List of works by Thomas Eakins

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Photograph of Thomas Eakins c. 1882

This is a list of professionally authenticated paintings, drawings, and sculptures by Thomas Eakins (1844–1916). As there is no catalogue raisonné of Eakins' works,[1] this is an aggregation of existing published catalogs.

Background[edit]

During his lifetime, Thomas Eakins sold few paintings. On his death, ownership of his unsold works passed to his widow, Susan Macdowell Eakins, who kept them in their Philadelphia home. She dedicated the remaining years of her life to burnishing his legacy. In this, she was quite successful; in the period between Thomas Eakins' death and her own, she donated many of the strongest remaining pictures to museums around the world. The Philadelphia Museum of Art benefited particularly from these donations.

After Susan Macdowell Eakins' death in 1938, her executors emptied the house of anything which could be sold at auction. When former Eakins student Charles Bregler arrived at the house after it had been stripped he was horrified at what he found, describing it as the "most tragic and pitiful sight I ever saw. Every room was cluttered with debris as all the contents of the various drawers, closets etc were thrown upon the floor as they removed the furniture. All the life casts were smashed... I never want to see anything like this again."[2] The number of works lost or destroyed at this time will never be known.

Bregler carefully collected what was left. Most of what remained were drawings and other preparatory studies. He was highly secretive about the contents of his collection and rarely allowed anyone to see it. After Bregler's death, ownership of the collection passed to his second wife, Mary Louise Picozzi Bregler, who was even more guarded as to its contents. In 1986, shortly before her death, Mary Bregler agreed to sell the works to the Pennsylvania Academy of the Fine Arts.[3]

Historiography[edit]

In the early 1930s, Susan Macdowell Eakins invited art historian Lloyd Goodrich into her home. Goodrich inventoried the collection in the house, interviewed Eakins' surviving associates, and studied Eakins' personal notes. In 1933, Goodrich published Thomas Eakins: His Life and Works. Though it was incomplete, un-illustrated, and did not include Eakins' photographs, Goodrich's book was the first definitive study of Eakins and the first attempt to catalog his artistic output.[4]

In the 1970s, Gordon Hendricks published two Eakins catalogs. The Photographs of Thomas Eakins (1972; ISBN 0-670-55261-5) is a fully illustrated catalog of photographs by Thomas Eakins and his associates. Because Eakins did not keep detailed records of his photographs, nor did he sign, title, or date them, many of the dates and photographers listed in the catalog are educated guesses on Hendricks' part. It is difficult to know who took a particular photograph because Eakins often had his students use it.[further explanation needed] Hence, the attribution on many of these photographs is "Circle of Eakins" to indicate that a photograph was taken either by Eakins or one of his associates. The Life and Work of Thomas Eakins (1974; ISBN 0-670-42795-0) included a checklist of Eakins' works, a number of which had not been included in the 1933 Goodrich catalog.

In the 1980s, Lloyd Goodrich returned to the subject of Thomas Eakins. He began writing a three-volume book, Thomas Eakins. The first two volumes, published in 1982, were biographic in nature. Goodrich was unable to complete the third volume, a Thomas Eakins catalogue raisonné, before he died in 1987. He donated his papers to the Philadelphia Museum of Art, in the hopes that the curators there would finish the catalogue raisonné. This has not happened.

Until 1986, the Charles Bregler collection was effectively unknown to art historians. A few of the works in the Bregler collection were included in the 1933 Goodrich catalog, but after that they effectively disappeared from the scholarly community. A proper inventory became possible only after their 1986 sale to the Pennsylvania Academy of Fine Arts. In 1997, art historian Kathleen Foster published a definitive catalog of the Bregler collection, Thomas Eakins Rediscovered. (ISBN 0-300-06174-9)

List organization[edit]

Paintings, drawings, and sculptures are listed, where possible, by their Goodrich catalog number supplemented with modifications from Goodrich's notes for his never-completed Eakins catalogue raisonné.[5] The Goodrich catalog can be subdivided into three parts:

  • Juvenalia – Goodrich classified several early works by Thomas Eakins (works made prior to Eakins' arrival in Paris) as juvenalia, and prefaced with a "J". Though mentioned throughout the Eakins literature, the catalog itself was not published. However, the list is accessible in the Goodrich papers in the Philadelphia archives.
  • 1933 catalog works – "G" followed by a number indicates it is from Goodrich's 1933 Eakins catalog.
  • 1980s catalog works – "G" followed by a number and then a letter indicates a work that was not included in the 1933 Goodrich catalog, but was included in his two volume Thomas Eakins, or in notes for the third volume, the never-finished catalog.

Works in the Charles Bregler collection at the Pennsylvania Academy of the Fine Arts are listed according to their number in Thomas Eakins Rediscovered.

Goodrich catalogue of Eakins' paintings and sculptures[edit]

Title Catalog # Image Format Year Dimensions (inches) Collection Notes
Map of Switzerland J1 Pen, ink, and watercolor on paper c. 1856–1857 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[6][7]
Map of France, Spain, Portugal, and Italy J2 Pen, ink, and watercolor on paper c. 1856–1857 16 × 20 Collection of Mr. and Mrs. Francis Walters[8]
Spanish Scene: Peasant Crossing a Stream J3 Pencil and chalk on paper March 1858 10+1⁄16 × 14+7⁄16 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][10]
Spanish Scene: Peasants and Travellers Among Ruins J4 Pencil and ink on paper 1858 11+1⁄2 × 16+15⁄16 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][11]
Camel and Rider J5 Pencil and ink on paper 1858 Collection of Mr. and Mrs. Daniel Dietrich II[12]
Perspective of a Lathe J6 Pencil and ink on paper 1860 16+5⁄16 × 22 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[13][14]
Drawing of Gears J7

Pen, ink, and pencil on paper c. 1860 11+7⁄16 × 16+7⁄8 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[15][16]
Visiting Card with Landscape J8 c. late 1850s Hirshhorn Museum and Sculpture Garden, Washington, D.C.[17]
Machinery J9 c. 1860
The Icosahedron J10 c. 1860 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[18]
"Freedom" J11 c. 1860 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[19] A drawing after the Statue of Freedom by Thomas Crawford
Nude woman, seated, wearing a mask 1 Charcoal on paper c. 1863–1866 24+1⁄4 × 18+5⁄8 inches Philadelphia Museum of Art, Philadelphia, Pennsylvania[20]
Nude woman, back turned 2 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[21]
Nude boy 3 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[22]
Nude man, seated 4 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[23]
Nude woman reclining, back turned 5 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[24]
Nude woman, reclining, seen from the front 6

Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[25]
Head, bust and arm of a child 7 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[26]
Arm resting on the back of a chair 8 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[27]
Nude man with a beard, seated on the floor 9 Charcoal on paper 1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[28] On the reverse is the middle section of a nude man.
Nude man standing 10 Charcoal on paper
Legs of a seated model 11 Charcoal on paper Newark Museum, Newark, New Jersey[29]
Legs of a standing model 12 Charcoal on paper
Head and bust of an Arab man with a turban 13 Charcoal on paper 1866–1867 Fine Arts Museums of San Francisco, San Francisco[30]
Torso and arm of a nude man 14 Charcoal on paper
Nude woman reclining on a couch 15 Charcoal on paper 1863–1866 Fogg Art Museum, Cambridge, Massachusetts[31]
Nude woman reclining, wearing a mask 16 Charcoal on paper
Nude woman standing 17 Charcoal on paper 1876
Nude man seated 18

Charcoal on paper c. 1869 Double sided with "Head of a Warrior".
Auctioned at Christie's NY, December 8, 2008; sold for $50,000[32]
Illustrated letter to his Mother, Nov. 8–9, 1866 18A

