bell hooks
From Wikipedia the free encyclopedia
bell hooks | |
|---|---|
 In October 2014 | |
| Born | Gloria Jean Watkins September 25, 1952 Hopkinsville, Kentucky, U.S. |
| Died | December 15, 2021 (aged 69) Berea, Kentucky, U.S. |
| Education | |
| Occupations |
|
| Years active | 1978–2018 |
| Known for | Oppositional gaze |
| Notable work | |
| Website | web |
Gloria Jean Watkins (September 25, 1952 – December 15, 2021), better known by her pen name bell hooks (stylized in lowercase),[1] was an American author, theorist, educator, and social critic who was a Distinguished Professor in Residence at Berea College.[2] She was best known for her writings on race, feminism, and class.[3][4] She used the lower-case spelling of her name to decenter herself and draw attention to her work instead. The focus of hooks' writing was to explore the intersectionality of race, capitalism, and gender, and what she described as their ability to produce and perpetuate systems of oppression and class domination. She published around 40 books, including works that ranged from essays, poetry, and children's books. She published numerous scholarly articles, appeared in documentary films, and participated in public lectures. Her work addressed love, race, social class, gender, art, history, sexuality, mass media, and feminism.[5]
She began her academic career in 1976 teaching English and ethnic studies at the University of Southern California. She later taught at several institutions including Stanford University, Yale University, New College of Florida, and The City College of New York, before joining Berea College in Berea, Kentucky, in 2004.[6] In 2014, hooks also founded the bell hooks Institute at Berea College.[7] Her pen name was borrowed from her maternal great-grandmother, Bell Blair Hooks.[8]
Early life
[edit]Gloria Jean Watkins was born on September 25, 1952, to a working-class African-American family, in Hopkinsville,[9] a small, segregated town in Kentucky.[10] Watkins was one of six children born to Rosa Bell Watkins (née Oldham) and Veodis Watkins.[5] Her father worked as a janitor and her mother worked as a maid in the homes of white families.[5] In her memoir Bone Black: Memories of Girlhood (1996), Watkins would write of her "struggle to create self and identity" while growing up in "a rich magical world of southern black culture that was sometimes paradisiacal and at other times terrifying."[11]
An avid reader (with poets William Wordsworth, Langston Hughes, Elizabeth Barrett Browning and Gwendolyn Brooks among her favorites),[12] Watkins was educated in racially segregated public schools, later moving to an integrated school in the late 1960s.[13] This experience greatly influenced her perspective as an educator, and it inspired scholarship on education practices as seen in her book, Teaching to Transgress: Education as the Practice of Freedom.[14] She graduated from Hopkinsville High School before obtaining her BA in English from Stanford University in 1973,[15] and her MA in English from the University of Wisconsin–Madison in 1976.[16] During this time, Watkins was writing her book Ain't I a Woman: Black Women and Feminism, which she began at the age of 19 (c. 1971)[17] and then published (as bell hooks) in 1981.[4]
In 1983, after several years of teaching and writing, hooks completed her doctorate in English at the University of California, Santa Cruz, with a dissertation on author Toni Morrison entitled "Keeping a Hold on Life: Reading Toni Morrison's Fiction."[18][19]
Influences
[edit]Included among hooks' influences is the American abolitionist and feminist Sojourner Truth. Truth's "Ain't I a Woman?" inspired hooks' first major book.[20] Also, the Brazilian educator Paulo Freire is mentioned in hooks' book Teaching to Transgress. His perspectives on education are present in the first chapter, "engaged pedagogy."[21] Other influences include Peruvian theologian Gustavo Gutiérrez,[22] psychologist Erich Fromm,[23] playwright Lorraine Hansberry,[24] Buddhist monk Thích Nhất Hạnh,[25] and African American writer James Baldwin.[26]
Teaching and writing
[edit]She began her academic career in 1976 as an English professor and senior lecturer in ethnic studies at the University of Southern California.[27] During her three years there, Golemics, a Los Angeles publisher, released her first published work, a chapbook of poems titled And There We Wept (1978),[28] written under the name "bell hooks." She had adopted her maternal great-grandmother's name as her pen name because, as she later put it, her great-grandmother "was known for her snappy and bold tongue, which [she] greatly admired."[8] She also said she put the name in lowercase letters to convey that what is most important to focus upon is her works, not her personal qualities: the "substance of books, not who [she is]."[29] On the unconventional lowercasing of her pen name, hooks added that, "When the feminist movement was at its zenith in the late '60s and early '70s, there was a lot of moving away from the idea of the person. It was: Let's talk about the ideas behind the work, and the people matter less... It was kind of a gimmicky thing, but lots of feminist women were doing it."[30]
