Caroline Woolard

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Caroline Woolard (born 1984) is an American artist[1] and organizer, whose work explores intersections between art and the solidarity economy.[2] She primarily works collaboratively and collectively and was a founding member of Trade School, OurGoods, BFAMFAPhD and the New York City Real Estate Investment Cooperative.[3][4][5] Woolard previously worked as an Assistant Professor of Sculpture at the University of Hartford and a mentor at the School of Visual Arts. She is now working for Open Collective and Open Collective Foundation.

Early life and education[edit]

Woolard was born in Providence, Rhode Island.[1] She earned a BFA degree in 2006 from Cooper Union, which at the time was a tuition-free art school in New York City.[6]

Career and work[edit]

Woolard's work explores solidarity economics, collaboration, barter, labor, and other forms of monetary and non-monetary exchange.[7] She makes sculptural objects that facilitate communication[8] and also co-creates systems of sharing and exchange. Woolard says that she became involved with social practice art not because she was against commercial or institutional art, but instead because she believes the art world is too isolated.[9] Woolard hopes to promote interdependence between artists.[4]

Our Goods (founded in 2008) is an online platform for resource sharing within the creative community. OurGoods received numerous awards, including support from the Rockefeller Cultural innovation Fund (2012-2014), the Economic Revitalization for Performing Arts grant from The Field (2009-2012), and a prominent space in Creative Time’s exhibition, Living as Form (2011). In 2016 the independent platform shut down and moved on to Facebook.

Trade School (founded in 2009) is an online platform that allows people to propose and sign up for classes which are paid for using barter.[4] Trade School chapters popped up in over 50 cities internationally.[8] Woolard feels that broadening art classes to those who would not traditionally be able to afford them will expand the world of art for the better.[9] As of 2018 there are 26 schools still linked on the website.

What is a Work of Art in the Age of $120,000 Art Degrees? from Statements by Caroline Woolard (2014)

BFAMFAPhD (a mashed together acronym of BFA, MFA and PhD, founded 2014) is a research and advocacy project that uses US Census data to illuminate the ever-rising cost of getting a college art degree and its dubious relevance to the ability to make a living as an artist.[10] In addition to these economic concerns, Woolard and the other collaborators highlight problems of ethnic, racial and gender diversity in the art world.[11]

The New York City Real Estate Investment Cooperative (founded 2015 with lawyer/organizer Paula Segal and others) aims to collectively buy and maintain permanently affordable space in New York for civic, cultural, and cooperative use.[12]

Other works of art that Woolard has created are public seating, urban campsites and swings for subways.[13] In 2009, Woolard curated a "newspaper exhibition" which highlighted the many economic issues facing workers in the arts.[14] Woolard's Exchange Café was presented at the Museum of Modern Art as part of the Department of Education’s Artists Experiment initiative (2013).[15]

Awards[edit]

References[edit]

  1. ^ a b "Caroline Woolard Flips the Real Estate Script | ART21 New York Close Up". ART21 New York Close Up. Retrieved 2016-03-05.
  2. ^ Adam, Ludwig (9 June 2014). "Can a Sharing Platform for Artists Point to a More Equitable Society?". Forbes. Retrieved 5 March 2015.
  3. ^ Bergin, Brigid (7 March 2010). "Will Teach for Goods: An Experiment in Bartering". WNYC. Retrieved 5 March 2015.
  4. ^ a b c Rueb, Emily S. (23 February 2010). "A Trade School Where Ideas Are Currency". New York Times. Retrieved 5 March 2015.
  5. ^ Moore, Christopher (26 April 2010). "Trade Balance". New York Post. Retrieved 5 March 2015.
  6. ^ "Woolard, Caroline". The New School. Retrieved 7 March 2015.
  7. ^ Steinhauer, Jillian (10 November 2013). "Could local currency be the future of money?". Salon. Retrieved 5 March 2015.
  8. ^ a b "Caroline Woolard defines what it means to be a solidarity economy artist - Creative Exchange". Creative Exchange. 2018-07-25. Retrieved 2018-11-10.
  9. ^ a b Kennedy, Randy (20 March 2013). "Outside the Citadel, Social Practice Art Is Intended to Nurture". The New York Times. Retrieved 7 March 2015.
  10. ^ Usmani, Josh (4 November 2014). "Cleveland Institute of Art Hosts Conference and Exhibition on Socially Engaged Art and Design". Cleveland Scene. Retrieved 7 March 2015.
  11. ^ Steinhauer, Jillian (30 June 2014). "Report Finds NYC's Art World 200% Whiter Than Its Population [UPDATED]". Hyperallergic. Retrieved 7 March 2015.
  12. ^ "Caroline Woolard Flips the Real Estate Script". Art21. Retrieved November 10, 2018.
  13. ^ "Caroline Woolard". Mediamatic. Archived from the original on 2 April 2015. Retrieved 7 March 2015.
  14. ^ "Brooklyn Pavilion 2 Showing a Newspaper on Art Labor and Economics". Mediamatic. 2009. Retrieved 7 March 2015.
  15. ^ "MoMA Studio: Exchange Café". MoMA. Retrieved 5 March 2015.
  16. ^ "Lower Manhattan Cultural Council Awards 2017 Grants and Residencies". artforum.com. Retrieved 2017-07-08.

Further reading[edit]

  • Goodeve, Thyrza Nichols; Ryan, Tina Rivers (January 12, 2021). Art, Engagement, Economy: the Working Practice of Caroline Woolard (art exhibition). Patricia C. Phillips (foreword), D. Burnett (contributor), Alison Burstein (contributor), Stamatina Gregory (contributor), Larissa Harris (contributor), Leigh Claire La Berge (contributor), Stephanie Owens (contributor), Cybele Maylone (contributor), Steven Matijcio (contributor), Sheetal Prajapati (contributor), Caitlin Julia Rubin (contributor), Mierle Ukeles (contributor). Eindhoven, Netherlands: Onomatopee Projects. ISBN 978-9493148345.

External links[edit]


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