Reinhold Begas

You can help expand this article with text translated from the corresponding article in German. (April 2014) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Reinhold Begas]]; see its history for attribution. You may also add the template {{Translated|de|Reinhold Begas}} to the talk page. For more guidance, see Wikipedia:Translation.

Reinhold Begas
Photograph by Jacob Hilsdorf
Born	(1831-07-31)31 July 1831 Schöneberg, Kingdom of Prussia
Died	3 August 1911(1911-08-03) (aged 80) Berlin, Kingdom of Prussia, German Empire
Nationality	German
Education	Christian Daniel Rauch, Ludwig Wilhelm Wichmann
Known for	sculpture

Reinhold Begas (15 July 1831 – 3 August 1911) was a German sculptor.

Begas was born in Berlin, son of the painter Carl Joseph Begas. He received his early education (1846–1851) studying under Christian Daniel Rauch and Ludwig Wilhelm Wichmann. During a period of study in Italy, from 1856 to 1858, he was influenced by Arnold Böcklin and Franz von Lenbach in the direction of a naturalistic style in sculpture. This tendency was marked in the group Borussia, executed for the facade of the exchange in Berlin, which first brought him into general notice.^[1]

In 1861 Begas was appointed professor at the art school at Weimar, but retained the appointment only a few months. That he was chosen, after competition, to execute the statue of Friedrich Schiller for the Gendarmenmarkt in Berlin, was a high tribute to the fame he had already acquired, and the result, one of the finest statues in the German metropolis, entirely justified his selection. Since the year 1870, Begas dominated the plastic art in the Kingdom of Prussia, but especially in Berlin. Among his chief works during this period are the colossal statue of Borussia for the Hall of Glory; the Neptune fountain in bronze on the Schlossplatz; the statue of Alexander von Humboldt, and the Kaiser-Wilhelm-Nationaldenkmal, all in Berlin; the sarcophagus of Emperor Frederick III in the mausoleum of the Church of Peace at Potsdam; and, lastly, the national monument to Emperor William I, the statue of Otto von Bismarck before the Reichstag building, and several of the statues in the Siegesallee.^[1]

• 
  Neptunbrunnen in Berlin, near Alexanderplatz
• 
  Bust of Adolph von Menzel, around 1875/76
• 
  Kaiser-Wilhelm- Nationaldenkmal (destroyed by the SED)
• 
  Carl Van Vechten in front of Mars
• 
  Bismarck-Nationaldenkmal
• 
  Cenotaph of Bismarck (model)
• 
  Prometheus
• 
  Cenotaph of Frederick III, German Emperor. Located in the Berliner Dom.
• 
  Susanna. 1869-72

• Centaur and Nymph
• Mercury and Psyche

Attribution

•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Begas, Reinhold". Encyclopædia Britannica. Vol. 3 (11th ed.). Cambridge University Press.

Media related to Reinhold Begas at Wikimedia Commons

• Works by or about Reinhold Begas at the Internet Archive