In the early 1980s and 1990s, hooks taught at several post-secondary institutions, including the University of California, Santa Cruz, San Francisco State University, Yale (1985 to 1988, as assistant professor of African and Afro-American studies and English),[31] Oberlin College (1988 to 1994, as associate professor of American literature and women's studies), and, beginning in 1994, as distinguished professor of English at City College of New York.[32][33]
South End Press published her first major work, Ain't I a Woman? Black Women and Feminism, in 1981, though she had started writing it years earlier at the age of 19, while still an undergraduate.[13][34] In the decades since its publication, Ain't I a Woman? has been recognized for its contribution to feminist thought, with Publishers Weekly in 1992 naming it "One of the twenty most influential women's books in the last 20 years."[35] Writing in The New York Times in 2019, Min Jin Lee said that Ain't I a Woman "remains a radical and relevant work of political theory. She lays the groundwork of her feminist theory by giving historical evidence of the specific sexism that black female slaves endured and how that legacy affects black womanhood today."[31] Ain't I a Woman? examines themes including the historical impact of sexism and racism on black women, devaluation of black womanhood,[36] media roles and portrayal, the education system, the idea of a white-supremacist-capitalist-patriarchy and the marginalization of black women.[37]
At the same time, hooks became significant as a leftist and postmodern political thinker and cultural critic.[38] She published more than 30 books,[3] ranging in topics from black men, patriarchy, and masculinity to self-help; engaged pedagogy to personal memoirs; and sexuality (in regards to feminism and politics of aesthetics and visual culture). Reel to Real: race, sex, and class at the movies (1996) collects film essays, reviews, and interviews with film directors.[39] In The New Yorker, Hua Hsu said these interviews displayed the facet of hooks' work that was "curious, empathetic, searching for comrades."[5]
In Feminist Theory: From Margin to Center (1984), hooks develops a critique of white feminist racism in second-wave feminism, which she argued undermined the possibility of feminist solidarity across racial lines.[40]
As hooks argued, communication and literacy (the ability to read, write, and think critically) are necessary for the feminist movement because without them people may not grow to recognize gender inequalities in society.[41]
In Teaching to Transgress (1994), hooks' attempts a new approach to education for minority students.[42] Particularly, hooks' strives to make scholarship on theory accessible to "be read and understood across different class boundaries."[43]
In 2002, hooks gave a commencement speech at Southwestern University. Eschewing the congratulatory mode of traditional commencement speeches, she spoke against what she saw as government-sanctioned violence and oppression, and admonished students who she believed went along with such practices.[44][45] The Austin Chronicle reported that many in the audience booed the speech, though "several graduates passed over the provost to shake her hand or give her a hug."[44]
In 2004, she joined Berea College as Distinguished Professor in Residence.[46] Her 2008 book, belonging: a culture of place, includes an interview with author Wendell Berry as well as a discussion of her move back to Kentucky.[47] She was a scholar in residence at The New School on three occasions, the last time in 2014.[48] Also in 2014, the Bell Hooks Institute was founded at Berea College,[4] where she donated her papers in 2017.[49]
During her time at Berea College, hooks also founded the bell hooks center[50] along with professor Dr. M. Shadee Malaklou.[51] The center was established to provide underrepresented students, especially black and brown, femme, queer, and Appalachian individuals at Berea College, a safe space where they can develop their activist expression, education, and work.[52] The center cites hooks' work and her emphasis on the importance of feminism and love as the inspiration and guiding principles of the education it offers. The center offers events and programming with an emphasis on radical feminist and anti-racist thought.[51]
She was inducted into the Kentucky Writers Hall of Fame in 2018.[3][53]
In 2020, during the George Floyd protests, there was a resurgence of interest in hooks' work on racism, feminism, and capitalism.[54]
Personal life and death
