Ritter Pázmán
Ritter Pázmán (Knight Pazman) is a three-act opera composed by Johann Strauss II, with the libretto by Ludwig Dóczi. It premiered at the Hofoper in Vienna on New Year's Day in 1892.[1] It is based on a Hungarian narrative poem, Pázmán lovag, by the Hungarian poet János Arany.[2] A performance takes about three hours.
Roles[edit]
| Role | Voice type | Premiere cast, 1 January 1892 Conductor: Johann Strauss II |
|---|---|---|
| Pázmán | bass | Franz von Reichenberg |
| Eva | mezzo-soprano | Marie Renard |
| Gundy | contralto | Josefine von Artner |
| Karl Robert of Anjou | tenor | Fritz Schrödter |
| Mischu | tenor | Benedikt Felix |
| Omodé | tenor | Anton Schittenhelm |
| Rodomonte | baritone | Josef Ritter |
| The queen | soprano | Ellen Brandt-Forster |
Synopsis[edit]
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- Place: Hungary
- Time: Beginning of the 14th century
Acts 1 and 2[edit]
Pázmán's castle
The knight's wife and servants are hurrying to prepare a meal to welcome Pázmán and his band on their way back from the hunt. One of the hunters falls in love with the knight's wife, and kisses her on the forehead when the husband is not looking. Later, after the hunter leaves, Pázmán finds out about the kiss, and, having cursed his wife, goes to the king to demand justice.[3]
Act 3[edit]
The King's castle
The knight was followed by his wife and maid. He insists that he be allowed to kiss the hunter's wife as revenge. The king then says that he was the one who kissed Pázmán's wife. Pázmán is then allowed to take a kiss from the queen.[3]
Public reception[edit]
When the opera's debut was announced, it was met with great enthusiasm, as was the case with most of Strauss' works, and it attracted special attention because it was Strauss' first (and only) opera. However, at its premiere, it was received coldly, and most critics predicted that it would not last long at the opera house.[3] The Vienna Opera played it only nine times. Critics complained about the banality of the opera's text, and a reviewer for the Wiener Abendpost commented that the characters were not distinguished enough musically.[3] Others said that the opera died of "acute text failure".[4] Some critics, however, such as Richard Heuberger, noted that the instrumentation of the opera was commendable, especially Strauss' use of the dulcimer in the csárdás.[3]
References[edit]
- ^ Richard Traubner (2003). Operetta: A Theatrical History. Pennsylvania State University Press. p. 130.; David Mason Greene (1985). Albert M. Petrak (ed.). Greene's Biographical Encyclopedia of Composers. Reproducing Piano Roll Foundation. p. 675. ISBN 9780385142786.; Casaglia, Gherardo (2005). "Ritter Pázmán, 1 January 1892". L'Almanacco di Gherardo Casaglia (in Italian).
- ^ Joseph Wechsberg (1973). The Waltz Emperors. Putnam. p. 250. ISBN 9780399111679.
- ^ a b c d e Camille Crittenden (2006). Johann Strauss and Vienna – Operetta and the Politics of Popular Culture. Cambridge University Press. p. 362. ISBN 9780521027571.
- ^ William Lines Hubbard (1910). American History and Encyclopedia of Music. Squire Cooley. p. 362.[full citation needed]
External links[edit]
Media related to Ritter Pásmán at Wikimedia Commons- Ritter Pásmán: Scores at the International Music Score Library Project
- Ritter Pázmán (piano reduction). Berlin: N. Simrock. 1892 – via Internet Archive.
- Csardas on YouTube, Global Festival Symphony Orchestra conducted by Enrico Sartori, China New Year's Concert Tour 2021
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