Pouya Saraei

Pouya Saraei پویا سرایی
Pouya Saraei
Background information
Born	(1983-04-18) 18 April 1983 (age 41)[1] Tehran
Genres	Persian classical music symphonic music chamber music
Occupations	Composer arranger conductor lecturer musician researcher
Labels	Sony Music Navona Records[2] Naxoslicensing[3] IDAGIO Delawaz Avaye barbad Naxos Records Centaur Records Robamusic

Pouya Saraei (Persian: پویا سرایی) is an Iranian composer, arranger, conductor,^[4] lecturer,^[5] music critic, researcher, and musician.^[6][7][8]

Saraei began playing the santur at age seven, taking lessons from Javad Bathaie, Faramarz Payvar, Hossein Alizadeh, Pashang Kamkar, Dariush Talai, Mostafa Kamal Pourtorab, Hassan Riahi, Sharif Lotfi, Farid Omran, Majid Derakhshani, and Mohammad-Reza Lotfi.^[4]

He has played the instrument on over 220 musical projects, including on Schiller's album Morgenstund, which topped the German music charts,^[9] and the first track of Modes, composed by Karen Keyhani^[10] and published by Navona Records.^[11] He worked on the album In The Name Of The Red Rose with Dastan Ensemble and Salar Aghili.

Saraei performed in Europe as a part of the "Simorq" project, conducted by Hooman Khalatbari, performed by Homayoun Shajarian, and composed by Hamid Motebassem.^[1] He has composed and arranged several works, including Gahi, Segahi, a Persian traditional music album. His second album, In Sare Sodaei, was a collaboration with Pejman Hadadi. He has played with the Eshtiagh Orchestra and Alireza Ghorbani in Iran,^[12] as well as in music festivals in Switzerland, China, and France.^[13][14][15] Saraei has conducted the orchestra for the Komitas State Conservatory of Yerevan.^[16] His works were showcased in an exhibition during the Vienna International Book Fair.^[17]

Saraei holds a PhD in art studies from Tehran University and is a professor and maestro at Tehran University of Art, University of Tehran, and Islamic Azad University. He is on the editorial board of the Mehregani Magazine^[18] and has written multiple articles and critical reviews. He is also one of the speakers and performers in international conference of persian music at Martin Luther University of Halle-Wittenberg in Germany.^[19]

• Gahi segahi (composer), sung by Mohammad Motamedi
• In Sare Sodaei (composer) with Pejman Hadadi

• "Ey jane jan bi man maro", sung by Homayoun Shajarian
• "In the Name of the Red Rose", sung by Salar Aghili
• "As Far as Possible" on Modes (Soloist) Released by Navona Records
• "Aeene Farzanegi" (arranger and composer) sung by Salar Aghili^[22]
• "Bahaare Delkash" sung by Salar Aghili^[23]
• "Chakad e Honar" (arranger and composer) sung by Ali Zand Vakili^[24]
• "Shamsozzoha" (arranger and composer), sung by Hesamoddin Seraj^[25]
• "Janan" (composer)^[26]
• "Sarandaz" (arrangement) composed by Parviz Meshkatian^[27]
• "Khayyam recital" composed by Peyman Soltani^[28]
• "Dauntless" (arranger) sung by Mohammad Motamedi^[29]
• "Hidden Found"^[30]
• "Hafez" (composer) sung by Sadeq Sheikhzadeh^[31]
• "Shab-E Bi Setareh" (composer), sung by Ghaffar Zabeh^[32]
• "Chaharmezrabe Esfahan" (arranger)^[33]
• "The Legend of Your Face" (composer)^[34]
• "The Rain" (composer)^[35]
• "Moment" (composer)^[36]
• Morgenstund composed by Schiller (band)^[37]
• "Zaayandeh-Roud", rhapsody for symphonic orchestra (composer), published by IDAGIO^[38]
• "Desert", santur with ensemble and orchestra (composer), published by East Music.
• "Intuition", Instrumental. Published by East Music.
• "My Iran" for symphonic orchestra (Composer). Published by East Music.
• "Roshana", santur (improvisation), published by East Music.
• "Sensation", santur (improvisation), published by East Music.^[39]
• "Nava" for symphonic orchestra, published by Centaur Records.^[40]