Simbi

For other uses, see Simbi (disambiguation).
Simbi
Water Spirit
Mami Wata, Igbo artist, MIA
Affiliation
AbodeAtlantic Ocean, Seas, Rivers (Nzadi), Forests (Mfinda)
Ethnic group
Equivalents
SawabantuJengu
HaitianLwa

A Simbi (also Cymbee, Sim'bi, pl. Bisimbi) is a Central African water and nature spirit in traditional Kongo religion, as well as in African diaspora spiritual traditions, such as Hoodoo in the southern United States and Palo in Cuba. Simbi have been historically identified as water people, or mermaids, pottery, snakes, gourds, and fire. Due to the forced removal of Bantu peoples from Africa to the Americas, the veneration of simbi exists today in countries, such as the United States, Brazil, Cuba, and Haiti.

Etymology

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While there is little written historical record of the word simbi, there is consensus that it originated within Bantu-speaking and Kongo-speaking communities and almost certainly began as a means for them to understand the spiritual nature of the world around them.[1] Some believe the word simbi derives from simba, a Kikongo word that means "to hold, keep, preserve."[1] The similar phrase, isimba ia nsi, which translates to "a distinguished person in the community," was recorded in an early Kikongo dictionary in the seventeenth century. This phrase and others, such as kisímbi kinsí, which translates to "the very old person who does not die," are a few of the earliest evidences of the spiritual connection of bisimbi to the land of the living and the land of the dead.[1] The word basimbi also translates to "guardians" with the phrase isimba ia nsi later becoming "guardians of the land."[1]

Kongo spirituality

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Main article: Kongo religion

The Bakongo people traditionally believe that bisimbi are magically water spirits (in kikongo: nkisi mia mamba) that can appear as a person, a snake, pottery, a calabash vine, or Kalûnga, a spark of fire, similar to the spark that begot the universe in Kongo creation mythology.[2] There have also been claims of bisimbi appearing as birds, twisted trees and mermaid-like beings.[1] They are seen as the guardians of nature and the intermediaries who travel the Kalûnga Line between Ku Seke, the physical world of the living, and Ku Mpémba, the spiritual world of the ancestors. Bisimbi are also believed to be spiritual guides, using storytelling and oral tradition to connect the living to the ancestors and their history.[2] The likening of the living elders to the bisimbi in the phrase kisímbi kinsí highlights the importance of Bakongo elders to the spiritual well-being of the community and the passing of their beliefs from one generation to the next.[1]

Hoodoo

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Main article: Hoodoo (spirituality)
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The belief that bisimbi "inhabit rocks, gullies, streams, and pools, and are able to influence the fertility and well being of those living in the area"[2] was translocated to the United States by enslaved Bakongo and Mbundu peoples.[1] Because forty percent of Africans taken during the trans-atlantic slave trade[3] came from Central Africa's Congo Basin, and bisimbi became revered in the United States in Black American communities in Hoodoo tradition across the American South.[2][4] Some Black churches prayed to Kongo-derived simbi spirits during Baptism and it was believed that simbi spirits were present when congregants were dipped into the water and washed clean. This belief highlighted the Central African influence on Christian baptism, the fusion of both traditional African and new Black American spiritual practices, and the evolving nature of Black spirituality in the Americas.[5][6]

Sightings

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Academic research on the Pooshee Plantation and Woodboo Plantation in South Carolina, showed a continued belief of African water spirits among enslaved African Americans. Both plantations are "now under the waters of Lake Moultrie."[2] The earliest known record of simbi spirits was recorded in the nineteenth century by Edmund Ruffin who was a wealthy slaveholder from Virginia, and traveled to South Carolina "to keep the slave economic system viable through agricultural reform."[2]

