Alfred L. Copley
From Wikipedia the free encyclopedia
Alfred Lewin Copley (1910–1992) was a German-American medical scientist[1] and an artist at the New York School[2] in the 1950s. As an artist he worked under the name L. Alcopley. He is best known as an artist for his abstract expressionist paintings, and as a scientist for his work in the field of hemorheology. He was married to the Icelandic artist Nína Tryggvadóttir.
Work as a medical scientist[edit]
As a scientist, Copley studied the rheology of blood. In 1948 he introduced the word biorheology to describe rheology in biological systems.[3] In 1952 he introduced the word hemorheology, to describe the study of the way blood and blood vessels function as part of the living organism.[4] In 1966 he established the International Society of Hemorheology, which changed its name and scope in 1969 to the International Society of Biorheology (ISB).[3] In 1972 the ISB awarded him its Poiseuille gold medal.[5]
Work as an artist[edit]
In 1949 he was one of twenty artists who founded the Eighth Street Club. The group also included Franz Kline, Willem de Kooning and Alcopley's close friend, the composer Edgard Varèse.[6]
He participated in the Ninth Street Show in 1951 and had a solo exhibition at the Stedelijk Museum, Amsterdam in 1962.[7] His work is held in the collection of the National Museum of Modern Art, Tokyo.[8]
See also[edit]
- Biorheology, the study of flow properties(rheology) of biological fluids.
- Hemorheology, the study of flow properties of blood and its elements .
References[edit]
- ^ Magda Salvesen and Diane Cousineaup, Artists' Estates: Reputations in Trust, Rutgers University Press, 2005, 356. ISBN 0-8135-3604-9
- ^ Art in America, February, 1994.
- ^ a b E. A. O'Rear et al. (2004) Rheology Bulletin Vol. 73, No. 2 "International Society of Biorheology"
- ^ J. F. Stoltz, Megha Singh, Pavel Riha, Hemorheology in Practice, IOS Press, 1999, p2. ISBN 90-5199-435-4
- ^ coe.ou.edu, accessed September 23, 2007.
- ^ Steven Johnson, The New York Schools of Music and Visual Arts, Routledge, 2002, p60. ISBN 0-8153-3364-1
- ^ artnet.com, accessed September 22, 2007.
- ^ artfacts.net, accessed September 22, 2007.
Books[edit]
- Alfred L Copley; Alex Silberberg, One man--two visions: L. Alcopley--A.L. Copley, artist and scientist : a retrospective, on the occasion of an eightieth birthday, (Oxford; New York : Pergamon Press, 1993.) ISBN 978-0-08-040832-3
- Marika Herskovic, New York School Abstract Expressionists Artists Choice by Artists, (New York School Press, 2000.) ISBN 0-9677994-0-6. p. 12; p. 18; p. 36; pp. 54–57
- Müller-Yao, Marguerite Hui: Der Einfluß der Kunst der chinesischen Kalligraphie auf die westliche informelle Malerei, Diss. Bonn, Köln 1985. ISBN 3-88375-051-4
- Müller-Yao, Marguerite: Informelle Malerei und chinesische Kalligrafie, in: Informel, Begegnung und Wandel, (hrsg von Heinz Althöfer, Schriftenreihe des Museums am Ostwall; Bd. 2), Dortmund 2002, ISBN 3-611-01062-6
- Rolf Wedewer: Die Malerei des Informel. Weltverlust und Ich-Behauptung, Deutscher Kunstverlag, München, 2007. ISBN 3-422-06560-1
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