b and piano
53 53 (1892) XIX
No. 9
III, 4 No. 4 Vorüber die stöhnende Klage Vorüber die stöhnende Klage! 18/4/1813 Text by Schiller, stanza 1 from "Elysium" (other stanzas and settings: D 51, 54, 57, 58, 60 and 584); For ttb
54 54 (1873) XIX
No. 22
III, 4 No. 5
VIII, 2 No. 17
Unendliche Freude, D 54 Unendliche Freude durchwallet das Herz 19/4/1813 Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 51, 53, 57, 58, 60 and 584); Canon for three male voices
55 55 (1892) XIX
No. 12
III, 4 No. 6 Selig durch die Liebe Selig durch die Liebe Götter 21/4/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 1; Other: D 61, 62, 63, 64, 983A; For ttb
56 56 (1892) XIX
No. 29
I, 5
VIII, 2 No. 18
Sanctus, D 56 B major
Sanctus
21/4/1813 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 66, 105, 167, 324, 452, 678, 755 and 950); Canon for three voices; Two versions
57 57 (1897) XXI, 4
No. 38
III, 4 No. 7 Hier strecket der wallende Pilger Hier strecket der wallende Pilger 29/4/1813 Text by Schiller, stanza 4 from "Elysium" (other stanzas and settings: D 51, 53, 54, 58, 60 and 584); For ttb
58 58 (1892) XIX
No. 10
III, 4 No. 8 Dessen Fahne Donnerstürme wallte Dessen Fahne Donnerstürme wallte May 1813 Text by Schiller, stanza 5 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 60 and 584); For ttb
59 59 (1832) XX, 1
No. 10
IV, 6
No. 8
Verklärung Lebensfunke, vom Himmel entglüht 4/5/1813 Text by Herder after Pope's "The dying Christian to his soul"
60 60 (1892) XIX
No. 11
III, 4 No. 16 Hier umarmen sich getreue Gatten Hier umarmen sich getreue Gatten 3/10/1813 Text by Schiller, stanza 6 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 58 and 584); For ttb
61 61 (1897) XXI, 4
No. 39
III, 4 No. 9
VIII, 2 No. 19
Ein jugendlicher Maienschwung Ein jugendlicher Maienschwung 8/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 9; Other: D 55, 62, 63, 64, 983A; Canon for three voices
62 62 (1897) XXI, 4
No. 40
III, 4 No. 10
VIII, 2 No. 35
Thronend auf erhabnem Sitz Thronend auf erhabnem Sitz 9/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 15; Other: D 55, 61, 63, 64, 983A
63 63 (1892) XIX
No. 13
III, 4 No. 11 Wer die steile Sternenbahn Wer die steile Sternenbahn 10/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 26; Other: D 55, 61, 62, 64, 983A; For ttb
64 64 (1897) XXI, 4
No. 41
III, 4 No. 12
VIII, 2 No. 36
Majestät'sche Sonnenroße Majestät'sche Sonnenroße 10/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 16; Other: D 55, 61, 62, 63, 983A; For ttb
65 65 (1892) XIX
Anh. I, No. 35
III, 4
Anh. II No. 1

VIII, 2 No. 20
Schmerz verzerret ihr Gesicht Schmerz verzerret ihr Gesicht 11/5/1813 Text by Schiller, from "Gruppe aus dem Tartarus": stanza 2 (other settings: D 396 and 583); For ttb; Sketch
66 66 (1888) XIV No. 16 I, 5 Kyrie, D 66 F major
Kyrie
12/5/1813 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra
67 67 (1897) XXI, 4
No. 42
III, 4 No. 13 Frisch atmet des Morgens lebendiger Hauch Frisch atmet des Morgens lebendiger Hauch 15/5/1813 Text by Schiller (other setting: D 402); For ttb
68 68 (1890) V No. 5 VI, 3 No. 7 String Quartet No. 5 B major 8/6/1813–
18/8/1813
Allegro maestoso – Allegro; Middle movements missing
69 69 (1892) XIX
No. 23
III, 4 No. 14
VIII, 2 No. 21
Sprüche des Confucius, D 69 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 43 and 70); Canon for three voices
70 70 (1974) III, 4
Anh. I No. 1

VIII, 2 No. 33
Sprüche des Confucius, D 70 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 43 and 69); For ttb; Fragment
71 71 (1892) XIX
No. 14
III, 4
No. 15
Die zwei Tugendwege Zwei sind der Wege 15/7/1813 Text by Schiller; For ttb
71A (1956) I, 8
VIII, 2 No. 22
Alleluja, D 71A F major July 1813? Canon for three voices
71B VII/2, 4 Anh.
VIII, 2 No. 14
Fugue, D 71B E minor July 1813 For piano; Fragment
966A 71C V, 6 No. 5 Orchestral piece, D 71C D major Aug. or
Sep. 1813
Fragment; First pages, a.k.a. D 74A, based on D 74
72 72 (1889)
(1890)
III No. 2
XXII v1
VI, 1 No. 1
& Anh.
Wind Octet F major completed
18/8/1813
Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost?
73 73 (1868) XX, 1
No. 11
IV, 4 Thekla: Eine Geisterstimme, D 73 Wo ich sei, und wo mich hingewendet 22/8/1813–
23/8/1813
Text by Schiller (other setting: D 595)
74 74 (1890) V No. 6 VI, 4 No. 8 String Quartet No. 6 D major 22/8/1813–
Sep. 1813
Allegro ma non troppo – Andante – Minuet – Allegro
966A 74A V, 6 No. 4 Orchestral piece, D 74A D major Aug. or
Sep. 1813
Fragment; Variant D number for first pages of D 71C
75 75 (1850) XVI
No. 16
III, 3 No. 18 Trinklied, D 75 Freunde, sammelt euch im Kreise 29/08/1813 Text by Schäffer [scores]; For bTTB and piano
76 76 (1871)
(1969)
XX, 10
No. 571
IV, 6 No. 9 Anh. No. 4 Aria di Fronimo Pensa, che questo istante 7 and 13
Sep. 1813
Text by Metastasio, from Alcide al bivio, 1; For b and piano; Two versions (2nd in AGA)
77
111
77 (1831)
(1894)
XX, 1
No. 12
IV, 6
No. 10
Der Taucher Wer wagt es, Rittersmann oder Knapp 17/9/1813–
early 1815
Text by Schiller; Two versions: 2nd, publ. in 1894, was D 111
78 78 (1895) XX, 10
No. 572
IV, 6 No. 11 Aria di Venere Son fra l'onde 18/9/1813 Text by Metastasio, from Gli orti esperdi, I; For s and piano
79 79 (1889) III No. 3 VI, 1 No. 2 Wind Nonet, a.k.a. Eine kleine Trauermusik or Franz Schuberts Begräbniß-Feyer E minor 19/9/1813 Grave con espressione
80 80 (1892) XIX
No. 4
III, 3 No. 2
Anh. III No. 1
Anh. IV No. 1
Zur Namensfeier meines Vaters Ertöne Leier zur Festesfeier! 27/9/1813 Text by Schubert; For ttb and guitar
81 81 (1895) XX, 10
No. 583
IV, 14 Auf den Sieg der Deutschen Verschwunden sind die Schmerzen fall 1813 Text by Schubert? (other setting: D 88); For voice, two violins and cello
82 82 (1884) I, 1
No. 1
V, 1 No. 1 Symphony No. 1 D major completed
28/10/1813
Adagio, Allegro vivace – Andante – Minuet – Allegro vivace
83 83 (1895) XX, 10
No. 582
IV, 14 Zur Namensfeier des Herrn Andreas Siller Des Phöbus Strahlen 28/10/1813–
4/11/1813
For voice, violin and harp
84 84 (1888) XV, 1
No. 1
II, 1 Des Teufels Lustschloß (Singspiel in three acts) 30/10/1813–
22/10/1814
Text by Kotzebue; Music for sssttbbbSSSATTBB and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos. 12–17, 1st version only, in AGA) – Act III (Nos. 18–23, 1st version Nos. 21 and 23 only, 2nd version in AGA); Sketch of an orchestral piece (from 1st version of Act III?): compare D 94A
86 86 (1886) II
No. 10
VI, 4
Anh. No. 1

VI, 9
Minuet, D 86 D major November
1813?
