Kevin Kopelson

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Kevin Kopelson
Years active1994–present
Academic background
Alma materUniversity of Iowa
InfluencesRoland Barthes[citation needed]
Academic work
Main interestsGender studies literary criticism cultural studies 20th century in literature

Kevin Kopelson is an American literary critic. He received a B.A. from Yale University, a J.D. from Columbia University, and a Ph.D. from Brown University.[1] Currently,[when?] he is Emeritus Professor of English at The University of Iowa.

He is a contributor to the London Review of Books.[2] He writes on topics ranging from fin-de-siècle literature to fashion photography.

Fields

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Kopelson has published in the fields of sexuality studies,[3] critical theory, cultural studies, and 20th-century literature.

Works

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  • Love's Litany: The Writing of Modern Homoerotics (Stanford University Press, 1994).[4]
  • Beethoven's Kiss: Pianism, Perversion, and the Mastery of Desire (Stanford University Press, 1996).[5]
  • The Queer Afterlife of Vaslav Nijinsky (Stanford University Press, 1997).[6]
  • Finishing Proust (2000)
  • Neatness Counts: Essays on the Writer's Desk (University of Minnesota Press, 2004).
  • Sedaris (University of Minnesota Press, 2007).[7]
  • Confessions of a Plagiarist: And Other Tales from School (Counterpath Press, 2012).
  • Adorno and the Showgirl: Or Late Style (2016)

References

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  1. ^ "Kevin Kopelson - Department of English - College of Liberal Arts & Sciences - The University of Iowa". English.uiowa.edu. Retrieved 29 October 2018.
  2. ^ "Kevin Kopelson · LRB". www.lrb.co.uk. Retrieved 2018-11-23.
  3. ^ "Kevin Kopelson – LGBT Oral Histories of Central Iowa". Retrieved 2020-04-02.
  4. ^ Review of Love's Litany: The Writing of Modern Homoerotics:
  5. ^ Review of Beethoven's Kiss: Pianism, Perversion, and the Mastery of Desire:
  6. ^ Review of The Queer Afterlife of Vaslav Nijinsky:
  7. ^ Review of Sedaris:
    • Madden, Dave (Winter 2008), Prairie Schooner, 82 (4): 174–177, JSTOR 40639745{{citation}}: CS1 maint: untitled periodical (link)
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