[edit]Regarding her sexual identity, hooks described herself as "queer-pas-gay."[55][56][57] She used the term "pas" from the French language, translating to "not" in the English language. She describes being queer in her own words as "not who you're having sex with, but about being at odds with everything around it."[58] She stated, "As the essence of queer, I think of Tim Dean's work on being queer and queer not as being about who you're having sex with—that can be a dimension of it—but queer as being about the self that is at odds with everything around it and it has to invent and create and find a place to speak and to thrive and to live."[59] During an interview with Abigail Bereola in 2017, hooks revealed to Bereola that she was single while they discussed her love life. During the interview, hooks told Bereola, "I don't have a partner. I've been celibate for 17 years. I would love to have a partner, but I don't think my life is less meaningful."[60]
On December 15, 2021, bell hooks died from kidney failure at her home in Berea, Kentucky, aged 69.[3]
Buddhism
[edit]Through her interest in Beat poetry and after an encounter with the poet and Buddhist Gary Snyder, hooks was first introduced to Buddhism in her early college years.[61] She described herself as finding Buddhism as part of a personal journey in her youth, centered on seeking to recenter love and spirituality in her life and configure these concepts into her focus on activism and justice.[62] After her initial exposures to Buddhism, hooks incorporated it into her Christian upbringing and this combined Christian-Buddhist thought influenced her identity, activism, and writing for the remainder of her life.[63]
She was drawn to Buddhism because of the personal and academic framework it offered her to understand and respond to suffering and discrimination as well as love and connection. She describes the Christian-Buddhist focus on everyday practice as fulfilling the centering and grounding needs of her everyday life.[64]
Buddhist thought, especially the work of Thích Nhất Hạnh, appears in multiple of hooks' essays, books, and poetry.[63] Buddhist spirituality also played a significant role in the creation of love ethic which became a major focus in both her written work and her activism.[65]
Legacy and impact
[edit]Bell hooks was included in Utne Reader's 1995 "100 Visionaries Who Could Change Your Life"[66] and included in TIME magazine's "100 Women of the Year" in 2020, where she was described as "that rare rock star of a public intellectual who reaches wide by being accessible".[67]
With a literary repertoire comprising over 30 books and contributions to prominent magazines such as Ms., Essence, and Tricycle: The Buddhist Review, hooks commands attention with her blend of social commentary, autobiography, and feminist critique. Regardless of the subject matter, her writings consistently display scholarly rigor conveyed through accessible prose.
Prior to her tenure at Berea College, hooks held teaching positions at esteemed institutions like Stanford, Yale, and The City College of New York. Her influence transcends academia, as evidenced by her residencies both in the United States and abroad. In 2014, St. Norbert College dedicated an entire year to celebrating her contributions with "A Year of bell hooks."[68]
The popularity of hooks' writing surged amidst the racial justice movements ignited by the deaths of George Floyd and Breonna Taylor in 2020, with her book All About Love: New Visions entering the New York Times bestseller list over 20 years after its publication.[69]
Films
[edit]- Black is... Black Ain't (1994)[70]
- Give a Damn Again (1995)[71]
- Cultural Criticism and Transformation (1997)[15]
- My Feminism (1997)[72]
- Voices of Power (1999)[73]
- BaadAsssss Cinema (2002)[74]
- I Am a Man: Black Masculinity in America (2004)[75]
- Happy to Be Nappy and Other Stories of Me (2004)[76]
- Is Feminism Dead? (2004)[77]
- Fierce Light: When Spirit Meets Action (2008)[78]
- Occupy Love (2012)[79]
- Hillbilly (2018)[80]
Awards and nominations
[edit]- Yearning: Race, Gender, and Cultural Politics: The American Book Awards / Before Columbus Foundation Award (1991)[81]
- bell hooks: The Writer's Award from the Lila Wallace–Reader's Digest Fund (1994)[82]
- Happy to Be Nappy: NAACP Image Award nominee (2001)[83]
- Homemade Love: The Bank Street College Children's Book of the Year (2002)[84]
- Salvation: Black People and Love: Hurston/Wright Legacy Award nominee (2002)[85]
- bell hooks: Utne Reader's "100 Visionaries Who Could Change Your Life"[6][86]
- bell hooks: The Atlantic Monthly's "One of our nation's leading public intellectuals"[86]
- bell hooks: Time 100 Women of the Year, 2020[87]
Published works
[edit]Adult books
[edit]- And There We Wept: poems. Los Angeles, California: Golemics. 1978. OCLC 6230231.
- Ain't I a Woman?: Black women and feminism. Boston, Massachusetts: South End Press. 1981. ISBN 978-0-89608-129-1.
- Feminist Theory: From Margin to Center. South End Press. 1984. ISBN 978-0-89608-613-5.
- Talking Back: Thinking feminist, thinking Black. Between the Lines. 1989. ISBN 978-0-921284-09-3. Excerpted in Busby, Margaret, ed. (1992). Daughters of Africa. New York, New York: Pantheon Books.