For string quartet
87 87 125p,1
(1840)
V
No. 10
VI, 4 No. 9 String Quartet No. 10 E major November
1813
Allegro più moderato – Scherzo – Adagio – Allegro
87A VI, 4
Anh. No. 2
Andante, D 87A C major November
1813
For four voices (string quartet or vocal ensemble?); Fragment
88 88 (1892) XIX
No. 21
III, 4 No. 17
VIII, 2 No. 23
Verschwunden sind die Schmerzen Verschwunden sind die Schmerzen 15/11/1813 Text by Schubert? (other setting: D 88); Canon for ttb
89
90
89 (1886) II No. 8
and No. 9
VI, 9 Five Minuets and Five German Dances Various keys 19/11/1813 For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda
91 91 (1956) VII/2, 6 Two Minuets, D 91 Various keys 22/11/1813 For piano; Each minuet with two Trios
92–126
1814 Up ↑
93 93 (1894) XX, 1
Nos.
13–15
IV, 7
Anh. No. 1
Don Gayseros 1. Don Gayseros,... wunderlicher, schöner Ritter – 2. Nächtens klang die süße Laute – 3. An dem jungen Morgenhimmel 1815? Text by Motte Fouqué, from Der Zauberring; Nos. 2 and 3 incomplete
94 94 (1871) V No. 7 VI, 3 No. 2 String Quartet No. 7 D major 1811 or
1812?
Allegro (partly reused in D 12) – Andante con moto – Minuet – Presto
94A II, 1
V, 6 No. 6
Orchestral piece, D 94A B major c. 1814 Fragment; For 1st version of D 84, Act III?
94B VI, 9 Five Minuets and Six German Dances, D 94B 1814 For string quartet and two horns; Lost
95 95 (1848) XX, 1
No. 25
IV, 7
No. 1
Adelaide Einsam wandelt dein Freund 1814 Text by Matthisson
97 97 (1894) XX, 1
No. 19
IV, 7
No. 2
Trost: An Elisa Lehnst du deine bleichgehärmte Wange 1814 Text by Matthisson
98 98 (1894)
(1968)
XX, 1
No. 24
IV, 7 No. 3
Anh. No. 2
Erinnerungen, D 98 Am Seegestad, in lauen Vollmondsnächten fall 1814 Text by Matthisson (other setting: D 424); Two versions: 1st is fragment, 2nd in AGA
99 99 (1894) XX, 1
No. 16
IV, 7 No. 4 Andenken, D 99 Ich denke dein wenn durch den Hain April 1814 Text by Matthisson (other setting: D 423)
100 100 (1894) XX, 1
No. 17
IV, 7 No. 5 Geisternähe Der Dämm’rung Schein durchblinkt den Hain April 1814 Text by Matthisson
101 101 (1894) XX, 1
No. 18
IV, 7 No. 6 Erinnerung, D 101, a.k.a. Todtenopfer Kein Rosenschimmer leuchtet April 1814 Text by Matthisson
102 102 (1840) XX, 1
No. 20
IV, 7 No. 7 Die Betende Laura betet! fall 1814 Text by Matthisson; Partly reused in D 918
103 103 (1939) VI, 4
Anh. No. 3
Quartettsatz, D 103 C minor 23/4/1814 Grave, Allegro (fragment); Completed by Alfred Orel in 1st ed.
104 104 (1895) XX, 10
No. 584
IV, 7 No. 8 &
Anh. No. 3
Die Befreier Europas in Paris Sie sind in Paris! 16/5/1814 Text by Mikan; Two drafts and a final version
105
185
105 (1856) XIII, 1
No. 1
I, 1a Mass No. 1 F major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
17/5/1814–
22/7/1814
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 167, 324, 452, 678, 755 and 950); For ssattbSATB and orchestra; 2nd setting of Dona nobis pacem was D 185; Partly reused in D 484
106 106 (1888) XIV No. 9 I, 8 Salve Regina, D 106 B major
Salve Regina
28/6/1814–
1/7/1814
Text: Salve Regina (other settings: D 27, 223, 386, 676 and 811); For t and orchestra
107 107 (1894)
(1968)
XX, 1
No. 21
IV, 7 No. 9 Lied aus der Ferne Wenn in des Abends letztem Scheine July 1814 Text by Matthisson; Two versions: 1st in AGA
108 108 (1894) XX, 1
No. 22
IV, 7 No. 10 Der Abend, D 108 Purpur malt die Tannenhügel July 1814 Text by Matthisson
109 109 (1894) XX, 1
No. 23
IV, 7 No. 11 Lied der Liebe Durch Fichten am Hügel July 1814 Text by Matthisson
110 110 (1891) XVI
No. 43
III, 1 Wer ist groß? Wer ist wohl groß? 24/7/1814–
25/7/1814
For bTTBB and orchestra
111 77





See D 77
111A VI, 6
Anh. No. 1
String Trio, D 111A B major 5/9/1814–
13/9/1814
Allegro (fragment); early version of D 112
112 112 168p
(1863)
V No. 8 VI, 4
No. 10
String Quartet No. 8 B major 5/9/1814–
13/9/1814
Allegro ma non troppo – Andante sostenuto – Minuet – Presto; Based on D 111A
113 113 58,2
(1821)
(1826)
(1894)
XX, 1
No. 26
IV, 3 An Emma Weit in nebelgrauer Ferne 17/9/1814 Text by Schiller; Three versions: 2nd publ. in 1821 – 3rd is Op. 58 No. 2
114 114 (1868)
(1901)
XX, 1
No. 27
IV, 7 No. 12 &
Anh. No. 4
Romanze, D 114 Ein Fräulein klagt' im finstern Turm September
1814
Text by Matthisson; Two versions: 2nd in AGA
115 115 (1840) XX, 1
No. 28
IV, 7 No. 13 An Laura, als sie Klopstocks Auferstehungslied sang Herzen, die gen Himmel sich erheben 2/10/1814–
7/10/1814
Text by Matthisson
116 116 (1840) XX, 1
No. 29
IV, 7 No. 14 Der Geistertanz, D 116 Die bretterne Kammer der Toten erbebt 14/10/1814 Text by Matthisson (other settings: D 15, 15A and 494)
117 117 (1894) XX, 1
No. 30
IV, 8
No. 45
Das Mädchen aus der Fremde, D 117 In einem Tal bei armen Hirten 16/10/1814 Text by Schiller (other setting: D 252)
118 118 2
(1821)
XX, 1
No. 31
IV, 1a Gretchen am Spinnrade Meine Ruh' ist hin 19/10/1814 Text by Goethe, from Faust I, 15
119 119 (1850) XX, 1
No. 32
IV, 7 No. 15 Nachtgesang, D 119 O! gib vom weichen Pfühle 30/11/1814 Text by Goethe
120 120 (1835) XX, 1
No. 33
IV, 7 No. 16 Trost in Tränen Wie kommt's, daß du so traurig bist 30/11/1814 Text by Goethe
121 121 3,1
(1821)
(1894)
XX, 1
No. 34
IV, 1a &
b No. 2
Schäfers Klagelied Da droben auf jenem Berge 30/11/1814–
28/2/1819?
Text by Goethe; Two versions: 1st is Op. 3 No. 1 – 2nd composed for 28/2/1819?
122 122 (1872) XX, 1
No. 38
IV, 7 No. 17 Ammenlied Am hohen, hohen Turm early Dec.
