One Hundred and One Nights
| One Hundred and One Nights | |
|---|---|
 French film poster | |
| Directed by | Agnès Varda |
| Written by | Agnès Varda |
| Produced by | Dominique Vignet |
| Starring | Michel Piccoli Marcello Mastroianni |
| Cinematography | Eric Gautier |
| Edited by | Hugues Darmois |
Production companies | |
| Distributed by | Ciné-Tamaris |
Release date |
|
Running time | 101 minutes |
| Country | France |
| Language | French |
| Box office | $294,900[1] 49,150 admissions (France)[2] |
One Hundred and One Nights (French: Les cent et une nuits de Simon Cinéma) is a 1995 French comedy film directed by Agnès Varda.[3] A light-hearted look at 100 years of commercial cinema, it celebrates in vision and sound favourite films from France, Germany, Italy, Japan, and the USA. It was entered into the 45th Berlin International Film Festival.[4]
Plot[edit]
With his hundredth birthday approaching and his memory failing, Simon Cinéma hires Camille, a bright young film student, to visit him in his isolated mansion outside Paris for 101 days and relive for him the history of the cinema in which he has been involved all his life. In his opulent seclusion, he models himself on Norma Desmond and his butler on Erich von Stroheim.
They watch clips from his collection, listen to snatches of dialogue and music, and discuss (not too deeply) famous films, directors, and characters. Actors from many countries drop in to visit him, in person or as memories: Marcello Mastroianni, Gérard Depardieu, Jean-Paul Belmondo, Alain Delon, Jeanne Moreau (to whom he was once married), Hanna Schygulla (another former wife), Catherine Deneuve, Robert De Niro, Sandrine Bonnaire, Anouk Aimée, Fanny Ardant, Gina Lollobrigida, and Jane Birkin.
A subplot involves Camille's boyfriend Mica, who is trying with friends to make his first film and decides that the wealthy old man should help finance it. He persuades Vincent, who has been in India for years, to pose as Simon's long-lost grandson and heir. That plan is foiled by Elizabeth Taylor (played by a double), who gets Simon to leave everything for medical research. With Camille, Simon attends the Cannes festival and makes a triumphant return trip to Hollywood. Finally, he agrees to act as a Mafia chief in Mica's film.
Cast[edit]
- Michel Piccoli as Simon Cinéma
- Marcello Mastroianni as L'ami italien / The Italian friend
- Henri Garcin as Firmin, le majordome / The butler
- Julie Gayet as Camille Miralis
- Mathieu Demy as Camille, dit Mica
- Emmanuel Salinger as Vincent, revenant des Indes
- Anouk Aimée as Anouk, en flash-back
- Fanny Ardant as La star qui tourne la nuit
- Jean-Paul Belmondo as Professeur Bébel
- Romane Bohringer as La jeune fille en violet
- Sandrine Bonnaire as La vagabonde métamorphosable
- Jean-Claude Brialy as Le guide des Japonais
- Patrick Bruel as Le premier orateur
- Alain Delon as Alain Delon, en visite
- Catherine Deneuve as La star-fantasme
- Robert De Niro as Le mari de la star-fantasme en croisière
- Gérard Depardieu as Gérard Depardieu, en visite
- Gina Lollobrigida as L'épouse médium du professeur Bébel
- Jeanne Moreau as La première ex-épouse de M. Cinéma
- Hanna Schygulla as La seconde ex-épouse de M. Cinéma
- Sabine Azéma as Sabine / Irène
- Jane Birkin as Celle qui dit radin
- Stephen Dorff as Un acteur muet à Hollywood
- Andréa Ferréol as L'étonnée
- Assumpta Serna as Une actrice muette à Hollywood
- Daniel Toscan du Plantier as Le second orateur
- Arielle Dombasle as The singer
- Harrison Ford
- Isabelle Adjani
- Jean-Hugues Anglade
- Daniel Auteuil
- Clint Eastwood
- Virna Lisi
- Francisco Rabal as Luis Buñuel's voice (voice)
Reviews[edit]
Janet Maslin wrote a favorable review in The New York Times published on 16 April 1999: "Catherine Deneuve, Alain Delon, Robert De Niro and Gerard Depardieu all make brief guest appearances in Agnes Varda's 1995 film.... And those are just the Ds. For this delirious birthday party in honor of filmmaking's first century, Ms. Varda has made every grand allusion she can manage and drawn upon every droppable name and celebrity connection. She creates a whirl of film's greatest hits, an overripe variety show that plays like the ultimate round of Trivial Pursuit....What makes her film as engaging as it is excessive is the obvious affection with which Ms. Varda has collected these memories. The vast array of film clips that surface here have been chosen for their quirkiness or emotional impact rather than for academic reasons. And the loose talk that links otherwise unrelated sequences tends to be playful, despite the ample opportunities for pomposity that this format provides."[5]
Variety's Lisa Nesselson gave a mixed review: "Agnes Varda, who has been making movies for 40 of the 100 years that motion pictures have existed, has put everything she knows about filmmaking and much of what she loves about the cinema into A Hundred and One Nights [sic]. But despite a star-decked cast and manifest good intentions, Varda's self-described 'divertimento' soars in only a few spots."[6]
References[edit]
- ^ "One Hundred and One Nights". JPbox. Retrieved 14 February 2014.
- ^ Box office information for Jean Paul Belmondo films at Box Office Story
- ^ Maslin, Janet (2008). "NY Times: A Hundred and One Nights". Movies & TV Dept. The New York Times. Archived from the original on 9 March 2008. Retrieved 2 April 2009.
- ^ "Berlinale: 1995 Programme". berlinale.de. Retrieved 31 December 2011.
- ^ "'A Hundred and One Nights': Movies' Greatest Hits, With the Great Hit Makers". archive.nytimes.com. Retrieved 23 December 2021.
- ^ "'A Hundred and One Nights'". variety.com. 30 January 1995. Retrieved 29 July 2022.