- Yearning: Race, Gender, and Cultural Politics. Boston, Massachusetts: South End Press. 1990. ISBN 978-1-1-38821-75-0.
- With Cornel West, Breaking bread: insurgent Black intellectual life. Boston, Massachusetts: South End Press. 1991. ISBN 978-0-89608-414-8.
- Black Looks: Race and representation. Boston, Massachusetts: South End Press. 1992. ISBN 978-0-89608-434-6.
- Sisters of the Yam: Black women and self-recovery. Boston, Massachusetts: South End Press. 1993. ISBN 978-1138821682.
- Teaching to transgress: education as the practice of freedom. New York: Routledge. 1994. ISBN 978-0-415-90808-5.
- Outlaw Culture: Resisting Representations. New York: Routledge. 1994. ISBN 978-0-415-90811-5.
- Killing rage: ending racism. New York: Henry Holt and Co. 1995. ISBN 978-0-8050-5027-1.
- Art on my mind: visual politics. New York: The New Press. 1995. ISBN 978-1-56584-263-2.
- hooks, bell (1996). Reel to Real: Race, Sex, and Class at the Movies. Psychology Press. ISBN 978-0-415-91824-4.
- Bone Black: Memories of Girlhood. New York: Henry Holt & Co. 1996. ISBN 978-0-8050-4146-0.
- Wounds of Passion: A writing life. New York: Henry Holt & Co. 1997. ISBN 978-0-8050-5722-5.
- Remembered Rapture: the writer at work. Henry Holt and Co. 1999. ISBN 978-0-8050-5910-6.
- hooks, bell (2000). Justice: childhood love lessons. HarperCollins. ISBN 978-0-688-16844-5.
- All About Love: New Visions. New York: William Morrow. 2000. ISBN 978-0-06-095947-0.
- Feminism is for everybody: passionate politics. Cambridge, Massachusetts: South End Press. 2000. ISBN 978-0-89608-628-9.
- Where we stand: class matters (PDF). Routledge. 2000. ISBN 978-0-415-92913-4.
- Salvation: Black people and love. New York: Perennial. 2001. ISBN 978-0-06-095949-4.
- Communion: the female search for love. New York, New York: Perennial. 2002. ISBN 978-0-06-093829-1.
- Teaching community: a pedagogy of hope. New York: Routledge. 2003. ISBN 978-0-415-96818-8.
- Rock my soul: Black people and self-esteem. New York, New York: Atria Books. 2003. ISBN 978-0-7434-5605-0.
- The will to change: men, masculinity, and love. New York: Atria Books. 2004. ISBN 978-0-7434-5607-4. OCLC 53930053.
- We Real Cool: Black Men and Masculinity. New York, New York: Routledge. 2004. ISBN 978-0-203-64220-7.
- Soul Sister: Women, Friendship, and Fulfillment. Cambridge, Massachusetts: South End Press. 2005. ISBN 978-0-89608-735-4.
- With Amalia Mesa-Bains, Homegrown: engaged cultural criticism. Cambridge, Massachusetts: South End Press. 2006. ISBN 978-0-89608-759-0.
- Belonging: a culture of place. New York, New York: Routledge. 2009. ISBN 978-0-203-88801-8.
- Teaching Critical Thinking: practical wisdom. New York, New York: Routledge. 2010. ISBN 978-0-415-96820-1.
- Appalachian Elegy: poetry and place. Kentucky Voices Series. Lexington: University Press of Kentucky. 2012. ISBN 978-0-8131-3669-1.
- Writing Beyond Race: Living Theory and Practice. New York, NY: Routledge. 2013. ISBN 978-0-415-53914-2.
- With Stuart Hall, Uncut Funk: A Contemplative Dialogue, Foreword by Paul Gilroy. New York, NY: Routledge. 2018. ISBN 978-1138102101.
Children's books
[edit]- Happy to be Nappy. Chris Raschka (illustrator). Little, Brown Books for Young Readers. 1999. ISBN 978-0-7868-2377-2.
{{cite book}}: CS1 maint: others (link) - Homemade Love. New York: Hyperion Books for Children. 2002. ISBN 978-0786825530.
- Be boy buzz. New York: Hyperion Books for Children. 2002. ISBN 978-0786816439.
- Skin again. Chris Raschka (illustrator). New York: Hyperion Books for Children. 2004. ISBN 9780786808250.
{{cite book}}: CS1 maint: others (link) - Grump groan growl. Chris Raschka (illustrator). New York: Hyperion Books for Children. 2008. ISBN 978-0786808168.
