Post-structuralist ballet

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Post-structuralist ballet is a contemporary ballet style influenced by the philosophical movement of post-structuralism. This ballet genre seeks to deconstruct traditional ballet narratives and forms, often questioning established norms and exploring themes of power, identity, and the instability of meaning.^[1]

Post-structuralism emerged in France during the 1960s as a reaction against structuralism. It was characterized by its critique of the stability of meaning and the idea that human culture can be understood through fixed structures. Key figures in post-structuralist thought include Jacques Derrida, Michel Foucault, and Roland Barthes, whose ideas significantly influenced various art forms, including ballet.^[1]

Post-structuralist ballet often breaks away from traditional ballet techniques and storylines. Instead, it incorporates elements of deconstruction to challenge the audience's perceptions and expectations. This can include fragmented narratives, unconventional movements, and the use of multimedia and other art forms to create a layered, multi-dimensional experience.^[1]

An example of post-structuralist ballet is Jiří Kylián's Petite Mort, choreographed to the music of Wolfgang Amadeus Mozart. This piece explores themes of life and death, using symbolism and innovative staging to evoke complex emotional responses.^[1]

Post-structuralist ballet has been influential in expanding the boundaries of what ballet can express and how it can be performed. It has encouraged choreographers to experiment with new forms and to question traditional aesthetics and narratives. However, like post-structuralism itself, this genre has also faced criticism for its perceived lack of coherence and accessibility.^{[citation needed]}

• Post-structuralism
• Contemporary ballet
• Jiří Kylián
• Deconstruction