1814
Text by Lubi [scores]
123 123 (1842) XX, 1
No. 35
IV, 7 No. 18 Sehnsucht, D 123 Was zieht mir das Herz so? 3/12/1814 Text by Goethe
124 124 (1885)
(1894)
(1968)
XX, 1
No. 36
IV, 7 No. 19 &
Anh. No. 7
Am See, D 124 Sitz' ich im Gras am glatten See 3/12/1814–
7/12/1814
Text by Mayrhofer; Two versions: 1st is fragment – 2nd, modified in 1885 publ., in AGA
125 125 (1884) I, 1
No. 2
V, 1 No. 2 Symphony No. 2 B major 10/12/1814–
24/3/1815
Largo, Allegro vivace – Andante – Minuet – Presto vivace
126 126 (1832)
(1873)
XX, 1
No. 37
IV, 7 No. 20 &
Anh. No. 8
Scene from Faust Wie anders, Gretchen, war dir's early Dec.–
12/12/1814
Text by Goethe, from Faust I, 20; Two versions: 2nd, publ. in 1832, in AGA
127–330
1815 Up ↑
128 128 (1897) XXI, 3
No. 23
VII/2, 6 Twelve Viennese German Dances Various keys 1812? For piano; Includes introduction; No. 12 related to D 32
129 129 (1892) XIX
No. 16
III, 4 No. 18 Mailied, D 129 Grüner wird die Au 1815? Text by Hölty (other settings: D 199 and 503); For ttb
130 130 (1892) XIX
No. 25
III, 4 No. 19
VIII, 2 No. 24
Der Schnee Zerrinnt Der Schnee Zerrinnt 1815? Text by Hölty (other setting: D 202); Canon for three voices
131 131 (1892) XIX
No. 28
III, 4 No. 20
VIII, 2 No. 26
Lacrimoso son io Lacrimoso son io 1815? Canon for three voices; Two versions: 2nd is "Lacrimosa son io"
134 134 126p
(1830)
XX, 2
No. 99
IV, 7 No. 21 Ballade Ein Fräulein schaut vom hohen Turm 1815? Text by Kenner
135 135 (1930) VII/2, 6 German Dance with Trio, D 135 E major 1815 For piano; Variant of D 146 No. 3 (other Trio)
136 136 46
(1825)
XIV No. 1 I, 8 Offertory, D 136, a.k.a. Offertory No. 1 Totus in corde langueo
C major
1815? For s or t, clarinet or violin, and orchestra
137 137 (1893) XV, 7
No. 14
II, 12 Adrast (Singspiel) fall 1819–
early
1820[17]
Text by Mayrhofer; For stbTTBB and orchestra; Nos. 1–8 complete (abandoned variants for some numbers, Nos. 1–7 in AGA) and sketches and fragments for six further numbers; Overture: D 648?
138 138 5,1
(1821)
(1970)
XX, 3
No. 177
IV, 1a &
b No. 6
Rastlose Liebe Dem Schnee, dem Regen, dem Wind entgegen 19/5/1815–
May 1821
Text by Goethe; Two versions: 1st, in AGA, is Op. 5 No. 1
139 139 (1930) VII/2, 6 German Dance with Trio, D 139 C major (Trio in A major) 1815 For piano
140 140 (1850) XVIII
No. 6
III, 3 No. 3 Klage um Ali Bey, D 140 Laßt mich! laßt mich! ich will klagen 1815 Text by Claudius (other setting: D 496A); For ttb (and piano?)
141 141 131p,1
(1830)
XX, 2
No. 43
IV, 7 No. 23 Der Mondabend Rein und freundlich lacht der Himmel 1815 Text by Kumpf [de]
142 142 92,3
(1828)
(1885)
(1895)
XX, 3
No. 174
IV, 5 Geistes-Gruß Hoch auf dem alten Turme steht before
Apr. 1816–
after
Nov. 1821
Text by Goethe; Six versions: 2nd publ. in 1885 – 3rd and 5th not in AGA – 6th is Op. 92 No. 3
143 143 109p,2
(1829)
XX, 3
No. 181
IV, 7 No. 24 Genügsamkeit Dort raget ein Berg aus den Wolken her 1815 Text by Schober; Intro in 1st ed. not by Schubert
144 144 (1895) XXII, 11
No. 209
IV, 7
Anh. No. 9
Romanze, D 144 In der Väter Hallen ruhte April 1816 Text by Stolberg-Stolberg; Fragment
145 145 18
(1823)
XII
No. 2
VII/2, 6
& 7a
12 Waltzes, 17 Ländler and 9 Écossaises, D 145 Various keys c. 1815
July 1821
For piano; Waltz No. 7 ≈ D 970 No. 2; Écossaises Nos. 5 and 6 identical to D 421 No. 1 and 697 No. 5
146 146 127p
(1824)
(1830)
XII
No. 8
VII/2, 6
& 7a
20 Waltzes, D 146, a.k.a. Letzte Walzer Various keys 1815–
Feb. 1823
For piano; No. 2 publ. in 1824, all 20 as Op. posth. 127 in 1830
147 147 (1892) XIX
No. 15
III, 4 No. 21 Bardengesang Rolle, du strömigter Carun 20/1/1816? Text by Macpherson (Ossian), from Comala, transl. by E. Baron de Harold
148 148 131p,2
(1830)
XIX
No. 8
III, 3 No. 4 Trinklied, D 148 Brüder! unser Erdenwallen February
1815
Text by Castelli; For tTTB and piano
149 149 117p
(1829)
(1894)
XX, 2
No. 45
IV, 7 No. 25 Der Sänger Was hör' ich draußen vor dem Tür February
1815
Text by Goethe, from Wilhelm Meister's Apprenticeship; Two versions: 2nd is Op. posth. 117, AGA switches 1st and 2nd
150 150 (1830) XX, 2
No. 44
IV, 7 No. 26 Lodas Gespenst Der bleiche, kalte Mond erhob sich im Osten 17/1/1816 Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold; 1st ed. replaces end by music from D 277
151 151 (1850) XX, 2
No. 39
IV, 7 No. 27 Auf einen Kirchhof Sei gegrüßt, geweihte Stille 2/2/1815 Text by Schlechta [de]
152 152 (1894) XX, 2
No. 40
IV, 7 No. 28 Minona Wie treiben die Wolken so finster und schwer 8/2/1815 Text by Bertrand [scores]
153 153 (1845) XX, 2
No. 41
IV, 7 No. 29 Als ich sie erröten sah All mein Wirken, all mein Leben 10/2/1815 Text by Ehrlich [scores]
154 154 (1897) XXI, 2
No. 8
VII/2, 1
Anh. No. 1
Piano Sonata, D 154 E major 11/2/1815 Allegro (fragment); Partly reused in D 157
155 155 165p,3
(1862)
XX, 2
No. 42
IV, 7 No. 30 Das Bild Ein Mädchen ist's 10/2/1815
156 156 (1887) XI No. 6 VII/2, 4
& Anh.
Ten Variations, D 156 F major completed
15/2/1815
For piano; Variant of Theme and Var. II
157 157 (1888) X No. 1 VII/2, 1
No. 1
Piano Sonata, D 157 E major started
18/2/1815
Allegro ma non troppo (partly reuses D 154) – Andante – Minuet
158 158 (1889) XII
No. 29
VII/2, 6 Écossaise, D 158 D minor – F major 21/2/1815 For piano
159 159 116p
(1829)
(1968)
XX, 2
No. 46
IV, 7 No. 31 Die Erwartung Hör' ich das Pförtchen nicht gehen? May 1816 Text by Schiller; Two versions: 2nd, in AGA, is Op. posth. 116
160 160 (1894) XX, 2
No. 47
IV, 13 Am Flusse, D 160 Verfließet, vielgeliebte Lieder 27/2/1815 Text by Goethe (other setting: D 766)
161 161 19,2
(1825)
(1894)
XX, 2
No. 48
IV, 1a &
b No. 14
An Mignon Über Tal und Fluß getragen 27/2/1815 Text by Goethe; Two versions: 2nd is Op. 19 No. 2
162 162 5,2
(1821)
(1894)
XX, 2
No. 49
IV, 1a &
Anh. No. 2
Nähe des Geliebten Ich denke dein, wenn mir der Sonne Schimmer 27/2/1815 Text by Goethe; Two versions: 2nd is Op. 5 No. 2
163 163 (1894) XX, 2
No. 50
IV, 8
No. 1
Sängers Morgenlied, D 163 Süßes Licht! Aus goldnen Pforten 27/2/1815 Text by Körner (other setting: D 165)
164 164 IV, 8
Anh. No. 1
Liebesrausch, D 164 Glanz des Guten und des Schönen strahlt mir dein hohes Bild March 1815 Text by Körner (other setting: D 179); Fragment
165 165 (1872) XX, 2
No. 51
IV, 8
No. 2
Sängers Morgenlied, D 165 Süßes Licht! Aus goldnen Pforten 1/3/1815 Text by Körner (other setting: D 163)
166 166 (1894) XX, 2
No. 52
IV, 8
No. 3
Amphiaraos Vor Thebens siebenfach gähnenden Toren 1/3/1815 Text by Körner
167 167 (1846) XIII, 1
No. 2
I, 1b Mass No. 2 G major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
2/3/1815–
7/3/1815
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 324, 452, 678, 755 and 950); For stbSATB and orchestra; Tr and Ti added by Ferd. Schubert; R. Führer as composer in 1st publ.
