The Dry Salvages (novella)

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages) This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources. Find sources: "The Dry Salvages" novella – news · newspapers · books · scholar · JSTOR (August 2024) This article includes a list of references, related reading, or external links, but its sources remain unclear because it lacks inline citations. Please help improve this article by introducing more precise citations. (August 2024) (Learn how and when to remove this message) (Learn how and when to remove this message)

The Dry Salvages is a futuristic science fiction story of novella length by American writer Caitlín R. Kiernan, published in 2004 as a stand-alone hardback volume by Subterranean Press. The story consists of two parallel narratives, one set in the novella's present-day (early 24th-Century Paris) and the other in the novel's past (the 23rd Century). Told as a first-person narrative, the story is being written down with three antique ballpoint pens by Audrey Cather, an exopaleontologist and the lone survivor of an ill-fated mission to an extrasolar planet, Cecrops, a gas giant orbiting the low-mass red dwarf star Gliese 876. The Montelius mission included two other human astronauts, Peter Connor (also a paleontologist) and Joakim Hamilton (a biologist), and one parahuman astronaut, Umachandra Murdin (a computer scientist), along with a number of androids. Its object was to investigate evidence of an extraterrestrial civilization which had long ago mined Piros, a moon of Cecrops. A blend of dystopian science fiction, Lovecraftian horror, and cyberpunk, along with elements of space opera, the novella paints a grim view of the future and of interstellar travel and alien contact. Earth has been ravaged by war, pollution, and violent climatic changes, and the menacing intelligence the crew of the Montelius (and its predecessor, the Gilgamesh) discover on Piros leads to a government cover-up. The author uses Audrey Cather's three reconditioned ballpoint pens as a literary device, dividing the story into three sections, "The First Pen", "The Second Pen", and "The Third (and Final) Pen". The Dry Salvages provides an example of an unreliable narrator, as Audrey Cather continually makes mistakes and contradicts herself regarding events aboard the Montelius.

The cover art was provided by Ryan Obermeyer. Kiernan's title is a reference to T. S. Eliot's poem of the same name.

In part, The Dry Salvages is concerned with the discovery of extraterrestrial fossils. In the story, Kiernan names a number of these discoveries:

• Piros piros ("europmolluscans" from Europa)
• Deinopharyngos (from Piros, an armored predatory invertebrate, more than 7.6 meters long)
• Pseudotrilobitamorpha (from Piros, blind, trilobite-like creatures)
• Osmolskia ceratognathus (from Piros, a huge sea slug-like creature)

In the novella, we are told that life on Piros predated terran biospheres by almost a billion years and that marine life flourished on Piros until a time coequal to Earth's Silurian Period. Chordates never evolved there, despite five billion years of evolution, and the Pirosan biosphere collapsed when its seas abruptly dried up in less than a hundred thousand years. No evidence of land-dwelling organisms is discovered. We are told that the crew of the Gilgamesh collected fossils representing a minimum of 20,000 species.

• Page at Internet Speculative Fiction Database