Norman Mittelmann

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Norman Mittelmann (25 May 1932 – 17 March 2019[1]) was a Canadian operatic baritone who had an active international opera career from the 1950s through the 1990s. A winner of the Metropolitan Opera National Council Auditions, Mittelmann performed periodically at the Met from 1961 through 1984. Primarily active with opera houses in Europe, he was a resident artist at the Grillo-Theater in Essen, Germany (1959–1961), the Deutsche Oper am Rhein (1960–1964), and the Zürich Opera (1964–1982) in addition to appearing frequently with other opera houses internationally as a guest artist. His voice is preserved on several live complete opera recordings from the 1960s and 1970s that have been released on disc; including performances with Luciano Pavarotti, Renata Scotto, Shirley Verrett, Plácido Domingo, Jon Vickers, Birgit Nilsson, and Richard Tucker.

Life and career[edit]

Born into a Jewish family in Winnipeg, Manitoba, Mittelmann graduated from St. John's High School in his native city.[2] During high school he was a member of the Winnipeg All Star High School Football Team.[2] He first studied singing with Canadian soprano Doris Lewis in Manitoba, before entering the Curtis Institute of Music in Philadelphia on a full scholarship in 1950 at the age of 18.[2][1] At Curtis he was a pupil of Martial Singher, Vladimir Sokoloff, and Richard Bonelli.[1][3] In a 1961 Opera News interview he credited Singher with establishing the core of his technique, and enabling him to be successful professionally.[4]

After completing his studies at Curtis in 1954, Mittelmann pursued graduate studies at the Music Academy of the West in Montecito, California in 1955 and 1956 where he was a pupil of Lotte Lehmann.[4][3][5] He made his professional opera debut in Santa Barbara in 1956; portraying Count Almaviva in Mozart's The Marriage of Figaro and Harlequin in Richard Strauss's Ariadne auf Naxos in productions directed by Lehmann.[6] That same year he performed in the United States premiere of Darius Milhaud's David at the Hollywood Bowl in Los Angeles.[1][7] In 1958 he portrayed Marcello in Giacomo Puccini's La bohème for his first opera appearance in Canada in a production mounted by the Canadian Opera Company (COC).[1] He later returned to the COC in a critically lauded portrayal of the four villains (Lindorf, Coppelius, Dappertutto and Dr. Miracle) in Offenbach's The Tales of Hoffmann in 1967; a production which he performed both in Toronto's opera house and at Expo 67 in Montreal.[1]

In 1959 Mittelmann won the Metropolitan Opera National Council Auditions.[1] However, he chose to delay his offered contract with the Met to pursue work in Europe.[4] From 1959 until 1961 he was a principal artist at the Grillo-Theater in Essen, Germany.[6] He made his debut at the Metropolitan Opera House as the Herald in Richard Wagner's Lohengrin on 28 October 1961; and continued to perform periodically at the Met through 1985.[1][8] Other roles he portrayed at the Met included Amonasro in Aida, Don Carlo in La forza del destino, Donner in Das Rheingold, Faninal in Der Rosenkavalier, Gunther in Götterdämmerung, the High Priest in Samson et Dalila, Jochanaan in Salome, Kothner in Die Meistersinger von Nürnberg, Mandryka in Arabella, both Silvio and Tonio in Pagliacci, and Valentin in Faust.[8] His final appearance at the Met was on November 18, 1985 as Shaklovity in Modest Mussorgsky's Khovanshchina.[8]

Mittelmann was a resident artist at the Deutsche Oper am Rhein from 1960 through 1964.[6] He left that position to join the roster of resident artist at the Zürich Opera where he was committed from 1964 through 1982.[6] A frequent guest artist with opera houses internationally, he also performed leading roles with the Bavarian State Opera, the Berlin State Opera, the Lyric Opera of Chicago (debut as Ruprecht in Prokofiev’s The Fiery Angel in 1966[1]), the Paris Opera, the Royal Opera, London (debut as Germont in La traviata in 1965[1]), the Teatro Colón, and the Vienna State Opera among other major opera companies during his career.[1][3] In 1970 he created the role of Daniel in the world premiere of Willy Burkhard’s Ein Stern geht auf aus Jaakob at the Hamburg State Opera.[1] He performed in several productions with the San Francisco Opera from 1972 until 1979; appearing as Amonasro, Barnaba in La Gioconda, Germont, Nelusko in L'Africaine, and Rodrigo in Don Carlo.[9] In 1983 he performed the role of Shishkov in the United States premiere of Leoš Janáček's From the House of the Dead with the New York Philharmonic.[10] His final opera performance was in 1991, although he continued to work as a concert performer for several more years.[1]

Mittelmann lived in retirement in Palm Springs, California where he sold real estate and owned and operated a restaurant.[1] He died on 17 March 2019 in Palm Desert, California.[1]

Complete opera recordings[edit]

