Georges Bœuf

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Georges Bœuf
Born21 December 1937
Marseille, France
Died25 August 2020(2020-08-25) (aged 82)
Marseille, France
NationalityFrench
Occupations
  • Composer
  • Musician
Websitegeorges.boeuf.free.fr

Georges Bœuf (21 December 1937 – 25 August 2020) was a French composer, musician, and saxophonist.[1] He composed operas and film scores, among others.

Life[edit]

Born in Marseille, Bœuf studied at the Conservatoire de Marseille [fr] (CRRM).[2] In 1969, he co-founded the Groupe de musique expérimentale de Marseille (GMEM),[3] of which he became president in 1974.[4] In 1988, he founded the composition class at the CRRM, which was first directed by Pierre Barbizet.[2]

Bœuf taught musical training, sound technique, and organology. He composed hundreds of musical works, including for theatrical and cinematic productions. He notably composed music for three films by René Allio: Transit [fr], Le Matelot 512 [fr], and Retour à Marseille [fr].[5] He composed La Chant de la Nature for the permanent exhibition in the National Museum of Natural History in Paris.

Bœuf composed an opera titled Verlaine Paul, based on the work of poet Franck Venaille. It was shown at the Opéra national de Lorraine in Nancy on 29 October 1996, with the baritone François Le Roux in a lead role. It was given a reprise in 2003 at La Criée [fr] in Marseille with a new staging by Frédéric Bélier-Garcia [fr].[2]

Among his latest works are a string quartet created by the Parisii Quartet, Orbes for 12 strings, premiered by the Orchestre royal de Wallonie, Septimo (1998) for vibraphone and bells, recorded by Frédéric Daumas (Fragrance, 1999), Le Prophète, based on a text by Stéphane Mallarmé, for baritone and piano (1998), premiered by François Le Roux and Alexandre Tharaud at the François Mitterrand Library, Solitaire Vigie for large orchestra and choir (poem by Mallarmé) premiered in Nancy in January 2000, Variasix for instrumental ensemble created by the Télémaque ensemble (Aix-en-Provence, 2001), Koré ou L'Oubli for keyboard-percussion quartet in 2002, created by the Symblêma ensemble, Sonata for violin created by Nicolas Miribel, Six Monodies de l'absence for tenor saxophone, created by Joël Versavaud, Dans le bruit du monde for choir, created by the contemporary Roland Hayrabedian Choir, Messe des cendres.

Georges Bœuf died in Marseille on 25 August 2020 at the age of 82.[6]

Further reading[edit]

  • Michel Chion (et al.), "Georges Bœuf", in La musique électroacoustique, Presses universitaires de France, 1982, p. 110 ISBN 2-13-037262-7
  • Golo Föllmer, Roland Frank, Folkmar Hein, Dokumentation elektroakustischer Musik in Europa, Inventionen '92, Berlin, 1992
  • Maurice Hinson et Wesley Roberts, "Georges Bœuf", in Guide to the Pianist's Repertoire, Indiana University Press, 2013 (4th ed. revised), p. 160 ISBN 9780253010230

Sources[edit]

References[edit]

  1. ^ Buzalka, Clément (26 August 2020). "Dernier accord pour le compositeur Georges Bœuf". France Musique (in French).
  2. ^ a b c "Georges Bœuf / French composer, born in 1937". cbarre.fr. Retrieved 27 August 2020.
  3. ^ "Georges Boeuf". BnF Databank (in French).
  4. ^ Grabocz, Marta (2013). Entre naturalisme sonore et synthèse en temps réel: Images et formes expressives dans la musique contemporaines (in French). Archives contemporaines. ISBN 978-2-8130-0122-1.
  5. ^ "Georges Boeuf". UniFrance (in French).
  6. ^ "Mort de Georges Boeuf". Journal de Zibeline (in French). August 2020.

External links[edit]

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