Hirshhorn Museum and Sculpture Garden, Washington, D.C.[33][34]
Antique study, female head 19 Oil on heavy paper c. 1867–1869 Lost[35]
Antique study, male roman head 20 Oil on canvas c. 1867–1869 Lost[35]
Study of a leg 21 Oil on heavy paper c. 1867–1869 Joslyn Art Museum, Omaha, Nebraska
Study of a ram's head 22 Oil on canvas c. 1867–1869 Lost[35]
Study of a girl's head 23 Oil on canvas c. 1868–1869 Private collection[35]
Study of a girl's head 24 Oil on canvas c. 1867–1874 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[36][37]
Study of a girl's head 25 Oil on canvas c. 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[38]
The Strong Man 26 Oil on canvas c. 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[39] Study
Bust of a Man (Study of a Nude Man) 27 Oil on canvas c. 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[40]
Study of a student's head 28 Oil on canvas mounted on cardboard c. 1867–1878 Thought to have been lost.[35]
Auctioned at Sotheby's NY, May 2001; sold for $46,750.[41]
Study of a student's head 29 Oil on canvas mounted on cardboard c. 1867–1879 Collection of William E. Stokes[42]
Female Model
(formerly called A Negress) 		30 Oil on canvas M. H. de Young Memorial Museum, San Francisco, California[43]
Scene in a Cathedral 31 Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, December 1, 2010; sold for $18,750.[44]
Carmelita Requena 32 Oil on canvas 1869 Metropolitan Museum of Art, New York City, New York[45]
A Street Scene in Seville 33 Oil on canvas 1870 Collection of Erving and Joyce Wolf[46]
A Spanish Woman (Also known as "Dolores") 34 Oil on canvas
Francis Eakins 35 Oil on canvas Late 1870/Early 1871 Nelson-Atkins Museum of Art, Kansas City, Missouri[47]
At the Piano 36 Oil on canvas Late 1870/Early 1871 Blanton Museum of Art, Austin, Texas[48]
Home Scene 37 Oil on canvas Late 1870/Early 1871 Brooklyn Museum of Art, New York City[49]
Benjamin Eakins 38 Watercolor on paper c. 1870 Private collection
Margaret in Skating Costume 39 Oil on canvas 1871 Philadelphia Museum of Art, Philadelphia, Pennsylvania[50]
Margaret (study) 40 Oil on canvas c. 1871 Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, May 19, 2010, Lot 109.[51][52]
Margaret (sketch) 41 Oil on canvas c. 1871 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[53]
Hiawatha 42 Watercolor on paper No longer exists.[54]
Hiawatha 43 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[54][55] Study for Hiawatha watercolor. Described erroneously as unfinished.[54]
Max Schmitt in a Single Scull 44 Oil on canvas 1871 Metropolitan Museum of Art, New York[56]
Drawing of the Girard Avenue Bridge 44A

Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[57][58] Double sided: reverse side depicts the sketch for an oar.
Portrait of M.H. Messchert 44B Painting
Kathrin (Girl with a cat) 45 Oil on canvas 1872 Yale University Art Gallery, New Haven, Connecticut[59]
Study for Kathrin 45A Drawing
Elizabeth Crowell and her Dog 46 Oil on canvas Early 1870s San Diego Museum of Art, San Diego, California[60]
Mrs. James W. Crowell 47 Oil on canvas Early 1870s
Grouse 48 Oil on canvas 1872 Mint Museum of Art, Charlotte, North Carolina[61]
The Pair-Oared Shell 49 Oil on canvas 1872 Philadelphia Museum of Art, Philadelphia, Pennsylvania[62]
Perspective Drawing for The Pair-Oared Shell 50 Pencil and ink on paper mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[63][64]
Perspective Drawing for The Pair-Oared Shell 51 Pencil, ink, and watercolor on paper mounted on cardboard 1872 Philadelphia Museum of Art, Philadelphia, Pennsylvania[65]
The Biglin Brothers Turning the Stake 52 Oil on canvas 1873 Cleveland Museum of Art, Cleveland, Ohio[66]
Perspective Drawing for the Biglin Brothers Turning the Stake 52A Drawing Cleveland Museum of Art, Cleveland, Ohio[67][68]
Perspective Drawing for the Biglin Brothers Turning the Stake 53 Pencil and ink on paper mounted on cardboard 1873 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[69][70]
The Pair-Oared Race – John and Barney Biglin Turning the Stake 54 Watercolor 1874 Lost[71]
A Rower 55 Watercolor Given to Jean-Léon Gérôme by Thomas Eakins. "Present location unknown"[5]
John Biglin (also known as "The Sculler") 56 Watercolor 1874 16+7⁄8 × 23+15⁄16 Yale University Art Gallery, New Haven, Connecticut[72][73]
John Biglin in a Single Scull 57 Watercolor on paper 1873 or early 1874 19+5⁄16 × 24+7⁄8 Metropolitan Museum of Art, New York[74][75]
Perspective Drawing for John Biglin in a Single Scull 58 Pencil and ink on paper mounted on cardboard c. 1874 27+3⁄8 × 45+1⁄4 Museum of Fine Arts, Boston, Boston, Massachusetts[76][77]
John Biglin in a Single Scull 59 Oil on canvas 1873–1874 24+3⁄8 × 16 Yale University Art Gallery, New Haven, Connecticut[78]
John Biglin in a Single Scull 60 Watercolor 1873–1874 Given to Jean-Léon Gérôme by Thomas Eakins.
The Biglin Brothers Racing 61 Oil on canvas Probably 1873 National Gallery of Art, Washington, D.C.[79]
Perspective Drawing for the Biglin Brothers Racing 62 Pencil and ink on paper mounted on cardboard Hirshhorn Museum and Sculpture Garden, Washington, D.C.[80][81][82]
Oarsmen on the Schuylkill 63 Oil on canvas c. 1873 Private Collection. Deaccessioned from Brooklyn Museum of Art.
Oarsman in a Single Scull (also known as "Sketch of Max Schmitt in a Single Scull") 64 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[83]
Oarsmen 65 Oil on canvas Probably c. 1873 Portland Art Museum, Portland, Oregon[84]
The Schreiber Brothers 66 Oil on canvas 1874 Yale University Art Gallery, New Haven, Connecticut[85][86]
Perspective Drawing 67 Pencil and ink on paper mounted on cardboard Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[87]
The Artist and His Father Hunting Reed Birds 68 Oil on canvas c. 1874 Virginia Museum of Fine Arts, Richmond, Virginia[88]
Perspective Drawing for the Artist and His Father Hunting Reed Birds 69 Pencil and ink on paper mounted on cardboard
Pushing for the Rail 70 Oil on canvas 1874 Metropolitan Museum of Art, New York[89]
Whistling for Plover 71 Watercolor on paper 1874 Brooklyn Museum of Art, New York[90]
Whistling for Plover 72 Oil
Sketch for Hunting 73 Oil on canvas mounted on cardboard c. 1874 Collection of Jamie Wyeth
Studies of Game-Birds (Also known as "Plover") 74 Oil on canvas mounted on cardboard Virginia Museum of Fine Arts, Richmond, Virginia
Landscape with a Dog 75 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[91]
Sailboats Racing on the Delaware 76 Oil on canvas 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[92]
Sailing 77 Oil on canvas c. 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[93]
Starting Out After Rail 78 Oil on canvas 1874 Museum of Fine Arts, Boston, Boston, Massachusetts[94]
Starting Out After Rail 79 Watercolor 1874 Wichita Art Museum, Wichita, Kansas[95]
Ships and Sailboats on the Delaware (also known as "Becalmed") 80 Oil on canvas 1874 Wadsworth Atheneum, Hartford, Connecticut[60]
Study for Ships and Sailboats on the Delaware 81 Oil on canvas mounted on cardboard Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[96]
Ships and Sailboats on the Delaware 82 Oil on canvas 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[97]
Drifting 83 Watercolor c. 1874 National Gallery of Art, Washington, D.C.[98]
Mrs. Benjamin Eakins 84 Oil on canvas c. 1874 Collection of Mr. and Mrs. Daniel Dietrich II[99][100]
Portrait of Professor Benjamin H. Rand 85 Oil on canvas 1874 Crystal Bridges Museum of American Art, Bentonville, Arkansas Deaccessioned from Thomas Jefferson University, Philadelphia, Pennsylvania, April 2007 (after 130 years in the collection).[101]
Baseball Players Practicing 86 Watercolor on paper 1875 Rhode Island School of Design Museum, Providence, Rhode Island[102]
Perspective drawing for Baseball Players practicing 86A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[103][104][105]
Elizabeth at the Piano 87 Oil on canvas 1875 Addison Gallery of American Art, Andover, Massachusetts[60]
The Gross Clinic 88 Oil on canvas 1875 Philadelphia Museum of Art[106] and the Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[107]
Sketch for the Gross Clinic 89 Oil on canvas 1875 Philadelphia Museum of Art, Philadelphia, Pennsylvania[108]
Dr. Gross (Study for "The Gross Clinic) 90 Oil on canvas 1875 Worcester Art Museum, Worcester, Massachusetts[109]
Black and White version 91 India ink on cardboard 1875 Metropolitan Museum of Art, New York[110] Drawn after the painting, to be photographed and reproduced as a collotype.
Drawing of Two Heads 92 "India ink on paper, with pen and brush" 1876 Philadelphia Museum of Art, Philadelphia, Pennsylvania[111]
Robert C.V. Meyers 93 Oil on brown paper 1875 Collection of Mr. and Mrs. Daniel Dietrich II[112][113]
The Zither Player 94 Watercolor on paper 1876 Art Institute of Chicago, Chicago, Illinois[114]
J. Harry Lewis 95 Oil on canvas 1876 Philadelphia Museum of Art, Philadelphia, Pennsylvania[115]
The Chess Players 96 Wood 1876 Metropolitan Museum of Art, New York[116]
Perspective Drawing for the Chess Players 97 Pencil and ink on paper 1875–1876 Metropolitan Museum of Art, New York[117]
M. Gardel 98 Oil on paper mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[118]
Baby at Play 99 Oil on canvas 1876 National Gallery of Art, Washington, DC.[119]
Studies of a Baby 100 Oil on canvas Duke-Semans Fine Arts Foundation (in the care of the Nasher Museum of Art, Durham, North Carolina) Double sided.
Dr. John H. Brinton 101 Oil on canvas 1876 The National Museum of Health and Medicine of the Armed Forces Institute of Pathology, Washington, D.C. On long-term loan to the National Gallery of Art[120] Dr. Brinton was a close friend of Eakins's, and succeeded Dr. Samuel D. Gross as chair of surgery at Jefferson Medical College.
(See G-126 for Eakins's portrait of Mrs. Brinton.)
Mrs. Samuel Hall Williams (Portrait of Abbie Williams) 102 Wood c. 1876 Deaccessioned from the Art Institute of Chicago.
Auctioned at Christie's NY, September 27, 2011; sold for $134,500.[121]
Columbus in Prison 103 Oil on canvas c. 1876 Kennedy Galleries, New York
Sketch for the Surrender of General Lee to General Grant at Appomattox 103A Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, September 27, 2011; sold for $32,500.[122]
Sketch for the Surrender of General Lee to General Grant at Appomattox 103B Oil on canvas Museum of Fine Arts, Boston, Boston, Massachusetts[123]
Will Schuster and Blackman Going Shooting 104 Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[124]
Perspective Drawing for Will Schuster and Blackman Going Shooting 104A Drawing Collection of Mr. and Mrs. Daniel Dietrich II[125]
Rail Shooting 105 Oil on canvas "Present whereabouts or existence unknown"[5]
In Grandmother's Time 106 Oil on canvas 1876 Smith College Museum of Art, Northampton, Massachusetts[126]
In Grandmother's Time 106A Oil on wood Originally double sided with G-106B until the two images were split[5]
Landscape 106B Oil on wood Originally double sided with G-106A until the two images were split[5]
Deassessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 23, 2016, Lot 57.[127]
Archbishop James Frederick Wood 107 Oil on canvas 1877 Crystal Bridges Museum of American Art, Bentonville, Arkansas[128] Deaccessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania, 2015.[129]
Study for the portrait of James Frederick Wood 108 Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[130]
Scenes in a Cathedral 108A, 108B, 108C, 108D, 108E, 108F, 108G, 108H, 108I Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.[131][132]
William Rush and His Model 109 Oil on canvas 1876–1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[133]
Studies for "William Rush" 109A, 109B, 109C, 109D, 109E, 109F, 109G, 109H,













Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Study for William Rush and His Model (Yale), G-111 110 Oil on cardboard, c. 1877 8+1⁄4 × 10+1⁄2 Farnsworth Art Museum, Rockland, Maine[134]
William Rush and His Model (Yale) 111 Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[135][136]
Interior of Rush's Shop 112 Oil on canvas 1876–1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[137]
The Model (Nude: Study)
Study for William Rush and His Model (Yale), G-111 		113 Oil on canvas 1876 Art Institute of Chicago, Chicago, Illinois[138]
Seventy Years Ago 114 Watercolor on paper 1877 Princeton University Art Museum, Princeton, New Jersey[139]
Sketch for Seventy Years Ago 115 Oil on canvas Seattle Art Museum, Seattle, Washington[140]
Young Girl Meditating 116 Watercolor on paper 1877 Metropolitan Museum of Art, New York[141]
Sketch for Young Girl Meditating 117 Oil on canvas Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[142]
Study for Young Girl Meditating 117A Oil on canvas 1877 Collection of Martin Perez.[143]
In Washington (Lafayette Park, Washington, D.C.) 118 Wood 1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[144] Painted from a window of the White House, as Eakins waited for President Rutherford B. Hayes to sit for a portrait.
The Courtship 119 Oil on canvas c. 1878 M. H. de Young Memorial Museum, San Francisco, California[145]
Study for The Courtship 120 Oil on canvas 1877-1878 14 × 17 Auctioned at Christie's NY, June 3, 1983; sold for $80,000.[146]
Ex collection: Gulf States Paper Corporation, Tuscaloosa, Alabama (1983-2013).[147]
Auctioned at Christie's New York, September 25, 2013; sold for $32,500.[148]
The Spinner (sketch for The Courtship) 121 Oil on canvas c. 1878 Worcester Art Museum, Worcester, Massachusetts[60]
The Spinner (sketch for The Courtship) 122 Wood Private collection.[5] The reverse side has a sketch of Dr. Andrews.
The Young Man (sketch for The Courtship) 123 Oil on canvas
Anna Williams 123A
Study for Anna Williams 123B
Negro Boy Dancing (also known as "The Dancing Lesson") 124 Watercolor on paper 1878 Metropolitan Museum of Art, New York[149]
Drawing for the Negro Boy dancing 124A Drawing 1878 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[150][151]
Study for Negro Boy Dancing 125 Oil on canvas National Gallery of Art, Washington, D.C.[152]
Study for Negro Boy Dancing 125A National Gallery of Art, Washington, D.C.[153]
Mrs. John H. Brinton 126 Oil on canvas 1878 Collection of Mrs. Rodolphe Meyer de Schauensee[154] Depicts Sarah (Ward) Brinton, wife of John H. Brinton (See G-101).[155]
The Spelling Bee at Angel's 127 1878 Published in Scribner's Magazine, November 1878
Thar's a New Game Down in Frisco 127A Oil on canvas Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[156] Study for the central standing figure in the Spelling Bee at Angel's.
The Spelling Bee at Angel's 128 1878 Published in Scribner's Magazine, November 1878
Mr. Neelus Peeler's Conditions 129 Black ink and Chinese white on paper 1879 Brooklyn Museum of Art, New York[157] Published in Scribner's Magazine, June 1879
Perspective drawing for Mr. Neelus Peeler's Conditions 129A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[158]
Sketch for Mr. Neelus Peeler's Conditions 130

Wood New Britain Museum of American Art, New Britain, Connecticut[159][160] Double sided. Often incorrectly referred to as "The Timer"[161]
Four anatomical drawings 130A, 130B, 130C, 130D

Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.[162][163]
A Quiet Moment 131 Oil on canvas 1879 Lost[164]
Sewing 132

Oil on wood c. 1879 New Britain Museum of American Art, New Britain, Connecticut[165] Reverse side contains the sketch of an interior.
Study of a Woman Knitting 132A Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[166]
The Fairman Rogers Four-in-Hand 133 Oil on canvas 1879–1880 Philadelphia Museum of Art, Philadelphia, Pennsylvania[167]
Sketches for the Fairman Rogers Four-in-Hand 134

Oil on wood 1879 Philadelphia Museum of Art, Philadelphia, Pennsylvania[168][169] Double sided: one side depicts the coach being driven across the picture; the other side is a study of Mrs. Rogers.
Landscape sketch for the Fairman Rogers Four-in-Hand 135


Reverse of G135 as it appeared in 1933. 		Oil on wood Originally composed of five or six sketches, which were later split.[170]
Study of the Delaware River 135A Oil Originally part of G-135 until they were split.[170]
Study of a Man's Head for Mending the Net 135B Oil Private Collection. Originally part of G-135 until they were split.[170]
Auctioned at Christie's NY, May 19, 2005, Lot 1520; sold for $38,400.[171]
Study of a Woman's Head for Mending the Net 135C Oil Originally part of G-135 until they were split.[170]
Landscape sketch for the Fairman Rogers Four-in-Hand 136