Year Title Role Cast Conductor
orchestra 		Live /
studio 		Label
1961 Wagner: Lohengrin Heerufer Mittelmann,
Richard Cassilly,
Eleanor Steber,
Margaret Harshaw,
Walter Cassel, et al. 		Julius Rudel
Chorus and orchestra of the Philadelphia Lyric Opera 		Live, 24 November 1961 OOA[11]
1961 Wagner: Das Rheingold Donner Mittelmann,
George London,
Irene Dalis,
Herbert Schachtschneider,
Robert Nagy, et al. 		Wolfgang Sawallisch
Chorus and orchestra of the Metropolitan Opera 		Metropolitan Opera radio broadcast, 16 December 1961 NPR[12]
1962 Leoncavallo: Pagliacci Silvio Mittelmann,
Raina Kabaivanska,
Carlo Bergonzi, et al. 		Fausto Cleva
Chorus and orchestra of the Metropolitan Opera 		Metropolitan Opera radio broadcast, 27 October 1962[13] NPR
1965 Saint-Saëns: Samson et Dalila The High Priest Mittelmann,
Giulietta Simionato,
Jon Vickers, et al. 		Fausto Cleva
Chorus and orchestra of the Metropolitan Opera 		Metropolitan Opera radio broadcast, 28 May 1965[14] NPR
1970 Donizetti: Lucia di Lammermoor Lord Enrico Ashton Mittelmann,
Cristina Deutekom,
Richard Tucker, et al. 		Antonino Votto
Chorus and orchestra of the Lyric Opera of Chicago 		Live, October 31, 1970 TOL LUC<[15]
1971 Wagner: Tristan und Isolde Kurwenal Mittelmann,
Jon Vickers,
Birgit Nilsson, et al. 		Horst Stein
Chorus and orchestra of the Teatro Colón 		Live VAIA, released 1999[16]
1972 Verdi: Aida Amonasro Mittelmann,
Richard Cassilly,
Marina Krilovici,
Simon Estes, et al. 		Jesús López Cobos
Chorus and orchestra of the San Francisco Opera 		Live, 24 November 1972 Premiere 1916[17]
1973 Meyerbeer: L'Africaine Nelusko Mittelmann,
Shirley Verrett,
Plácido Domingo, et al. 		Jean Périsson
Chorus and orchestra of the San Francisco Opera 		Live Opera d'oro[18]
1974 Verdi: La traviata Germont Mittelmann,
Antigone Sgourda,
Barry Morell, et al. 		Alberto Erede
Chorus and orchestra of the Zürich Opera 		Live, 3 March 1974 Lyric Distribution[19]
1974 Verdi: Un ballo in maschera Renato Mittelmann,
Luciano Pavarotti,
Renata Scotto, et al. 		Nello Santi
Chorus and orchestra of the Hamburg State Opera 		Live, 17 June 1974 Lyric Distribution[20]
1975 Puccini: Madama Butterfly Scarpia Mittelmann,
Ghena Dimitrova,
Renato Francesconi, et al. 		Michaelangelo Veltri
Chorus and orchestra of the Teatro Colón 		Live IMR Classic Records, 2003[21]
1976 Offenbach: The Tales of Hoffmann Lindorf, Coppelius, Dappertutto and Dr. Miracle Mittelmann,
Ruth Welting,
Plácido Domingo, et al. 		Bruno Bartoletti
Chorus and orchestra of the Lyric Opera of Chicago 		Live TOL CON[22]

Citations[edit]

  1. ^ a b c d e f g h i j k l m n o John Berke; Florence Hayes; Andrew McIntosh (April 24, 2019). "Norman Mittelmann". The Canadian Encyclopedia. Retrieved December 29, 2023.
  2. ^ a b c Rosalind Marmel (October 1, 2012). "View Winnipeg's Emmy Award Winner and Jazz Recording Artist Aubrey Tadman and Opera Star Norman Mittelmann Melting Hearts at Allan Blye's High Holy Day Services". Winnipeg Jewish Review.
  3. ^ a b c Kutsch, K.-J.; Riemens, Leo (2012). "Mittelmann, Norman". Großes Sängerlexikon (in German) (4th ed.). De Gruyter. p. 3162. ISBN 978-3-59-844088-5.
  4. ^ a b c "Norman Mittelmann". Opera News. Vol. 26. 1961. p. 33.
  5. ^ "Alumni Roster". musicacademy.org. Archived from the original on 5 June 2012. Retrieved 29 January 2020.
  6. ^ a b c d Paul Suter (2005). "Norman Mittelmann". In Andreas Kotte (ed.). Theaterlexikon der Schweiz / Dictionnaire du théâtre en Suisse / Dizionario Teatrale Svizzero / Lexicon da teater svizzer [Theater Dictionary of Switzerland] (in German). Vol. 2. Zürich: Chronos. pp. 1252–1253. ISBN 978-3-0340-0715-3. LCCN 2007423414. OCLC 62309181.
  7. ^ "Opera By Milhaud In American Debut". The New York Times. September 24, 1956. p. 23.
  8. ^ a b c "Mittelmann, Norman [Baritone]". Metropolitan Opera Archives. Retrieved May 3, 2022.
  9. ^ "Norman Mittelmann". San Francisco Opera Performance Archive. Retrieved May 3, 2022.
  10. ^ Andrew Porter (1988). Musical Events: A Chronicle, 1980–1983. Grafton. p. 424. ISBN 9780246133113.
  11. ^ Steiger 2011, p. 570.
  12. ^ Steiger 2011, p. 578.
  13. ^ Steiger 2011, p. 229.
  14. ^ Steiger 2011, p. 421.
  15. ^ Steiger 2011, p. 129.
  16. ^ Jonathan Brown (2000). Tristan und Isolde on Record: A Comprehensive Discography of Wagner's Music Drama with a Critical Introduction to the Recordings. Greenwood Press. p. 98. ISBN 9780313314896.
  17. ^ Steiger 2011, p. 540.
  18. ^ Clyde T. McCants (2003). Opera for Libraries: A Guide to Core Works, Audio and Video Recordings, Books and Serials. McFarland & Company. p. 125. ISBN 9780786414420.
  19. ^ Steiger 2011, p. 514.
  20. ^ Steiger 2011, p. 524.
  21. ^ Roger Flury (2012). Giacomo Puccini: A Discography. Scarecrow Press. p. 310. ISBN 9780810883291.
  22. ^ Steiger 2011, p. 321.

Sources[edit]

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