作者 | | |
技法 | パネル(木板)に油彩medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 パネル(木板)に油彩 medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
作品の来歴 | Possibly Pierre Daguerre, Bayonne and Amsterdam, in the early eighteenth century; possibly by
inheritance to his daughter, Marie Anne Daguerre Harader, Itxassou, near Bayonne, mid 18th century; parish church, Itxassou;[1] (D.A. Hoogendijk, Amsterdam), by 1937.[2] J.A.G. Sandberg, Wassenaar; (Wildenstein & Co., New York); sold February 1954 to the Samuel H. Kress Foundation, New York;[3] gift 1961 to NGA.
[1] This early provenance was provided by Robert Poupel, Cambo les bains, France (letter, 13 June 1970, in NGA curatorial files). He writes that during the seventeenth century Bayonne carried on a thriving sea trade with the Netherlands. Pierre Daguerre, who married Elisabeth de Papenbroeck, the daughter of one of the Dutch settlers in Bayonne, lived for a period in Amsterdam where he acted as the "King's agent in the City of Amsterdam." Poupel believes that Daguerre purchased the painting and then passed it to his daughter Marie Anne Daguerre. In the 1720s she married Jacques de Harader, squire of Lassale Vignolles, who owned extensive landed estates at nearby Itxassou. Although no written records exist, he believes that the Daguerre Harader couple presented the painting to the local parish church.
[2] The painting was lent by Hoogendijk to the 1937 1938 exhibition held in Rotterdam and Amsterdam. [3] The bill of sale (copy in NGA curatorial files) is dated 10 February 1954, and was for fourteen paintings, including Saenredam's Interior of St. John's Cathedral at Bois le Duc; payments by the Foundation continued to March 1957.
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