{{cite book}}: CS1 maint: others (link)
Book sections
[edit]- hooks, bell (1993), "Black women and feminism", in Richardson, Laurel; Taylor, Verta A. (eds.), Feminist frontiers III, New York: McGraw-Hill, pp. 444–449, ISBN 978-0075570011.
- hooks, bell (1996), "Continued devaluation of Black womanhood", in Jackson, Stevi; Scott, Sue (eds.), Feminism and sexuality: a reader, New York: Columbia University Press, pp. 216–223, ISBN 978-0231107082.
- hooks, bell (1997), "Sisterhood: political solidarity between women", in McClintock, Anne; Mufti, Aamir; Shohat, Ella (eds.), Dangerous liaisons: gender, nation, and postcolonial perspectives, Minnesota, Minneapolis: University of Minnesota Press, pp. 396–414, ISBN 978-0816626496.
- hooks, bell (2004), "Selling hot pussy: representations of Black female sexuality in the cultural marketplace", in Richardson, Laurel; Taylor, Verta A.; Whittier, Nancy (eds.), Feminist frontiers (5th ed.), Boston: McGraw-Hill, pp. 119–127, ISBN 978-0072824230. Pdf.
- hooks, bell (2005), "Black women: shaping feminist theory", in Cudd, Ann E.; Andreasen, Robin O. (eds.), Feminist theory: a philosophical anthology, Oxford, UK; Malden, Massachusetts: Blackwell Publishing, pp. 60–68, ISBN 978-1405116619.
- hooks, bell (2009), "Lorde: The Examination of Justice", in Byrd, Rudolph P.; Cole, Johnnette Betsch; Guy-Sheftall, Beverly (eds.), I Am Your Sister: Collected and Unpublished Writings of Audre Lorde, New York: Oxford University Press, pp. 242–248, ISBN 978-0199846450.
References
[edit]Citations
[edit]- ^ Smith, Dinitia (September 28, 2006). "Tough arbiter on the web has guidance for writers". The New York Times. p. E3. Archived from the original on July 3, 2018. Retrieved February 21, 2017.
But the Chicago Manual says it is not all right to capitalize the name of the writer bell hooks because she insists that it be lower case.
- ^ Holland, Jennifer L. (2020). Tiny you: a western history of the anti-abortion movement. Oakland, California: University of California Press. ISBN 978-0-520-96847-9.
- ^ a b c d Knight, Lucy (December 15, 2021). "Bell Hooks, author and activist, dies aged 69". The Guardian. Archived from the original on December 15, 2021. Retrieved December 15, 2021.
- ^ a b c Tikkanen, Amy (November 27, 2019). "Bell Hooks | American scholar". Encyclopaedia Britannica. Stanford University. Retrieved March 31, 2022.
- ^ a b c d Hsu, Hua (December 15, 2021). "The Revolutionary Writing of Bell Hooks". The New Yorker. Archived from the original on December 16, 2021. Retrieved December 16, 2021.
- ^ a b "Get to Know Bell Hooks". The Bell Hooks center. Archived from the original on December 15, 2021. Retrieved December 15, 2021.
- ^ "About the Bell Hooks institute". Bell Hooks institute. Archived from the original on January 8, 2021. Retrieved December 17, 2021., via archive.org
- ^ a b hooks, bell, "Inspired Eccentricity: Sarah and Gus Oldham" in Sharon Sloan Fiffer and Steve Fiffer (eds), Family: American Writers Remember Their Own, New York: Vintage Books, 1996, p. 152.
hooks, bell, Talking Back, Routledge, 2014 [1989], p. 161.
- ^ Risen, Clay (December 15, 2021). "Bell Hooks, Pathbreaking Black Feminist, Dies at 69". The New York Times. ISSN 0362-4331. Archived from the original on December 15, 2021. Retrieved December 15, 2021.
- ^ Medea, Andra (1997). "hooks, bell (1952–)". In Hine, Darlene Clark (ed.). Facts on File Encyclopedia of Black Women in America. New York: Facts on File. pp. 100–101. ISBN 0-8160-3425-7. OCLC 35209436.
- ^ "Bone Black". Kirkus Reviews. August 15, 1996. Retrieved December 22, 2021.
- ^ Busby, Margaret (December 17, 2021). "Bell Hooks obituary | Trailblazing writer, activist and cultural theorist who made a pivotal contribution to Black feminist thought". The Guardian.
