Philip Booth (poet)

Philip Edmund Booth (October 8, 1925 – July 2, 2007) was an American poet and educator; he has been called "Maine's clearest poetic voice."[1]

Life

[edit]

Booth was born in 1925 in Hanover, New Hampshire. Booth served in the United States Air Force in the Second World War. He then attended Dartmouth College, where he studied with Robert Frost; he received his B.A. in 1947. He subsequently received an M.A. from Columbia University. Booth married Margaret Tillman in 1946; they had three daughters.[2] He spent much of his time living in Castine, Maine in a house that has been handed down through his family for five generations.

Booth was an instructor and professor of English and of creative writing at Dartmouth College, Bowdoin College, Wellesley College, and at Syracuse University.[3] Booth was one of the founders of the Creative Writing program at Syracuse. One of his students, the poet Stephen Dunn, has written of his 1969-70 experience at Syracuse that, "We had come to study with Philip Booth, Donald Justice, W.D. Snodgrass, George P. Elliott, arguably the best group of writer-teachers that existed at the time."[4][5]

Poetry

[edit]

Booth's poetry was published in many periodicals including The New Yorker, The Atlantic Monthly, The American Poetry Review, Poetry, and Denver Quarterly. He published 10 poetry collections and one book about writing poetry (see references below).

One of Booth's early poems, "Chart 1203," is indicative of the physical character of some of his poetry and also of his lifelong love of the sea and sailing:[6]

Whoever works a storm to windward, sails
in rain, or navigates in island fog,
must reckon from the slow swung lead, from squalls
on cheek; must bear by compass, chart, and log.
...
...He weathers rainsquall,
linestorm, fear, who bears away from the sound
of sirens wooing him to the cape's safe lee.
He knows the ghostship bow, the sudden headland
immanent in fog; but where rocks wander, he
steers down the channel that his courage
dredges. He knows the chart is not the sea.

A much later poem, "Places without Names," has a more public concern:[7]

...What gene demands old men command young men to die?
The young gone singing to Antietam, Aachen, Anzio.
To Bangalore, the Choisin Reservoir, Dien Bien Phu,
My Lai. Places in the heads of men who have no
mind left...

A major essay regarding Booth's poetry was published by Guy Rotella in 1983.[8]

Works incorporating Booth's poetry

[edit]

An illustrated children's book built on Booth's poem "Crossing" from Letter from a Distant Land was published in 2001.[9] This was the first book illustrated by Bagram Ibatoulline, who has since illustrated many books published for young readers. The book received a starred review from Kirkus Reviews, and was listed as one of the best children's books of 2001 by Publishers Weekly. Booth's poem has a rhythm but isn't a narrative; Ibatoulline's illustrations provide one.[10][11]

Around 1996, Arnold Berleant created songs from Booth's poems "First Song", "Chances", and "The Dancer".[12] A performance of Berleant's "Chances" by Nancy Ogle has been posted online.[13]

Awards

[edit]

Bess Hokin Prize (1955).[14] Lamont Poetry Prize for Letter from a Distant Land (1956). Saturday Review Poetry Award (1957). Emily Clark Balch Prize of the Virginia Quarterly Review (1964). Theodore Roethke Prize for a poem in Poetry Northwest (1970). Syracuse University Chancellor's Citation (1981).[15] Fellowships from the Academy of American Poets (1983),[16] the Guggenheim Foundation (1958, 1964),[17] and the Rockefeller Foundation (1968). Maurice English Poetry Award for Relations (1987).[18] Poem selected for The Best American Poetry 1999.[19] Poets' Prize (2001) for Lifelines.

