Lara Jo Regan

From Wikipedia the free encyclopedia

Lara Jo Regan is an American photographer. Her work has spanned the realms of photojournalism, documentary, street, fine art, magazine photography and film. She contributed frequently to national publications including Time, Newsweek, LIFE, the Los Angeles Times Magazine, the Los Angeles Magazine, Premiere, and Entertainment Weekly from the late 1980s to the mid Aughts. She later worked on long-term documentary and fine art projects while becoming a photography columnist for Artillery magazine in 2011 and continued to author books on dog photography.

The recipient of many of her field’s top honors, the progressive hybrid nature of her work influenced the aesthetic direction of photojournalism[1] documentary coverage of the entertainment industry[2][3][4] and animal portraiture.[5][6]

Regan won the World Press Photo of the Year in 2000[7] and was the creator of the Mr. Winkle photo collection that achieved international cult popularity.[8][9][10] Residing in Los Angeles since 1985, she has also built up one of the most extensive collections of Southern California street photography.

References[edit]

  1. ^ Panzer, Mary (2005). Things as They Are: Photojournalism in Context Since 1955.
  2. ^ McKenna, Krinstine (15 January 1998). Los Angeles Times. {{cite news}}: Missing or empty |title= (help)
  3. ^ Rea, Steven (23 March 1997). Philadelphia Inquirer. {{cite news}}: Missing or empty |title= (help)
  4. ^ Lachnit, Carol (March 1999). Photo District News. {{cite journal}}: Missing or empty |title= (help)
  5. ^ Scarborough, James (March–April 2006). "Mr. Winkle Does it Again". NY Arts. 1. 11.
  6. ^ "Mr. Winkle: Object of Projection – Photographs by Lara Jo Regan". Retrieved 16 November 2012.
  7. ^ worldpressphoto.org, Regan Archived 17 July 2012 at archive.today
  8. ^ della Cava, Marco, "Feature", USA Today
  9. ^ Levine, Bettijane (12 July 2003). "Bow Wowed". Los Angeles Times. Retrieved 15 November 2012.
  10. ^ Gumbell, Andrew (23 March 2001). "Top Dog". The London Independent.