- ^ a b Le Blanc, Ondine E. (1997). "Bell Hooks 1952–". In Bigelow, Barbara Carlisle (ed.). Contemporary Black Biography. Vol. 5. Gale. pp. 125–129. ISBN 978-1-4144-3543-5. ISSN 1058-1316. OCLC 527366247.
- ^ "Teaching to Transgress – Books". Act Build Change. July 14, 2020. Retrieved March 15, 2023.
- ^ a b Kumar, Lisa, ed. (2007). "hooks, bell 1952–". Something about the Author. Vol. 170. Gale. pp. 112–116. ISBN 978-1-4144-1071-5. ISSN 0276-816X. OCLC 507358041.
- ^ Scanlon, Jennifer (1999). Significant Contemporary American Feminists: A Biographical Sourcebook. Westport, CT: Greenwood Press. pp. 125–132. ISBN 978-0313301254.
- ^ "Remembering Bell Hooks (1952-2021)". December 2021.
- ^ hooks, bell (1983). Keeping a hold on life: reading Toni Morrison's fiction (Thesis). OCLC 9514473. Archived from the original on December 15, 2021. Retrieved December 15, 2021. WorldCat.
- ^ hooks, bell (1983). Keeping a Hold on Life: Reading Toni Morrison's Fiction. University of California, Santa Cruz.
- ^ Lee, Min Jin (February 28, 2019). "In Praise of Bell Hooks". The New York Times. ISSN 0362-4331. Retrieved March 15, 2023.
- ^ hooks, bell (1994). Teaching to transgress : education as the practice of freedom. New York. ISBN 0-415-90807-8. OCLC 30668295.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ Sarkar, Somnath (July 11, 2021). "Aint I a Woman? | Feminist Theory of Bell Hooks". All About English Literature. Retrieved March 15, 2023.
- ^ Richards, Aleta (September 22, 2000). "All About Love. (Book reviews: love everybody right now)". Civil Rights Journal. 5 (1): 58–61.
- ^ Trescott, Jacqueline (February 9, 1999). "A WOMAN OF HER WORDS". The Washington Post. ISSN 0190-8286. Retrieved March 15, 2023.
- ^ "Bell Hooks tells the story of the first time she met Thich Nhat Hanh - Lions Roar". December 21, 2017. Retrieved March 15, 2023.
- ^ hooks, bell. "Why James Baldwin Is Important: Books, Quotes, Essays, Poems, Movie, Biography * Bell Hooks Books". Retrieved March 15, 2023.
- ^ Hampton, Bonita (2007). "hooks, bell (1952–)". In Anderson, Gary L.; Herr, Kathryn G. (eds.). Encyclopedia of Activism and Social Justice. Vol. 2. SAGE Publishing. pp. 704–706. doi:10.4135/9781412956215.n418. ISBN 978-1-4129-1812-1.
- ^ Glikin, Ronda (1989). Black American Women in Literature: A Bibliography, 1976 through 1987. McFarland & Company. p. 73. ISBN 0-89950-372-1. OCLC 18986103.
- ^ Williams, Heather (March 26, 2013). "Bell Hooks Speaks Up". The Sandspur. p. 1. Archived from the original on February 28, 2021. Retrieved November 10, 2019 – via Issuu.
- ^ Lowens, Randy (February 14, 2018). "How Do You Practice Intersectionalism? An Interview with Bell Hooks". Black Rose/Rosa Negra Anarchist Federation. Archived from the original on December 15, 2021. Retrieved December 17, 2021.
- ^ a b Lee, Min Jin (February 28, 2019). "In Praise of Bell Hooks". The New York Times. ISSN 0362-4331. Archived from the original on December 15, 2021. Retrieved December 15, 2021.
- ^ Leatherman, Courtney (May 19, 1995). "The Real Bell Hooks". The Chronicle of Higher Education. Archived from the original on December 16, 2021. Retrieved December 16, 2021.
- ^ "Bell Hooks." Contemporary Authors Online, Gale, 2010. Literature Resource Center. Retrieved June 12, 2018.
- ^ "Bell hooks | Biography, Books, & Facts | Britannica". www.britannica.com. September 21, 2024. Retrieved October 15, 2024.
- ^ Smith, Gerald L.; McDaniel, Karen Cotton; Hardin, John A. (August 28, 2015). The Kentucky African American Encyclopedia. University Press of Kentucky. ISBN 978-0-8131-6067-2. Archived from the original on December 16, 2021. Retrieved December 16, 2021.
- ^ Guy-Sheftall, Beverly; Ikerionwu, Maria K. Mootry; hooks, bell (1983). "Black Women and Feminism: Two Reviews". Phylon. 44 (1): 84. doi:10.2307/274371. JSTOR 274371.