Oil on wood Philadelphia Museum of Art, Philadelphia, Pennsylvania Double sided: one side is a study in Fairmount park. The other is a color note.
Study of Horse for The Fairman Rogers Four-in-Hand 137 Oil on wood 1879 Originally double sided with 137A until the two images were split[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137A, G-199A & G-201A), May 21, 2009; the lot sold for $119,500.[172]
Study of Horses for The Fairman Rogers Four-in-Hand 137A Oil on canvas 1879 Originally double sided with 137 until the two images were split[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137, G-199A & G-201A), May 21, 2009; the lot sold for $119,500.[172]
Fan 137B Sold at auction, January 24, 1994, for $160,000.
General George Cadwalader 138 Oil on canvas 1880 Butler Institute of American Art, Youngstown, Ohio[173]
General George Cadwalader 139 Oil on canvas 1880 Painted posthumously from a carte-de-visite.
Deassessioned from the collection of the Mutual Assurance Company of Philadelphia.[174]

Offered for auction at Sotheby's New York, November 13, 2017. Unsold.[175]

Retrospection 140 Oil on wood 1880 Yale University Art Gallery, New Haven, Connecticut[176]
Retrospection (Watercolor) 141 Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[177]
Walter MacDowell 141A Oil Private collection[5]
The Crucifixion 142 Oil on canvas 1880 Philadelphia Museum of Art, Philadelphia, Pennsylvania[178]
Sketch for the Crucifixion 143 Oil on canvas 1880 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[179][180]
J. Laurie Wallace posing 143A Oil Private collection[181] Auctioned at Sotheby's NY, December 3, 1987; sold for $160,000.[182]
Spinning 144 Watercolor on paper 1881 Collection of Mrs. John Randolph Garrett Sr.[183]
Drawing for Spinning 144A Drawing
Sketch for Spinning 145 Oil on wood Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[184]
Spinning (also called "Homespun") 146 Watercolor on paper 1881 Metropolitan Museum of Art, New York[185]
Sketch for Spinning 147

Oil on wood Yale University Art Gallery, New Haven, Connecticut[186] Double sided – the reverse side also contains a sketch for Spinning
The Pathetic Song 148 Oil on canvas 1881 Corcoran Museum of Art, Washington, DC.[60]
Sketch for the Pathetic Song 149 Oil on wood 1881 Hirshhorn Museum and Sculpture Garden, Washington, DC.[187]
The Pathetic Song 149A Watercolor Metropolitan Museum of Art, New York[188]
Rail Shooting 150 Drawing 1881 Yale University Art Gallery, New Haven, Connecticut[189] Published in Scribner's Magazine, July 1881
A Pusher (also known as "Poleman in the Ma'sh) 151 Drawing 1881 11 × 5+7⁄8 National Gallery of Art, Washington, D.C.[190]
Drawing for William Rush Carving The Allegorical Figure Of The Schuylkill 151A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[191]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 152 Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pennsylvania[192]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 153 Watercolor on paper 1881 Metropolitan Museum of Art, New York[193]
Shad-Fishing at Gloucester on the Delaware River 154 Oil 1881 Ball State University Art Museum, Muncie, Indiana[194]
Mending the Net 155 Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pennsylvania[195]
Drawing for Mending the Net 155A Drawing
A Fisherman 156

Oil on cardboard Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[196]
The Tree 157 Oil on wood Originally double sided with G-157A until the two images were split.[5]
Auctioned at Christie's New York, May 21, 2008, Lot 90; sold for $23,750.[197]
Mending the Net: Study of the Tree 157A Oil on wood Originally double sided with G-157 until the two images were split.[5]
Mending the Net 158 Watercolor on paper 1882 Auctioned at Christie's NY, June 5, 1997; sold for $1,400,000.[198]
Drawing the Seine 159 Watercolor on paper 1882 Philadelphia Museum of Art, Philadelphia, Pennsylvania[199]
Hauling the Seine 160 Oil on canvas 1882 Princeton University Art Museum, Princeton, New Jersey[200]
"The Meadows, Gloucester, New Jersey" 161 Oil on canvas c. 1882 Philadelphia Museum of Art, Philadelphia, Pennsylvania[201]
"Sketch for The Meadows, Gloucester, New Jersey" 162 Oil on wood Originally double sided with G-162A until the two images were split.[5]
Study 162A Oil Originally double sided with G-162 until the two images were split.[5]
In the Country 163 Oil on canvas c. 1882 10+1⁄4 × 14 Private collection[5] Auctioned at Sotheby's NY, November 29, 1990; sold for $30,000.[202]
Near the Sea (Also known as "Landscape study") 164 Oil on canvas Collection of Mr. and Mrs. Daniel Dietrich II[5]
Untitled landscape sketch 165 Oil on wood Originally double sided with G-165A until the two images were split.[5]
Study of a horse 165A Oil Originally double sided with G-165 until the two images were split.[5]
Untitled landscape sketch 166 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[203]
Delaware River Scene 167 Oil on canvas Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[204]
Untitled landscape sketch 168 Oil on canvas
Untitled landscape sketch 169

Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[205]
Untitled landscape sketch 170

Oil on paper Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[206]
Untitled landscape sketch 171 Oil on paper
Untitled landscape sketch 172 Oil on canvas Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[207]
Untitled landscape sketch 173 Oil on canvas Collection of Mr. and Mrs. Daniel Dietrich II[208]
Untitled landscape sketch 174 Oil on canvas University at Buffalo, The State University of New York art gallery, Buffalo, New York[5]
Untitled landscape sketch 175 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[209]
Untitled landscape sketch 176 Oil on canvas
Untitled landscape sketch 177 Oil on cardboard
The Brinton House 177A Oil 1878 Subject is the William Brinton 1704 House in Birmingham Township, Chester County, Pennsylvania.
Painted for Eakins's friend Dr. John H. Brinton (See G-101).[210]
Study for Old Man in Taking The Count 178 Oil on canvas c. 1898 13+1⁄4 × 10 Auctioned at Christie's New York, May 24, 2007; sold for $78,000.[211]
Auctioned at Freeman's Philadelphia, December 6, 2015; sold for $46,875.[212]
Untitled sketch 179 Oil on canvas mounted on cardboard
Untitled sketch ("Girl in Shade") 180 Oil on cardboard Joslyn Art Museum, Omaha, Nebraska
Untitled sketch 181 Oil on wood
Boatman (Study of a Groom) 182

Oil on wood c. 1879 Philadelphia Museum of Art, Philadelphia, Pennsylvania[213][214] Double sided: one side is a study for the left leader horse in "The Fairman Rogers Four-In-Hand." The reverse side is the Study of a Groom.
Untitled sketch 183 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[215]
Untitled sketch 184 Oil on heavy paper mounted on cardboard La Salle University Art Gallery, Philadelphia, Pennsylvania
Study of Three Balls of Wool and a Rosebush 185 Oil on canvas Joslyn Art Museum, Omaha, Nebraska
Two Cylinders and a Ball 185A Oil Joslyn Art Museum, Omaha, Nebraska
Untitled sketch 186 Oil on heavy paper
Study of a woman seated 187 Oil on canvas mounted on cardboard Auctioned at Doyle's NY, November 28, 2007; unsold.[216]
Street Scene 187A Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[217]
The Writing Master 188 oil on canvas 1882 Metropolitan Museum of Art, New York[218]
Sketch for the Writing Master 189

Oil on wood Philadelphia Museum of Art, Philadelphia, Pennsylvania[219][220] Double sided – one side is a sketch for "The Writing Master." The other side is Sketch of a Man and Study of Drapery
The Swimming Hole 190 Oil on canvas 1884–1885 Amon Carter Museum, Fort Worth, Texas[221]
Study for the Swimming Hole 191 Oil on wood 1884 Hirshhorn Museum and Sculpture Garden, Washington, DC.[222]
Sketch of the landscape for the Swimming Hole 192 Oil on wood Collection of Mr. I David Orr[223]
Sketches for the Swimming Hole 193

Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[224][225] Double-sided, both sides are studies for "The Swimming Hole"
Sketches for the Swimming Hole 194

