Poetry of Cao Cao
Cao Cao (155–220) was a warlord who rose to power towards the final years of the Eastern Han dynasty (25–220 CE) and became the de facto head of government in China. He laid the foundation for what was to become the state of Cao Wei (220–265), founded by his son and successor Cao Pi, in the Three Kingdoms period (220–280). Poetry, among other things, was one of his cultural legacies.
Overview
[edit]Cao Cao was an accomplished poet, as were his sons Cao Pi and Cao Zhi. Cao Cao was also a patron of poets such as Xu Gan.[1] Of Cao Cao's works, only a remnant remain today. His verses, unpretentious yet profound, helped to reshape the poetic style of his time and beyond, eventually contributing to the poetry styles associated with Tang dynasty poetry. Cao Cao, Cao Pi and Cao Zhi are known collectively as the "Three Caos". The Three Caos' poetry, together with additional poets, eventually developed into the Jian'an style: Jian'an was the era name for the period from 196 to 220. Poets of the Cao family and others continued to write and develop the poetry of this style, after the end of the Han dynasty and the subsequent founding of the Cao Wei state: these were the Jian'an poets. The effects of civil strife on poetry towards the end of the Eastern Han dynasty contributed to the development of a solemn and heart-stirring tone of lament for life's ephemeral nature during the period of Jian'an poetry.
From its roots in Han poetry folk songs, Jian'an poetry evolved into a form of scholarly poetry that is characteristic of Six Dynasties poetry. Cao Cao and other Jian'an poets developed the characteristic Han fu (or yuefu) poetry style deriving from folk song or ballad traditions, such as of uneven line lengths. Irregular lines became transformed into regular five-character line-length styles, very similar (and inspirational to) the shi poetry of the Tang dynasty's five-character regular line. Cao Cao has specifically been noted for his ballad-style verse, which he apparently set to music.[2]
Cao Cao also wrote verse in the older four-character per line style characteristic of the Classic of Poetry. Burton Watson describes Cao Cao as: "the only writer of the period who succeeded in infusing the old four-character metre with any vitality, mainly because he discarded the archaic diction associated with it and employed the ordinary poetic language of his time."[3] Cao Cao is also known for his early contributions to the Shanshui poetry genre, with his 4-character-per-line, 14-line poem "View of the Blue Sea" (觀滄海).[4]
Poems
[edit]Though the Tortoise Lives Long
[edit]One of Cao Cao's most celebrated pieces, written in the old four-character line style, is titled Though the Tortoise Lives Long (龜雖壽). It is one part of a four-part poem titled Steps through the Illustrious Gate (步出夏門行). It was written during the Battle of White Wolf Mountain in 207.
| 《龜雖壽》 | Though the Tortoise Lives Long |
| 神龜雖壽，猶有竟時。 | Though the tortoise blessed with magic powers lives long, |
| 騰蛇乘霧，終為土灰。 | Though winged serpents ride high on the mist, |
| 老驥伏櫪，志在千里； | An old war-horse may be stabled, |
| 烈士暮年，壯心不已。 | And a noble-hearted man though advanced in years |
| 盈縮之期，不但在天； | Man's span of life, whether long or short, |
| 養怡之福，可得永年。 | One who eats well and keeps cheerful |
| 幸甚至哉！歌以咏志。 | And so, with joy in my heart, |
Short Song Style
[edit]
Another of Cao Cao's most well known poems is Short Song Style (短歌行), composed in 210s.
| 《短歌行》 | Short Song Style |
| 對酒當歌，人生幾何？ | I lift my drink and sing a song, for who knows if one's life is short or long? |
| 譬如朝露，去日苦多。 | Man's life is but the morning dew, past days many, future ones few. |
| 慨當以慷，憂思難忘。 | The melancholy my heart begets, comes from cares I cannot forget |
| 何以解憂？唯有杜康。 | What can unravel these woes of mine? I know but one drink – Du Kang Wine. |
| 青青子衿，悠悠我心。[a] | Collars in blue, my heart worries for you |
| 但為君故，沈吟至今。 | You are the cause of this song without pause |
| 呦呦鹿鳴，食野之蘋。 | Across the banks a deer bleats, in the wilds where it eats |
| 我有嘉賓，鼓瑟吹笙。[a] | Honoured guests I salute. Strike the harp! Play the flute! |
| 明明如月，何時可掇？ | Bright is the moon's spark; When can it be grasped? |
| 憂從中來，不可斷絕。 | Thoughts of you from deep inside, never settle, never subside |
| 越陌度阡，枉用相存。 | Friends drop by via a country road, the respect they pay really show. |
| 契闊談宴，心念舊恩。 | A long due reunion we fest, sharing past stories we possessed |
| 月明星稀，烏鵲南飛， | Stars around the moons are few, southward the crows flew. |
| 繞樹三匝，何枝可依？ | Circling the tree round and round; on what branch shall they nest? |
| 山不厭高，海不厭深。 | Mountains weary not of their height, oceans weary not of their depth. |
| 周公吐哺，天下歸心。 | The sage pauses when guests call, so at his feet the empire does fall![b] |
- ^ a b Quotes from Classic of Poetry
- ^ Originally a reference to a story of the legendary Duke of Zhou. If guests arrived while the Duke was eating, he would spit out his food and meet them rather than have them wait for him. Later commentators praised this as a self-sacrificing attitude.
See also
[edit]Notes
[edit]References and further reading
[edit]- A. R. (Albert Richard) Davis, Editor and Introduction (1970). The Penguin Book of Chinese Verse. Penguin Books.
{{cite book}}:|author=has generic name (help) - Burton Watson (1971). Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century. Columbia University Press. ISBN 0-231-03464-4.
- Yip, Wai-lim (1997). Chinese Poetry: An Anthology of Major Modes and Genres. (Durham and London: Duke University Press). ISBN 0-8223-1946-2
- Xiao Tong. Wen Xuan.