168 168 (1872) XVII
No. 16
III, 2a
No. 2
Nun laßt uns den Leib begraben, a.k.a. Begräbnislied Begrabt den Leib in seiner Gruft 9/3/1815 Text by Klopstock; For SATB and piano
987 168A (1872) XVII
No. 17
III, 2a
No. 3
Jesus Christus unser Heiland, der den Tod überwand, a.k.a. Osterlied Überwunden hat der Herr den Tod! 9/3/1815 Text by Klopstock; For SATB and piano
169 169 (1894) XX, 2
No. 53
III, 3 No. 10
Anh. I No. 1
Trinklied vor der Schlacht Schlacht, du brichst an! 12/3/1815 Text by Körner; For double unison choir and piano
170 170 (1873) XX, 2
No. 54
III, 3 No. 11 Schwertlied Du Schwert an meiner Linken 12/3/1815 Text by Körner; For voice, unison choir and piano
171 171 (1831) XX, 2
No. 55
IV, 8
No. 4
Gebet während der Schlacht Vater, ich rufe dich! 12/3/1815 Text by Körner
172 172 IV, 8
Anh. No. 3
Der Morgenstern, D 172 Stern der Liebe, Glanzgebilde 12/3/1815 Text by Körner (other setting: D 203); Fragment
173 173 (1871) V No. 9 VI, 4
No. 11
String Quartet No. 9 G minor 25/3/1815–
1/4/1815
Allegro con brio – Andantino – Minuet – Allegro
174 174 (1845) XX, 2
No. 56
IV, 8
No. 5
Das war ich, D 174 Jüngst träumte mir 26/3/1815 Text by Körner; D. 174 used to include Das war ich, D deest
174 deest (1894) XXII, 11
No. 56
IV, 8
Anh. No. 2
Das war ich, D deest June 1816 Fragment; Music without text, title identical to D 174
175 175 (1888) XIV
No. 12
I, 9
No. 1
Stabat Mater, D 175 G minor
Stabat Mater dolorosa
4/4/1815–
6/4/1815
For SATB and orchestra
176 176 (1872) XX, 2
No. 57
IV, 8
No. 6
Die Sterne, D 176 Was funkelt ihr so mild mich an 6/4/1815 Text by Fellinger [wikisource:de]
177 177 173p,3
(1867)
XX, 2
No. 58
IV, 8
No. 7
Vergebliche Liebe Ja, ich weiß es, diese treue Liebe 6/4/1815 Text by Bernard
177A VIII, 3 Am ersten Mai Ich ging mit ihr im Freien before
1821
Text by Bernard; Music lost; Spurious?
178 178 (1897) XXI, 3
No. 22
VII/2, 4
& Anh.
Adagio in G major, D 178 G major 8/4/1815 For piano; Two versions: 2nd is a fragment
179 179 (1872) XX, 2
No. 59
IV, 8
No. 8
Liebesrausch, D 179 Dir, Mädchen, schlägt mit leisem Beben 8/4/1815 Text by Körner; (other setting: D 164)
180 180 (1894) XX, 2
No. 60
IV, 8
No. 9
Sehnsucht der Liebe Wie die Nacht mit heil'gem Beben 8/4/1815 Text by Körner
181 181 (1888) XIV No. 4 I, 9
No. 2
Offertory, D 181 Tres sunt, qui testimonium dant in coelo
A minor
10/4/1815–
11/4/1815
For SATB and orchestra
182 182 (1842) XX, 2
No. 61
IV, 8
No. 10
Die erste Liebe Die erste Liebe füllt das Herz 12/4/1815 Text by Fellinger [wikisource:de]
183 183 (1887) XX, 2
No. 62
III, 3 No. 12 Trinklied, D 183 Ihr Freunde und du, gold'ner Wein 12/4/1815 Text by Zettler [wikisource:de]; For voice, unison choir and piano
184 184 150p
(1843)
XIV No. 5 I, 9
No. 3
Gradual, D 184 Benedictus es, Domine
C major
15/4/1815–
17/4/1815
For SATB and orchestra
185 105





See D 105
186 186 (1894) XX, 2
No. 65
IV, 8
No. 11
Die Sterbende Heil! dies ist die letze Zähre May 1815 Text by Matthisson
187 187 (1894) XX, 2
No. 63
IV, 10 Stimme der Liebe, D 187 Abendgewölke schweben hell May 1815 Text by Matthisson (other setting: D 418)
188 188 (1887) XX, 2
No. 64
IV, 8
No. 12
Naturgenuß, D 188 Im Abendschimmer wallt der Quell May 1815 Text by Matthisson (other setting: D 422)
189 189 111p,1
(1829)
XX, 2
No. 66
III, 3 No. 13 An die Freude Freude, schöner Götterfunken May 1815 Text by Schiller; For voice, unison choir and piano
190 190 (1888) XV, 2
No. 2
II, 2
IV, 14
Der vierjährige Posten (Singspiel in one act)
Includes: 5. Gott! Gott! höre meine Stimme
8/5/1815–
19/5/1815
Text by Körner; Music for stttbSATB and orchestra; Overture – Nos. 1–8 (No. 5 also for voice and piano)
191 191 58,3
(1826)
(1894)
XX, 2
No. 67
IV, 3 Des Mädchens Klage, D 191 Der Eichwald brauset 15/5/1815 Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 389); Two versions: 2nd is Op. 58 No. 3
192 192 (1887) XX, 2
No. 68
IV, 4 Der Jüngling am Bache, D 192 An der Quelle saß der Knabe 15/5/1815 Text by Schiller (other settings: D 30 and 638)
193 193 57,3
(1826)
XX, 2
No. 69
IV, 3 An den Mond, D 193 Geuß, lieber Mond, geuß deine Silberflimmer 17/5/1815 Text by Hölty; Autograph without piano intro
194 194 (1894) XX, 2
No. 70
IV, 8
No. 13
Die Mainacht Wann der silberne Mond 17/5/1815 Text by Hölty
195 195 173p,1
(1867)
XX, 2
No. 71
IV, 8
No. 14
Amalia Schön wie Engel voll Walhallas Wonne 19/5/1815 Text by Schiller, from Die Räuber III, 1
196 196 172p,3
(1865)
XX, 2
No. 72
IV, 8
No. 15
An die Nachtigall Geuß nicht so laut der liebentflammten Lieder 22/5/1815 Text by Hölty
197 197 (1850) XX, 2
No. 73
IV, 8
No. 16
An die Apfelbäume, wo ich Julien erblickte Ein heilig Säuseln und ein Gesangeston 22/5/1815 Text by Hölty
198 198 (1894) XX, 2
No. 74
IV, 8
No. 17
Seufzer Die Nachtigall singt überall 22/5/1815 Text by Hölty
199 199 (1885) XIX
No. 30
III, 4
No. 22
Mailied, D 199 Grüner wird die Au 24/5/1815 Text by Hölty (other settings: D 129 and 503); For two voices or two horns
200 200 (1884) I, 1
No. 3
V, 1
No. 3
Symphony No. 3 D major 24/5/1815–
19/6/1815
Adagio maestoso, Allegro con brio – Allegretto – Minuet – Presto vivace
201 201 (1970) IV, 10 Auf den Tod einer Nachtigall, D 201 Sie ist dahin, die Maienlieder tönte 25/5/1815 Text by Hölty (other setting: D 399); Fragment
202 202 (1885) XIX
No. 31
III, 4
No. 23
Mailied, D 202 Der Schnee Zerrinnt 26/5/1815 Text by Hölty (other setting: D 130); For two voices or two horns
203 203 (1892) XIX
No. 32
III, 4
No. 24
Der Morgenstern, D 203 Stern der Liebe, Glanzgebilde 26/5/1815 Text by Körner (other setting: D 172); For two voices or two horns
204 204 (1892) XIX
No. 33
III, 4
No. 25
Jägerlied Frisch auf, ihr Jäger 26/5/1815 Text by Körner; For two voices or two horns
204A IV, 8
Anh. No. 4