Oil on cardboard Amon Carter Museum, Fort Worth, Texas[226] Double-sided, both sides are studies for "The Swimming Hole"
Study for The Swimming Hole 195 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[227][228] Double-sided, obverse side contains study of the fisherman's hand from "Mending the Net"
Arcadia 196 Oil on canvas 1883 Metropolitan Museum of Art, New York[229]
Sketch for Arcadia 197 Oil on wood Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[230][231]
Youth Playing Pipes 198 Oil on wood Carnegie Museum of Art, Pittsburgh, Pennsylvania[232] J. Laurie Wallace posed as the model.
Boy Reclining 199 Oil on wood Hirshhorn Museum and Sculpture Garden, Washington, DC.[233] Originally double sided with G-199A until the two images were split.[5]
Study of a Horse 199A Drawing Originally double sided with G-199 until the two images were split.[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137, G-137A & G-201A), May 21, 2009; the lot sold for $119,500.[172]
An Arcadian 200 Oil on canvas c. 1883
Study for An Arcadian 201 Oil on wood Originally double sided with G-201A until the two images were split.[5]
Deassessioned from Hirshhorn Museum and Sculpture Garden.[60]
Auctioned at Christie's NY, March 23, 2016, Lot 56.[234]
Studies of a horse 201A Drawing Originally double sided with G-201 until the two images were split.[5]
Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY (in a lot with G-137, G-137A & G-199A), 2009; the lot sold for $119,500.[172]
Weda Cook and Statue 201B Oil See G-267A for a related study.
A Woman's Back: Study 202 Oil on wood 1879 Collection of Mr. and Mrs. Daniel Dietrich II[235][236]
Female Nude 203 Oil on canvas Probably early 1880s Hirshhorn Museum and Sculpture Garden, Washington, D.C.[237][238]
Female Nude 204 Oil on canvas Probably early 1880s Nelson-Atkins Museum of Art, Kansas City, Missouri[239]
Female Nude 205 Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[5]
Study for female nude 205A Oil Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, September 29, 2010; sold for $50,000.[240]
J. Laurie Wallace 206 Oil on canvas c. 1883 Joslyn Art Museum, Omaha, Nebraska[241]
Drawing for J. Laurie Wallace 206A Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Professionals at Rehearsal 207 Oil on canvas c. 1883 Philadelphia Museum of Art, Philadelphia, Pennsylvania[242]
Perspective Study Of Boy Viewing an Object 207A Hirshhorn Museum and Sculpture Garden, Washington, D.C.[243]
Perspective drawing of a table 207B Hirshhorn Museum and Sculpture Garden, Washington, D.C.[244]
Perspective drawing of two tables 207C
In the Studio 208 Oil on canvas 1884 The Hyde Collection, Glens Falls, New York[245]
In the Studio 209 Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[246] Unfinished
A.B. Frost 210 Oil on canvas c. 1884 Philadelphia Museum of Art, Philadelphia, Pennsylvania[247]
Study for A.B. Frost 210A Oil on cardboard Detroit Institute of Arts, Detroit, Michigan[5]
The Veteran 211 Oil on canvas c. 1886 Yale University Art Gallery, New Haven, Connecticut[248]
Mrs. William Shaw Ward 212 Oil on canvas Auctioned at Sothebys NY, December 2, 2010; sold for $242,500.[249]
The Artist's Wife and His Setter Dog 213 Oil on canvas 1885 Metropolitan Museum of Art, New York[250]
Professor George F. Barker[251] 214


Barker's portrait as it appeared originally. 		Oil on canvas 1886 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[252] Originally 3/4-length and 60×40 inches, cut down to head-and-bust and 24×20 inches.
Sketch for Professor George F. Barker 215

Oil on cardboard 1886 Philadelphia Museum of Art, Philadelphia, Pennsylvania[253][254] Doubled sided – one side is a sketch for Professor George F. Barker. The other side depicts seated figures.
Professor William D. Marks 216 Oil on canvas 1886 Washington University Gallery of Art, St. Louis, Missouri[255]
Professor William D. Marks (unfinished) 217 Oil on canvas c. 1886 76 × 54 Iris & B. Gerald Cantor Center for Visual Arts, Stanford, California
Miss Sophie Brooks 217A Oil
Frank McDowell[256] 218 Oil on canvas c. 1886 Virginia Museum of Fine Arts,
Richmond, Virginia 		Auctioned at Christie's NY, December 9, 1983; sold for $80,000.[257]
Frank MacDowell (unfinished) 219 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[258]
Portrait of Walt Whitman 220 Oil on canvas 1887–1888 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[259]
Sketch for Walt Whitman 221 Oil on wood Probably 1887 Museum of Fine Arts, Boston, Boston, Massachusetts[260]
Mrs. Letitia Wilson Jordan 222 Oil on canvas 1888 Brooklyn Museum of Art, New York City[261]
Sketch for Mrs. Letitia Wilson Jordan Bacon 223 Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[262]
Cowboys in the Badlands 224 Oil on canvas 1888 Anschutz collection, Denver, Colorado Auctioned at Christie's NY, May 22, 2003; sold for $5,383,500.
Set a record for an Eakins painting at auction.
Sketches for Cowboys in the Badlands 225 Oil on cardboard Albright-Knox Art Gallery, Buffalo, New York[263] Originally part of the same work with G-225A and G-225B.[264]
Sketch of a saddle 225A Oil on canvas on cardboard 1887 Philadelphia Museum of Art, Philadelphia, Pennsylvania[265] Originally part of the same work with G-225 and G-225B.[264]
Study of a stirrup 225B Originally part of the same work with G-225 and G-225A.[264]
Sketch for Cowboys in the Badlands 226 Oil on canvas Denver Art Museum, Denver, Colorado[266][267] Deaccessioned by the Philadelphia Museum of Art, April 2008, to fund the co-purchase (with PAFA) of The Gross Clinic.
The Bad Lands 227 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[268]
Study for Cowboys in the Badlands 227A Oil on canvas 10+3⁄8 × 13+1⁄2 Auctioned at Sothebys NY, October 17, 1980; sold for $8,000.[269]
Landscape sketch for Cowboys in the Badlands 228 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[270] Originally double sided with G-228A.
Landscape sketch for Cowboys in the Badlands 228A Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[271] Originally double sided with G-228.
Cowboy Riding 229 Oil on canvas mounted on cardboard Denver Art Museum, Denver, Colorado[266][267] Deaccessioned from the Philadelphia Museum of Art, April 2008, to fund the co-purchase (with PAFA) of The Gross Clinic.
Cowboy (sketches) 230 Oil on canvas mounted on cardboard Edward Boulton posed as the model for the cowboy.
Cowboy Riding 230A Oil on canvas 10+1⁄4 × 14+1⁄4 Auctioned at Freeman's Philadelphia, June 22, 2003; sold for $12,000.[272]
Cowboy (sketch) 231 Oil on canvas mounted on cardboard
Edward W. Boulton 232 c. 1888 Destroyed by vandalism – "The portrait of [Edward W.] Boulton by Eakins was lent to the University Club for an exhibit, and a waiter ran amuck and slashed it up."[273]
Douglass M. Hall 233 Oil on canvas c. 1888 Philadelphia Museum of Art, Philadelphia, Pennsylvania[274] Used as cover image for the album "Kapitulation" by the German indie rock band Tocotronic.
Girl in a Big Hat (Portrait of Lillian Hammitt) 234 Oil on canvas c. 1888 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[275] Hammitt paraded through the streets in a bathing suit and claimed to be Mrs. Thomas Eakins. She was committed to a mental hospital.
The Agnew Clinic 235 Oil on canvas 1889 University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania[276]
Drawing of David Hayes Agnew 235A Ink and pencil on paper c. 1889 9+9⁄16 x 6+1⁄16 Philadelphia Museum of Art
Sketch for the Agnew Clinic[277] 236 Oil on canvas mounted on cardboard Virginia Museum of Fine Arts,
Richmond, Virginia
Study of Dr. D. Hayes Agnew 237 Oil on canvas 1889 Yale University Art Gallery, New Haven, Connecticut[278]
Samuel Murray 238 Oil on canvas 1889 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[279]
Dr. Horatio C. Wood 239 Oil on canvas c. 1889 Detroit Institute of Arts, Detroit, Michigan[60]
Professor George W. Fetter 240 Oil on canvas 1890 Collection of the School District of Philadelphia, Philadelphia, Pennsylvania Rediscovered in 2004 by janitors in the boiler room of a Philadelphia school.[280] Currently in an undisclosed location.
Drawing for Professor George W. Fetter 241 Black ink on white tile
Portrait of Talcott Williams 242 Oil on canvas c. 1890 National Portrait Gallery, Washington, D.C.[281]
The Bohemian: Portrait of Franklin Louis Schenk 243 Oil on canvas c. 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[282]
F.L. Schenk 244 Oil on canvas c. 1890 Delaware Art Museum, Wilmington, Delaware
F.L. Schenk 245 Oil on cardboard c. 1890 Private collection[5]
The Father of F.L. Schenk 246 Oil on canvas c. 1890 Collection of Nelson C. White[283]
Head of a Cowboy 247 Oil on canvas c. 1890 Mead Art Museum, Amherst, Massachusetts[284]
Home Ranch 248 Oil on canvas c. 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[285]
Cowboy Singing 249 Watercolor on paper c. 1890 Metropolitan Museum of Art, New York[286]
Cowboy Singing 250 Oil on canvas c. 1890 Jointly owned by Anschutz collection and Denver Art Museum, Denver, Colorado[266][267] Deaccessioned from the Philadelphia Museum of Art, April 2008, to fund (with PAFA) the co-purchase of "The Gross Clinic."
Thomas B. Harned 251 Oil on canvas c. 1890 24 x 20 Collection of Dr. and Mrs. Herbert S. Harned, Jr. On long-term loan to the Ackland Art Museum, Chapel Hill, North Carolina[287]
Dr. Joseph Leidy II (also known as "Portrait of Man with Red Necktie") 252 Oil on canvas 1890 50 x 36 Deassessioned from Newark Museum, Newark, New Jersey.[288]
Auctioned at Sotheby's New York, 19 May 2021. Sold for $362,800.[289]
Dr. Joseph Leidy II (unfinished) 253 Oil on canvas
William H. Macdowell 254 Oil on canvas c. 1890 Yale University Art Gallery, New Haven, Connecticut[290]
Phidias Studying for the Frieze of the Parthenon 255 Oil on wood c. 1890 Collection of the Eakins Press Foundation[291] Originally double sided with G-255A until the two images were split.[5]
Two Nude Youths on Prancing Horses 255A Oil on wood c. 1890 Originally double sided with G-255 until the two images were split.[5]
The Red Shawl 256 Oil on canvas c. 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[292]
Francis J. Ziegler (also known as "The Critic") 257 Oil on canvas c. 1890 Fogg Art Museum, Cambridge, Massachusetts[293]
The Art Student: Portrait of James Wright 258 Oil on canvas c. 1890 Crystal Bridges Museum of American Art, Bentonville, Arkansas Ex collection: Maloogian Collection, on loan to Detroit Institute of Arts, Detroit, Michigan
The Black Fan 259 Oil on canvas c. 1891 Philadelphia Museum of Art, Philadelphia, Pennsylvania[294]
William H. Macdowell 260 Oil on canvas c. 1891 Taubman Museum of Art, Roanoke, Virginia
William H. Macdowell (study) 261 Oil on canvas c. 1891 Randolph-Macon Woman's College Art Gallery, Lynchburg, Virginia[60]
Portrait of William H. MacDowell 262 Paper on a stretcher Baltimore Museum of Art, Baltimore, Maryland Unfinished
Study for William H. MacDowell 262A Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[295]
Miss Amelia Van Buren 263 Oil on canvas c. 1891 The Phillips Collection, Washington, D.C.[60]
Professor Henry A. Rowland 264 Oil on canvas 1897 Addison Gallery of American Art, Andover, Massachusetts[60]
Sketch for Professor Henry A. Rowland 265 Oil on canvas Addison Gallery of American Art, Andover, Massachusetts[296]
The Concert Singer 266 Oil on canvas 1890–1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[297]
Sketch for the Concert Singer 267 Oil on canvas mounted on wood Philadelphia Museum of Art, Philadelphia, Pennsylvania[298]
Study for Weda Cook and Statue 267A