- ^ Wake, Paul; Malpas, Simon, eds. (June 19, 2013). The Routledge Companion to Critical and Cultural Theory (PDF). Routledge. pp. 241–242. doi:10.4324/9780203520796. ISBN 978-1-134-12327-8. Archived (PDF) from the original on April 14, 2021. Retrieved December 16, 2021.
- ^ "Bell Hooks". Utne. January 1, 1995. Archived from the original on December 16, 2021. Retrieved December 16, 2021.
- ^ Winchester, James (1999). "Reel to Real: Race, Sex, and Class at the Movies". The Journal of Aesthetics and Art Criticism. 57 (3): 388. doi:10.2307/432214. JSTOR 432214.
- ^ Isoke, Zenzele (December 2019). "Bell Hooks: 35 Years from Margin to Center – Feminist Theory: From Margin to Center. By Bell Hooks. New York: Routledge, [1984] 2015. 180 pp. 23.96 (paperback)". Politics & Gender. 15 (4). doi:10.1017/S1743923X19000643. ISSN 1743-923X. S2CID 216525770.
- ^ Olson, Gary A. (1994). "Bell Hooks and the Politics of Literacy: A Conversation". Journal of Advanced Composition. 14 (1): 1–19. ISSN 0731-6755. JSTOR 20865945.
- ^ "Teaching to Transgress: Education as the Practice of Freedom * Bell Hooks Books". Retrieved March 15, 2023.
- ^ Judd, Caitlin (December 31, 2021). "What Bell Hooks taught me". Cambridge Girl Talk. Archived from the original on September 20, 2023. Retrieved January 17, 2024.
{{cite web}}: CS1 maint: unfit URL (link) - ^ a b Apple, Lauri (May 24, 2002). "Bell Hooks Digs In". The Austin Chronicle. Archived from the original on December 22, 2013. Retrieved December 11, 2013.
- ^ Kilker, Jean (May 24, 2002). "Postmarks – Southwestern Graduation Debacle". The Austin Chronicle. Archived from the original on October 15, 2014. Retrieved December 11, 2013.
- ^ "Faculty and Staff". Berea College. Archived from the original on May 28, 2010. Retrieved December 15, 2021.
- ^ hooks, bell (January 1, 2009). Belonging: a culture of place. Routledge. ISBN 9780415968157. OCLC 228676700.
- ^ "Bell Hooks returns for Third Residency at The New School". The New School. September 18, 2014. Archived from the original on November 7, 2016. Retrieved December 16, 2021.
- ^ Burke, Minyvonne; Garcia, Michelle (December 15, 2021). "Acclaimed author and activist Bell Hooks dies at 69". NBC News. Retrieved December 25, 2021.
- ^ Introducing the bell hooks center. Retrieved April 1, 2024 – via www.youtube.com.
- ^ a b "The Bell Hooks center at Berea College - Feminism is for everybody". The Bell Hooks center. Retrieved November 11, 2022.
- ^ "About the Bell Hooks center". The Bell Hooks center. Retrieved November 11, 2022.
- ^ Potter, Leslie (January 31, 2018). "Four Kentucky authors were inducted into the Kentucky Writers Hall of Fame". Kentucky Educational Television.
- ^ Bernstein, Sharon (December 15, 2021). "Black feminist writer and intellectual Bell Hooks dies at 69". Reuters. Retrieved March 15, 2023.
- ^ Ring, Trudy (December 15, 2021). "Queer Black Feminist Writer Bell Hooks Dies at 69". The Advocate. Archived from the original on December 15, 2021. Retrieved December 15, 2021.
- ^ Goodman, Elyssa (March 12, 2019). "How Bell Hooks Paved the Way for Intersectional Feminism". them. Archived from the original on December 15, 2021. Retrieved December 16, 2021.
- ^ Peake, Amber (December 16, 2021). "'Queer-pas-gay' identity meaning explored as Bell Hooks dies aged 69". The Focus. Archived from the original on December 29, 2021. Retrieved December 29, 2021.
- ^ "Bell Hooks - Are You Still a Slave? Liberating the Black Female Body | Eugene Lang College". The New School. May 7, 2014. Retrieved March 7, 2022.
- ^ Peake, Amber (December 16, 2021). "'Queer-pas-gay' identity meaning explored as Bell Hooks dies aged 69". TheFocus. Archived from the original on December 29, 2021. Retrieved March 7, 2022.