Das Traumbild May 1815 Text by Hölty; Music lost
205 205 (1892) XIX
No. 34
III, 4
No. 26
Lützows wilde Jagd Was glänzt dort vom Walde im Sonnenschein? 26/5/1815 Text by Körner; For two voices or two horns
206 206 (1872) XX, 2
No. 75
IV, 8
No. 18
Liebeständelei Süßes Liebchen 26/5/1815 Text by Körner
207 207 (1894) XX, 2
No. 76
IV, 8
No. 19
Der Liebende Beglückt, beglückt 29/5/1815 Text by Hölty
208
212
208 (1895)
(1897)
XX, 2
No. 77;
XXII, 11
No. 77
IV, 8 No. 20 & Anh. No. 5 Die Nonne Es liebt' in Welschland irgendwo 29/5/1815 Text by Hölty, from Balladen, No. 5; Two versions: 1st is fragment, incomplete in AGA – 2nd was D 212
209 209 38
(1825)
XX, 2
No. 98
IV, 2a Der Liedler Gib, Schwester, mir die Harf herab January 1815 Text by Kenner
210 210 (1838) XX, 2
No. 78
IV, 8 No. 21 Die Liebe, D 210, a.k.a. Klärchens Lied Freudvoll und leidvoll 3/6/1815 Text by Goethe, from Egmont, Act III, Scene 2, Clärchen's song
211 211 (1894) XX, 2
No. 79
IV, 8 No. 22 Adelwold und Emma Hoch und ehern schier von Dauer 5/6/1815–
14/6/1815
Text by Bertrand [scores]
212 208





See D 208
213 213 172p,1
(1865)
XX, 2
No. 80
IV, 8 No. 23 Der Traum Mir träumt', ich war ein Vögelein 17/6/1815 Text by Hölty, from Balladen, No. 6
214 214 172p,2
(1865)
XX, 2
No. 81
IV, 8 No. 24 Die Laube Nimmer werd' ich, nimmer dein vergessen 17/6/1815 Text by Hölty
215 215 (1906) IV, 1b No. 4 Jägers Abendlied, D 215 Im Felde schleich ich, still und wild 20/6/1815 Text by Goethe (other setting: D 368)
216 215A (1952) IV, 1a &
b No. 3
Meeres Stille, D 215A Tiefe Stille herrscht im Wasser 20/6/1815 Text by Goethe (other setting: D 216)
216 216 3,2
(1821)
XX, 2
No. 82
IV, 1a Meeres Stille, D 216 Tiefe Stille herrscht im Wasser 21/6/1815 Text by Goethe (other setting: D 215A)
217 217 (1830) XX, 2
No. 83
IV, 8 No. 25 Kolmas Klage Rund um mich Nacht 22/6/1815 Text by Macpherson (Ossian), from The Songs of Selma (transl.)
218 218 (1848) XX, 2
No. 84
IV, 8 No. 26 Grablied Er fiel den Tod für's Vaterland 24/6/1815 Text by Kenner
219 219 (1848) XX, 2
No. 85
IV, 8 No. 27 Das Finden Ich hab ein Mädchen funden 25/6/1815 Text by Kosegarten
220 220 (1888) XV, 2
No. 3
II, 2 Fernando (Singspiel in one act) Jun. 1815–
9/7/1815
Text by Stadler, A. [scores]; Music for sstbb and orchestra; Nos. 1–7
221 221 118p,2
(1829)
XX, 2
No. 95
IV, 8 No. 28 Der Abend, D 221 Der Abend blüht, Temora glüht 15/7/1815 Text by Kosegarten
222 222 (1885) XX, 2
No. 86
IV, 8 No. 29 Lieb Minna: Romanze Schwüler Hauch weht mir herüber 2/7/1815 Text by Stadler, A. [scores]
223 223 47
(1825)
XIV No. 2 I, 8 Salve Regina, D 223, a.k.a. Offertory No. 2 F major
Salve Regina
5/7/1815
28/1/1823
Text: Salve Regina (other settings: D 27, 106, 386, 676 and 811); For s and orchestra; Two versions: 2nd, in AGA, is Op. 47
224 224 4,3
(1821)
XX, 2
No. 87
IV, 1a Wandrers Nachtlied, D 224 Der du von dem Himmel bist 5/7/1815 Text by Goethe
225 225 5,3
(1821)
(1970)
XX, 2
No. 88
IV, 1a &
b No. 7
Der Fischer Das Wasser rauscht', das Wasser schwoll 5/7/1815 Text by Goethe; Two versions: 2nd, in AGA, is Op. 5 No. 3
226 226 5,4
(1821)
XX, 2
No. 89
IV, 1a Erster Verlust Ach, wer bringt die schönen Tage 5/7/1815 Text by Goethe
227 227 (1885) XX, 2
No. 90
IV, 8 No. 30 Idens Nachtgesang Vernimm es Nacht, was Ida dir vertrauet 7/7/1815 Text by Kosegarten
228 228 (1894) XX, 2
No. 91
IV, 8 No. 31 Von Ida Der Morgen blüht, der Osten glüht 7/7/1815 Text by Kosegarten
229 229 108,3
(1824)
XX, 2
No. 92
IV, 5 Die Erscheinung, a.k.a. Erinnerung, D 229 Ich lag auf grünen Matten 7/7/1815 Text by Kosegarten; Publ. as Op. 108 No. 3 in 1829
230 230 165p,4
(1855)
XX, 2
No. 93
IV, 8 No. 32 Die Täuschung Im Erlenbusch, im Tannenhain 7/7/1815 Text by Kosegarten; Publ. as Op. posth. 165 No. 4 in 1862
231 231 172p,4
(1865)
XX, 2
No. 94
IV, 8 No. 33 Das Sehnen Wehmut, die mich hüllt 8/7/1815 Text by Kosegarten
232 232 112p,3
(1829)
XVII
No. 8
III, 2a No. 6
2b Anh. No. 2
Hymne an den Unendlichen Zwischen Himmel und Erd' 11/7/1815 Text by Schiller; For satb and piano
233 233 118p,1
(1829)
XX, 2
No. 96
IV, 8 No. 34 Geist der Liebe, D 233 Wer bist du, Geist der Liebe 15/7/1815 Text by Kosegarten
234 234 118p,3
(1829)
XX, 2
No. 97
IV, 8 No. 35 Tischlied Mich ergreift, ich weiß nicht wie 15/7/1815 Text by Goethe
235 235 (1894) XX, 2
No. 100
IV, 8 No. 36 Abends unter der Linde, D 235 Woher, o namenloses Sehnen 24/7/1815 Text by Kosegarten (other setting: D 237)
236 236 (1892) XIX
No. 6
III, 2a
No. 7
Das Abendrot, D 236 Der Abend blüht, der Westen glüht! 20/7/1815 Text by Kosegarten; for ssb and piano
237 237 (1872) XX, 2
No. 101
IV, 8 No. 37 Abends unter der Linde, D 237 Woher, o namenloses Sehnen 25/7/1815 Text by Kosegarten (other setting: D 235)
238 238 (1894) XX, 2
No. 102
IV, 8 No. 38 Die Mondnacht Siehe, wie die Mondesstrahlen 25/7/1815 Text by Kosegarten
239 239 (1893) XV, 7
No. 11
II, 14 Claudine von Villa Bella (Singspiel in three acts) started
26/7/1815
Text by Goethe; For ssttbbSATB and orchestra; Overture (in AGA) – Nos. 1–8 (Act I, in AGA) – No. 9 (fragment from Act II) – No. 10 (fragment from Act III); Other music lost
240 240 (1894) XX, 2
No. 103
IV, 8 No. 39 Huldigung Ganz verloren, ganz versunken 27/7/1815 Text by Kosegarten
241 241 (1894) XX, 2
No. 104
IV, 8 No. 40 Alles um Liebe Was ist es, das die Seele füllt? 27/7/1815 Text by Kosegarten
242 242 (1892) XIX
No. 18
III, 4
No. 27
Trinklied im Winter, a.k.a. Winterlied, D 242 Das Glas gefüllt! August
1815?
Text by Hölty (other setting: D 242A); For ttb
242A IV, 8
No. 41
Winterabend, D 242A,[18] a.k.a. Winterlied Das Glas gefüllt! 1815? Text by Hölty (other setting: D 242)
243 243 (1892) XIX
No. 19
III, 4
No. 28
Frühlingslied, D 243 Die Luft ist blau August
1815?