Oil on canvas Blanton Museum of Art, Austin, Texas Also known as "The Opera Singer." On the reverse is "Woman on balcony waving white handkerchief."
Joshua Ballinger Lippincott 268 Oil on canvas 1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[299]
Study for Joshua Ballinger Lippincott 268A Oil 1892 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[300]
Miss Blanche Hurlburt 269 Oil on canvas c. 1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[301]
Dr. Jacob M. Da Costa 270 Oil on canvas 1893 Pennsylvania Hospital[129][302]
Jacob M. Da Costa 270A Oil on canvas Destroyed by Thomas Eakins after DaCosta rejected it.[303]
Sketch for Dr. Jacob M. Da Costa 271 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[304]
Girl with Puff Sleeves 272 Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, September 29, 2010; sold for $18,750.[305]
Frank Hamilton Cushing 273 Oil on canvas Late 1894 or 1895 Gilcrease Museum, Tulsa, Oklahoma[306]
Study for Frank Hamilton Cushing 274 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[307]
Mrs. Frank Hamilton Cushing 275 Oil on canvas c. 1894 or 1895 Philadelphia Museum of Art, Philadelphia, Pennsylvania[308]
Study of James MacAlister (also known as "Man in the Red Necktie") 276 Oil on canvas mounted on cardboard ca. 1895 Metropolitan Museum of Art, New York[309] Originally double sided with G-276A until the two images were split.[5]
Study for William L. MacLean 276A Oil on canvas mounted on cardboard ca. 1895 Originally double sided with G-276 until the two images were split.[5]
Weda Cook 277 Oil on canvas c. 1895 Columbus Museum of Art, Columbus, Ohio[310]
The Pianist (Stanley Addicks) 278 Oil on canvas c. 1895 Indianapolis Museum of Art, Indianapolis, Indiana[311]
Katherine Maud Cook 279 Oil on canvas 1895 Yale University Art Gallery, New Haven, Connecticut[312]
Riter Fitzgerald 280 Oil on canvas 1895 Art Institute of Chicago, Chicago, Illinois[313]
Sketch for Riter Fitzgerald 281 Oil on canvas mounted on cardboard The Huntington Library, San Marino, California[314]
Sketch for Riter Fitzgerald 282 Oil on canvas
Study for Mrs. Hubbard 283 Oil on canvas mounted on cardboard c. 1895 Sewell C. Biggs Museum of American Art, Dover, Delaware[315] Study for now-destroyed portrait of Mrs. Hubbard.
Auctioned at Sotheby's NY, March 11, 1999; sold for $34,500.[316]
John McLure Hamilton 284 Oil on canvas 1895 Wadsworth Atheneum, Hartford, Connecticut[60]
Sketch for John McLure Hamilton 285 Oil on canvas mounted on cardboard 14+5⁄8 × 10+5⁄8 Georgia Museum of Art, Athens, Georgia
Mrs. Charles L. Leonard 286 Oil on cardboard 1895 Thomas Colville Fine Art[317] Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 3, 2011; sold for $25,000.[318]
Miss Gertrude Murray 287 Oil on canvas 1895 Dallas Museum of Art, Dallas, Texas[60]
Charles Linford 288 Oil on canvas c. 1895 Ex collection: IBM.
Auctioned at Sotheby's NY, Mat 25, 1995; sold for $80,000.[319]
Captain Joseph Lapsley Wilson 289 Oil on canvas c. 1895 30 × 22 Collection of the First Troop Philadelphia City Cavalry
Sketch for Captain Joseph Lapsley Wilson 290 Oil on canvas mounted on cardboard c. 1895 7¾ × 5+1⁄4 Auctioned at Christie's NY, June 3, 1983; sold for $9000.[320]
Ex collection: Gulf States Paper Corporation, Tuscaloosa, Alabama (1983-2013).
Auctioned at Christie's New York, September 25, 2013, Lot 196, Unsold.[321]
The Cello Player 291 Oil on canvas 1896 Private collection Deaccessioned from the Pennsylvania Academy of the Fine Arts, 2007, to fund the co-purchase (with PMA) of "The Gross Clinic."
Sketch for the Cello Player 292 Oil on canvas 1896 Heckscher Museum of Art, Huntington, New York[322]
Mrs. James Mapes Dodge 293 Oil on canvas 1896 Philadelphia Museum of Art, Philadelphia, Pennsylvania[323]
Harrison S. Morris 294 Oil on canvas 1896 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[324]
Sketch for Harrison S. Morris 295 Oil on canvas mounted on cardboard Newark Museum, Newark, New Jersey[325]
Professor William Woolsey Johnson 295A Oil on canvas c. 1896 M. H. de Young Memorial Museum, San Francisco, California[326]
Dr. Charles Lester Leonard 296 Oil on canvas 1897 Collection of the University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania
Jennie Dean Kershaw (Mrs. Samuel Murray) 297 Oil on canvas c. 1897 Sheldon Museum of Art, Lincoln, Nebraska[327]
Mrs. Samuel Murray (unfinished) 298 Oil on canvas Baltimore Museum of Art, Baltimore, Maryland
Miss Lucy Lewis 299 Oil on canvas c. 1897 Philadelphia Museum of Art, Philadelphia, Pennsylvania[328]
Miss Anna Lewis 300 Oil on canvas c. 1898 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[329]
William H. MacDowell with a Hat 301 Oil on canvas c. 1898 Taubman Museum of Art, Roanoke, Virginia
General E. Burd Grubb 302 Oil on canvas Probably 1898 Yale University Art Gallery, New Haven, Connecticut[330]
Taking the Count 303 Oil on canvas 1898 Yale University Art Gallery, New Haven, Connecticut[331]
Sketch for Taking the Count 304 Oil on canvas mounted on cardboard 1898 Yale University Art Gallery, New Haven, Connecticut[332]
Sketch for Taking the Count 305 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[333]
The Referee, H. Walter Schlichter 306 Oil on canvas 1898 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[334]
Maybelle 307 Oil on canvas 1898 Frye Art Museum, Seattle, Washington[335]
Sketch for Maybelle 308 Oil on canvas mounted on cardboard
John N. Fort 309 Oil on canvas 1898 Williams College Museum of Art, Williamstown, Massachusetts[336]
Salutat 310 Oil on canvas 1898 Addison Gallery of American Art, Phillips Academy[60]
Study for Salutat 311 Oil on canvas 1898 Carnegie Museum of Art, Pittsburgh, Pennsylvania[337]
Between Rounds 312 Oil on canvas 1898–1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[338]
Sketch for Between Rounds 313

