Cuba (film)

Cuba
Theatrical release poster, artwork by Ted CoConis
Directed by	Richard Lester
Written by	Charles Wood
Produced by	Arlene Sellers Alex Winitsky
Starring	Sean Connery Brooke Adams Jack Weston Hector Elizondo Denholm Elliott Martin Balsam Chris Sarandon Alejandro Rey Lonette McKee
Cinematography	David Watkin
Edited by	John Victor-Smith
Music by	Patrick Williams
Color process	Technicolor
Production company	Holmby Pictures
Distributed by	United Artists
Release date	December 21, 1979 (1979-12-21)
Running time	122 minutes
Country	United States
Language	English
Budget	$7 million
Box office	$5.6 million

Cuba is a 1979 American adventure thriller film directed by Richard Lester and starring Sean Connery, portraying the build-up to the 1958 Cuban Revolution, filmed in Panavision.^{[1][N 1]} Neil Sinyard in his The Films of Richard Lester wrote that the film, "developed originally out of an idea of Lester's own, inspired by a conversation with a friend about great modern leaders. From there, Lester's thoughts began to formulate in complex ways around Castro and Casablanca (1942), and out of that audaciously bizarre combination comes Cuba.^[2]

In 1959 former British Major and mercenary Robert Dapes (Sean Connery) arrives in Cuba under General Bello's (Martin Balsam) orders as part of the dictator Fulgencio Batista's forces. He is to train the Cuban army to resist Fidel Castro's revolt. Before he even begins his task, he encounters an old flame, Alexandra Lopez de Pulido (Brooke Adams), whom he repeatedly pursues. The plot winds around the tremendous wealth of the Cuban leaders, the mainly American tourists with their seemingly endless money, the poverty-stricken and ex-urban slums where many Cubans live, and the rum and cigar factory owned by Alexandra's selfish husband Juan Pulido (Chris Sarandon) and managed by Alexandra.

When Alexandra's husband takes her out and expects her to drink with a potential (factory) investor and his prostitute, she leaves the restaurant and meets Robert. Furious with her husband, she spends time with Robert, reminiscing about their affair in North Africa (when she was 15 and he was 30). They go to a motel and make love. They care for one another, but Robert will not stay in Cuba.

The following day, the Cuban workers strike, including those in Alexandra's factory. Robert is taken captive by several Cuban rebels which leads to an attack against a military facility. Robert escapes, and alienated from the corrupt Cuban government that he has come to loathe, aids the rebels in defeating the government troops.

Alexandra watches events pass by, believing life will soon return to normal. Robert begs her to leave, either to be with him or simply to escape Cuba. She refuses. Alex's husband is killed by the same Cuban rebel who stalked Robert throughout the film.

Ultimately, Robert, not seeing Alexandra at the airport, boards the aircraft to escape with other foreigners. Meanwhile, Alexandra is present, outside the fence, weeping as she watches Robert board the aircraft.

Robert and most of the other American, British, and wealthy Cubans flee from Cuba as Fidel comes to power while Alexandra remains behind, alone, to face an unknown future under the new communist government.

Cuba was shot in Spain in December 1978.^[3] The same historical events were featured five years earlier in Francis Ford Coppola's The Godfather Part II and would be covered again by Sydney Pollack in his 1990 film Havana, starring Robert Redford. Lester's film was perhaps the most stylish of the three, aided by its stirring Spanish locations, "with a marvelous sense of atmosphere".^[4]

Diana Ross was offered the female lead but turned it down. Brooke Adams, who had just received acclaim for Days of Heaven, was cast instead.^[5]

The aircraft in Cuba are:

• Douglas DC-6B c/n 45077/728, EC-DCK
• Dornier Do 27 c/n 2094, EC-BSX
• North American TB-25N Mitchell s/n 44-29121, N86427
• Douglas C-54A Skymaster c/n 10408, s/n 42-72303, G-APID
• Lockheed C-130H Hercules^[6]

Cuba received mostly negative reviews from major critics, except for the December 18, 1979 review in The Hollywood Reporter that praised the film’s “sense of authenticity of place” and its skillful inter-cutting of newsreel footage. While some critics mentioned the film’s pro-Castro stance, the reviewer explained that “the picture, while taking no position on Cuba today, makes appallingly clear the conditions that made Castro’s revolution inevitable.”^[7] Another positive review came from film historian, Leonard Maltin who noted: "Director Lester is in pretty good form with most scenes punctuated by throwaway bits."^[8]

The review of Cuba by Vincent Canby in The New York Times was more typical of the critical responses. He wrote "Richard Lester's 'Cuba', which is set in Cuba late in 1958, in the weeks immediately preceding the triumph of Fidel Castro's revolution, is a straight-faced romantic melodrama that's almost as lunatic as Mr. Lester's 'Help!' and 'How I Won the War', both written by Charles Wood, who also wrote the screenplay for the new film. I can't help but suspect that at some point during the production, which was shot in Spain, Mr. Lester and his associates decided that there was absolutely no way to realize the Harold Robbins-like potential of the story and chose, instead, to make a film that is a crazy fantasy about old-time Hollywood melodramas".^[9]

Film critic Leslie Halliwell in Leslie Halliwell's Film Guide (1989) similarly reviewed Cuba, declaring an "aimless romantic melodrama which gets absolutely nowhere and might have been better played in the Casablanca-vein".^[10]

• Cuba at IMDb
• Cuba at AllMovie
• Cuba at the TCM Movie Database
• Cuba at the AFI Catalog of Feature Films
• Cuba at Box Office Mojo
• Cuba at Rotten Tomatoes