Text by Hölty (other setting: D 398); For ttb
244 244 (1892) XIX
No. 27
III, 4 No. 29
VIII, 2 No. 25
Willkommen, lieber schöner Mai Willkommen, lieber schöner Mai August
1815?
Text by Hölty; Canon for three voices in two sections
245 587





See D 587
246 246 (1830) XX, 3
No. 109
IV, 8
No. 42
Die Bürgschaft, D 246 Zu Dionys, dem Tyrannen August
1815
Text by Schiller; Partly reused in D 435
247 247 118p,6
(1829)
XX, 3
No. 119
IV, 8
No. 43
Die Spinnerin Als ich still und ruhig spann August
1815
Text by Goethe
248 248 118p,4
(1829)
XX, 3
No. 135
IV, 8
No. 44
Lob des Tokayers O köstlicher Tokayer, o königlicher Wein August
1815
Text by Baumberg
249 249 III, 2b
Anh. No. 4a
Die Schlacht, D 249 Schwer und dumpfig 1/8/1815 Text by Schiller (other setting: D 387); Sketch
250 250 (1872) XX, 3
No. 105
IV, 13 Das Geheimnis, D 250 Sie konnte mir kein Wörtchen sagen 7/8/1815 Text by Schiller (other setting: D 793)
251 251 (1872) XX, 3
No. 106
IV, 4 Hoffnung, D 251 Es reden und träumen die Menschen viel 7/8/1815 Text by Schiller (other setting: D 637)
252 252 (1887) XX, 3
No. 108
IV, 8
No. 46
Das Mädchen aus der Fremde, D 252 In einem Tal bei armen Hirten 12/8/1815 Text by Schiller (other setting: D 117)
253 253 (1887) XX, 3
No. 110
III, 4 No. 30
IV, 8 No. 47
Punschlied: Im Norden zu singen Auf der Berge freien Höhen 18/8/1815 Text by Schiller; Two versions: 2nd for two voices
254 254 (1887) XX, 3
No. 111
IV, 8
No. 48
Der Gott und die Bajadere Mahadöh, der Herr der Erde 18/8/1815 Text by Goethe
255 255 (1850) XX, 3
No. 112
IV, 8
No. 49
Der Rattenfänger Ich bin der wohlbekannte Sänger 19/8/1815 Text by Goethe
256 256 (1887) XX, 3
No. 113
IV, 8
No. 50
Der Schatzgräber Arm am Beutel, krank am Herzen 19/8/1815 Text by Goethe
257 257 3,3
(1821)
XX, 3
No. 114
IV, 1a Heidenröslein Sah ein Knab' ein Röslein stehn 19/8/1815 Text by Goethe
258 258 (1887) XX, 3
No. 115
IV, 8
No. 51
Bundeslied In allen guten Stunden 19/8/1815 Text by Goethe
259 259 (1850) XX, 3
No. 116
IV, 9 No. 27 An den Mond, D 259 Füllest wieder Busch und Tal 19/8/1815 Text by Goethe (other setting: D 296)
260 260 115p,2
(1829)
XX, 3
No. 117
IV, 8
No. 52
Wonne der Wehmut Trocknet nicht, trocknet nicht 20/8/1815 Text by Goethe; Reused in D
261 261 (1850) XX, 3
No. 118
IV, 8
No. 53
Wer kauft Liebesgötter? Von allen schönen Waren 21/8/1815 Text by Goethe, from Der Zauberflöte zweiter Teil
262 262 (1895) XX, 3
No. 134
IV, 9 No. 1 Die Fröhlichkeit Wess' Adern leichtes Blut durchspringt 22/8/1815 Text by Prandstätter [de]
263 263 (1848) XX, 3
No. 123
IV, 9 No. 2 Cora an die Sonne Nach so vielen trüben Tagen 22/8/1815 Text by Baumberg
264 264 (1850)
(1872)
XX, 3
No. 124
IV, 9 No. 3 Der Morgenkuß Durch eine ganze Nacht sich nah zu sein 22/8/1815 Text by Baumberg; Two versions: 2nd, publ. in 1850, in AGA
265 265 (1895) XX, 3
No. 125
IV, 9 No. 4 Abendständchen: An Lina Sei sanft wie ihre Seele 23/8/1815 Text by Baumberg
266 266 (1895) XX, 3
No. 126
IV, 9 No. 5 Morgenlied, D 266 Willkommen, rotes Morgenlicht! 24/8/1815 Text by Stolberg-Stolberg
267 267 (1872) XVI
No. 17
III, 3 No. 19 Trinklied, D 267 Auf! Jeder sei nun froh und sorgenfrei! 25/8/1815 For ttbb and piano
268 268 (1872) XVI
No. 18
III, 3 No. 20 Bergknappenlied Hinab, ihr Brüder, in den Schacht! 25/8/1815 For ttbb and piano
269 269 (1848) XVIII
No. 5
III, 3 No. 5
Anh. IV No. 2
Das Leben Das Leben ist ein Traum 25/8/1815 Text by Wannovius [scores]; Two versions: 1st for tbb and piano – 2nd, in AGA, for ssa and piano
270 270 118p,5
(1829)
XX, 3
No. 127
IV, 9 No. 6 An die Sonne, D 270 Sinke, liebe Sonne 25/8/1815 Text by Baumberg
271 271 (1895) XX, 3
No. 128
IV, 9 No. 7 Der Weiberfreund Noch fand von Evens Töchterscharen ich keine 25/8/1815 Text by Ratschky [de], after Cowley
272 272 (1872) XX, 3
No. 129
IV, 9 No. 8 An die Sonne, D 272 Königliche Morgensonne 25/8/1815 Text by Tiedge
273 273 (1895) XX, 3
No. 130
IV, 9 No. 9 Lilla an die Morgenröte Wie schön bist du, du güldne Morgenröte 25/8/1815
274 274 (1850) XX, 3
No. 131
IV, 9 No. 10 Tischlerlied Mein Handwerk geht durch alle Welt 25/8/1815
275 275 (1895) XX, 3
No. 132
IV, 9 No. 11 Totenkranz für ein Kind Sanft wehn, im Hauch der Abendluft 25/8/1815 Text by Matthisson
276 276 (1895) XX, 3
No. 133
IV, 9 No. 12 Abendlied, D 276 Groß und rotenflammet 28/8/1815 Text by Stolberg-Stolberg
277 277 (1892) XIX
No. 7
III, 3 No. 6 Punschlied, D 277 Vier Elemente, inning gesellt 29/8/1815 Text by Schiller; For ttb and piano
277A (1925) VII/2, 4 Minuet with Trio, D 277A A minor (minuet) / F major (trio) September
1815?
For piano; Partly reused in D 279
278 278 (1830)
(1897)
XX, 3
No. 147;
XXII, 11
No. 147
IV, 9 No. 13 Anh. No. 1 Ossians Lied nach dem Falle Nathos Beugt euch aus euren Wolken nieder 1815 Text by Macpherson (Ossian), from Dar-Thula, transl. by E. Baron de Harold; Two versions: 1st is a fragment – 2nd publ. in 1830
279 279 (1888) X No. 2 VII/2, 1
No. 2
Piano Sonata, D 279 C major September
1815
Allegro moderato – Andante – Minuet (partly based on D 277A); D 309A, or 346, may be 4th movement
280 280 (1837) XX, 3
No. 139
IV, 9 No. 14 Das Rosenband Im Frühlingsgarten fand ich sie September
1815
Text by Klopstock
281 281 (1830) XX, 3
No. 148
IV, 9 No. 15 Das Mädchen von Inistore Mädchen Inistores, wein auf dem Felsen September
1815
Text by Macpherson (Ossian), from Fingal, Book I, transl. by E. Baron de Harold
282 282 (1830) XX, 4
No. 188
IV, 9 No. 16 Cronnan Ich sitz' bei der moosigten Quelle 5/9/1815 Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold
283 283 172p,5
(1865)
XX, 3
No. 136
IV, 11 An den Frühling, D 283 Willkommen, schöner Jüngling! 6/9/1815 Text by Schiller (other settings: D 338 and 587)
284 284 (1895) XX, 3
No. 137
IV, 9 No. 17 Lied, D 284 Es ist so angenehm, so süß 6/9/1815 Text by Schiller(?)
