Bouyon music
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| Bouyon | |
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| Stylistic origins |
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| Cultural origins | Late 1980s, Roseau (Dominica) and Guadeloupe |
| Typical instruments |
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| Fusion genres | |
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| Other topics | |
| Music of Dominica | ||
| General topics | ||
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| Nationalistic and patriotic songs | ||
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Bouyon (pronunciation: boo-your) is a genre of Dominican music that originated in Dominica in the late 1980s. Prominent bouyon groups include Windward Caribbean Kulture (WCK); Roots, Stems and Branches (RSB); and First Serenade.[1]
"Hardcore bouyon", also called "Gwada-Bouyon," is another type of bouyon, different to the Dominican genre which began through musical collaborations between citizens of Dominica and Guadeloupe, who both speak Antillean Creole. The term bouyon means something akin to "gumbo soup" or "coubouyon poisson" (a typical Caribbean dish) in Antillean Creole. Bouyon music is a mix of traditional and modern music,[2] and is popular across much of the Caribbean.
Origin
[edit]Bouyon blends jing ping, cadence-lypso and traditional dances, namely bèlè, quadrille, chanté mas and lapo kabwit, mazurka, zouk and other styles of Caribbean music.[3]
Offshoots
[edit]Jump up
[edit]In 1987, Exile One recorded a Chanté mas and Lapo Kabwit song, "L'hivernage", commonly referred to as the yo. The French Antilleans referred to the beat as "jump up music" because of its carnival style sound. This jump upbeat was later modified to become bouyon or modern soca music. (As printed on Exile One's album "creole attitude").[4] In Guadeloupe and Martinique, "Jump up" refers generally to bouyon music.
Bouyon Soca
[edit]Bouyon soca is a fusion-genre that blends bouyon and soca music.
Bouyon-muffin
[edit]A modern offshoot of bouyon is bouyon-muffin. It combines elements of Jamaican raggamuffin music, hip hop, and dancehall. The most influential figure in the development of bouyon-muffin is "Skinny Banton" (now known as "Shadowflow") who from 1995 collaborated with the WCK band, using ragga influenced vocals to chant on top of bouyon rhythms. Songs like "party" ft Joanne with Bucktown sounds' DJ Cut gave the products of bouyon muffin like "Bushtown clan", a further inspiration to incorporate more hip-hop and dancehall into the Bouyon-muffin genre to create "reketeng".[citation needed]
Reketeng
[edit]Reketeng is a style of bouyon based on sampling. It remixed existing Dancehall and Hip-Hop recordings over Bouyon instrumentals. DJ Cut and the creation of Reketeng gave rise to Dominica Dj's experimenting bouyon with other genres and created a new wave in the music of Dominica.[citation needed]
Like dub music, reketeng consists predominantly of instrumental remixes of existing recordings and is achieved by significantly altering the recordings, usually by removing the beat from an existing music piece and emphasizing the bouyon drum and bass parts. This stripped-down track is sometimes referred to as a 'riddim'.[citation needed]
Bouyon gwada
[edit]Due to the popularity of bouyon bands who toured the French Antilles, an offshoot of bouyon from Guadeloupe is called bouyon gwada.[5]
See also
[edit]References
[edit]- ^ Shepherd, John; Dave Laing (2005). Continuum encyclopedia of popular music of the world and has now been brought to Saint martin. Continuum. p. 43. ISBN 978-0-8264-7436-0. Retrieved 8 September 2010.
- ^ Carole Elizabeth Boyce Davies (2008). Encyclopedia of the African Diaspora: Origins, Experiences, and Culture. Bloomsbury Academic. p. 390. ISBN 978-1-85109-700-5.
- ^ "Bouyon Music". Music in Dominica. Retrieved 3 December 2005.
- ^ "Biographies". Archived from the original on 26 April 2012. Retrieved 4 February 2018.
- ^ "Faut-il interdire le bouyon Gwada". caraibcreolenews. Archived from the original on 19 June 2013. Retrieved 11 November 2012.