"At Pooshee plantation on the Santee Canal not too far from Woodboo, Ruffin stated that a young slave boy went to a fountain for water late at night and was very frightened by a cymbee (Simbi water spirit) who was running around and around the fountain. Although few witnesses to the appearance of cymbees were found by Ruffin, he stated that they are generally believed by the slaves to be frequent and numerous. Part of the superstition was that it was bad luck for anyone who saw one to 'tell of the occurrence, or refer to it; and that his death would be the certain penalty, if he told of the meeting for some weeks afterwards." Another occurrence from an enslaved man said simbi spirits have long hair.[2]

Sukey and The Mermaid

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In Black American folklore, the Gullah Geechee people in the Carolina Lowcountry have a children's story called Sukey and the Mermaid about a girl named Sukey meeting a mermaid named Mama Jo. Mama Jo in the story helps and protects Sukey and financially supported her by giving her gold coins. This story comes from the belief in Simbi spirits in Central Africa that came to the United States during the Atlantic slave trade. In Africa, Simbi nature spirits protect and provide riches to their followers. In Central Africa, there are folk stories of people meeting mermaids.[7]

Haitian Vodou

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Main article: Haitian Vodou

The belief in bisimbi also exists in the traditional spiritual practices of Haiti. While Haitian Vodou has been known for its West African influences, primarily those from Benin and Nigeria, it also contains Central African influences from the Cameroon, Democratic Republic of Congo, and Angola in the form of bisimbi. Though often referred to as lwa, bisimbi such as Mami Wata, Nsimba and Nzuzi are still nlongo, or sacred, in traditional Haitian spirituality and culture.[8][9]

Palo

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In an Afro-Cuban religion called Palo, bisimbi are called Nkitas. They are deities of all aspects of nature, such as lakes, forests or mountains.[10]

In culture

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See also

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References

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  1. ^ a b c d e f g Brown, Ras Michael (2012). African-Atlantic Cultures and the South Carolina Lowcountry (1st ed.). New York, NY: Cambridge. pp. 1, 2, 111–113, 122–124. ISBN 9781107668829.
  2. ^ a b c d e f g Adams, Natalie P. "The "Cymbee" Water Spirits of St. John's Berkeley" (PDF). The African Diaspora Archeology Network. University of Illinois at Urbana–Champaign. Retrieved 16 April 2021.
  3. ^ "Trans-Atlantic Slave Trade - Database". www.slavevoyages.org. Retrieved 2023-04-13.
  4. ^ Young, Jason R. (2011). Rituals of Resistance: African Atlantic Religion in Kongo and the Lowcountry South in the Era of Slavery. Louisiana State University Press. ISBN 9780807137192.
  5. ^ Anderson, Jeffrey E. (2008). Hoodoo, Voodoo, and Conjure: A Handbook. Westport, Connecticut: Greenwood Press. p. 114. ISBN 9780313342226.
  6. ^ Manigault-Bryant, LeRhonda S. (2014). Talking to the Dead: Religion, Music, and Lived Memory among Gullah/Geechee Women. Durham: Duke University Press. ISBN 9780822376705.
  7. ^ Connolly (2021). "Breaking the Surface: Mermaids and the Middle Passage". Marvels and Tales. 35 (1): 79–83, 83–85. doi:10.13110/marvelstales.35.1.0079. JSTOR 10.13110/marvelstales.35.1.0079. S2CID 236647533. Retrieved 31 January 2022.
  8. ^ Heywood, Linda M. (2002). Central Africans and Cultural Transformations in the American Diaspora. Cambridge University Press. pp. 213–219. ISBN 978-0-521-00278-3.
  9. ^ "Mami Waters – OCCULT WORLD". Retrieved 2024-07-13.
  10. ^ MacGaffey, Wyatt (2000). Kongo Political Culture: The Conceptual Challenge of the Particular. Indiana University Press. pp. 141–142. ISBN 0253336988.
  11. ^ "Coat of Arms, Michaëlle Jean". Michaëlle Jean (in Canadian French). 2016-05-28. Retrieved 2024-07-13.

Further reading

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