Oil on cardboard Hirshhorn Museum and Sculpture Garden, Washington, D.C.[339] Double sided – one side is a study for "Between Rounds;" the other side is a landscape sketch.
Billy Smith (sketch) 314 Oil on canvas c. 1898 Philadelphia Museum of Art, Philadelphia, Pennsylvania[340]
Billy Smith (study) 315 Oil on canvas 1898 Wichita Art Museum, Wichita, Kansas[341]
The Timer 316 Oil on canvas 1898 New Britain Museum of American Art, New Britain, Connecticut[60]
Wrestlers 317 Oil on canvas 1899 Los Angeles County Museum of Art, Los Angeles County, California[342]
Study for Wrestlers 318 Oil on canvas Los Angeles County Museum of Art, Los Angeles County, California[343]
Wrestlers (unfinished) 319 Oil on canvas 1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[344]
The Fairman Rogers Four-in-Hand (black & white) 320 Oil on canvas 1899 St. Louis Art Museum, St. Louis, Missouri[345] Black & white version of the 1879–80 original. Painted to be photographed as an illustration for Fairman Rogers, A Manual of Coaching (Philadelphia, 1900).
T. Ellwood Potts 321 1890–1900
Mrs. T Ellwood Potts 322 c. 1890–1900
Addie: A Woman in Black (Portrait of Miss Mary Adeline Williams) 323 Oil on canvas c. 1899 Art Institute of Chicago, Chicago, Illinois[346] In Eakins Revealed (pp. 369–371), author Henry Adams claims that Mary Adeline "Addie" Williams, an Eakins family friend, was the nude model for G-451 William Rush and his Model, and related studies G-445, G-446, G-447, G-452, G-453 and G-454.
Benjamin Eakins 324 Oil on canvas c. 1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[347]
Mrs. Thomas Eakins 325 Oil on canvas c. 1899 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[348]
Mrs. William H. Green 326 Oil on canvas 1899 Driscoll Babcock Galleries[349] Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Sotheby's NY, September 29, 2010; sold for $31,250.[350]
The Dean's Roll Call 327 Oil on canvas 1899 Museum of Fine Arts, Boston, Boston, Massachusetts[351]
Louis Husson 328 Oil on canvas 1899 National Gallery of Art, Washington, D.C.[352]
David Wilson Jordan 329 Oil on canvas 1899 The Huntington Library, San Marino, California[353]
Study for David Wilson Jordan 329A Oil
William Merritt Chase 330 Oil on canvas c. 1899 Hirshhorn Museum and Sculpture Garden, Washington, DC.[354][355]
The Thinker: Portrait of Louis N. Kenton 331 Oil on canvas 1900 Metropolitan Museum of Art, New York[356]
Sketch for The Thinker 332 Oil on cardboard mounted on wood Farnsworth Art Museum, Rockland, Maine[357] Originally double sided with G-365A until the two images were split.[5]
Addie (also known as "Portrait of Mary Adeline Williams") 333 Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[358]
Mrs. Mary Arthur 334 Oil on canvas 1900 Metropolitan Museum of Art, New York[359]
Robert M. Lindsay 335 Oil on canvas 1900 Detroit Institute of Arts, Detroit, Michigan[360]
Sketch for Robert M. Lindsay 336 Oil on wood Detroit Institute of Arts, Detroit, Michigan[361]
Frank Jay St. John 337 Oil on canvas 1900 M. H. de Young Memorial Museum, San Francisco, California[362]
Antiquated Music: Portrait of Sarah Sagehorn Frishmuth 338 Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[363]
Mrs. Joseph H. Drexel 339 Oil on canvas unstretched 1900 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, May 18, 2011; sold for $68,500.[364]
Sketch for Mrs. Joseph H. Drexel 340 Oil on cardboard c. 1900
Dr. Daniel Garrison Brinton 340A Oil Collection of the American Philosophical Society.[365]
Clara J. Mather 341 Oil on canvas c. 1900 Musée d'Orsay, Paris, France[366]
A Woman in Black (Portrait of Clara J. Mather) 342 Oil on wood
Elizabeth R. Coffin 343 Oil on canvas c. 1900 Coffin School collection, Egan Institute of Maritime Studies, Nantucket, Massachusetts[367]
Dr. Edward J. Nolan 344 Oil on canvas c. 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[368]
Henry O. Tanner 345 Oil on canvas c. 1900 The Hyde Collection, Glens Falls, New York[60]
Honorable John A. Thorton 346 Oil on canvas Schwarz Gallery, Philadelphia, Pennsylvania
Monsignor James P. Turner 347 Oil on canvas c. 1900 Eakins later painted a full-length portrait of Monsignor Turner (G-438); sketch (G-439).
Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[129][369]
Auctioned at Christie's NY, November 19, 2015; sold for $221,000.[370]
Portrait of Leslie W. Miller 348 Oil on canvas 1901 Philadelphia Museum of Art, Philadelphia, Pennsylvania[371]
Sketch for Professor Leslie W. Miller 349