Poetry collections

[edit]
  • Lifelines: Selected Poems, 1950-1999 (Viking Press, 1999). ISBN 0-670-88287-9
  • Pairs (Viking Penguin, New York, 1994). ISBN 0-14-058724-1
  • Selves (Viking Penguin, New York, 1990). ISBN 0-14-058646-6
  • Relations (Viking Penguin, 1986). ISBN 0-14-058560-5
  • Before Sleep (Viking Adult, 1980). ISBN 0-670-15529-2
  • Available Light (Viking Adult, 1976). ISBN 0-670-14310-3
  • Margins (Viking Adult, 1970). ISBN 0-670-45623-3
  • Weathers and Edges (Viking Adult, 1966). ISBN 0-670-75509-5
  • The Islanders (Viking Adult, 1961). ISBN 0-670-40221-4
  • Letter from a Distant Land (Viking, 1957). ASIN B000BYR9AE

Additional bibliography

[edit]
  • Booth, Philip (1996). Trying to Say It: Outlooks and Insights on How Poems Happen. Ann Arbor: University of Michigan Press. ISBN 0-472-06586-6.

References

[edit]
  1. ^ "Wilson Museum calendar, 2006". Archived from the original on 2006-09-09.
  2. ^ "Philip Booth, a Shy Poet Rooted in New England Life, Dead at 81". The New York Times. July 9, 2007. Retrieved 2008-07-27.
  3. ^ "Philip Booth". Academy of American Poets website. Archived from the original on 2009-04-17.
  4. ^ Dunn, Stephen (Fall 2006). "Larry Levis in Syracuse". Blackbird: An Online Journal of Literature and the Arts. Archived from the original on 2008-09-07.
  5. ^ George P. Elliott (1918-1980) was an American author, poet, and educator. Elliott's papers are in the Washington University Library; see "Finding-aid for the George P. Elliott papers," Archived 2006-09-01 at the Wayback Machine retrieved December 22, 2006.
  6. ^ "Chart 1203" was included in Booth's first, 1957 collection Letter from a Distant Land; it was included again in his last collection Lifelines: Selected Poems, p. 7.
  7. ^ "Places without Names" was first included in Booth's 1994 collection Pairs, and was included also in his last collection Lifelines: Selected Poems, pp. 227-228.
  8. ^ Rotella, Guy (1983). Three Contemporary Poets of New England: William Meredith, Philip Booth, and Peter Davison (Twayne Publishers, Boston). ISBN 0-8057-7377-0 .
  9. ^ Booth, Philip; Ibatoulline, Bagram (2001). Crossing. Candlewick. ISBN 0-7636-1420-3.
  10. ^ "Crossing". Kirkus Reviews. October 1, 2001. Retrieved 2022-11-07. The locomotive sounds its old siren song in this pairing of a poem from Booth's first book and spectacularly realistic art from Russia-born Ibatoulline. ... Ibatoulline skillfully captures a sense of the rolling stock's hugeness, depicts rust and machinery with magnificent precision, gives his human cast a cheery, Norman Rockwell–style wholesomeness, and backs off in one spread to show all 100 cars (count them) spiraling into a tunnel.
  11. ^ "Best Children's Books 2001". Publishers Weekly. Vol. 248, no. 45. November 5, 2001. As Booth introduces a veritable railroad lexicon in a rhythm reminiscent of a train rolling over tracks, Ibatoulline presents a detailed visual composite of a mid-20th-century community through which the train briefly passes, examining the same crossing from a multitude of angles.
  12. ^ Berleant, Arnold. "Love's Ways: Three Songs to Poems by Philip Booth". Archived from the original on 2016-10-19.
  13. ^ Ogle, Nancy. "Teaching new vocal music to undergraduates". Archived from the original on 2015-08-10.
  14. ^ "Bess Hokin Prize". The Poetry Foundation. Retrieved 2012-05-28.
  15. ^ "The Chancellor's Citation". Archived from the original on 2006-10-05.
  16. ^ The World Almanac and Book of Facts 1985. New York: Newspaper Enterprise Association, Inc. 1984. p. 414. ISBN 0-911818-71-5.
  17. ^ "Philip Booth". John Simon Guggenheim Memorial Foundation. Retrieved 2021-12-19.
  18. ^ International Who's Who of Authors and Writers 2004. Routledge. 2003. p. 64. ISBN 1-85743-179-0. Retrieved 2008-07-20.
  19. ^ "Narrow Road: Presidents' Day," from The American Poetry Review. Reprinted in Bly, Robert (1999). The Best American Poetry 1999 (Scribner, 1999). ISBN 0-684-86003-1

Further reading

[edit]
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=Philip_Booth_(poet)&oldid=1228193872"