285 285 (1885)
(1895)
XX, 3
No. 138
IV, 9 No. 18 Anh. No. 2 Furcht der Geliebten, a.k.a. An Cidli Cidli, du weinest 12/9/1815 Text by Klopstock, from Oden; Two versions: 2nd publ. in 1885
286 286 (1837)
(1895)
XX, 3
No. 140
IV, 9 No. 19 Selma und Selmar Weine du nicht 14/9/1815 Text by Klopstock; Two versions: 2nd publ. in 1837
287 287 (1895) XX, 3
No. 141
IV, 9 No. 20 Vaterlandslied Ich bin ein deutsches Mädchen 14/9/1815 Text by Klopstock, from Oden; Two versions
288 288 (1895) XX, 3
No. 142
IV, 9 No. 21 An Sie Zeit, Verkündigerin der besten Freuden 14/9/1815 Text by Klopstock, from Oden
289 289 (1895) XX, 3
No. 143
IV, 9 No. 22 Die Sommernacht Wenn der Schimmer von dem Monde 14/9/1815 Text by Klopstock; Two versions
290 290 (1837) XX, 3
No. 144
IV, 9 No. 23 Die frühen Gräber Willkommen, o silberner Mond 14/9/1815 Text by Klopstock, from Oden
291 291 (1831)
(1895)
XX, 3
No. 145
IV, 9 No. 24 Dem Unendlichen Wie erhebt sich das Herz 15/9/1815 Text by Klopstock; Three versions: 2nd publ. in 1831
292 371





See D 371
293 293 (1830) XX, 3
No. 146
IV, 9 No. 25 Shilric und Vinvela Mein Geliebter ist ein Sohn des Hügels 20/9/1815 Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold
294 294 (1892) XVII
No. 4
III, 1 Namensfeier für Franz Michael Vierthaler, a.k.a. Gratulations-Kantate Erhabner! Verehrter Freund der Jugend! 27/9/1815 For stbSTB and orchestra
295 295 (1872)
(1895)
XX, 3
No. 175
IV, 9 No. 26 Hoffnung, D 295 Schaff, das Tagwerk meiner Hände 1815 or
1816?
Text by Goethe; Two versions: 1st publ. in 1872
296 296 (1868) XX, 3
No. 176
IV, 9 No. 28 An den Mond, D 296 Füllest wieder Busch und Tal 1815 or
1816?
Text by Goethe (other setting: D 259)
297 297 (1850)
(1895)
XX, 3
No. 171
IV, 9 No. 29 Anh. No. 3 Augenlied Süße Augen, klare Bronnen! spring
1817?
Text by Mayrhofer; Two versions: 2nd publ. in 1850
298 298 (1895) XX, 3
No. 170
IV, 9 No. 30 Liane Hast du Lianen nicht gesehen? October
1815
Text by Mayrhofer
299 299 (1897)
(1912)
XXI, 3
No. 29
VII/2, 6 Twelve Écossaises, D 299 Various keys 3/10/1815 For piano; No. 1 similar to D 145 Écoss. No. 1; Nos. 9–12 publ. in 1912
300 300 (1842) XX, 6
No. 398
IV, 9 No. 31 Der Jüngling an der Quelle Leise, rieselnder Quell 1816 or
1817?
Text by Salis-Seewis
301 301 (1842) XX, 3
No. 149
IV, 9 No. 32 Lambertine O Liebe, die mein Herz erfüllet 12/10/1815 Text by Stoll [scores]
302 302 (1895) XX, 3
No. 150
IV, 9 No. 33 Labetrank der Liebe Wenn im Spiele leiser Töne 15/10/1815 Text by Stoll [scores]
303 303 (1887) XX, 3
No. 151
IV, 9 No. 34 An die Geliebte O, daß ich dir vom stillen Auge 15/10/1815 Text by Stoll [scores]; Music partly reused in D 497
304 304 (1895) XX, 3
No. 152
IV, 9 No. 35 Wiegenlied, D 304 Schlumm're sanft! Noch an dem Mutterherzen 15/10/1815 Text by Körner
305 305 (1895) XX, 3
No. 153
IV, 9 No. 36 Mein Gruß an den Mai Sei mir gegrüßt, o Mai 15/10/1815 Text by Kumpf [de]
306 306 (1895) XX, 3
No. 154
IV, 9 No. 37 Skolie, D 306 Laßt im Morgenstrahl des Mai'n 15/10/1815 Text by Deinhardstein [de]
307 307 (1895) XX, 3
No. 155
IV, 9 No. 38 Die Sternenwelten Oben drehen sich die großen unbekannten Welten dort 15/10/1815 Text by Fellinger [wikisource:de], after Jarnik
308 308 (1895) XX, 3
No. 156
IV, 9 No. 39 Die Macht der Liebe Überall, wohin mein Auge blicket 15/10/1815 Text by Kalchberg [wikisource:de]
309 309 (1872) XX, 3
No. 157
IV, 9 No. 40 Das gestörte Glück Ich hab' ein heißes junges Blut 15/10/1815 Text by Körner
309A VII/2, 1
Anh. No. 2
Rondo, D 309A C major 1815 For piano; Fragment; 4th movement of D 279?
310 310 (1895) XX, 3
No. 158
IV, 3 Sehnsucht, D 310, a.k.a. Lied der Mignon Nur wer die Sehnsucht kennt 18/10/1815 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 359, 481, 656 and 877 Nos. 1 & 4); Two versions
311 311 IV, 9
Anh. No. 3
An den Mond, D 311 19/10/1815? For voice and piano; Sketch without text
312 312 58,1
(1826)
(1895)
XX, 3
No. 159
IV, 3 Hektors Abschied Will sich Hektor ewig von mir wenden 19/10/1815 Text by Schiller; Two versions: 2nd is Op. 58 No. 1
313 313 (1895) XX, 3
No. 160
IV, 9 No. 41 Die Sterne, D 313 Wie wohl ist mir im Dunkeln! 19/10/1815 Text by Kosegarten
314 314 (1887) XX, 3
No. 161
IV, 9 No. 42 Nachtgesang, D 314 Tiefe Feier schauert um die Welt 19/10/1815 Text by Kosegarten
315 315 (1895) XX, 3
No. 162
IV, 9 No. 43 An Rosa I Warum bist du nicht hier 19/10/1815 Text by Kosegarten
316 316 (1895) XX, 3
No. 163
IV, 9 No. 44 An Rosa II Rosa, denkst du an mich? 19/10/1815 Text by Kosegarten; Two versions
317 317 (1895) XX, 3
No. 164
IV, 9 No. 45 Idens Schwanenlied Wie schaust du aus dem Nebelflor 19/10/1815 Text by Kosegarten; Two versions: 2nd in AGA
318 318 (1895) XX, 3
No. 165
IV, 9 No. 46 Schwangesang Endlich stehn die Pforten offen 19/10/1815 Text by Kosegarten
319 319 (1895) XX, 3
No. 166
IV, 9 No. 47 Luisens Antwort Wohl weinen Gottes Engel 19/10/1815 Text by Kosegarten
320 320 (1895) XX, 3
No. 167
IV, 9 No. 48 Der Zufriedene Zwar schuf das Glück hienieden 23/10/1815 Text by Reissig [de]
321 321 (1832) XX, 3
No. 168
IV, 9 No. 49 Mignon a.k.a. Mignons Gesang Kennst du das Land 23/10/1815 Text by Goethe, from Wilhelm Meister's Apprenticeship III, 1
322 322 (1837) XX, 3
No. 169
IV, 9 No. 50 Hermann und Thusnelda Ha, dort kömmt er 27/10/1815 Text by Klopstock
323
991
323 (1895) XX, 3
No. 172
IV, 9 No. 51 Anh. Nos. 5–6 Klage der Ceres Ist der holde Lenz erschienen? 9/11/1815–
June 1816
Text by Schiller; Two versions: 2nd in AGA; A fragment of the last part was D 991
324 324 141p
(1837)
XIII, 1
No. 3
I, 2 Mass No. 3 B major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
started
11/11/1815
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 452, 678, 755 and 950); For satbSATB and orchestra
324A IV, 8
No. 41
Winterlied, D 324A 1816?[19]
325 325 (1895) XX, 3
No. 173
IV, 1b No. 9 Harfenspieler, D 325 Wer sich der Einsamkeit ergibt 13/11/1815 Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 478 No. 1)
326 326 (1888) XV, 2
No. 4
II, 3 Die Freunde von Salamanka (Singspiel in two acts) 18/11/1815–
31/12/1815
Text by Mayrhofer; Music for ssstttbbbbbbSATB and orchestra; Overture – Act I (Nos. 1–7) – Act II (Nos. 8–18, with music of No. 12 reappearing in D 803 and of No. 14 in D 796 No. 15)
327 327 IV, 10 Lorma, D 327 Lorma saß in der Halle von Aldo 28/11/1815 Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 376); Fragment
328 328 1
(1821)
(1895)
XX, 3
No. 178
IV, 1a &
b No. 1
Erlkönig Wer reitet so spät durch Nacht und Wind? October
1815?
