Puritan choir

Part of a series on
Puritans
The Puritan, an 1887 statue by Augustus Saint-Gaudens, in Springfield, Massachusetts
Background Christianity Protestantism Reformation English Reformation Calvinism Anglicanism Arminianism Arminianism in the Church of England English Dissenters Independents Nonconformism English Presbyterianism Ecclesiastical separatism 17th-century denominations in England
Crucial themes Definitions of Puritanism Impropriation Puritan Sabbatarianism Millennialism Puritan choir Puritan work ethic Merton thesis
History History under Queen Elizabeth I History under King James I History under King Charles I Cromwellian era and after History in North America
Confessions Westminster Confession of Faith Savoy Declaration Cambridge Platform
England Scrooby Congregation Trial of Archbishop Laud Marian exiles Vestments controversy Martin Marprelate Millenary Petition Grand Remonstrance English Civil War English Restoration Act of Uniformity 1662 Great Ejection Elizabethan Religious Settlement
America Providence Island Company Massachusetts Bay Colony Salem witch trials Immigration to New England Culture in New England Christmas prohibition Praying town Half-Way Covenant American exceptionalism
Elsewhere Troubles at Frankfurt
Notable individuals Peter Bulkley John Bunyan William Bradford Anne Bradstreet John Cotton Oliver Cromwell John Endecott Jonathan Edwards Anne Hutchinson Cotton Mather Increase Mather James Noyes Thomas Parker Roger Williams John Winthrop Robert Woodford
Works The Godly Man's Picture The Pilgrim's Progress Paradise Lost Foxe's Book of Martyrs
Continuing movements Congregational churches (U.S.) other Reformed churches
v t e

The Puritan choir was a theory advanced by historian Sir John Neale of an influential movement of radical English Protestants in the Elizabethan Parliament. In his biography Queen Elizabeth I Neale argues that throughout her reign Elizabeth I faced increasingly organised and dominant opposition to her policies in the House of Commons and that this strengthening of Parliament sowed the seeds for the English Civil War.

Neale, when researching the politics of Elizabeth's reign, discovered a pamphlet naming forty-three members of the House of Commons of 1566 as members of a Puritan movement. The pamphlet consisted of forty-three names, each followed by a witty Latin tag, many from the scripture as well as a single English word associated with the individual.^[1] He stressed their importance in helping to shape the 1559 Elizabethan Religious Settlement more along the lines of Calvin's Geneva suggesting that 'the House of Commons went full-cry after its radical leaders, sweeping aside any feeble Catholic opposition'.^[2] They were also influential, he argues, in pushing for the execution of Mary, Queen of Scots and Elizabeth's naming of a successor. Particularly significant was the role played in parliament by Thomas Norton, among the individuals named on the list, who became a leading figure in the Elizabethan House of Commons.

The historian Norman Jones has, however, argued that the 'Puritan Choir' is a misinterpretation of evidence. He maintains that in framing the religious settlement, Elizabeth faced opposition not from the forty-three alleged Puritans in the House of Commons, but rather from Catholic resistance and conservatism in the House of Lords which she and Cecil had underestimated.^[3] The influence that the 'Puritan Choir' could have feasibly had on the Elizabethan Religious Settlement has also been questioned by Haigh. Of the forty-three individuals named as part of 'our choir' in Neale's document, only twenty-two of them were definitely Protestants. Furthermore, only nineteen Marian exiles were elected to the 1559 parliament, and some were unable to play any role in the Parliamentary session as they returned too late.^[4] The influence of the twenty identifiable Catholics in the 1559 House of Commons is also ignored under Neale's 'Puritan Choir' thesis.^[5]