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- ^ Tworkov, Helen (January 9, 2017). "Agent of Change". Tricycle: The Buddhist Review. Retrieved November 11, 2022.
- ^ hooks, bell (March 24, 2017). "Building a Community of Love – Lion's Roar". Retrieved November 27, 2022.
- ^ a b Medine, Carolyn M. Jones Medine. "Bell Hooks, Black Feminist Thought, and Black Buddhism: A Tribute." Journal of World Philosophies. 7 (Summer 2022): pages 187–196.
- ^ Yancy, George; hooks, bell (December 10, 2015). "Bell Hooks: Buddhism, the Beats and Loving Blackness". Opinionator. Retrieved November 27, 2022.
- ^ Medine, C. M. J. "Bell Hooks, Black Feminist Thought, and Black Buddhism: A Tribute". Journal of World Philosophies, volume 7, number 1, July 2022, pages 187–196, https://scholarworks.iu.edu/iupjournals/index.php/jwp/article/view/5479 .
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Cited sources
[edit]- hooks, bell (2005). "Black women: shaping feminist theory". In Cudd, Ann E.; Andreasen, Robin O. (eds.). Feminist theory: a philosophical anthology. Oxford, UK; Malden, Massachusetts: Blackwell Publishing. pp. 60–68. ISBN 978-1405116619.
- hooks, bell (1992). Black Looks: Race and Representation. Boston: South End Press. ISBN 978-0-89608-434-6.
- hooks, bell (1996). Reel to Real: Race, Sex, and Class at the Movies. New York: Routledge. ISBN 978-0-415-91824-4.
- McCluskey, Audrey Thomas (2007). Frame by Frame III: A Filmography of the African Diasporan Image, 1994–2004. Indiana University Press. ISBN 978-0-253-34829-6. Archived from the original on January 15, 2017. Retrieved December 15, 2021.
Further reading
[edit]- hooks, bell; Trend, David (1996), "Representation and democracy an interview", in Trend, David (ed.), Radical democracy: identity, citizenship, and the state, New York: Routledge, pp. 228–236, ISBN 978-0415912471
- Florence, Namulundah (1998). bell hooks' Engaged Pedagogy. Westport, Connecticut: Bergin & Garvey. ISBN 978-0-89789-564-4. OCLC 38239473.
- Leitch et al., eds. "bell hooks". The Norton Anthology of Theory and Criticism. New York: W. W. Norton & Company, 2001. pp. 2475–2484. ISBN 0-393-97429-4
- South End Press Collective, ed. (1998). "Critical Consciousness for Political Resistance". Talking About a Revolution. Cambridge: South End Press. pp. 39–52. ISBN 978-0-89608-587-9. OCLC 38566253.
- Stanley, Sandra Kumamoto, ed. (1998). Other Sisterhoods: Literary Theory and U.S. Women of Color. Chicago: University of Illinois Press. ISBN 978-0-252-02361-3. OCLC 36446785.
- Wallace, Michele (1998). Black Popular Culture. New York: The New Press. ISBN 978-1-56584-459-9. OCLC 40548914.
- Whitson, Kathy J. (2004). Encyclopedia of Feminist Literature. Westport, Connecticut: Greenwood Publishing Group. pp. 110–111. ISBN 978-0-313-32731-5. OCLC 54529420.
External links
[edit]
Media from Commons
Quotations from Wikiquote
Data from Wikidata
- bell hooks papers (archival finding aid published by Berea College Special Collections & Archives)
- bell hooks articles published in Lion's Roar magazine.
- South End Press (books by hooks published by South End Press)
- University of California, Santa Barbara (biographical sketch of hooks)
- "Postmodern Blackness" (article by hooks)
- Whole Terrain (articles by hooks published in Whole Terrain)
- Challenging Capitalism & Patriarchy (interviews with hooks by Third World Viewpoint)
- Ingredients of Love (an interview with Ascent magazine)
- bell hooks at IMDb
- Appearances on C-SPAN
- Lawrence Chua, "bell hooks" (interview), BOMB magazine, July 1, 1994
- "bell hooks remembered: 'She embodied everything I wanted to be'", The Guardian, December 16, 2021.
- "For bell hooks", Media Diversified, December 16, 2021.
- "Remembering bell hooks & Her Critique of 'Imperialist White Supremacist Heteropatriarchy'". Democracy Now!
- "bell hooks - Are You Still a Slave? Liberating the Black Female Body | Eugene Lang College", The New School (via YouTube), May 6, 2014.