Text by Goethe; Four versions: 2nd and 3rd switched in AGA – 4th is Op. 1
329 329 (1895) XX, 10
No. 591
IV, 9
Anh. No. 7
Die drei Sänger Der König saß beim frohen Mahle 23/12/1815 Text by Bobrik [scores]; Fragment
329A III, 2b Anh. No. 3
VIII, 2 No. 27
Das Grab, D 329A Das Grab ist tief und stille 28/12/1815? Text by Salis-Seewis (other settings: D 330, 377, 569 and 643A); Canon for SATB; Sketch
330 330 (1895) XX, 3
No. 182
III, 3 No. 14
Anh. I No. 2
Das Grab, D 330 Das Grab ist tief und stille 28/12/1815 Text by Salis-Seewis (other settings: D 329A, 377, 569 and 643A); For choir and piano
331–510
1816 Up ↑
331
332
331 (1866) XVI
No. 38
III, 4
No. 31
Der Entfernten, D 331 Wohl denk' ich allenthalben c. 1816 Text by Salis-Seewis (other setting: D 350); For ttbb; Identical to former D 332
333 796


Laß dein Vertrauen nicht schwinden

Part of D 796 No. 21
334 334 (1897) XXI, 3
No. 24
VII/2, 4 Minuet with Trio, D 334 A major (minuet) / E major (trio) before
fall 1815
For piano
335 335 (1897) XXI, 3
No. 25
VII/2, 6 Minuet with two Trios E major 1813? For piano
337 337 (1860) XVI
No. 39
III, 4
No. 32
Die Einsiedelei, D 337, a.k.a. Lob der Einsamkeit Es rieselt klar und wehend ein Quell c. 1816 Text by Salis-Seewis (other settings: D 393 and 563); For ttbb
338 338 (1891) XVI
No. 40
III, 4
No. 33
An den Frühling, D 338 Willkommen, schöner Jüngling! c. 1816 Text by Schiller (other settings: D 283 and 587); For ttbb
342 342 (1885) XX, 4
No. 238
IV, 10 An mein Klavier a.k.a. Seraphine an ihr Klavier Sanftes Klavier, welche Entzückungen schaffest du mir c. 1816 Text by Schubart
343 343 (1831) XX, 5
No. 342
IV, 10 Am Tage Aller Seelen a.k.a. Litanei auf das Fest Aller Seelen Ruh'n in Frieden alle Seelen August
1816
Text by Jacobi; Two versions: 1st, in AGA, publ. in 1831
344 344 IV, 10 Am ersten Maimorgen Heute will ich fröhlich sein 1816? Text by Claudius
345 345 (1897) XXI, 1
No. 3
V, 7 No. 1 Violin Concerto, a.k.a. Konzertstück (Concert Piece) D major 1816 Adagio, Allegro
346 346 (1897) XXI, 3
No. 17
VII/2, 4 Anh. Allegretto, D 346 C major 1816? For piano; Fragment; 4th movement of D 279?
347 347 (1897) XXI, 3
No. 18
VII/2, 4 Anh. Allegro moderato, D 347 C major 1813? For piano; Fragment
348 348 (1897) XXI, 3
No. 19
VII/2, 4 Anh. Andantino, D 348 C major 1816? For piano; Fragment
349 349 (1897) XXI, 3
No. 21
VII/2, 4 Anh. Adagio, D 349 C major 1816? For piano; Fragment
350 350 (1885) XX, 4
No. 203
IV, 10 Der Entfernten, D 350 Wohl denk' ich allenthalben 1816? Text by Salis-Seewis (other setting: D 331)
351 351 (1895) XX, 4
No. 204
IV, 11 Fischerlied, D 351 Das Fischergewerbe gibt rüstigen Mut 1816? Text by Salis-Seewis (other settings: D 364 and 562)
352 352 (1847) XX, 4
No. 286
III, 2b
No. 21
Licht und Liebe a.k.a. Nachtgesang Liebe ist ein süßes Licht 1816? Text by Collin, M. C.; For st and piano
353 353 125p,2
(1840)
V No. 11 VI, 4
No. 12
String Quartet No. 11 E major 1816 Allegro con fuoco – Andante – Minuet – Rondo
354 354 (1930) VI, 9 Four Komische Ländler D major January
1816
For two violins
355 355 (1928) VI, 9 Eight Ländler, D 355 F minor January
1816
For violin(?)
356 356 (1844) III, 3 Anh. II No. 3 Trinklied, D 356 Funkelnd im Becher so helle, so hold 1816 For vocal soloist, TTBB and piano; Piano part lost (by Czerny in 1844 ed.)
357 357 (1892) XIX
No. 24
III, 4 No. 35
VIII, 2 No. 28
Goldner Schein Goldner Schein deckt den Hain 1/5/1816 Text by Matthisson; Canon for three voices
358 358 (1849) XX, 4
No. 235
IV, 10 Die Nacht, D 358 Du verstörst uns nicht, o Nacht! 1816 Text by Uz
359 359 (1872) XX, 4
No. 260
IV, 3 Sehnsucht, D 359 a.k.a. Lied der Mignon Nur wer die Sehnsucht kennt 1816 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 481, 656 and 877 Nos. 1 & 4)
360 360 65,1
(1826)
XX, 4
No. 268
IV, 3 Lied eines Schiffers an die Dioskuren Dioskuren, Zwillingssterne 1816 Text by Mayrhofer
361 361 109p,1
(1829)
XX, 4
No. 272
IV, 10 Am Bach im Frühling Du brachst sie nun, die kalte Rinde 1816 Text by Schober; Piano intro probably not by Schubert
362 362 (1895) XX, 4
No. 280
IV, 11 Zufriedenheit, D 362, a.k.a. Lied Ich bin vergnugt 1815 or
1816?
Text by Claudius (other setting: D 501)
363 363 IV, 10 An Chloen, D 363 Die Munterkeit ist meinen Wangen 1816 Text by Uz; Fragment
364 364 (1897) XXI, 4
No. 35
III, 4
No. 34
Fischerlied, D 364 Das Fischergewerbe gibt rüstigen Mut 1816 or
1817?
Text by Salis-Seewis (other settings: D 351 and 562); For ttbb
365 365 9
(1821)
XII
No. 1
VII/2, 6
& 7a
36 Original Dances a.k.a. Erste Walzer Various keys c. Mar. 1818–
Jul. 1821
For piano; No. 2 publ. in 1826 as Beethoven's (Kinksky Anh. 14 No. 1)
366 366 (1824)
(1869)
XII
No. 10
VII/2, 6
& 7a
17 Ländler, D 366 Various keys c. Jul. 1824–
Nov. 1824
For piano; Nos. 6 and 17 publ. in 1824; No. 7 partly reappears in D 618 and No. 17 in D 814
367 367 5,5
(1821)
XX, 4
No. 261
IV, 1a Der König in Thule Es war ein König in Thule early 1816 Text by Goethe, from Faust I, 8
368 368 3,4
(1821)
XX, 4
No. 262
IV, 1a Jägers Abendlied, D 368 Im Felde schleich ich, still und wild early 1816? Text by Goethe (other setting: D 215)
369 369 19,1
(1825)
XX, 4
No. 263
IV, 1a An Schwager Kronos Spute dich, Kronos! 1816 Text by Goethe
370 370 (1930) VI, 9 Nine Ländler, D 370 D major

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