Oil on cardboard c. 1892–1894 Philadelphia Museum of Art, Philadelphia, Pennsylvania[372][373] Double sided: one side depicts Leslie W. Miller. The reverse depicts Thomas Eakins' dog, Harry.
Signature for 'Leslie W. Miller' 349A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[374]
Mrs. Leslie W. Miller 350 Oil on canvas 1901
Mrs. Elizabeth Duane Gillespie 351 Oil on canvas 1901 Collection of the Philadelphia Museum of Art, gift of the Women's Committee[375]
Sketch for Mrs. Elizabeth Duane Gillespie 352 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[376]
George Morris 353 Oil on canvas 1901
Reverend Philip R. McDevitt 354 Oil on canvas 1901 Snite Museum of Art, Notre Dame, Indiana[377]
Charles F. Haseltine 355 Oil on canvas c. 1901 Montclair Art Museum, Montclair, New Jersey[60]
Elbridge Ayer Burbank 356 c. 1901
Alfred F. Watch 357 c. 1901
Self-Portrait 358 Oil on canvas 1902 National Academy of Design, New York[60]
Self-portrait 358A Oil on canvas c. 1902 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60][378]
Colonel Alfred Reynolds 359 Oil on canvas 1902 Taubman Museum of Art, Roanoke, Virginia[379]
Signora Gomez D'Arza 360 Oil on canvas 1902 Metropolitan Museum of Art, New York[380]
His Eminence Sebastiano Cardinal Martinelli 361 Oil on canvas 1901–02 Hammer Museum, Los Angeles[60]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli 361A Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli 361B Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Very Reverend John J. Fedigan 362 Oil on canvas 1902 Collection of the Augustinian Province of St. Thomas of Villanova.[381] On permanent loan to Villanova University, Villanova, Pennsylvania[382]
Sketch for the Very Reverend John J. Fedigan 363 Oil on canvas Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, September 27, 2011; sold for $10,625.[383]
The Translator 364 Oil on canvas 1902 Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania
Monsignor James F. Loughlin 365 Oil on canvas 1902 Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[129][369]
Study for Monsignor James F. Loughlin 365A Oil on cardboard mounted on wood Originally double sided with G-332 until the two images were split.[5]
Auctioned at Bonham's San Francisco, November 29, 2005; sold for $15,000.[384]
John Seely Hart 366 Oil on canvas 1902 Collection of the School District of Philadelphia, Philadelphia, Pennsylvania Dr. Hart (1810–1877) was principal of Philadelphia's Central High School when Eakins was a student. Eakins painted the posthumous portrait from a photograph.
Rediscovered in 2004 by janitors in the boiler room of a Philadelphia school, it is currently in an undisclosed location.[280]
Charles E. Dana 367 Oil on canvas c. 1902 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[385]
The Young Man (Kern Dodge) 368 Oil on canvas c. 1902 Philadelphia Museum of Art, Philadelphia, Pennsylvania[386]
Miss Mary Perkins (unfinished) 369 Oil on canvas c. 1902
Girl with a Fan 370 Oil on canvas c. 1902 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[387]
Adam S. Bare 371 Oil on canvas 1903
Walter Copeland Bryant 372 Oil on canvas 1903 Collection of the Brockton Public Library, Brockton, Massachusetts
Dr. Matthew H. Cryer 373 Oil on canvas 1903 Private collection
Archbishop William Henry Elder 374 Oil on canvas 1903 66+3⁄16 × 45+3⁄16 Cincinnati Art Museum, Cincinnati, Ohio[388]
Mother Patricia Waldron 375 Sketch. Oil on canvas mounted on cardboard 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[389] Study for completed portrait, G-487 (lost, probably destroyed). See below.
Bishop Edmond F. Prendergast 376 Oil on canvas Lost, possibly destroyed: "Murray told Eakins biographer Lloyd Goodrich that he had it 'from a reliable source' that the painting, which Murray considered 'superb' was somehow disposed of."[390]
James A. Flaherty 377 Oil on canvas 1903 Deassessioned from St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[129][369]
Auctioned at Christie's NY, May 19, 2016; sold for $185,000.[391]
William B. Kurtz 378 Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania 2015 bequest of Daniel W. Dietrich II.[392][393][394]
Miss Alice Kurtz 379 Oil on canvas 1903 Fogg Art Museum, Cambridge, Massachusetts[395]
Mrs. Mary Hallock Greenewalt 380 Oil on canvas 1903 Wichita Art Museum, Wichita, Kansas[396]
Dr. Frank Lindsay Greenewalt 381 Oil on canvas 1903 Private collection, Delaware
Dr. Frank Lindsay Greenewalt 381A Oil
Mrs. Anna A. Kershaw 382 Oil on canvas 1903 Deaccessioned from Sheldon Museum of Art, Lincoln, Nebraska.
Auctioned at Sotheby's NY, December 5, 2015; sold for $187,500.[397]
Ruth (Portrait of Ruth Harding) 383 Oil on canvas 1903 White House Art Collection, Washington, D.C.
An Actress: Portrait of Suzanne Santje 384 Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[398]
Study for An Actress 385 Oil on canvas mounted on cardboard Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, December 1, 2010; sold for $100,900.[399]
Miss Betty Reynolds 386 Oil on canvas c. 1903 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's New York, March 1, 2012; sold for $22,500.[400]
The Oboe Player 387 Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[401]
Rear-Admiral Charles D. Sigsbee 388 Oil on canvas 1903 Auctioned at Sotheby's NY, May 22, 2008; sold for $1,945,000.[402]
Mrs. M.S. Stokes 389 Oil on canvas 1903 Arkell Museum, Canajoharie, New York[403]
Mrs. Richard Day 390 Oil on canvas c. 1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[404]
Mother (Portrait of Annie Williams Gandy) 391 Oil on canvas c. 1903 Smithsonian American Art Museum[405] Donated to the Smithsonian by Annie Gandy's daughters, Lucy Rodman and Helen Gandy.
Mrs. Helen MacKnight (also known as "The Lady in Grey" and "Portrait of a Mother") 392 Oil on canvas c. 1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[406]
Francesco Romano 393 c. 1903 Auctioned at Christie's NY, May 26, 1994; sold for $80,000.[407]
Auctioned at Sotheby's NY, November 29, 2012; sold for $146,500.[408]
Robert C. Ogden 394 Oil on canvas 1904 Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, May 20, 2009; sold for $338,500.[409][410]
Study for Robert C. Ogden 394A Oil Deaccessioned from Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 3, 2011; sold for $32,500.[411]
J. Carroll Beckwith 395 Oil on canvas 1904 San Diego Museum of Art, San Diego, California[60]
Charles Percival Buck 396 Oil on canvas 1904 Princeton University Art Museum, Princeton, New Jersey[412]
Mrs. James G. Carville (Portrait of Harriet Husson Carville) 397 Oil on canvas 1904 National Gallery of Art, Washington, D.C.[413]
Mrs. Kern Dodge 398 Oil on canvas 1904 Private Collection. Los Angeles
Mrs. Kern Dodge 399 Oil on canvas
Miss Beatrice Fenton (also known as "The Coral Necklace") 400 Oil on canvas 1904 Butler Institute of American Art, Youngstown, Ohio[173]
William R. Hallowell 401 Oil on canvas 1904
Music 402 Oil on canvas 1904 Albright-Knox Art Gallery, Buffalo, New York[414]
Sketch for Music 403 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[415]
The Violinist 404 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[416]
Samuel Myers 405 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[417]
Frank B.A. Linton 406 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[418]
Mrs. Edith Mahon 407 Oil on canvas 1904 Smith College Museum of Art, Northampton, Massachusetts[419]
Rear-Admiral George W. Melville 408 Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pennsylvania[420] Eakins painted a later portrait of Melville, see G-420.
William Murray 409 Oil on canvas c. 1904
Mrs. Matilda Searight 410 Oil on canvas 1904 La Salle University Art Gallery, Philadelphia, Pennsylvania
Edward Taylor Snow 411 Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pennsylvania[421]
B.J. Blommers 412 1904 Toledo Museum of Art, Toledo, Ohio[60]
Mrs. B.J. Blommers 413 1904
Charles P. Gruppe 414 Oil on canvas 1904 22" × 18" Private Collection. New York City
A. Bryan Wall 414A Oil Bowdoin College Museum of Art, Brunswick, Maine[422]
Joseph R. Woodwell 415 Oil on canvas 1904 Carnegie Museum of Art, Pittsburgh, Pennsylvania[423]
William H. MacDowell 416 Oil on canvas c. 1904 Memorial Art Gallery, University of Rochester, New York[424]
Walter MacDowell 417 Oil on canvas c. 1904 Taubman Museum of Art, Roanoke, Virginia[379]
William H. Lippincott 418 Late 1904 or early 1905
Edward W. Redfield 419 Oil on canvas 1905 National Academy of Design, New York
Rear-Admiral George W. Melville 420 Oil on canvas 1905 National Gallery of Art, Washington, D.C.[425] Eakins painted an earlier portrait of Melville, see G-408.
Mrs. George Morris 421 Oil on canvas 1905
Professor William Smith Forbes 422 Oil on canvas 1905 Private collection Deaccessioned from Thomas Jefferson University, Philadelphia, Pennsylvania in 2007.
Charles L. Fussell 423 Oil on canvas c. 1905 Montclair Art Museum, Montclair, New Jersey[426]
Study for Charles L. Fussell 423A Oil on board c. 1905 Deaccessioned from the Hirshhorn Museum and Sculpture Garden.
Auctioned at Christie's NY, March 1, 2012; sold for $27,500.[427]
Miss Florence Einstein 424 Oil on canvas 1905 Currier Museum of Art, Manchester, New Hampshire[428]
Monsignor Diomede Falconio 425 Oil on canvas 1905 National Gallery of Art, Washington, D.C.[429]
John B. Gest 426 Oil on canvas 1905 Museum of Fine Arts, Houston, Houston, Texas[430]
Asbury.W. Lee 427 Oil on canvas 1905 Reynolda House Museum of American Art, Winston-Salem, North Carolina[431]
Miss Elizabeth L. Burton 428 Oil on canvas c. 1905 Minneapolis Institute of Arts, Minneapolis, Minnesota[60]
Dr. Thomas H. Fenton 429 Oil on canvas c. 1905 Delaware Art Museum, Wilmington, Delaware
Mrs. Louis Husson (Annie C. Lochrey) 430

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